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The Mystery of King John's Treasure
by Shirley ChartersSunday evening, October 9th, 1216. King John is facing continued civil war and a devastating French invasion; treacherous times. We discover him crossing the tidal marshes of the Fenlands of East Anglia. He is about to lose Englands crown jewels, his gem collection, and sackfuls of silver coins with his image on them: a treasure trove.What happened? What was he doing in that remote and windswept place? Why did he take the crown jewels with him? And why did he die so soon afterwards?Eight hundred years of searches by Fenfolk, academics, newspaper magnates, Victorian eccentrics and even an American research company have found nothing. No golden chalice, no pearl studied casket, no coins. Why?We follow King John at that vulnerable time, day by day, and reveal for the first time some surprising and interesting answers to the many questions posed by the mystery of his lost treasure.
The Mystery of Samba: Popular Music and National Identity in Brazil
by Hermano Vianna John C. ChasteenSamba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity. But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups-poor and rich, weak and powerful-often working at cross-purposes to one another. A fascinating exploration of the "invention of tradition,"The Mystery of Sambais an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.
The Mystery of the Missing Pop Idol (The Boxcar Children #138)
by Gertrude Chandler WarnerIt's a big day at the Silver City Mall, where hundreds of people are lined up to audition for the show Pop Star Sensation! The Aldens are in line, too, because Violet wants to meet one of the judges--her favorite pop star, Madlynn Rose. But just before the show starts, Madlynn vanishes! Can the Aldens track down the superstar before it's too late?
The Mystery of the Stolen Music (Boxcar Children #45)
by Charles Tang Gertrude Chandler WarnerWhen a famous orchestra comes to the Boxcar children's town they are delighted, especially when they find an genuine Mozart score and discover how it originally disappeared.
Mystery Train
by Greil MarcusIn 1975, Greil Marcus's Mystery Train changed the way readers thought about rock 'n' roll and continues to be sought out today by music fans and anyone interested in pop culture. Looking at recordings by six key artists--Robert Johnson, Harmonica Frank, Randy Newman,the Band, Sly Stone, and Elvis Presley--Marcus offers a complex and unprecedented analysis of the relationship between rock 'n' roll and American culture. In this latest edition, Marcus provides an extensively updated and rewritten Note and Discographies section, exploring the recordings' evolution and continuing impact.
Mystery Train
by Greil MarcusCatch a train to the heart of rock ?n? roll with this essential study of the quintessential American art form. First published in 1975, Greil Marcus?s Mystery Train remains a benchmark study of rock ?n? roll and a classic in the field of music criticism. Focusing on six key artists?Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley?Marcus explores the evolution and impact of rock ?n? roll and its unique place in American culture. This fifth edition of Mystery Train includes an updated and rewritten Notes and Discographies section, exploring the evolution and continuing impact of the recordings featured in the book.
The Mysticism of Sound and Music
by Hazrat Inayat KhanMusic, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe--and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882-1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved not only by those interested in Sufism but by musicians of all kinds.
The Mysticism of Sound and Music: The Sufi Teaching of Hazrat Inayat Khan
by Hazrat Inayat KhanThe first teacher to bring Islamic mysticism to the West presents music&’s divine nature and its connection to our daily lives in this poetic classic of Sufi literature Music, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe—and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882–1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved not only by those interested in Sufism but by musicians of all kinds.
Nabokov at the Limits: Redrawing Critical Boundaries (Border Crossings)
by Lisa ZunshineThe eleven contributors to this volume investigate the connections between Nabokov's output and the fields of painting, music, and ballet.
Nadia and Lili Boulanger
by Caroline PotterPioneers in their fields and two of the best-known women in music in the twentieth century, Nadia and Lili Boulanger have previously been considered in isolation from one another. Yet, as Caroline Potter's new book demonstrates, their careers were closely linked during Lili Boulanger's short life (1893-1918) and there are several intriguing connections between their musical works. This biography also provides the first full analysis of the Boulanger sisters' musical styles, placing them within the context of French musical history. Their lives are also a case study in the issues of gender which surround music making even to the present day. Despite an unusually privileged upbringing, Nadia and Lili Boulanger exemplify the struggle women experienced when attempting to enter the professional music world. Lili became the first woman to win the Prix de Rome in 1913, and Nadia gained second place in 1908. Yet in spite of this initial success, Nadia Boulanger was to give up composing in her thirties and devoted the remainder of her long life to teaching. Her pupils included several of the great composers of the century, including Aaron Copland and Elliott Carter. This book, focusing on their musical careers, is essential reading for anyone interested in French music of the twentieth century.
