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The Making of Kind of Blue: Miles Davis and His Masterpiece
by Eric Nisenson“A masterpiece in its own right, this work comprehensively covers Miles Davis’s 1959 landmark album, Kind of Blue. . . . valuable and discerning.” —Publishers WeeklyFrom the moment it was recorded more than forty years ago, Miles Davis’s Kind of Blue was hailed as a jazz classic. To this day it remains the bestselling jazz album of all time, embraced by fans of all musical genres. The album represented a true watershed moment in jazz history, and helped to usher in the first great jazz revolution since bebop.The Making of Kind of Blue is an exhaustively researched examination of how this masterpiece was born. Recorded with pianist Bill Evans, tenor saxophonist John Coltrane, composer/theorist George Russell and Miles himself, the album represented a fortuitous conflation of some of the real giants of the jazz world, at a time when they were at the top of their musical game. The end result was a recording that would forever change the face of American music.Through extensive interviews and access to rare recordings Nisenson pieced together the whole story of this miraculous session, laying bare the genius of Miles Davis, other musicians, and the heart of jazz itself.“Astute and entertaining” —Booklist“Worth reading just for the stories of how one of the greatest albums of all time came into being, but it offers so much more—a low-key but superb education in the way jazz is made and how it comes to mean the things it does.” —Dave Marsh, Playboy pop critic and editor of Rock and Rap Confidential
The Making of Liturgy in the Ottonian Church
by Henry ParkesThis highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest's ritual handbook, a bishop's pontifical and a copy of the enigmatic compilation now known as the 'Romano-German Pontifical' - Henry Parkes transforms liturgical sources into eloquent witnesses to the ecclesiastical history of early medieval Germany. He also presents the first comprehensive revision of Michel Andrieu's influential 'Romano-German Pontifical' theory, from the dual perspective of Mainz's cathedral of St Martin and its Benedictine monastery of St Alban. Challenging long-held assumptions about the geographies of Ottonian power, in particular the central role of Mainz and its archbishops, the book opens up important new ways of understanding how religious ritual was organised, transmitted and perceived.
Making Records: The Scenes Behind the Music
by Phil RamoneSinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone.For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days recording jazz and commercial jingles at A&R, to his first studio, and eventual legendary producer status, Phil allows you to sit in on the sessions that created some of the most memorable music of the 20th century--including Frank Sinatra's Duets album, Bob Dylan's Blood on the Tracks, Ray Charles's Genius Loves Company and Paul Simon's Still Crazy After All These Years.In addition to being a ringside seat for contemporary popular music history, Making Records is an unprecedented tutorial on the magic behind what music producers and engineers do. In these pages, Phil offers a rare peek inside the way music is made . . . illuminating the creative thought processes behind some of the most influential sessions in music history.This is a book about the art that is making records--the way it began, the way it is now, and everything in between.
Making Samba: A New History of Race and Music in Brazil
by Hertzman Marc A.In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act--claiming ownership of a musical composition--set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali
by Emma BaulchIn 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island's most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia's music industry. Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali's tourism industry and the cultural dominance of Jakarta, Indonesia's capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked "Balinese-ness" by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self.
Making the Great Book of Songs: Compilation and the Author's Craft in Abû I-Faraj al-Isbahânî's Kitâb al-aghânî (Routledge Studies in Middle Eastern Literatures)
by Hilary KilpatrickThis is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.
Making the March King: John Philip Sousa's Washington Years, 1854-1893
by Patrick WarfieldJohn Philip Sousa's mature career as the indomitable leader of his own touring band is well known, but the years leading up to his emergence as a celebrity have escaped serious attention. In this revealing biography, Patrick Warfield explains the making of the March King by documenting Sousa's early life and career. Covering the period 1854 to 1893, this study focuses on the community and training that created Sousa, exploring the musical life of late nineteenth-century Washington, D.C., and Philadelphia as a context for Sousa's development. Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.
Making the Scene in the Garden State: Popular Music in New Jersey from Edison to Springsteen and Beyond
by Dewar MacLeodMaking the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edison’s factories in West Orange; early recording and the invention of the Victrola at Victor Records’ Camden complex; Rudy Van Gelder’s recording studios (for Blue Note, Prestige, and other jazz labels) in Hackensack and Englewood Cliffs; Zacherley and the afterschool dance television show Disc-o-Teen, broadcast from Newark in the 1960s; Bruce Springsteen’s early years on the Jersey Shore at the Upstage Club in Asbury Park; and, the 1980s indie rock scene centered at Maxwell’s in Hoboken. Concluding with a foray into the thriving local music scenes of today, the book examines the sounds, sights and textures of the locales where New Jerseyans have gathered to rock, bop, and boogie.
