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The Man Who Carried Cash: Saul Holiff, Johnny Cash, and the Making of an American Icon
by Julie ChadwickThe unlikely, rocky relationship between an American country superstar and his straightlaced Canadian manager. Before there was Johnny and June, there was Johnny and Saul. The Man Who Carried Cash chronicles a relationship that was both volatile and affectionate between Johnny Cash and his manager, Saul Holiff. From roadside taverns to the roaring crowds at Madison Square Garden, from wrecked cars and jail cells all the way to the White House, the story of Johnny and Saul is a portrait of two men from different worlds who were more alike than either cared to admit. Saul handled the bookings and the no-shows, the divorce and the record deals, drugs, overdoses, and arrests. He was there for the absolute worst of times, but also for the best: Carnegie Hall, Folsom Prison, “A Boy Named Sue,” and Cash’s hit television series. But in 1973, at the zenith of Cash’s career, Saul quit. Until now, no one knew why.
The Man Who Sold the World: David Bowie and the 1970s
by Peter DoggettThe Man Who Sold the World is a critical study of David Bowie's most inventive and influential decade, from his first hit, "Space Oddity," in 1969, to the release of the LP Scary Monsters (and Super Creeps) in 1980. Viewing the artist through the lens of his music and his many guises, the acclaimed journalist Peter Doggett offers a detailed analysis—musical, lyrical, conceptual, social—of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself.Dissecting close to 250 songs, Doggett traces the major themes that inspired and shaped Bowie's career, from his flirtations with fascist imagery and infatuation with the occult to his pioneering creation of his alter-ego self in the character of Ziggy Stardust. What emerges is an illuminating account of how Bowie escaped his working-class London background to become a global phenomenon. The Man Who Sold the World lays bare the evolution of Bowie's various personas and unrivaled career of innovation as a musician, singer, composer, lyricist, actor, and conceptual artist. It is a fan's ultimate resource—the most rigorous and insightful assessment to date of Bowie's artistic achievement during this crucial period.
The Management of Opera
by Philippe Agid Jean-Claude TarondeauThis book presents the current and future issues facing opera houses and opera companies. Problems in different environments need different solutions. In particular, it opposes the American method of managing cultural institutions, preferring a European one where public support and funds plays a major role.
Managing Artists in Pop Music: What Every Artist and Manager Must Know to Succeed
by Mitch Weiss Perri GaffneyMusic managers and artists will learn the secrets of successful management with scenarios from a manager's work life along with the legal and business skills to master them. Through stories of real-life famous artist-manager teams, the authors analyze, criticize, and detail what a manager ought to learn to be an effective advisor and representative.The book teaches future music managers and artists how to acquire clients, negotiate contracts, develop image, administer taxes and finances, and deal with promoters, media, attorneys, and unions. A special chapter addresses artists, advising them on what to look for in a manager, how to sign fair management contracts, and how to avoid career manipulation. Packed with industry guidelines, sample contracts, and sure-fire career tips from industry icons, this book is a professional springboard for music managers, recording artists, singers, and rock bands alike.
Manchester's Military Legacy (Military Legacy)
by Steven DickensThe establishment of the Roman fort of Mamucium in AD79 is the first known record of any military construction, or presence, in the area that is now the Castlefield district of the city. The Roman auxiliary units posted here used the fort as a garrison, located at Mamucium for the purpose of protecting the Roman road from Chester (Deva Victrix) to York (Eboracum). The site was previously occupied, as a defensive hill fort, by the ancient Britons, or Brigantes, who were native to the area.The next epoch of military activity at Manchester occurred in the Civil War and the Siege of Manchester in 1642. Manchesters declaration as a Parliamentarian town had far-reaching consequences, in terms of its military legacy, on the voting rights of Mancunians. Upon his restoration Charles II removed Manchesters two MPs from Parliament and Manchester was not to receive any political representation until the Reform Act of 1832.The Peterloo Massacre, of August 1819, was the scene of a mass rally brought about by a desire to repeal the Corn Laws, introduce universal suffrage and reform other repressive legislation. The cavalry charge which resulted in the deaths of an estimated eighteen innocent protesters and the wounding of over 500, took place at St. Peters Field (now Square) in the heart of the city. Its legacy resulted in the establishment of the Manchester Guardian and the rise of radical freethinking in the city, not always welcomed by those in authority.Both World Wars have had a profound influence on the city. The establishment of the Manchester Regiment is detailed and later the Manchester Pals are recalled through the pages of the local press. Heaton Park became their base, whilst General Kitchener visited the city, in order to boost recruitment. Later the Luftwaffes bombing campaign of December 1940, the Manchester Blitz, left the city with a legacy that has changed it beyond all recognition into the twenty-first century.
