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The Musician as Philosopher: New York’s Vernacular Avant-Garde, 1958–1978
by Michael GallopeAn insightful look at how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music’s ineffability. The Musician as Philosopher explores the philosophical thought of avant-garde musicians in postwar New York: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, Patti Smith, and Richard Hell. It contends that these musicians—all of whom are understudied and none of whom are traditionally taken to be composers—not only challenged the rules by which music is written and practiced but also confounded and reconfigured gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social tendency of the 1960s: a simultaneous affirmation and crisis of the modern self.
Musician from the Darkness
by Claude ClementAn outsider in a primitive hunting society learns about the power of music as both an agent of destruction and consolation.
A Musician Looks At The Psalms: 365 Daily Meditations
by Don Wyrtzen Charles SwindollA Musician Looks at the Psalms is like “a modern-day psalter, written by one who has grappled with the hard realities of life in the workplace, at home, and in the secret sanctuary of his own heart. Like the psalmists, he does not offer pat answers to complex problems. Rather, he strips away the superficialities he encounters in daily living and probes all one hundred and fifty psalms for the light they shed on his spiritual pilgrimage.” Foreword by Charles Swindoll
The Musician Says
by Benedetta LobalboThe Musician Says is an all-access backstage pass to the world of singers, songwriters, composers, and instrumentalists--all those who have a relationship with the Muse and have experienced the sacrifices, satisfactions, and frustrations it brings. You'll hear from an eclectic group that spans centuries and genres, from Mozart to Mick Jagger, Louis Armstrong to Jay Z, Dolly Parton to Lady Gaga, and many more. Paired like unlikely guests at a backstage party, this unruly crew riffs about the blessings and curses of the musician's life. This collection of intriguing and provocative quotations will remind anyone who has dreamed of playing Carnegie Hall (or maybe just mastering three chords) that the creative process bridges time and place, and that music is indeed a universal language.
Musician-Teacher Collaborations: Altering the Chord
by Catharina Christophersen Ailbhe KennyMusician-Teacher Collaborations: Altering the Chord explores the dynamics between musicians and teachers within educational settings, illustrating how new musical worlds are discovered and accessed through music-in-education initiatives. An international array of scholars from ten countries present leading debates and issues—both theoretical and empirical—in order to identify and expand upon key questions: How are visiting musicians perceived by various stakeholders? What opportunities and challenges do musicians bring to educational spaces? Why are such initiatives often seen as "saving" children, music, and education? The text is organized into three parts: Critical Insights presents new theoretical frameworks and concepts, providing alternative perspectives on musician-teacher collaboration. Crossing Boundaries addresses the challenges faced by visiting musicians and teaching artists in educational contexts while discussing the contributions of such music-in-education initiatives. Working Towards Partnership tackles some dominant narratives and perspectives in the field through a series of empirically-based chapters discussing musician-teacher collaboration as a field of tension. In twenty chapters, Musician-Teacher Collaborations offers critical insights into the pedagogical role music plays within educational frameworks. The geographical diversity of its contributors ensures varied and context-specific arguments while also speaking to the larger issues at play. When musicians and teachers collaborate, one is in the space of the other and vice versa. Musician-Teacher Collaborations analyzes the complex ways in which these spaces are inevitably altered.
Musicians and their Audiences: Performance, Speech and Mediation
by Ioannis Tsioulakis Elina Hytönen-NgHow do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
The Musician's Business and Legal Guide
by Mark HalloranWritten specifically for musicians by legal and business experts in the music industry, this text covers nearly all of the confusing business and legal situations musicians find themselves in on the way to and through a professional career. It focuses on issues as they are actually practised with clause-by-clause commentaries on almost all the major music industry contracts.
The Musician's Business and Legal Guide, Fifth Edition
by Mark HalloranThe Musician’s Business and Legal Guide provides vital information to help demystify the music business and the complex body of law that shapes it. This book answers such questions as how to protect name and copyright; what is and is not legal about sampling; what are the legal issues surrounding digital downloads and streaming; what are the jobs of managers, talent agents and publishers; what are common contractual relationship between independent and major labels. The new edition includes chapters not covered in depth by other books: social media law, TV talent shows, YouTube, and international copyright. As in previous editions, the book features clause-by-clause contract analyses for 360 record deals, music publishing, management, and producer agreements.