Making Tracks: A Record Producer’s Southern Roots Music Journey (American Made Music Series)
by Scott BillingtonFrom the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period’s most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity—foibles, failures, and fabled feats—while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis’s early days as a musician, jockey, and bartender at his mother’s quarter horse track, and Ruth Brown’s reign as the most popular star in rhythm and blues, when the challenge of traveling on the “chitlin’ circuit” proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
Malayan Emergency: Triumph of the Running Dogs, 1948–1960 (Cold War, 1945–1991)
by Gerry van TonderWhen the world held its breath It is 25 years since the end of the Cold War, now a generation old. It began over 75 years ago, in 1944long before the last shots of the Second World War had echoed across the wastelands of Eastern Europewith the brutal Greek Civil War. The battle lines are no longer drawn, but they linger on, unwittingly or not, in conflict zones such as Iraq, Somalia and Ukraine. In an era of mass-produced AK-47s and ICBMs, one such flashpoint was Malaya By the time of the 1942 Japanese occupation of the Malay Peninsula and Singapore, the Malayan Communist Party (MCP) had already been fomenting merdeka independence from Britain. The Japanese conquerors, however, were also the loathsome enemies of the MCPs ideological brothers in China. An alliance of convenience with the British was the outcome. Britain armed and trained the MCPs military wing, the Malayan Peoples Anti-Japanese Army (MPAJA), to essentially wage jungle guerrilla warfare against Japanese occupying forces. With the cessation of hostilities, anti-Japanese became anti-British, and, using the same weapons and training fortuitously provided by the British army during the war, the MCP launched a guerrilla war of insurgency.Malaya was of significant strategic and economic importance to Britain. In the face of an emerging communist regime in China, a British presence in Southeast Asia was imperative. Equally, rubber and tin, largely produced in Malaya by British expatriates, were important inputs for British industry. Typically, the insurgents, dubbed Communist Terrorists, or simply CTs, went about attacking soft targets in remote areas: the rubber plantations and tin mines. In conjunction with this, was the implementation of Maos dictate of subverting the rural, largely peasant, population to the cause. Twelve years of counterinsurgency operations ensued, as a wide range of British forces were joined in the conflict by ground, air and sea units from Australia, New Zealand, Southern and Northern Rhodesia, Fiji and Nyasaland.
The Male Dancer: Bodies, Spectacle, Sexualities
by Ramsay BurtIn this challenging and lively book, Burt examines the representation of masculinity in twentieth century dance. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural construction of gender.
Mallarmé Wagner: Music and Poetic Language
by Heath LeesThis book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
The Malmariée in the Thirteenth-Century Motet (Royal Musical Association Monographs)
by Dolores PesceThis monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.
The Ma'luf in Contemporary Libya: An Arab Andalusian Musical Tradition (SOAS Studies in Music Series)
by Philip CiantarThe musical tradition of Ma'luf is believed to have come to North Africa with Muslim and Jewish refugees escaping the Christian reconquista of Spain between the tenth and seventeenth centuries. Although this Arab Andalusian music tradition has been studied in other parts of the region, until now, the Libyan version has not received Western scholarly attention. This book investigates the place of this orally-transmitted music tradition in contemporary Libyan life and culture. It investigates the people that make it and the institutions that nurture it as much as the tradition itself. Patronage, music making, discourse both about life and music, history, and ideology all unite in a music tradition which looks innocent from the outside but appears quite intriguing and intricate the more one explores it.
Mama Don't Allow
by Thacher HurdTOO LOUD! WHAT A RACKET! UNBEARABLE! Why don't you practice outside, dear? Not only Miles' parents, but the whole neighborhood has had enough of Miles' new saxophone! However, when Miles teams up with three other musicians to form the Swamp Band, their music suddenly gets a startlingly different reception. "We love that Swamp Band music!" yell the sharp-toothed, long-tailed, yellow-eyed alligators. "We like it LOUD! Come and play for the Alligator Ball." The Swamp Band is delighted . . . but little do they know what is in store for them after their first all-night jamboree. Every noise-loving child (and noise-hating parent) will revel in Thacher Hurd's funny, jazzy tale inspired by the traditional American song "Mama Don't Allow." Presch-3
Mama Mable's All-Gal Big Band Jazz Extravaganza!
by Annie SiegDebut author-illustrator Annie Sieg takes young readers on an inspiring trip to the music halls of the 1940s, when groups of young female musicians broke racial and gender barriers--and forever changed the face of jazz. Everyone knows about Rosie the Riveter, the icon for working women during World War II. Now prepare to meet a group of young women who did the same for music! From saxophonists and drummers to trumpeters, pianists, trombonists, and singers, talented young women across the country picked up their instruments--and picked up the spirits of an entire nation--during the dark days of World War II. Together they formed racially integrated female bands and transformed the look and sound of jazz, taking important strides for all women in the world of music. Debut author-illustrator Annie Sieg shines a spotlight on the young women who epitomized the sound and spirit of jazz of the era, while opening young readers' eyes and ears to the role of women then and now in music.