Mandolin Exercises For Dummies
by Don JulinLearn to:Build your skills playing scalesPlay arpeggios with confidenceMaster chord forms and progressionsPractise makes perfect with this hands-on resource for mandolin players of all skill levelsFor mandolin players, practise makes perfect! Use this hands-on resource to get the most out of your practise sessions. Get hundreds of exercises in various keys and positions, use drills to help practise time, build your technique like a pro, practise scales and full-length pieces, and much more. Take your mandolin playing to the next level today!Get ready -- pick up an overview of the fundamentals, use exercises to limber up, and much moreExplore arpeggios -- dive into the major and minor arpeggios with triad patterns, then move on to major 7th and minor 7th patternsAll about chords -- practise major and minor inversions, and get groovy with major 7th chord inversionsGet on the scales -- start up with the major scales, then move on to mastering the minor scales with practise exercisesTips and tricks -- get tips to help you practise better, including using a metronome, playing with recordings, and moreOpen the book and find:A full review of the basics and reading musicWarm-ups specific to mandolin playersMajor and minor scale patternsPractise exercises for chords and scalesTips and exercises for connecting scale patternsTricks for chord progressions, along with practise notesTen tunes to practise everything at once
Mandolin For Dummies
by Don JulinLearn how fretting and picking can entertain friends! The mandolin is making a big comeback among music enthusiasts. A longtime staple of bluegrass, folk, jazz, and country music, this fast-pickin’ favorite featured heavily in traditional music from around the world is now seeing a resurgence in global pop. In Mandolin For Dummies, accomplished composer, performer, and mandolin guru Don Julin breaks down the history and fundamentals of this versatile instrument, showing how you too can fret, pick, and strum with the best in the business. Packed with photos and diagrams to help you perfect your hand positioning, you’ll make your way through a plethora of mandolin-friendly musical styles and learn how to take good care of your instrument—paying it back for all the pleasure it brings to you and your friends. Buy the right mandolin for you Pick up key musical styles Play along with downloadable exercises Restring your instrument Whether this is your first instrument or you’re adding to your repertoire, this little number has everything you need to get the most out of your mandolin!
Mandolin For Dummies
by Don JulinThe fun and easy way to learn to play the mandolinThe newest addition to the highly successful Dummies instrument-instruction line, Mandolin For Dummies gives you easy-to-follow, step-by-step instruction on learning to play the mandolin. Following the time-tested Dummies format, Mandolin For Dummies provides a level of content and instruction greater than anything currently available.Mandolin For Dummies breaks down the fundamentals of this instrument and provides the resources you need to practice and improve your ability over time.Packed with individualized instruction on key mandolin-friendly musical styles, including Irish and Celtic, "old time" American music, blues, bluegrass, swing, and jazzFiles available via download provide audio tracks from the book and exercises so you can play along and build your skills -- almost 2 hours of music!Clear and useful photos and diagrams ensure you fret, strum, and pick with precisionIncludes a mandolin buying guide to help ensure you make the right purchasesTips on restringing mandolins and other DIY care and maintenance topicsIf you're an aspiring mandolin player, don't fret! Mandolin For Dummies has you covered.
Mandolin Man: The Bluegrass Life of Roland White (Music in American Life)
by Bob BlackRoland White’s long career has taken him from membership in Bill Monroe’s Blue Grass Boys and Lester Flatt’s Nashville Grass to success with his own Roland White Band. A master of the mandolin and acclaimed multi-instrumentalist, White has mentored a host of bluegrass musicians and inspired countless others. Bob Black draws on extensive interviews with White and his peers and friends to provide the first in-depth biography of the pioneering bluegrass figure. Born into a musical family, White found early success with the Kentucky Colonels during the 1960s folk revival. The many stops and collaborations that marked White's subsequent musical journey trace the history of modern bluegrass. But Black also delves into the seldom-told tale of White's life as a working musician, one who endured professional and music industry ups-and-downs to become a legendary artist and beloved teacher. An entertaining merger of memories and music history, Mandolin Man tells the overdue story of a bluegrass icon and his times.
