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Master Classes with Menahem Pressler
by William BrownMenahem Pressler is a world-renowned piano soloist, master class teacher, and member of the acclaimed Beaux Arts Trio. In this companion to his first book, Menahem Pressler: Artistry in Piano Teaching, Pressler’s former student William Brown brings together Pressler’s teachings on an additional 37 piano masterworks by Johann Sebastian Bach, Samuel Barber, Ludwig van Beethoven, Johannes Brahms, Frédéric Chopin, Claude Debussy, George Frideric Handel, Franz Joseph Haydn, Franz Liszt, Felix Mendelssohn, Wolfgang Amadeus Mozart, Sergei Prokofiev, Sergei Rachmaninoff, Maurice Ravel, Franz Schubert, and Robert Schumann. With over 200 musical examples and measure-by-measure lessons on masterpieces of the piano repertoire as well as instructions on phrasing, fingering, imagery, dynamic contrasts, pianistic touches, articulation, and practice drills, pianists of all levels will benefit from Pressler’s expertise.
Master Musicians of India: Hereditary Sarangi Players Speak
by Regula Burckhardt QureshiBeginning with Ravi Shankar and Ali Akbar Khan, Indian art music is renowned internationally for its improvised raga performance. This ancient tradition has for centuries been transmitted orally within the seclusion of hereditary families. Few such families remain today, and not enough is known about their central contribution to the life of Indian music. Master Musicians of India reveals this rich world through profiles and interviews of key musicians from this tradition.
The Master of Drums: Gene Krupa and the Music He Gave the World
by Elizabeth J. RosenthalThe first definitive biography of Gene Krupa, the most famous drummer on the planet, whose feverish rhythms defined the Swing Era, changed jazz music forever, spurred rock and roll, and influenced generations. From the early 1930s onward, Gene Krupa was a drum-centric rarity in the jazz world. Never before had a drummer been in the forefront as a solo artist. His galvanizing, unrestrained passion for percussion demanded it. Rocking the rafters, Gene thrilled audiences in ballrooms, nightclubs, and movies. He always knew he would. It was in his blood. Seemingly born jazz-drum crazy in 1909 to a Polish-immigrant working-class family in South Chicago, Gene was a professional by the age of thirteen and soon made his first recordings. By the early 1930s, he was New York City&’s most in-demand drummer, and starting in 1934, he joined brilliant clarinetist Benny Goodman&’s band, helped inaugurate the Swing Era, and played the first-ever swing concert at Carnegie Hall, which made history. So did Gene, whose celebrity spread with every ride cymbal beat and bass drum bomb drop. He formed his own band, hired such dazzlingly outsized personalities as singer Anita O&’Day, and unconditionally shattered racial boundaries by sharing the spotlight with the blistering African-American trumpeter Roy Eldridge. But after a skyrocketing ride to the top, Gene experienced a roller-coaster ride of good and bad luck, emotional highs, and devastating depths. In The Master of Drums, biographer Elizabeth J. Rosenthal crafts a celebratory, honest, and exhaustively researched portrait of a twentieth-century music legend whose acolytes would include such rock-era artists as Ringo Starr, Keith Moon, John Bonham, and Apollo 440. When he died, Gene Krupa may have left behind a world of grieving friends, colleagues, fans, students, and progeny, but as The Master of Drums proves, his dynamic musical and cultural influences live on. Foreword by Slim Jim Phantom of the Stray CatsIncludes 16 pages of exclusive, never-before-seen photographs
Master Singers: Advice From the Stage
by Donald George Lucy MauroThe book provides vocalists making the transition from student to professional with advice on matters ranging from technique and its practical application for effective stage projection to the practicalities of the business of professional singing.
Master Your Voice: My Personal Approach to More Skill and Depth in Singing - Beyond Perfect Technique!
by Freya CaseyIf singing is your passion, you're always on the lookout for anything that can help you stay inspired and motivated on your quest to become the best singer you can possibly be. Becoming a world-class singer doesn't just mean you have a solid technique, but mastering your mind as well as your body are also key elements for success. In my personal experience of being a professional singer on stage for a few decades, having performed in opera theatre as well as cover bands all over the world, I have learned what it takes to stand out and how to find my identity as a singer. I share my story and want to help you write your own success story. No more struggles with technique, mindset, and staying on the ball! <P><P>Your voice is more than an instrument. It's a reflection of your personality, hopes, dreams, and fears. This book will help you get one step closer to finding your uniqueness as a singer and having more confidence in the beauty of your voice.