The Mammoth Book of Sex, Drugs & Rock 'n' Roll
by Jim DriverOver 60 gripping accounts tracking the dark side of rock 'n' roll from the early days of the drugs-and-drink culture, and the birth of rock 'n' roll, through The Beatles, Stones, Sex Pistols, Madonna, Kurt Cobain and Oasis, to Amy Winehouse, Pete Doherty and other stars of the current rock-music scene.From trashed hotel rooms to cars in swimming pools, all rock 'n' roll's excesses are here, including murder and sexual deviancy, surprising brushes with the law that the stars thought they'd kept quiet, early and tragic deaths, drug overdoses, robbery, mis-marriages and groupies by the truckload
The Mammoth Book of Sex, Drugs & Rock 'n' Roll (Mammoth Books #249)
by Jim DriverOver 60 gripping accounts tracking the dark side of rock 'n' roll from the early days of the drugs-and-drink culture, and the birth of rock 'n' roll, through The Beatles, Stones, Sex Pistols, Madonna, Kurt Cobain and Oasis, to Amy Winehouse, Pete Doherty and other stars of the current rock-music scene.From trashed hotel rooms to cars in swimming pools, all rock 'n' roll's excesses are here, including murder and sexual deviancy, surprising brushes with the law that the stars thought they'd kept quiet, early and tragic deaths, drug overdoses, robbery, mis-marriages and groupies by the truckload
A Man Called Destruction
by Holly George-WarrenThe first biography of the artist who "essentially invented indie and alternative rock" (Spin)A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star--he was a true cult icon. Awardwinning music writer Holly George-Warren's A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton's life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music's evolution, from the mid-1960s through today's indie rock.
A Man Called Destruction
by Holly George-WarrenThe first biography of the influential musician and forebear of the indie-rock scene Alex Chilton's story is rags to riches in reverse, beginning with teenage rock stardom and heading downward. Following stints leading 60s sensation the Box Tops ("The Letter") and pioneering 70s popsters Big Star ("the ultimate American pop band"--Time), Chilton became a dishwasher. Yet he rose again in the 80s as a solo artist, producer, and trendsetter, coinventing the indie-rock genre. By the 90s, acolytes from R.E.M. to Jeff Buckley embodied Chilton's legacy, ushering him back to the spotlight before his untimely death in 2010. In the career-spanning and revelatory A Man Called Destruction, longtime Chilton acquaintance Holly George-Warren has interviewed more than 100 bandmates, friends, and family members to flesh out a man who presided over--and influenced--four decades of American musical history, rendered here with new perspective through the adventures of a true iconoclast.
Man in the Music: The Creative Life And Work Of Michael Jackson
by Joseph VogelFor half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in nearly every corner of the world, however, they have rarely been given serious critical attention. The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with the collaborators, engineers, producers, and songwriters who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals the inspirations, demos, studio sessions, technological advances, setbacks and breakthroughs, failures and triumphs, that gave rise to an immortal body of work.
Man of Constant Sorrow: My Life and Times
by Ralph StanleyA legend looks back on his six decades in music. <P> Ralph Stanley was born in 1927 in a corner of Virginia known as Big Spraddle Creek, a place where music echoed from the ridge tops, was belted out by workers in the fields, and resonated in the one-room country church where Ralph first found his voice. For his eleventh birthday, Ralph was given five dollars, and had to chose between buying a sow or a banjo. He chose the banjo, which his mother taught him to play in the clawhammer style. In 1946, he combined his banjo with his brother Carter's guitar, and the two blended their voices into one as the Stanley Brothers. For twenty years the Stanleys chased the dream through good times and hard times, until the hard times caught up to Carter and he succumbed to liver disease at age 41. In the four decades since his brother's passing, Ralph has brought his music from the hills and hollows of southwest Virginia to the wide world. <P> Now in his eighties and still touring, Ralph has at last grown into his voice and is ready to tell his story. In Man of Constant Sorrow, Ralph looks back on his career in what most call bluegrass but what he prefers to call "old time mountain music." He recounts the creation of hundreds of classic tracks, including "White Dove," "Rank Stranger," and his signature song, "Man of Constant Sorrow." He tells tales from a life spent on road with his band the Clinch Mountain Boys, explains his distinctive "Stanley style" of banjo-playing, crosses paths with everyone from Bill Monroe to Bob Dylan, and reflects on his late-career resurgence sparked by an unlikely Grammy win in 2002 for his song "O Death." He also raises a dirge for Appalachia, his mountain home that is quickly disappearing. <P> Harmonized with equal measures of tragedy and triumph, Man of Constant Sorrow is the stirring testament of a giant of American music.