Nadia Boulanger and Her World (Bard Music Festival)
by Jeanice BrooksNadia Boulanger (1887–1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers— especially Americans from Aaron Copland to Philip Glass—studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career. Composer, performer, conductor, impresario, and charismatic and inspirational teacher, Boulanger engaged in a vast array of activities in a variety of media, from private composition lessons and lecture-recitals to radio broadcasts, recordings, and public performances. But how to define and account for Boulanger’s impact on the music world is still unclear. Nadia Boulanger and Her World takes us from a time in the late nineteenth century, when many careers in music were almost entirely closed to women, to the moment in the late twentieth century when those careers were becoming a reality. Contributors consider Boulanger’s work in the worlds of composition, musical analysis, and pedagogy and explore the geographies of transatlantic and international exchange and disruption within which her career unfolded. Ultimately, this volume takes its title as a topic for exploration—asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be “hers.”
Nagauta: The Heart of Kabuki Music
by William P. MalmThis study of Japanese music explore Nagauta or literally "long song"--the delicate and complex music that accompanies kabuki theater--in great detail.The Kabuki theater of Japan has achieved a growing reputation as one of the world's most brilliant achievements in the field of theater. And the number of studies made on the subject in the West has been considerable. Yet, in spite of the fact that so much of the unique brilliance of the kabuki stage depends on the character of its music, the manner in which it is used, and its integral connection with the development of the dramatic impact of the plays, very little has been written on this phase of the genre.Of particular interest are the attempts to explore the various approaches to form music in the vast repertoire of this living art music. The playing techniques of the instruments are explained, and the relations of each instrument's music to the vocal line and to the overall design is shown.The analysis is accompanied by two compete transcription of nagauta in Western notation. These transcriptions are the first complete scores of nagauta ever printed. Additional musical examples, bibliography, discography, and glossary-index add value to the text.
Nailing It
by Rich Hall'An uproariously funny collection of true stories from one of the comedy greats' - BILL BAILEY'I loved this book. Absolutely adored it. I devoured it and savoured every word. A wild and wonderful love letter to comedy' - ADAM HILLS'It's rare for comedians to be as funny on paper as they are on stage, but Rich Hall nails it' - CARL HIAASENA collection of hilarious and often absurd epiphanies in the legendary comedian's life that defined him - more in a for worse than for better kind of way - and all delivered in his unique deadpan style. Growing up, Rich Hall aspired to be a writer, and after school he trained to be a journalist. But after a stint at the Knoxville News Sentinel in Tennessee, he found himself trying to impress a girl by doing a one-man show in a state university campus in Kansas, armed with a bucket, a loudhailer and some dog biscuits. It wasn't exactly a triumph, and he didn't get the girl, but he had found his true calling.Nailing It is a collection of true stories from both Hall's professional and personal life where he really had to nail it. They're not about glitz, or fame, or how he met his seventh wife at the rehab clinic and found spiritual direction. None of that happened to him.They're about accidentally melting Kraft cheese at his first Edinburgh Fringe Festival, alienating an entire convention of RV holiday-makers in Las Vegas, singing The Who's 'You Better You Bet' at a charity gig and turning his performance into a legendary rock 'n' roll disaster, and attempting to seduce Karen, which must have been successful because she is now his wife. And other such escapades.Hall doesn't always come out of them all covered in glory - far from it - but if someone propped him up at the end of the comedy bar and put a 50p coin in him, these are the tunes he would spin. And you'd be laughing all night.
Nailing It
by Rich Hall'An uproariously funny collection of true stories from one of the comedy greats' - BILL BAILEY'I loved this book. Absolutely adored it. I devoured it and savoured every word. A wild and wonderful love letter to comedy' - ADAM HILLS'It's rare for comedians to be as funny on paper as they are on stage, but Rich Hall nails it' - CARL HIAASENA collection of hilarious and often absurd epiphanies in the legendary comedian's life that defined him - more in a for worse than for better kind of way - and all delivered in his unique deadpan style. Growing up, Rich Hall aspired to be a writer, and after school he trained to be a journalist. But after a stint at the Knoxville News Sentinel in Tennessee, he found himself trying to impress a girl by doing a one-man show in a state university campus in Kansas, armed with a bucket, a loudhailer and some dog biscuits. It wasn't exactly a triumph, and he didn't get the girl, but he had found his true calling.Nailing It is a collection of true stories from both Hall's professional and personal life where he really had to nail it. They're not about glitz, or fame, or how he met his seventh wife at the rehab clinic and found spiritual direction. None of that happened to him.They're about accidentally melting Kraft cheese at his first Edinburgh Fringe Festival, alienating an entire convention of RV holiday-makers in Las Vegas, singing The Who's 'You Better You Bet' at a charity gig and turning his performance into a legendary rock 'n' roll disaster, and attempting to seduce Karen, which must have been successful because she is now his wife. And other such escapades.Hall doesn't always come out of them all covered in glory - far from it - but if someone propped him up at the end of the comedy bar and put a 50p coin in him, these are the tunes he would spin. And you'd be laughing all night.
