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Non-Western Popular Music (The\library Of Essays On Popular Music Ser.)
by Tony LangloisThis collection provides readers with a diverse and contemporary overview of research in the field. Drawing upon scholarly writing from a range of disciplines and approaches, it provides case studies from a wide range of 'non Western' musical contexts. In so doing the volume attends to the central themes that have emerged in this area of popular music studies; cultural politics, identity and the role of technology. This collection does not seek to establish a new theoretical paradigm, but being primarily aimed at researchers and students, offers as comprehensive a view of the research that has been carried out over the last few decades as possible, given the global scope of the subject. Inevitably, the experience of globalisation itself runs through many of the contributions, not only because musicians find themselves part of an immense flow of international culture, technology and finance, but also because Western scholarship can also be considered an aspect of such a flow. The articles selected for the volume take different disciplinary approaches; many are close ethnographic descriptions of musical practices whilst others take a more historical view of a musical 'scene' or even a single musician. Some essays consider the effects of emerging technologies upon the production, dissemination and consumption of music, whilst the political context is central to other authors. The collection as a whole serves as a resource for those who wish to be better acquainted with the diversity of research that has been carried out into non-western pop, whilst also highlighting the broader themes that have, so far, shaped academic approaches to the subject.
None But the Lonely Heart and Other Songs for High Voice (Dover Song Collections)
by Peter Ilyitch TchaikovskyOne of the most expressive and versatile of the great nineteenth-century Romantic composers, Peter Ilyitch Tchaikovsky brought a sense of intimacy and emotional power to all of his music — whether for orchestra, opera, ballet, or art song. Grove's Dictionary of Music and Musicians remarks on the characteristic charm of Tchaikovsky's songs, noting their "penetrating sweetness and sadness" as well as their "vocal excellence."In addition to the celebrated title work, this collection presents a rich selection of 40 enchanting melodies, including Don Juan's Serenade, Mignon's Song, Night of Stars, Serenade, Song of the Gipsy Girl, and other exquisite pieces for voice and piano. Featured texts by Goethe, Heine, Tolstoy, and other great poets appear in English and either German or French.
None of This Rocks: A Memoir
by Joe TrohmanLead guitarist and cofounder of Fall Out Boy shares personal stories from his youth and his experiences of modern rock and roll stardom in this memoir filled with wit and wisdom. Trohman cofounded Fall Out Boy with Pete Wentz in the early aughts, and he&’s been the sticky element of the metaphorical glue-like substance holding the band together ever since, over the course of a couple decades that have included massive success, occasional backlashes, and one infamous four-year hiatus. Trohman was, and remains, the emotive communicator of the group: the one who made sure they practiced, who copied and distributed the flyers, and who took the wheel throughout many of the early tours. As soon as he was old enough to drive, that is—because he was all of 15 years old when they started out. That&’s part of the story Trohman tells in this memoir, which provides an indispensable inside perspective on the history of Fall Out Boy for their legions of fans. But Trohman has a great deal more to convey, thanks to his storytelling chops, his unmistakable voice, and his unmitigated sense of humor in the face of the tragic and the absurd. None of This Rocks chronicles a turbulent life that has informed Trohman&’s music and his worldview. His mother suffered from mental illness and multiple brain tumors that eventually killed her. His father struggled with that tragedy, but was ultimately a supportive force in Trohman&’s life who fostered his thirst for knowledge. Trohman faced antisemitism in small-town Ohio, and he witnessed all levels of misogyny, racism, and violence amid the straight edge hardcore punk scene in Chicago. Then came Fall Out Boy. From the guitarist&’s very first glimpses of their popular ascension, to working with his heroes like Anthrax&’s Scott Ian, to writing for television with comedian Brian Posehn, Trohman takes readers backstage, into the studio, and onto his couch. He shares his struggles with depression and substance abuse in a brutally honest and personal tone that readers will appreciate. Not much of this rocks, perhaps, but it all adds up to a fascinating music memoir unlike any you&’ve ever read.