Mastering Audio: The Art and the Science
by Bob KatzMastering Audio explains leading-edge audio concepts in an easy-to-grasp, holistic manner, including an ear-opening investigation of the mysteries of jitter, dither and wordlengths, high sample rates, distortion, headroom, monitor calibration, metering, depth perception, compression and expansion, equipment interconnection and much more. Mastering Audio is for everyone who wants to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording and mixing engineers, and students.
Mastering Electronic Dance Music: An Essential Guide for EDM Producers
by Alexandra BartlesMastering Electronic Dance Music is a guide to the sonic considerations of EDM audio. Written by a successful Apple-approved mastering engineer, it introduces readers to all the techniques behind mastering electronic dance music (EDM).Beginning with the essentials of preparation, the book addresses the nature of mastering and the importance of listening. The chapters cover a wide range of topics including compression, EQ, saturation, metering, LUFS, and delivery formats. The book discusses all the processors involved in a mastering chain, finishing with a step-by-step guide of how they can be used, though an example of how a track by DJ Nicky Holloway was mastered. Covering plug-ins and hardware, this is an invaluable guide to mastering EDM, supported by numerous online audio examples.This is an essential reference for anyone interested in producing or mastering EDM music, offering insights for beginners taking their first steps in engineering, as well as adept producers exploring new genres, and students of music production.
Mastering the Flute with William Bennett
by Roderick SeedFor the first time the exercises and teaching methods of world-renowned flutist William Bennett are featured in one workbook. After more than a decade of study with Bennett and many of his students, Roderick Seed has documented the tools that have made Bennett known for his ability to give the flute the depth, dignity, and grandeur of the voice or the stringed instrument. Topics range from how to overcome basic technical difficulties, such as pitch control, to the tools for phrasing, prosody, tone, and intonation needed for playing with different dynamics and ranges of expression. Advanced musicians will find useful exercises and techniques in this book that will deepen their knowledge and enjoyment of making music and help them in their quest to master the flute.
Masterpieces of Music Before 1750 (Dover Books On Music: History)
by John F. Ohl Carl ParrishAnyone interested in the history and development of Western music will welcome this collection of outstanding musical examples illustrating the general course of musical style from the early Middle Ages to the mid-eighteenth century. Included are 50 carefully selected compositions of great historical importance -- each masterful and beautiful in its own right.Selections include chants, the organum, parts of masses, motets, chansons, canzonas, lute dances, madrigals, ricercari, and clavecin pieces. Among the pieces are exquisite motets by Josquin, Lassus, and Byrd; madrigals by Marenzio and Caccini; brilliant instrumental displays by Frescobaldi, Pachelbel, Couperin, and Domenico Scarlatti; choral music by Handel and Bach, and much more.Each example is accompanied by notes that identify the place of the composition in the history of music and suggest ways for the reader to undertake a useful analysis of that music. Most examples are in easy-to-follow "short score" -- i.e., in two staves, lending themselves to analysis and performance by the student singly or in informal ensembles. The music can be performed either vocally or at the keyboard, allowing the reader to gain unmatched insight into the character and significance of a rich cross-section of historic styles.
The Masters: Conversations with Dylan, Lennon, Jagger, Townshend, Garcia, Bono, and Springsteen
by Jann S. WennerFrom New York Times bestselling author and Rolling Stone founder comes "a visit to the Mount Olympus of rock" in this remarkable collection of new and collected interviews with some of the greatest rock stars and cultural icons of our time (Kirkus Reviews). During fifty years of publishing the &“Bible of Rock and Roll,&” Jann Wenner conducted a series of interviews that are now regarded among the most important historical documents of rock. Some of these conversations broke headlines—in 1970, his interview with John Lennon exposed the unvarnished tensions that led to the breakup of the Beatles. He gets up-close-and-personal with Bob Dylan, the most singular figure in music who revealed himself to Wenner more openly than to anyone else. And Mick Jagger only trusted one person to publicly interview him about his private life and his backstage account of the world's greatest rock band. Including stunning photographs and an exclusive, never-before-seen interview with Bruce Springsteen, The Masters intimately profiles the extraordinary musicians who dominated rock and roll, from London and California to New York and L.A.. This is a primary source, cultural masterpiece, and must-have volume about the artists who changed history.
Masters of Contemporary Brazilian Song: MPB 1965-1985
by Charles A. PerroneMasters of Contemporary Brazilian Songis a critical study of MPB (música popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.