Manic Street Preachers: Album by Album
by Marc BurrowsIn a career that’s spanned thirty-five years and generated fourteen albums, fifty-three singles (two of them UK number ones), four Brit Awards, two Ivor Novellas and inspired literally hundreds of university dissertations, quite a few PhD’s and the odd specialist subject on Mastermind, Manic Street Preachers have become, in the words of their 2011 singles collection, national treasures. The Welsh trio (who, to many, will always be a quartet) have a uniquely intense impact on their fans; educating them as much as they entertain and inspire. This book collects fourteen brand new essays, one for each Manics album, from fourteen different writers from diverse backgrounds, tracing the band’s impact on fans and culture and setting each of their works, from 1992’s Generation Terrorists to 2018’s Resistance Is Futile and beyond, into context. The essays are linked by a detailed month-by-month biography by music critic and Manics fan Marc Burrows (The Guardian, The Quietus, Drowned In Sound), who compiled and edited the book, tracing the band’s development from glamourpuss upstart intellectuals to the elder statesmen of British indie rock, via an era-defining run of hits, an historic trip to Cuba and one vanished genius. Manic Street Preachers: Album by Album includes a complete discography and is sourced from in-depth archival research, making it one of the most comprehensive and detailed works devoted to the band yet compiled.
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture (Asian American Experience #1)
by Mark R. VillegasAn obscured vanguard in hip hop Filipino Americans have been innovators and collaborators in hip hop since the culture’s early days. But despite the success of artists like Apl.de.Ap of the Black Eyed Peas and superstar producer Chad Hugo, the genre’s significance in Filipino American communities is often overlooked. Mark R. Villegas considers sprawling coast-to-coast hip hop networks to reveal how Filipino Americans have used music, dance, and visual art to create their worlds. Filipino Americans have been exploring their racial position in the world in embracing hip hop’s connections to memories of colonial and racial violence. Villegas scrutinizes practitioners’ language of defiance, placing the cultural grammar of hip hop within a larger legacy of decolonization. An important investigation of hip hop as a movement of racial consciousness, Manifest Technique shows how the genre has inspired Filipino Americans to envision and enact new ideas of their bodies, their history, and their dignity.
The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce
by Fred GoodmanIn 1964, on the brink of the British Invasion, the music business in America shunned rock and roll. There was no rock press, no such thing as artist management -- literally no rock-and-roll business. Today the industry will gross over $20 billion. How did this change happen? <P><P>From the moment Pete Seeger tried to cut the power at the 1965 Newport Folk Festival debut of Bob Dylan's electric band, rock's cultural influence and business potential have been grasped by a rare assortment of ambitious and farsighted musicians and businessmen. Jon Landau took calls from legendary producer Jerry Wexler in his Brandeis dorm room and went on to orchestrate Bruce Springsteen's career. Albert Grossman's cold-eyed assessment of the financial power at his clients' fingertips made him the first rock manager to blaze the trail that David Geffen transformed into a superhighway. Dylan's uncanny ability to keep his manipulation of the business separate from his art and reputation prefigured the savvy -- and increasingly cynical -- professionalism of groups like the Eagles. <P><P>Fred Goodman, a longtime rock critic and journalist, digs into the contradictions and ambiguities of a generation that spurned and sought success with equal fervor. The Mansion on the Hill, named after a song title used by Hank Williams, Neil Young, and Bruce Springsteen, breaks new ground in our understanding of the people and forces that have shaped the music. From the moment Pete Seeger tried to cut the power at the 1965 Newport Folk Festival debut of Bob Dylan's electric band, rock's cultural influence and business potential have been grasped by a rare assortment of ambitious and farsighted musicians and businessmen. Jon Landau took calls from legendary producer Jerry Wexler in his Brandeis dorm room and went on to orchestrate Bruce Springsteen's career. Albert Grossman's cold-eyed assessment of the financial power at his clients' fingertips made him the first rock manager to blaze the trail that David Geffen transformed into a superhighway. Dylan's uncanny ability to keep his manipulation of the business separate from his art and reputation prefigured the savvy -- and increasingly cynical -- professionalism of groups like the Eagles. Fred Goodman, a longtime rock critic and journalist, digs into the contradictions and ambiguities of a generation that spurned and sought success with equal fervor. The Mansion on the Hill, named after a song title used by Hank Williams, Neil Young, and Bruce Springsteen, breaks new ground in our understanding of the people and forces that have shaped the music.