None of this Rocks: The brilliant first memoir by Fall Out Boy guitarist Joe Trohman
by Joe TrohmanNone of This Rocks is a memoir by Joe Trohman - lead guitarist and cofounder of Fall Out Boy - that reads like a double album full of revealing stories from his youth and his experiences of modern rock and roll stardom. With wit and wisdom, and maybe a little bit of whining, Trohman grapples with depression, his mother's brain cancer, antisemitism, pills, petty larceny, side hustles, and pop punk at the turn of the century. None of This Rocks chronicles a turbulent life that has informed Trohman's music and his worldview. His mother suffered from mental illness and multiple brain tumors that eventually killed her. His father struggled with that tragedy, but was ultimately a supportive force in Trohman's life who fostered his thirst for knowledge. Trohman faced antisemitism in small-town Ohio, and he witnessed all levels of misogyny, racism, and violence amid the straight edge hardcore punk scene in Chicago. Then came Fall Out Boy. From the guitarist's very first glimpses of their popular ascension, to working with his heroes like Anthrax's Scott Ian, to writing for television with comedian Brian Posehn, Trohman takes readers backstage, into the studio, and onto his couch. He shares his struggles with depression and substance abuse in a brutally honest and personal tone that readers will appreciate. Not much of this rocks, perhaps, but it all adds up to a fascinating music memoir unlike any you've ever read.
None of this Rocks: The brilliant first memoir by Fall Out Boy guitarist Joe Trohman
by Joe TrohmanNone of This Rocks is a memoir by Joe Trohman - lead guitarist and cofounder of Fall Out Boy - that reads like a double album full of revealing stories from his youth and his experiences of modern rock and roll stardom. With wit and wisdom, and maybe a little bit of whining, Trohman grapples with depression, his mother's brain cancer, antisemitism, pills, petty larceny, side hustles, and pop punk at the turn of the century. None of This Rocks chronicles a turbulent life that has informed Trohman's music and his worldview. His mother suffered from mental illness and multiple brain tumors that eventually killed her. His father struggled with that tragedy, but was ultimately a supportive force in Trohman's life who fostered his thirst for knowledge. Trohman faced antisemitism in small-town Ohio, and he witnessed all levels of misogyny, racism, and violence amid the straight edge hardcore punk scene in Chicago. Then came Fall Out Boy. From the guitarist's very first glimpses of their popular ascension, to working with his heroes like Anthrax's Scott Ian, to writing for television with comedian Brian Posehn, Trohman takes listeners backstage, into the studio, and onto his couch. He shares his struggles with depression and substance abuse in a brutally honest and personal tone that listeners will appreciate. Not much of this rocks, perhaps, but it all adds up to a fascinating music memoir unlike any you've ever heard.(P) 2022 Hachette Audio
Norman Granz: The Man Who Used Jazz for Justice
by Tad Hershorn"Any book on my life would start with my basic philosophy of fighting racial prejudice. I loved jazz, and jazz was my way of doing that," Norman Granz told Tad Hershorn during the final interviews given for this book. Granz, who died in 2001, was iconoclastic, independent, immensely influential, often thoroughly unpleasant--and one of jazz's true giants. Granz played an essential part in bringing jazz to audiences around the world, defying racial and social prejudice as he did so, and demanding that African-American performers be treated equally everywhere they toured. In this definitive biography, Hershorn recounts Granz's story: creator of the legendary jam session concerts known as Jazz at the Philharmonic; founder of the Verve record label; pioneer of live recordings and worldwide jazz concert tours; manager and recording producer for numerous stars, including Ella Fitzgerald and Oscar Peterson.
North American Fiddle Music: A Research and Information Guide (Routledge Music Bibliographies)
by Drew BeisswengerNorth American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
North American Indian Music: A Guide to Published Sources and Selected Recordings (Routledge Music Bibliographies #Vol. 5)
by Richard KeelingFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
North Carolina String Music Masters: Old-Time and Bluegrass Legends
by Elizabeth A. Carlson Former Npr BrownThe roots of American music are deeply grounded in North Carolina's music history. North Carolina musicians pioneered and mastered the genres of old-time and bluegrass music. Doc Watson played mountain fiddle tunes on guitar. He emerged as the father of flatpicking and forever changed the role of the guitar in American music. Charlie Poole created techniques that eventually defined bluegrass, and folks around the state heard his banjo on some of the most important old-time recordings. Rising star Rhiannon Giddens keeps the music alive today through new interpretations of classic old-time and bluegrass songs. Elizabeth Carlson profiles these and other masters of string music in this fascinating record of North Carolina's musical past, present and future.
North Florida Folk Music: History & Tradition (Music Ser.)
by Ron JohnsonNorth Florida's proud folk music heritage reaches back more than half a century. The region claims many talented artists and song writers, including Frank Thomas, Bob Patterson and Charlie Robertson, while hundreds of solo, duo and group performers regularly inspire audiences at local venues. The Stephen Foster State Park in White Springs is the home of the Florida Folk Festival, the longest continuous state-sponsored folk festival in the country, held every year on the banks of the Suwannee River. Join author and folk musician Ron Johnson as he shares some of the stories and insights into the folk music of North Florida and those who define the tradition.