The Musician's Career Guide: Turning Your Talent into Sustained Success
by Ulysses Owens Jr Arlen GargaglianoAn Engaging and Accessible Guide to Achieving Sustained Access in the Music Industry As a musician, how can you blend art and survival and still keep loving the business? The Musician&’s Career Guide, written from the perspective of someone who has engaged in the daily struggle that all artists encounter, provides clear strategic support and advice in a knowledgeable, reader-friendly voice.From preparing for an audition to business planning to protecting one&’s mental and emotional well-being, The Musician&’s Career Guide marries practical tips with in-depth resources, anecdotes and stories to learn from, and comments for consideration and self-reflection. This book is a tool musicians can use to develop a realistic roadmap for success in the careers they desire. Part textbook, part self-directed learning tool, and full mentor, this information-packed text speaks with the voice of experience in a way that is realistic and attainable. The authors address topics including the following fundamental areas: Career development Touring Roles within the music industry Recording deals and industry PR and marketing for artists Keys to community engagement The mental side of being a musicianThe path and commitment to mastery as professional musician The Musician's Career Guide offers a foundation for both new and experienced musicians who yearn to clarify and achieve their individual goals of personal success and fulfillment through their craft. It's essential reading for any musician.
The Musician's Daughter
by Susanne DunlapAmid the glamour of Prince Nicholas Esterhazy's court in 18th-century Vienna, murder is afoot. Or so 15-year-old Theresa Maria thinks after her musician father turns up dead on Christmas Eve. Her father's mentor, the acclaimed composer Franz Joseph Haydn, offers her insight into her father's secret life.
Musicians from a Different Shore: Asians and Asian Americans in Classical Music
by Mari YoshiharaIn the first book to account for the growing prominence of Asians in the world of Western classical music, Mari Yoshihara grapples with the significance of this trend. This is a book about the about the origins of a social and cultural phenomenon, but it is also about the lives and work of individual musicians devoted to their art.
The Musician's Guide to Fundamentals: Media Update
by Jane Piper Clendinning Elizabeth West Marvin Joel PhillipsThe Media Update Edition of The Musician’s Guide to Fundamentals brings new digital tools and assessments to the best-selling text, giving students more support and hands-on experience as they master the basic skills of notation, harmony, rhythm, and composition. New examples expand the already inclusive repertoire.
The Musician's Guide to Fundamentals
by Jane Piper Clendinning Elizabeth West Marvin Joel PhillipsA hands-on approach to mastering the basics in class and online. The Musician’s Guide to Fundamentals teaches the basics of music―listening, writing, and performing―using real music, from Bach to the Beatles, Broadway to the Black-Eyed Peas. A unique hands-on approach invites students to listen to music from day one as they learn to interpret musical notation and, eventually, to use it to compose songs of their own. New online resources―including an ebook, online notation from Noteflight, and quizzes―offer opportunities to listen, read, and turn in assignments online.
The Musician's Guide To Licensing Music: How To Get Your Music Into Film, Tv, Advertising, Digital Media And Beyond
by Darren Wilsey Daylle Deanna SchwartzRecord deals are so twentieth century. Today, music licensing is the fastest route to widespread exposure and a steady income. Creators of films, television shows, commercials, video games, ringtones, podcasts and other digital-age media hunger for music perfectly suited to their projects—providing endless, lucrative opportunities for savvy musicians. Whether you’re an unknown composer, an up-and-coming songwriter, an independent-label performer, or a big label star, there’s a place for you in this fast-growing field—as long as you learn to master the game.
The Musician's Guide to the Road: A Survival Handbook & All-Access Backstage Pass to Touring
by Susan VoelzAn all-access pass to what goes on backstage, onstage, and on the way to the stage. What's a tour bus like? What are the band members saying to each other on stage? Exactly how much sex, how many drugs, how much rock 'n' roll are we talking here? The Musician's Guide to the Road answers all these questions and many, many, many more. Both a valuable primer designed to prepare young musicians for life on the road and an entertaining memoir of the touring life written by a seasoned musician, this is the book that reveals the scene behind the scenes. Chapters focus on preparing to tour, touring by van and bus, the day of the show, the afternoon before the show, the night of the show, and the morning after, life on the road, and the end of the road.From the Trade Paperback edition.