The Manual of Musical Instrument Conservation
by Stewart PollensThis is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes equations, formulas, tables and step-by-step instructions.
Manuel de Falla and Visions of Spanish Music
by Michael ChristoforidisMichael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
Manuscript Inscriptions in Early English Printed Music (Music and Material Culture)
by David GreerWho were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of … T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
The Many Worlds of David Amram: Renaissance Man of American Music
by Dean BirkenkampIn a career spanning 70 years, composer, conductor, and multi-instrumentalist David Amram is hailed today as the creator of symphonic works, chamber music, and two operas; as a brilliant jazz and vocal improviser; and the composer of memorable stage and film scores. He has collaborated with many leading musicians, playwrights, artists, actors, and writers, including Jack Kerouac, Woody Guthrie, Leonard Bernstein, Dizzy Gillespie, Charlie Parker, Arthur Miller, Elia Kazan, Bob Dylan, Judy Collins, Elmira Darvarova, Paul Newman, Willie Nelson, Steve Earle, and hundreds more. An innovator who blended jazz and global folk styles with classical traditions, Amram’s career also emphasizes the creative potential of joyful collaboration. This new book offers a fascinating and wide-ranging picture of Amram’s work and influence, from the rich, pioneering days of 1950s America to today’s embrace of international cultures. It shows how Amram’s gift as an on-stage spontaneous creator enriches his formal classical composing. With multi-media links for readers, it is possible to see and hear film and audio highlights and adventures described in this book by important conductors, musicians, performers, scholars, and journalists. This book is the essential guide to a major figure in contemporary music.
Mapping India: Transitions and Transformations, 18th–19th Century
This book presents an alternate history of colonial India in the 18th and the 19th centuries. It traces the transitions and transformations during this period through art, literature, music, theatre, satire, textiles, regime changes, personal histories and migration. The essays in the volume examine historical events and movements which questioned the traditional parameters of identity and forged a new direction for the people and the nation. Viewing the age through diverse disciplinary angles, the book also reflects on the various reimaginings of India at the time. This volume will be of interest to academics and researchers of modern Indian history, cultural studies and literature. It will also appeal to scholars interested in the anthropological, sociological and psychological contexts of imperialism.
Mapping Musical Signification (Numanities - Arts and Humanities in Progress #15)
by Joan GrimaltThis book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it – in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context.The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.
Mapping the Motet in the Post-Tridentine Era
by Esperanza Rodríguez-García Daniele V. FilippiMapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. <P><P>Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. <P><P>Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).
El mar de los deseos. El caribe hispano musical. Historia y contrapunto
by Antonio García De León GriegoUna de las grandes riquezas del Caribe, poco mencionadas sin embargo y que nos produce un profundo deleite, es su música. Este valor inmaterial tiene detrás suyo una historia de conquista, esclavitud, defensa de identidades y luchas libertarias. Es esta música el punto de encuentro entre las comunidades de África y América, además de que constituye los movimientos artísticos más importantes de los reinos de España y Portugal, porque cuando se escuchan las formas de acompañamiento musical y del canto para la improvisación de la décima espinela en Canarias y en América, la tonada del punto guajiro cubano, del galerón del Oriente venezolano, de la guajira andaluza, el zapateado jarocho, el punto canario o la mejorana panameña, entre muchos otros, no cabe duda de que estamos ante un lenguaje compartido que nos hace mirar a la región de una manera distinta.