Norton Anthology Of Western Music: Ancient To Baroque
by J. Peter Burkholder Donald Jay Grout Claude V. PaliscaThe definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what’s important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow’s musicians.
Norton Anthology of Western Music: 20th Century and Beyond
by J. Peter Burkholder Donald Jay Grout Claude V. PaliscaThe definitive history of Western Music <p><p> The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what’s important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow’s musicians.
Norton Anthology of Western Music: Ancient to Baroque
by J. Peter Burkholder Claude V. PaliscaThe ideal companion toA History of Western Music, Seventh Edition, the two-volumeNorton Anthology of Western Music, Fifth Edition, includes 172 historically significant scores, 71 of them new to this edition, with a strengthened emphasis on twentieth-century music. Revised and enlivened commentaries closely examine the scores to clarify their historical significance, and professional recordings of all works in the anthology are included on CDs, many in dynamic new performances.
Norton Anthology of Western Music: Volume Two Classic to Romantic
by J. Peter Burkholder Claude V. PaliscaThe definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what’s important, where it fits and why it matters. <p><p> Peter Burkholder weaves a compelling story of people, their choices and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow’s musicians.
Norwich's Military Legacy (Military Legacy)
by Michael ChandlerOriginally a town that was built of wood by the Anglo-Saxons, it was later burned down and then rebuilt as Englands second city, after London, by William the Conqueror. Riots between the church and the citizens saw Norwich at war with the Pope in 1272 when a gate was constructed as a penance. The Norfolk Regiment has seen its men in combat from the Napoleonic Wars, the Crimean War, the Boer War and both World Wars. The more recent conflicts in the Falklands, Iraq and Afghanistan have also witnessed the bravery of the Norfolks. A comprehensive list of military personnel who gave their lives is examined, including Norwich-born Second Lieutenant Wilfred Edwards VC, as well as an account of 9694 Private John Henry Abigail of the Norfolk Regiment who, on 12 September 1917, aged 21, was executed for being AWOL. It would not be until November 2006 that Private Abigail was pardoned by the British government.
Nostalgia for the Future: Luigi Nono's Selected Writings and Interviews (California Studies in 20th-Century Music #21)
by Luigi Nono Angela Ida De Benedictis Veniero RizzardiNostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.
Not Afraid: The Evolution of Eminem
by Anthony BozzaThe sequel to the New York Times bestseller Whatever You Say I Am, chronicling the last 20 years of rapper Eminem's life, based on exclusive interviews with the artist, his friends, and associatesIn 1999, a former dishwasher from Detroit named Marshall Bruce Mathers III became the most controversial and polarizing musical artist in the world. He was an outlier, a white artist creating viable art in a black medium, telling stories with such verbal dexterity, nimble wit, and shocking honesty that his music and persona resonated universally. In short, Eminem changed the landscape of pop culture as we knew it.In 2006, at the height of his fame and one of the biggest-selling artists in music history, Eminem all but disappeared. Beset by nonstop controversy, bewildering international fame, a debilitating drug problem, and personal tragedy, he became reclusive, withdrawing to his Detroit-area compound. He struggled with weight gain and an addiction to prescription pills that nearly took his life. Over the next five years, Eminem got sober, relapsed, then finally got and stayed clean with the help of his unlikely friend and supporter, Elton John. He then triumphantly returned to a very different landscape, yet continued his streak of number one albums and multiplatinum singles.Not Afraid picks up where rock journalist Anthony Bozza's bestselling Whatever You Say I Am left off. Capturing Eminem's toughest years in his own words, as well the insights of his closest friends and creative collaborators, this book chronicles the musical, personal, and spiritual growth of one of hip hop's most enduring and enigmatic figures.