Masters of Tonewood: The Hidden Art of Fine Stringed-Instrument Making
by Jeffrey GreeneThe wood used by master craftsmen to create many of the world’s legendary stringed instruments—violins and cellos, mandolins and guitars—comes from seven near-mythic European forests. In his latest book, Jeffrey Greene takes the reader into those woodlands and into luthiers’ workshops to show us how the world’s finest instruments not only contribute to great musical art but are prized works of art in themselves.Masters of Tonewood describes the "hidden life" of stringed instruments, beginning with the unique wood, expertly chosen and sometimes cured for decades, that gives them voices that rivet audiences. Greene takes us to forests in Italy, France, Switzerland, Austria, Romania, Poland, and the Czech Republic. We are introduced to the acoustical and aesthetic properties of the spruce that Stradivari treasured, and the mystery of why just one in a thousand maple trees contains decorative figuring worthy of the highest-quality instruments. Greene visits the greatest traditional centers of this craft, from Spain to the United States. He recounts the ideas and experiences of tonewood millers, luthiers, and musicians and discusses their concerns about environmental issues associated with a tradition dependent on ancient woodlands in a modern world.
The Masterwork in Music: Volume I, 1925
by Richard Kramer Heinrich Schenker William Drabkin Ian Bent John Rothgeb Hedi SiegelThe three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr.William Drabkin and his translators offer additional insights. Volume One includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven, along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.
The Masterwork in Music: Volume III, 1930
by Heinrich Schenker William Drabkin Ian Bent Alfred Clayton Derrick PuffettThe three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume comprises the eminent Austrian theorist's main writings from the mid-1920s to 1930. In addition to essays on music theory in cultural context, the book is dominated by one of Schenker's most celebrated studies of a single work: the analysis of Beethoven's "Eroica" Symphony, which discusses all four movements in painstaking detail. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger.
The Masterwork in Music: Volume II, 1926
by Heinrich Schenker William Drabkin Ian Bent John Rothgeb Hedi SiegelThe three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume features a major essay on Mozart's Symphony No. 40 in G minor; studies of Bach keyboard and solo cello pieces; works by Haydn and Reger; theoretical writings on sonata form and fugue; and many examples of Schenkerian theory. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.
Masterworks of 20th-Century Music: The Modern Repertory of the Symphony Orchestra
by Douglas Lee"Masterworks of 20th-Century Music" introduces more than one hundred of the greatest compositions by world-renowned composer that have entered the standard orchestral repertory. The author surveyed dozens of major American orchestras to focus on those works that an average audience member is most likely to hear. Concertgoers who are intimated by the modern repertoire finally have a single resource that will help them understand and enjoy it. Like an educated guide, he walks the listener through the piece, explaining how all the elements come together to form a unified whole. This book serves the general reader interested in 20th-century music, plus students, teachers, and scholars.
The Mastery of Music: Ten Pathways to True Artistry
by Barry GreenThe Inner Game of Music, the breakout hit that became a standard primer in the music world, has taught thousands of musicians--professionals and amateurs alike--how to overcome self-consciousness and stage fright and to recapture a youthful, almost effortless capacity to learn. Now, in his follow-up book, The Mastery of Music, Barry Green turns his expert hand to the artistic qualities that make an extraordinary musician. Culling advice from dozens of interviews with legends including Joshua Bell, Dave Brubeck, Jeffrey Kahane, Bobby McFerrin, Christopher Parkening, Doc Severinsen, Frederica von Stade, the Harlem Boys Choir, and the Turtle Island String Quartet, he reveals that it's not enough to have a cerebral and emotional connection to the notes. Green hows how musical excellence, exhibited by true virtuosos, requires a mastery of ten unique qualities of the soul and the human spirit, such as confidence, passion, discipline, creativity, and relaxed concentration, and he discusses specific ways in which all musicians, composers, and conductors can take their skills to higher levels. He carefully incorporates all instruments and techniques in his rejuvenating discussions, inspiring the stifled student to have fun again and the over-rehearsed performer to rediscover the joy of passionate expression. Essential reading for every musician, The Mastery of Music strikes a beautiful new chord.
Match Prints
by Jim Marhsall Timothy WhiteMatch Prints is a visual and editorial dialogue between two important photographers and longtime friends. Over the course of their twenty-year friendship, Jim Marshall and Timothy White discovered that their work often shared striking similarities despite time differences of as much as three decades. Sometimes the similarity presented itself in the form of a common pose or expression, a common prop or situation. Sometimes the photographers' subject was the same, the images taken decades apart. Marshall and White have collaborated in selecting more than fifty stunning pairings for publication for the first time in Match Prints. An introduction by renowned music writer Anthony DeCurtis compares the work of the two photographers and provides firsthand behind-the-scenes anecdotes—an entertaining, informative read that sheds light on the photographers' approach to their work and captures the essence of their enduring friendship. Also included throughout the book are first-person anecdotes from the subjects themselves on the images and their creation.Whether poignant, dramatic, hilarious, or shocking, these are powerful visual pairings by two masters of photography.
