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London: Immigrant City
by Nazneen Khan-ØstremTRANSLATED BY ALISON McCULLOUGH'One of the best books on the many diverse migrations to London . . . revealing the extent to which the diversity of immigrant origins has had transformative effects - through food, music, diverse types of knowledge and so much more. The book is difficult to put it down'Saskia Sassen, The Robert S. Lynd Professor of Sociology, Columbia University, New York'The ultimate book about Great Britain's capital'Dagbladet'One of the best books of the year! . . . This is a book about what a city is and can be'AftenpostenIs there a street in London which does not contain a story from the Empire? Immigrants made London; and they keep remaking it in a thousand different ways. Nazneen Khan-Østrem has drawn a wonderful new map of a city that everyone thought they already knew. She travels around the city, meeting the very people who have created a truly unique metropolis, and shows how London's incredible development is directly attributable to the many different groups of immigrants who arrived after the Second World War, in part due to the Nationality Act of 1948. Her book reveals the historical, cultural and political changes within those communities which have fundamentally transformed the city, and which have rarely been considered alongside each other.Nazneen Khan-Østrem has a cosmopolitan background herself, being a British, Muslim, Asian woman, born in Nairobi and raised in the UK and Norway, which has helped her in unravelling the city's rich immigrant history and its constant ongoing evolution.Drawing on London's rich literature and its musical heritage, she has created an intricate portrait of a strikingly multi-faceted metropolis. Based on extensive research, particularly into aspects not generally covered in the wide array of existing books on the city, London manages to capture the city's enticing complexity and its ruthless vitality.This celebration of London's diverse immigrant communities is timely in the light of the societal fault lines exposed by the Covid-19 pandemic and Brexit. It is a sensitive and insightful book that has a great deal to say to Londoners as well as to Britain as a whole.
The London Boys: David Bowie, Marc Bolan & the 60s Teenage Dream
by Marc BurrowsRock 'n' Roll fanatics, mods, beat group wannabes, underground hippies, glam rock icons: David Bowie and Marc Bolan spent the first part of their careers following remarkably similar paths. From the day they met in 1965 as Davie Jones and Mark Feld, rock 'n' roll wannabes painting their manager's office in London’s Denmark Street, they would remain friends and rivals, each watching closely and learning from the other. In the years before they launched an unbeatable run of era-defining glam rock masterpieces at the charts, they were both just another face on the scene, meeting for coffee in Soho, hanging out at happenings and jamming in parks. Here, they are our guides through the decade that changed everything, as the gloom of post-war London exploded into the technicolor dream of the swinging sixties, a revolution in music, fashion, art and sexuality. Part dual-biography, part social history, part musical celebration of an era, The London Boys follows the British youth culture explosion through eyes of two remarkable young men on the front lines of history.
London Opera Observed 1711-1844, Volume I: 1711-1763
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Opera Observed 1711-1844, Volume III: 1783-1792
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Opera Observed 1711-1844, Volume V: 1821-1844
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Symphonies Nos. 99-104 in Full Score
by Joseph HaydnIt was in his monumental 12 "London" symphonies, composed between 1791 and 1795, that Haydn shaped the early form of the symphony and set the standard for later composers. According to the New Grove's Dictionary of Music and Musicians, the appeal of these works stems from their stature as "grand" symphonies, embodying a "broader presentation of musical ideas" and "themes and motifs of a basic simplicity and immediate appeal."The present volume contains the last six symphonies in the series, including the lively "Military" Symphony (No. 100), the delightful "Clock" Symphony (No. 101), and the world-famous "London" Symphony (No. 104).Scores included in this volume are Symphony No. 99 in E-flat Major; Symphony No. 100 in G Major ("Military"); Symphony No. 101 in D Major ("The Clock"); Symphony No. 102 in B-flat Major; Symphony No. 103 in E-flat Major ("Dumroll"); and Symphony No. 104 in D Major ("London").The attractive qualities of these works have made them perennial favorites with musicians and concertgoers for over two hundred years. Now music lovers can study and enjoy the elegant structure and polished orchestration of these enduring masterpieces in this authoritative full-score edition.
London Voices, 1820–1840: Vocal Performers, Practices, Histories
by Roger Parker Susan RutherfordLondon, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.