Not Dead & Not for Sale: A Memoir
by Scott WeilandIn the early 1990s, Stone Temple Pilots—not U2, not Nirvana, not Pearl Jam— was the hottest band in the world. STP toppled such mega-bands as Aerosmith and Guns N’ Roses on MTV and the Billboard charts. Lead singer Scott Weiland became an iconic front man in the tradition of Mick Jagger, David Bowie, and Robert Plant. Then, when STP imploded, it was Weiland who emerged as the emblem of rock star excess, with his well-publicized drug busts and trips to rehab. Weiland has since made a series of stunning comebacks, fronting the supergroup Velvet Revolver, releasing solo work, and, most recently, reuniting with Stone Temple Pilots. He still struggles with the bottle, but he has prevailed as a loving, dedicated father, as well as a business-savvy artist whose well of creativity is far from empty. These earthling papers explore Weiland’s early years as an altar boy right along with his first experiences with sex and drugs. Weiland discusses his complex relationships with his parents, stepfather, siblings, and the love of his life, Mary Forsberg Weiland. Readers learn the fascinating stories behind his most well-known songs and what it was like to be there at the beginning of the grunge phenomenon, as Rolling Stone proclaimed on its cover: “the year punk broke.” Not Dead & Not for Sale is a hard rock memoir to be reckoned with—a passionate, insightful, and at times humorous book that reads with extraordinary narrative force.
Not Dead Yet: The Memoir
by Phil CollinsPhil Collins pulls no punches—about himself, his life, or the ecstasy and heartbreak that’s inspired his music. In his much-awaited memoir, Not Dead Yet, he tells the story of his epic career, with an auspicious debut at age 11 in a crowd shot from the Beatles’ legendary film A Hard Day’s Night. A drummer since almost before he could walk, Collins received on the job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. Soon, he would step into the spotlight on vocals after the departure of Peter Gabriel and begin to stockpile the songs that would rocket him to international fame with the release of Face Value and “In the Air Tonight.” Whether he’s recalling jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, or writing the music for Disney’s smash-hit animated Tarzan, Collins’s storytelling chops never waver. And of course he answers the pressing question on everyone’s mind: just what does “Sussudio” mean? Not Dead Yet is Phil Collins’s candid, witty, unvarnished story of the songs and shows, the hits and pans, his marriages and divorces, the ascents to the top of the charts and into the tabloid headlines. As one of only three musicians to sell 100 million records both in a group and as a solo artist, Collins breathes rare air, but has never lost his touch at crafting songs from the heart that touch listeners around the globe. That same touch is on magnificent display here, especially as he unfolds his harrowing descent into darkness after his “official” retirement in 2007, and the profound, enduring love that helped save him. This is Phil Collins as you’ve always known him, but also as you’ve never heard him before.From the Hardcover edition.
Not Since Carrie: Forty Years of Broadway Musical Flops
by Ken MandelbaumIf you love Broadway musicals, this book is for you. While Broadway has had its share of musical triumphs, it has also seen hundreds of musicals that had brief runs, lost millions of dollars, and broke the hearts of their creators and performers. For every hit musical, there are roughly five others that are quick flops, and even the most celebrated names in show business are not immune to them. Ken Mandelbaum offers the behind-the-scenes story of the development of almost two hundred musical flops that played Broadway between 1950 and 1990, along with a reevaluative and often revisionist study of their quality. Here they all are, from such legendary catastrophes as Carrie, Kelly, Breakfast at Tiffany’s, and Legs Diamond, to flops that starred Lucille Ball and Bette Davis, to the failures of Rodgers and Hammerstein, Jule Styne, Jerry Herman, Alan Jay Lerner, Gower Champion, and many others. Not Since Carrie makes a case for the strengths of certain unsuccessful works, points out some that might be worthy of revival, and allows the reader to relive some of Broadway’s most infamous moments. A reexamination of neglected, forgotten, and often catastrophic musicals, Not Since Carrie will remain the definitive volume on a colorful and vital segment of "lost” theatre history. Ken Mandelbaum has written on musical theatre for The New York Times, Playbill, Stagebill, Billboard, Show Music, and Sony/Columbia Records. He is currently the musical theatre critic for Theater Week magazine. In 1989, he won acclaim for his first book, A Chorus Line and the Musicals of Michael Bennett (St. Martin’s Press). He lives in New York City, and his favorite song is "I Wish It So” from the flop Juno. If you subscribe to a music service like Amazon or Spotify, you can listen to many of the songs described. At the end of the book there is a Shows Index and a Names Index.
Not Without Madness: Perspectives on Opera
by Fabrizio Della SetaOpera often seems to arouse either irrational enthusiasm or visceral dislike. Such madness, as Goethe wrote, is indispensable in all theater, and yet in practice, sentiment and passion must be balanced by sense and reason. Exploring this tension between madness and reason, Not without Madness presents new analytical approaches to thinking about eighteenth- and nineteenth-century opera through the lenses of its historical and cultural contexts. In these twelve essays, Fabrizio Della Seta explores the concept of opera as a dramatic event and an essential moment in the history of theater. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical, and scenic mechanisms in parts of La sonnambula, Ernani, Aida, Le nozze di Figaro, Macbeth, and Il trovatore. He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications. Purely musical analysis does not make sense unless we take into account music's dramatic function. Containing many essays available for the first time in English, Not without Madness bridges recent divisions in opera studies and will attract musicologists, musicians, and opera lovers alike.