The Musician's Guide To Theory And Analysis: Ap With Total Access Registration Code
by Jane Piper Clendinning Elizabeth West MarvinThe most comprehensive and integrated AP® Music Theory series for today’s students The Musician’s Guide series is the complete package of theory and aural skills that covers everything students need to know for the AP® exam. Featuring a wider range of repertoire than ever, the AP® textbook discusses music that will be relevant to every musician, while the AP® Workbook and Ear-Training Guide provides ideal practice for the aural skills questions on the AP® exam, and the AP® Sight-Singing volume features all the material students need for the sight-singing portion of the exam. The accompanying instructor resources offer detailed plans for coordinating the text and media with the AP® curriculum framework. AP® is a trademark registered and/or owned by the College Board, which was not involved in the production of, and does not endorse, this product.
The Musician's Guide to Theory and Analysis Workbook
by Jane Piper Clendinning Elizabeth West MarvinThis Workbook accompanies The Musician’s Guide to Theory and Analysis, Fourth Edition, and features hundreds of exercises students can complete on tear-out-and-turn-in pages.
The Musician's Handbook: A Practical Guide To Understanding The Music Business (Revised Edition)
by Bobby BorgThe bible of the music biz; now fully revised with new contacts, fee info, trends, tips. Want to know how to set prices for a gig? Want to be ahead of the curve on new trends in music? Want to have all the latest contact information on hundreds of industry pros? Have we got the book for you! The Musician's Handbook, already the industry bible for working musicians, has been thoroughly revised and updated with the answers to all these questions and more. New interviews with music-business leaders, new pricing and legal structures for the digital age, new how-to tips for independent and do-it-yourself musician -- it's all in here. Fees, royalties and advances, live performance, touring, merchandising, working with managers, lawyers, and agents, spotting new opportunities -- all these topics and many, many more are covered in depth in this indispensable guide to becoming successful in music and in business.
Musicians in Crisis: Working and Playing in the Greek Popular Music Industry (SOAS Studies in Music)
by Ioannis TsioulakisMusicians in Crisis is a music ethnography of contemporary Athens, before and during the infamous economic and political crisis. It spans two contrasting periods in Greece: the last few years of relative economic prosperity and social cohesion (2005–2009) and the following period of austerity and socio-political turmoil (2010–2017). Based on the author’s participation and professional involvement in the local music scenes since 2005, the monograph untangles a web of creative practices, economic strategies and social ideologies through the previously unheard voices of Athenian music professionals. The book follows the life stories of freelance musicians of different genders, ages, educational backgrounds and musical genres, while they ‘work’ and ‘play’ in Athenian venues, recording studios and classrooms. Adding to the growing literature on precarity and resistance in the creative industries, it traces the effects of unprecedented socioeconomic circumstances on musicians’ everyday experience, as well as the actions and solidarities that help them to navigate personal and collective devastation. Through rich and evocative testimonies from the labourers of an industrious popular music scene, Musicians in Crisis contests popular narratives of the Greek predicament as they are reported by political and financial elites through international media. In this process, the book tells a story about how popular music is made in the liminal spaces between East and West, affuence and poverty, harmony and turmoil.
Musicians in the Making: Pathways to Creative Performance (Studies In Musical Performance As Creative Practice Series)
by John Rink Helena Gaunt Aaron WilliamonThis book explores the creative development of musicians in both formal and informal learning contexts. It promotes a novel view of creativity, emphasizing its location within creative processes rather than understanding it as an innate quality. It argues that such processes may be learned and refined, and furthermore that collaboration and interaction within group contexts carry significant potential to inform and catalyze creative experiences and outcomes. The book also traces and models the ways in which creative processes evolve over time. Performers, music teachers and researchers will find the rich body of material assembled here engaging and enlightening. The book's three parts focus in turn on 'Creative learning in context', 'Creative processes' and 'Creative dialogue and reflection'. In addition to sixteen extended chapters written by leading experts in the field, the volume includes ten 'Insights' by internationally prominent performers, performance teachers and others. Practical aids include abstracts and lists of keywords at the start of each chapter, which provide useful overviews and guidance on content. Topics addressed by individual authors include intrapersonal and interpersonal dynamics, performance experience, practice and rehearsal, 'self-regulated performing', improvisation, self-reflection, expression, interactions between performers and audiences, assessment, and the role of academic study in performers' development.