Maracatu Atomico: Tradition, Modernity, and Postmodernity in the Mangue Movement of Recife, Brazil (Current Research in Ethnomusicology: Outstanding Dissertations #Vol. 3)
by Philip Galinsky"Maracatu Atômico" is the first academic work to investigate the mangue movement, one of Brazil's most vital pop culture trends of the last thirty years, and the related "new music scene" of Northeast Brazil. Contending with the widespread poverty and social problems, mangue places a renewed value on the local environment and its myriad folk traditions while embracing modern, global pop influences and technology. The book provides historical and ethnographic accounts of the movement, analyzes salient examples of folk and pop fusion music, and enters recent debates about postmodernity, globalization, and "world music" in an attempt to understand better how local musicians in one "Third World" region interact within a more global cultural system.
The Marathon Don't Stop: The Life and Times of Nipsey Hussle
by Rob KennerA NEW YORK TIMES BESTSELLERThis &“beautiful tribute to a legendary artist&” (Quincy Jones) is the first in-depth biography of Nipsey Hussle, the hip-hop mogul, artist, and activist whose transformative legacy inspired a generation with his motivational lyrics and visionary business savvy—before he was tragically shot down in the very neighborhood he was dedicated to building up. For Nipsey Hussle, &“The Marathon&” was more than a mixtape title or the name of a clothing store; it was a way of life, a metaphor for the relentless pursuit of excellence and the willpower required to overcome adversity day after day. Hussle was determined to win the race to success on his own terms, and he wanted to see his whole community in the winner&’s circle with him. A moving and powerful exploration of an extraordinary artist, The Marathon Don&’t Stop places Hussle in historical context and unpacks his complex legacy. Combining on-the-ground reporting and candid interviews, &“Rob Kenner has given us the book the world—and hip-hop and pop culture—has been waiting for…one that should be celebrated alongside the best biographies ever about iconic figures we have loved—and lost&” (Kevin Powell, author of When We Free the World).
Marc Blitzstein: His Life, His Work, His World
by Howard PollackA composer of enormous musical innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative works running the gamut from operas, ballets, musicals, and film scores to orchestral works, chamber pieces, and artsongs. As an open homosexual and a prominent leftist, Blitzstein constantly pushed the boundaries of acceptability in mid-century America in both his music and his life. Award-winning music historian Howard Pollack's new biography is the first to put Blitzstein's music on equal footing with his politics, theatrical innovation, and other aspects of the composer's life. Pollack covers Blitzstein's life in full, from his childhood in Philadelphia to his violent deathin Martinique at age 58. The author describes how this student of contemporary luminaries Nadia Boulanger and Arnold Schoenberg became swept up in the stormy political atmosphere of the 1920s and 1930s and throughout his career walked the fine line between his formal training and his democraticprinciples. Indeed, Blitzstein developed a unique sound that drew on everything contemporary, from the high modernism of Stravinsky and Hindemith to blues, jazz, and musical comedy, and that profoundly influenced his younger friend Leonard Bernstein. Pollack captures the astonishing breadth ofBlitzstein's music - from politically controversial Broadway operas like The Cradle Will Rock and No for an Answer, to the patriotic Airborne Symphony, to such masterpieces as the opera Regina, to lesser known early pieces, film scores, and chamber works. A fearless artist, Blitzsteinadapted BertoltBrecht and Kurt Weill's The Threepenny Opera during the heyday of McCarthyism and the red scare, and with Weill's widow Lotte Lenya, turned it into an off-Broadway sensation. Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this quintessentially American composer.
Marcel Tabuteau: How Do You Expect to Play the Oboe If You Can't Peel a Mushroom?
by Laila StorchLaila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques.In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.
Marching Along: Recollections of Men, Women and Music
by John Philip Sousa Paul E. BierleyMarching Along is the intriguing autobiography John Philip Sousa wrote in the final years of his life. Sousa (1854-1932) was America's first superstar, a giant of his day. He conducted more than 14,000 concerts, composed a hundred hit tunes, and wrote three Broadway musicals that ran at the same time. In 1900 he was the best-known musician in the world, friends with presidents, corporate giants, and movie stars. Marching Along contains the amusing and insightful reflections of a world-class musician who charmed audiences around the globe for half a century yet also reveals the man's humble nature as a simple lover of music. This book brings the colorful story of the March King and his music into true focus in an engaging and entertaining way. It is sure to bring every reader, musician or not, insights into the man who dominated the musical scene of early twentieth-century America.