Not Yo' Butterfly: My Long Song of Relocation, Race, Love, and Revolution (American Crossroads #60)
by Nobuko MiyamotoA mold-breaking memoir of Asian American identity, political activism, community, and purpose.Not Yo’ Butterfly is the intimate and unflinching life story of Nobuko Miyamoto—artist, activist, and mother. Beginning with the harrowing early years of her life as a Japanese American child navigating a fearful west coast during World War II, Miyamoto leads readers into the landscapes that defined the experiences of twentieth-century America and also foregrounds the struggles of people of color who reclaimed their histories, identities, and power through activism and art. Miyamoto vividly describes her early life in the racialized atmosphere of Hollywood musicals and then her turn toward activism as an Asian American troubadour with the release of A Grain of Sand—considered to be the first Asian American folk album. Her narrative intersects with the stories of Yuri Kochiyama and Grace Lee Boggs, influential in both Asian and Black liberation movements. She tells how her experience of motherhood with an Afro-Asian son, as well as a marriage that intertwined Black and Japanese families and communities, placed her at the nexus of the 1992 Rodney King riots—and how she used art to create interracial solidarity and conciliation. Through it all, Miyamoto has embraced her identity as an Asian American woman to create an antiracist body of work and a blueprint for empathy and praxis through community art. Her sometimes barbed, often provocative, and always steadfast story is now told.
Not without Madness: Perspectives on Opera
by Fabrizio Della SetaOpera often seems to arouse either irrational enthusiasm or visceral dislike. Such madness, as Goethe wrote, is indispensable in all theater, and yet in practice, sentiment and passion must be balanced by sense and reason. Exploring this tension between madness and reason, Not without Madness presents new analytical approaches to thinking about eighteenth- and nineteenth-century opera through the lenses of its historical and cultural contexts. In these twelve essays, Fabrizio Della Seta explores the concept of opera as a dramatic event and an essential moment in the history of theater. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical, and scenic mechanisms in parts of La sonnambula, Ernani, Aida, Le nozze di Figaro, Macbeth, and Il trovatore. He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications. Purely musical analysis does not make sense unless we take into account music’s dramatic function. Containing many essays available for the first time in English, Not without Madness bridges recent divisions in opera studies and will attract musicologists, musicians, and opera lovers alike.
Note by Note: A Celebration of the Piano Lesson
by Tricia TunstallIn this luminous book, Tricia Tunstall explores the enduring fascination of the piano lesson. Even as everything else about the world of music changes, the piano lesson retains its appeal. Drawing on her own lifelong experience as a student and teacher, Tunstall writes about the mysteries and delights of piano teaching and learning. What is it that happens in a piano lesson to make it such a durable ritual? In a world where music is heard more often on the telephone and in the elevator than in the concert hall, why does the piano lesson still have meaning in the lives of children? What does it matter whether one more child learns to play Bach's Minuet in G? Note by Note is in part a memoir in which Tunstall recalls her own childhood piano teachers and their influence. As she observes, the piano lesson is unlike the experience of being coached on an athletic team or taught in a classroom, in that it is a one-on-one, personal communication. Physically proximate, mutually concentrating on the transfer of a skill that is often arduous, complicated and frustrating, teacher and student occasionally experience breakthroughs-moments of joy when the student has learned something, mastered a musical passage or expressed a feeling through music. The relationship is not only one-way: teaching the piano is a lifelong endeavor of particular intensity and power. Anyone who has ever studied the piano-or wanted to-will cherish this gem of a book.
Notenlesen für Dummies Das Pocketbuch (Für Dummies)
by Michael Pilhofer Holly Day Oliver FehnSpielen Sie mit dem Gedanken, ein Instrument zu erlernen? Oder sind Sie schon seit Jahren passionierter Gitarrist, der wunderbar nach Tabulaturen spielt, bei Notenblättern jedoch kapituliert? In jedem Fall werden Sie Ihr musikalisches Potenzial enorm erhöhen, wenn Sie die Sprache der Musik beherrschen. Dieses Buch erklärt Ihnen leicht verständlich, was es mit Noten- und Pausenwerten auf sich hat, welche anderen Symbole wichtig sind und was Sie über Rhythmus und Co. wissen müssen. Die neue Auflage wurde um praktische Übungen erweitert.