Musicians in Transit: Argentina and the Globalization of Popular Music
by Matthew B. KarushIn Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
Musicians' Migratory Patterns: The African Drum As Symbol In Early America (CMS Cultural Expressions in Music)
by Christopher JohnsonMusicians’ Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "drums and horns" were used to communicate in slave revolts is undone in this study. Rather, this volume seeks to consider the "social place" of the drum for both blacks and whites of the time, using the writings of Europeans and colonial-era Americans, the accounts of African American free persons and slaves, the period instruments, and numerous illustrations of paintings and sculpture. The image of the drum was effectively appropriated by Europeans and Americans who wrote about African American culture, particularly in the nineteenth century, and re-appropriated by African American poets and painters in the early twentieth century who recreated a positive nationalist view of their African past. Throughout human history, cultural objects have been banned by one group to be used another, objects that include books, religious artifacts, and ways of dress. This study unlocks a metaphor that is at the root of racial bias—the idea of what is primitive—while offering a fresh approach by promoting the construct of multiple-points-of-view for this social-historical presentation.
Musicians' Migratory Patterns: The Adriatic Coasts (CMS Cultural Expressions in Music)
by Franco SciannameoMusicians’ Migratory Patterns: The Adriatic Coasts contains essays dedicated to the movement of musicians along and across the coasts of the Adriatic Sea. In the course of this book, the musicians become narrators of their own stories seen through the lenses of wanderlust, opportunity, exile, and refuge. Essayists in this collection are scholars hailing from Croatia, Italy, and Greece. They are internationally known for their passionate advocacy of musicians’ migratory rights and faithfulness to the lesson imparted by the history of immigration in the broadest of terms. Spanning the Venetian Republic’s domination, the demise of the Ottoman Empire, the European nationalistic movements of mid-nineteenth century, the shocking outcomes of World War One, and the dramatic shifts of frontiers that continue to occur in our time, the chapters of this book guide the reader on a voyage through the Adriatic Sea—from the Gulf of Venice and the peninsula of Istria, to Albania, the Island of Corfu, and other Ionian outposts.
Musicians' Migratory Patterns: American-Mexican Border Lands (CMS Cultural Expressions in Music)
by Mauricio RodríguezMusicians’ Migratory Patterns: American-Mexican Border Lands considers the works and ideologies of an array of American-based, immigrant Mexican musicians. It asserts their immigrant status as a central force in nourishing, informing, and propelling musical and artistic concerns, uncovering pure and fresh forms of expression that broaden the multicultural map of Mexico. The text guides readers in appreciation of the aesthetic and technical achievements of original works and innovative performances, with artistic and pedagogical implications that frame a vivid picture of the contemporary Mexican as immigrant creator in the United States. The ongoing displacement of Mexicans into the United States impacts not only American economic conditions but the country’s social, cultural, and intellectual configurations as well. Artistic and academic voices shape and enrich the multicultural diversity of both countries, as immigrant Mexican artists and their musics prove instrumental to the forming of a self-critical society compelled to value and embrace its diversity. Despite conflicting political reactions on this complex subject of legal and illegal immigration, undeniable is the influence of Mexican musical expressions in the United States and Mexico, at the border and beyond.
Musician's Yoga: A Guide to Practice, Performance, and Inspiration
by Mia OlsonPractice meditation approaches, breathing techniques, and yoga postures that will help improve musicianship Play using healthy posture and technique Get more out of your practice through improved focus Use your breath to improve your phrasing and also to ease performance anxiety Play with deeper expression through inspiration.