London's Burning: True Adventures on the Front Lines of Punk, 1976-1977
by Dave ThompsonLondon's Burning is the story of punk rock as it happened, stripped of hindsight and future legend, and laid bare. Here are the Damned and the Adverts on tour, the Sex Pistols swearing through their prime-time television debut, the Tom Robinson Band conducting a club full of skinheads through the anthem "Glad to Be Gay," rioting Rastas running through the carnage that closed the Notting Hill Carnival, Sid Vicious arguing about which was David Bowie's best song. At the same time, it is a personal story of a confused but dedicated sixteen-year-old looking not just for kicks and great music, but for a cultural revolution--and finding one in his back yard.
London's Burning: True Adventures on the Front Lines of Punk, 1976–1977
by Dave ThompsonThe summer of 1976 through the summer of 1977 was the most significant year in British rock history, when punk rock rose from a murmur on the streets to a roar of defiance that still reverberates today. This collection of vivid memories of concerts and cultural flash points focuses on what was happening on the streets and in the clubs, answering questions like What brought punks together with London's disenfranchised Rasta community? What made Teddy Boys--middle-aged men who dressed like 1950s rockers--hate punks so much that they roamed in packs looking for teenagers to beat up? What was it like to be in the now legendary Roxy Club? and Were the Sex Pistols really any good as a live band? Memories from others who were there--including members of the Damned, the Adverts, the Patti Smith Group, the Maniacs, and the Tom Robinson Band--add to this story of punk rock as it happened, stripped of hindsight and future legend, and laid bare.
London's East End: A Guide for Family & Local Historians
by Jonathan OatesThe East End is one of the most famous parts of London and it has had its own distinctive identity since the district was first settled in medieval times. It is best known for extremes of poverty and deprivation, for strong political and social movements, and for the extraordinary mix of immigrants who have shaped its history. Jonathan Oatess handbook is the ideal guide to its complex, rich and varied story and it is an essential source for anyone who wants to find out about an East End ancestor or carry out their own research into the area.He outlines in vivid detail the development of the neighbourhoods that constitute the East End. In a series of information-filled chapters, he explores East End industries and employment the docks, warehouses, factories, markets and shops. He looks at its historic poverty and describes how it gained a reputation for criminality, partly because of notorious criminals like Jack the Ripper and the Krays. This dark side to the history contrasts with the liveliness of the East End entertainments and the strong social bonds of the immigrants who made their home there Huguenots, Jews, Bangladeshis and many others.Throughout the book details are given of the records that researchers can consult in order to delve into the history for themselves online sites, archives, libraries, books and museums.
Lone Mothers Between Paid Work and Care: The Policy Regime in Twenty Countries (Routledge Revivals)
by Majella KilkeyThis title was first published in 2000. This is a study which compares and contrasts how lone mothers' relationships to paid work and care-giving are constructed across 20 countries, and with what outcomes for lone mothers' levels of economic well-being. In doing so, the book explores from an international perspective, the implications of the re-orientation of lone mothers' citizenship within the UK policy field from that of care-giver to paid worker. The volume engages with feminist comparative social policy literature concerned with specifying a construction of citizenship appropriate to capturing international variations in women's social rights. By incorporating social rights attached to paid work and care, as well as those which enable lone mothers to move between sequential periods of paid work and care-giving across the child-rearing cycle, the study makes a significant contribution to the literature.
Lonely Avenue: The Unlikely Life and Times of Doc Pomus
by Alex HalberstadtThe only biography of the colorful and legendary songwriter of such enduring hits as ?Lonely Avenue, OCO ?Save the Last Dance for Me, OCO and ?Viva Las VegasOCO"
Lonely Boy: Tales from a Sex Pistol
by Steve Jones Ben Thompson Chrissie HyndeWithout the Sex Pistols there would be no punk. And without Steve Jones there would be no Sex Pistols. It was Steve who, with his schoolmate Paul Cook, formed the band that eventually went on to become the Sex Pistols and who was its original leader. As the world celebrates the 40th anniversary of punk--the influence and cultural significance of which is felt in music, fashion, and the visual arts to this day--Steve tells his story for the very first time.Steve Jones's modern Dickensian tale began in the street of Hammersmith and Shepherd's Bush, West London, where as a lonely, neglected boy living off his wits and petty thievery he was given purpose by the glam art rock of David Bowie and Roxy Music. He became one of the first generation of ragamuffin punks taken under the wings of Malcolm McLaren and Vivienne Westwood.In Lonely Boy, Steve describes the sadness of never having known his real dad, the abuse he suffered at the hands of his stepfather, and how his interest in music and fashion saved him from a potential life of crime spent in remand centers and prisons. He takes readers on his journey from the Kings Road of the early '70s through the years of the Sex Pistols, punk rock, and the recording of "Anarchy in the UK" and Never Mind the Bollocks. He recounts his infamous confrontation on Bill Grundy's Today program--the interview that ushered in the "Filth and the Fury" headlines that catapulted punk into the national consciousness. And he delves into the details of his self-imposed exile in New York and Los Angeles, where he battled alcohol, heroin, and sex addiction but eventually emerged to gain fresh acclaim as an actor and radio host.Lonely Boy is the story of an unlikely guitar hero who, with the Sex Pistols, transformed twentieth-century culture and kick-started a social revolution.