Material Cultures of Music Notation: New Perspectives on Musical Inscription (Music and Material Culture)
by Floris SchuilingMaterial Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
Materials and Techniques of Post Tonal Music
by Stefan KostkaThis text provides the most comprehensive analytical approach to post-tonal music available, from Impressionism to recent trends. It covers music from the early 1900s through the present day, with discussion of such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music. Chapter-end exercises involve drills, analysis, composition, as well as several listening assignments.
Materials and Techniques of Post-Tonal Music
by Stefan Kostka Matthew SantaMaterials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Maternal Representations in Twenty-First Century Broadway Musicals: Stage Mothers (Pivotal Studies in the Global American Literary Imagination)
by Gina Masucci MacKenzieMaternal Representations in Twenty-First Century Broadway Musicals: Stage Mothers analyzes Broadway productions within the context of their presentation and assessment of motherhood and the variety of roles for mother figures. Using a frame of feminist and psychoanalytical positions, Gina MacKenzie establishes, defines, and interprets mother figures in contemporary Broadway, according to original categorizations of the absent, inconsequential, and overbearing mothers. MacKenzie considers how and why commercial representation of mother figures are limited and predominantly negative, even as fiction, poetry, and other forms of drama offer a much wider and progressive view of the varieties of motherhood possible in society, asserting the need for greater representation of mother figures in commercial musical theatre today.
Mathematical and Computational Modeling of Tonality
by Elaine ChewFrom the Preface: Blending ideas from operations research, music psychology, music theory, and cognitive science, this book aims to tell a coherent story of how tonality pervades our experience, and hence our models, of music. The story is told through the developmental stages of the Spiral Array model for tonality, a geometric model designed to incorporate and represent principles of tonal cognition, thereby lending itself to practical applications of tonal recognition, segmentation, and visualization. Mathematically speaking, the coils that make up the Spiral Array model are in effect helices, a spiral referring to a curve emanating from a central point. The use of "spiral" here is inspired by spiral staircases, intertwined spiral staircases: nested double helices within an outer spiral. The book serves as a compilation of knowledge about the Spiral Array model and its applications, and is written for a broad audience, ranging from the layperson interested in music, mathematics, and computing to the music scientist-engineer interested in computational approaches to music representation and analysis, from the music-mathematical and computational sciences student interested in learning about tonality from a formal modeling standpoint to the computer musician interested in applying these technologies in interactive composition and performance. Some chapters assume no musical or technical knowledge, and some are more musically or computationally involved.
Mathematical Music: From Antiquity to Music AI
by Nikita BraguinskiMathematical Music offers a concise and easily accessible history of how mathematics was used to create music. The story presented in this short, engaging volume ranges from ratios in antiquity to random combinations in the 17th century, 20th-century statistics, and contemporary artificial intelligence. This book provides a fascinating panorama of the gradual mechanization of thought processes involved in the creation of music. How did Baroque authors envision a composition system based on combinatorics? What was it like to create musical algorithms at the beginning of the 20th century, before the computer became a reality? And how does this all explain today’s use of artificial intelligence and machine learning in music? In addition to discussing the history and the present state of mathematical music, Braguinski also takes a look at what possibilities the near future of music AI might hold for listeners, musicians, and the society. Grounded in research findings from musicology and the history of technology, and written for the non-specialist general audience, this book helps both student and professional readers to make sense of today’s music AI by situating it in a continuous historical context.
Mathematics and Computation in Music: 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings (Lecture Notes in Computer Science #11502)
by Mariana Montiel Francisco Gomez-Martin Octavio A. Agustín-AquinoThis book constitutes the thoroughly refereed proceedings of the 7th International Conference on Mathematics and Computation in Music, MCM 2019, held in Madrid, Spain, in June 2019. The 22 full papers and 10 short papers presented were carefully reviewed and selected from 48 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic and other abstract mathematical approaches to understanding musical objects; remanaging Riemann: mathematical music theory as “experimental philosophy”?; octave division; computer-based approaches to composition and score structuring; models for music cognition and beat tracking; pedagogy of mathematical music theory.The chapter “Distant Neighbors and Interscalar Contiguities” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.