Man of La Mancha: A Musical Play
by Dale WassermanThis is a powerful story of a man, disillusioned with everyday life, who decides to become a Knight Errant and go out forth into the world righting all wrongs.
Man on the Run
by Tom DoyleAn illuminating look at the most tumultuous decade in the life of a rock icon--the only McCartney biography in decades based on firsthand interviews with the ex-Beatle himself. As the 1970s began, the Beatles ended, leaving Paul McCartney to face the new decade with only his wife Linda by his side. Holed up at his farmhouse in Scotland, he sank into a deep depression. To outsiders, McCartney seemed like a man adrift--intimidated by his own fame, paralyzed by the choices that lay before him, cut loose from his musical moorings. But what appeared to be the sad finale of a glorious career was just the start of a remarkable second act. The product of a long series of one-on-one interviews between McCartney and Scottish rock journalist Tom Doyle, Man on the Run chronicles Paul McCartney's decadelong effort to escape the shadow of his past, outrace his critics, and defy the expectations of his fans. From the bitter and painful breakup of the Beatles to the sobering wake-up call of John Lennon's murder, this is a deeply revealing look at a sometimes frightening, often exhilarating period in the life of the world's most famous rock star. Sensing that he had nowhere to go but up, Paul McCartney started over from scratch. With emotional--and musical--backing from Linda, he released eccentric solo albums and embarked on a nomadic hippie lifestyle. He formed a new band, Wings, which first took flight on a ramshackle tour of British university towns and eventually returned Paul to the summit of arena rock superstardom. In Man on the Run, Doyle follows McCartney inside the recording sessions for Wings' classic album Band on the Run--and provides context for some of the baffling misfires in his discography. Doyle tracks the dizzying highs and exasperating lows of a life lived in the public spotlight: the richly excessive world tours, the Japanese drug bust that nearly ended McCartney's career, his bitter public feuds with his erstwhile Beatle bandmates, and the aftermath of an infamous drug-and-alcohol-fueled jam session where McCartney helped reconcile the estranged John Lennon and Yoko Ono. For Paul McCartney, the 1970s were a wild ride with some dark turns. Set against the backdrop of a turbulent decade, Man on the Run casts the "sunny Beatle" in an entirely new light.Advance praise for Man on the Run "Tom Doyle's Man on the Run is a riveting dispatch from the seventies. Paul McCartney's story is told with clever pacing, unflinching honesty, and a gripping narrative drive that benefits from his intimate participation via interviews and support. This is simply one of the best rock biographies anyone has written."--Stephen Davis, bestselling author of Hammer of the Gods and Watch You Bleed "Man on the Run is simply brimming with enough fascinating facts and expertly rendered anecdotes to make even the most ardent McCartney follower do an abrupt about-face. Maybe I'm amazed? You better believe it."--Kent Hartman, music industry executive and bestselling author of The Wrecking Crew "What happens when you can do anything you like but nothing will ever be good enough? Doyle makes sense of a stoned shaggy dog story that has none of the narrative neatness of the Beatles' rise and fall."--The Guardian (U.K.), "Music Books of the Year" "[Doyle] offers a level-headed and admirably nonjudgmental portrait of a turbulent ten years, punctuated by great music, creative misfires and frequent run-ins with the law."--Sunday Express (U.K.)From the Hardcover edition.
The Man That Got Away: The Life and Songs of Harold Arlen (Music in American Life)
by Walter RimlerOver the Rainbow, "Stormy Weather," and "One for My Baby" are just a few of Harold Arlen's well-loved compositions. Yet his name is hardly known--except to the musicians who venerate him. At a gathering of songwriters George Gershwin called him "the best of us." Irving Berlin agreed. Paul McCartney sent him a fan letter and became his publisher. Bob Dylan wrote of his fascination with Arlen's "bittersweet, lonely world." A cantor's son, Arlen believed his music was from a place outside himself, a place that also sent tragedy. When his wife became mentally ill and was institutionalized he turned to alcohol. It nearly killed him. But the beautiful songs kept coming: "Blues in the Night," "My Shining Hour," "Come Rain or Come Shine," and "The Man That Got Away." Walter Rimler drew on interviews with friends and associates of Arlen and on newly available archives to write this intimate portrait of a genius whose work is a pillar of the Great American Songbook.