Lonesome Melodies: The Lives and Music of the Stanley Brothers (American Made Music Series)
by David W. JohnsonCarter and Ralph Stanley—the Stanley Brothers—are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925–1966) and Ralph (b. 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe. In order to re-create this post–World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph. Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.
Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s
by Andrew S. BerishAny listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, Lonesome Roads and Streets of Dreams depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries—from black to white, South to North, and rural to urban—and how they found expression for these movements in the insistent music they were creating.
Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s
by Berish Andrew S.Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, Lonesome Roads and Streets of Dreams depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries--from black to white, South to North, and rural to urban--and how they found expression for these movements in the insistent music they were creating.
The Long Hard Road Out of Hell
by Marilyn Manson Neil StraussWhen this best-selling autobiography was originally released, readers were shocked: The Long Hard Road Out of Hell was the darkest, funniest, most controversial, and best-selling rock book of its time-and it became the template, both visually and narratively, for almost every rock book since. Marilyn Manson is not just a music icon, it turned out, but one of the best storytellers of his generation. Written with bestselling author Neil Strauss, beautifully designed with dozens of exclusive photographs, and modeled on Dante's Inferno, this edition of The Long Hard Road Out of Hell features a bonus chapter not in the hardcover. In the shocking and candid memoir, Manson takes readers from backstage to emergency rooms to jail cells, from the pit of despair to the top of the charts, and recounts his metamorphosis from a frightened Christian schoolboy into the most feared and revered music superstar in the country. Along the way, you'll hear what happens to fans-and celebrities-who dare to venture backstage with the one of the world's most dangerous rock stars. In the words of Elle magazine, the book "makes Madonna's infamous Sex seem downright wholesome in comparison."
Long Live: The Definitive Guide to the Folklore and Fandom of Taylor Swift
by Nicole PomaricoThis lushly illustrated package is the ultimate fan guide for Swifties! It covers the Taylor Swift multiverse from all angles with a journey through fandom history, exclusive interviews, and behind-the-scenes detail on her career across eras, including The Tortured Poets Department. Whether you&’ve been with Taylor from the start or are a new fan, this guide is for you. Use it to catch up on all the lore and inside jokes from the beginning, or to discover forgotten details from the past. From MySpace comments to T-Party invites to Secret Sessions and beyond, Long Live explores the evolution of Taylor as well as the ride that fans have been on with her through two decades of personal milestones—hers and ours, both good and bad. With Long Live you&’ll: Take a trip through Taylor&’s eras from the start of her career, with stops at each album and its iconic songs, the hidden Easter Eggs, and relationships that have informed the star&’s music. Have fun looking back on concert traditions and inside jokes, roll your eyes at the most embarrassing clowning moments, take in era-specific Swiftie style lessons, read exclusive stories of fan encounters and author Nicole Pomarico&’s own experiences meeting Taylor Swift and her parents. Be amazed by how the relationship between Taylor and her fans has been so well nurtured that it has become a cultural force building the career of one of the biggest stars of all time. Featuring stylish illustrations and photos throughout, this is an essential look at the artist&’s career and fandom. The complete package for Taylor Swift fans!
Long Lost Blues: Popular Blues in America, 1850-1920 (Music in American Life)
by Peter C. MuirMamie Smith's 1920 recording of ""Crazy Blues"" is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre's early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
The Long-Player Goodbye: The album from vinyl to iPod and back again
by Travis ElboroughFor nearly 60 years, since the arrival of the long-playing record in 1948, the album has provided the soundtrack to our lives. Our record collections, even if they're on CD, or these days, an iPod, are personal treasure, revealing our loves, errors of jugdement and lapses in taste. Self-confessed music obsessive, Travis Elborough, explores the way in which particular albums are deeply embedded in cultural history, revered as works of art or so ubiqitous as to be almost invisible. But in the age of the iPod, when we can download an infinite number of single tracks and need never listen to a whole album ever again, does the concept of an album still mean anything? THE LONG-PLAYER GOODBYE is a brilliant piece of popular history and a celebration of the joy of records. If you've ever had a favourite album, you'll love Travis Elborough's warm and witty take on how vinyl changed our world.
The Long-Player Goodbye
by Travis ElboroughFor nearly 60 years, since the arrival of the long-playing record in 1948, the album has provided the soundtrack to our lives. Our record collections, even if they're on CD, or these days, an iPod, are personal treasure, revealing our loves, errors of jugdement and lapses in taste. Self-confessed music obsessive, Travis Elborough, explores the way in which particular albums are deeply embedded in cultural history, revered as works of art or so ubiqitous as to be almost invisible. But in the age of the iPod, when we can download an infinite number of single tracks and need never listen to a whole album ever again, does the concept of an album still mean anything? THE LONG-PLAYER GOODBYE is a brilliant piece of popular history and a celebration of the joy of records. If you've ever had a favourite album, you'll love Travis Elborough's warm and witty take on how vinyl changed our world.
Long Road: Pearl Jam and the Soundtrack of a Generation
by Steven HydenA leading music journalist&’s riveting chronicle of how beloved band Pearl Jam shaped the times, and how their legacy and longevity have transcended generations. Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band — how they got to where they are, what drove them to greatness, and why it matters now. Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock &‘n&’ roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses — the quintessential Gen-X tale. Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam&’s most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam&’s music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band&’s career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam&’s music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves. Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam&’s path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia—the B-sides, the beloved deep cuts, the concert bootlegs—and explore the multitude of reasons why Pearl Jam&’s music resonated with so many people. As Hyden explains, &“Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever.&”
A Long Strange Trip: The Inside History of the Grateful Dead
by Dennis McnallyThe complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist--a must-have chronicle for all Dead Heads, and for students of rock and the 1960s' counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the artistic ferment of the early sixties' roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band's historian and publicist for more than twenty years, takes readers back through the Dead's history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band's intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead's early days in late-sixties San Francisco--an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey's acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley "Bear" Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead's saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band's inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.
Long Train Runnin': Our Story of The Doobie Brothers
by Pat Simmons Tom JohnstonFor the first time, the incredible true story of the legendary band, The Doobie Brothers, written by founding members Pat Simmons and Tom Johnston.Only a very few rock bands have had the longevity, success, and drama of The Doobie Brothers. Born out of late 1960s NorCal, and led by Pat Simmons and Tom Johnston, they stood alongside their contemporaries The Grateful Dead, The Allman Brothers, and many others as an iconic American rock band. The train was rolling along, hits were flowing like wine, and arenas were packed with fans who wanted to see them live...then Tom Johnston, the band’s front man and lead guitarist, became ill and had to leave.The Doobies' train came to a screeching halt. All of a sudden the band started contemplating the end of the road only seven years into their career, just as things were taking off. But Pat Simmons made sure they were far from the end and began the process of keeping the band together through most of the next decade.A soul-steeped backup singer for Steely Dan named Michael McDonald took a shot at singing some of the Doobies' songs on tour, and all of a sudden a new chapter in the Doobie Brothers' story began. The band expanded their sound and had even more hits with their new front addition. Tom recovered from his health issues, but the band had moved on. When it came time for a reunion concert in the ’80s, Tom got the call and was back in the mix. Led once again by Pat and Tom, The Doobie Brothers have been touring ever since and maintain a massive fan base the world over.Never before have Pat and Tom shared their story, in their own words. In Long Train Runnin’ they’ll change that.
Long Walk Home: Reflections on Bruce Springsteen
by Natalie Adler Eric Alterman Regina Barreca Nancy Bishop Dermot Bolger Peter Ames Carlin Jefferson Cowie Jim Cullen Joel Dinerstein Gillian G. Gaar Martyn Joseph Deepa Iyer Greil Marcus Louis Masur Paul Muldoon Lauren Onkey Richard Russo A. O. Scott Colleen Sheehy Wesley Stace Frank Stefanko Irwin Streight Wayne Swan David L. Ulin Elijah Wald Daniel Wolff Kenneth WomackBruce Springsteen might be the quintessential American rock musician but his songs have resonated with fans from all walks of life and from all over the world. This unique collection features reflections from a diverse array of writers who explain what Springsteen means to them and describe how they have been moved, shaped, and challenged by his music. Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen’s albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how “Growin’ Up” helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to Born to Run to cope with their country’s 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen’s music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades. Commemorating the Boss’s seventieth birthday, Long Walk Home explores Springsteen’s legacy and provides a stirring set of testimonials that illustrate why his music matters.