Nailing It
by Rich Hall'An uproariously funny collection of true stories from one of the comedy greats' - BILL BAILEYA collection of hilarious and often absurd epiphanies in the legendary comedian's life that defined him - more in a for worse than for better kind of way - and all delivered in his unique deadpan style. Growing up, Rich Hall aspired to be a writer, and after school he trained to be a journalist. But after a stint at the Knoxville News Sentinel in Tennessee, he found himself trying to impress a girl by doing a one-man show in a state university campus in Kansas, armed with a bucket, a loudhailer and some dog biscuits. It wasn't exactly a triumph, and he didn't get the girl, but he had found his true calling.Nailing It is a collection of true stories from both Hall's professional and personal life where he really had to nail it. They're not about glitz, or fame, or how he met his seventh wife at the rehab clinic and found spiritual direction. None of that happened to him.They're about accidentally melting Kraft cheese at his first Edinburgh Fringe Festival, alienating an entire convention of RV holiday-makers in Las Vegas, singing The Who's 'You Better You Bet' at a charity gig and turning his performance into a legendary rock 'n' roll disaster, and attempting to seduce Karen, which must have been successful because she is now his wife. And other such escapades.Hall doesn't always come out of them all covered in glory - far from it - but if someone propped him up at the end of the comedy bar and put a 50p coin in him, these are the tunes he would spin. And you'd be laughing all night.(P) 2022 Quercus Editions Limited
Naked at the Albert Hall: The Inside Story of Singing
by Tracey ThornIn her bestselling autobiography Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a thirty-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage-fright. Part memoir, part wide-ranging exploration of the art, mechanics and spellbinding power of singing, Naked at the Albert Hall takes in Dusty Springfield, Dennis Potter and George Eliot; Auto-tune, the microphone and stage presence; The Streets and The X Factor. Including interviews with fellow artists such as Alison Moyet, Romy Madley-Croft and Green Gartside of Scritti Politti, and portraits of singers in fiction as well as Tracey's real-life experiences, it offers a unique, witty and sharply observed insider's perspective on the exhilarating joy and occasional heartache of singing.
Naked at the Albert Hall: The Inside Story of Singing
by Tracey ThornIn her bestselling autobiography Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a thirty-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage-fright.Part memoir, part wide-ranging exploration of the art, mechanics and spellbinding power of singing, NAKED AT THE ALBERT HALL takes in Dusty Springfield, Dennis Potter and George Eliot; Auto-tune, the microphone and stage presence; The Streets and The X Factor. Including interviews with fellow artists such as Alison Moyet, Romy Madley-Croft and Green Gartside of Scritti Politti, and portraits of singers in fiction as well as Tracey's real-life experiences, it offers a unique, witty and sharply observed insider's perspective on the exhilarating joy and occasional heartache of singing.
The Naked Voice
by Chloe GoodchildBoth science and spirituality agree that every particle of matter, every phenomenon we experience, is a form of resonance or vibration. The human voice is quite literally a mouthpiece of this truth; there is no form of expression more personal, more tied to our identities, than our voices. With simple inspirational exercises, this book by renowned voice teacher Chloe Goodchild gives readers the tools to guide them in a process of sound healing and soul communication that is guaranteed to open the heart and restore forgiveness, compassion, and interconnectedness between individuals and in their communities. At the heart of every human journey exists the longing to feel at home in one's self and in the world. In a unique response to meet this longing, Chloe Goodchild invites you on a compelling adventure of self-discovery and creative fulfillment through a direct experience of your own authentic voice--the voice of your personal authority, the song of your soul. Going beyond traditional vocal training guides, this book will appeal to anyone wishing to encounter themselves at a primal level through the medium of the voice.
Nana's Fiddle
by Larry Dane BrimnerAlthough her neighbors are reluctant to listen to her play the fiddle, Nana persists and her hog steals the show.
Nancy Clancy, Star of Stage and Screen (I Can Read! #5)
by Robin Preiss Glasser Jane O'ConnorNancy Clancy is ready for her close-up in the fifth chapter book in the Nancy Clancy chapter book series by the New York Times bestselling team of Jane O'Connor and Robin Preiss Glasser.It's <P><P>Nancy's time to shine as she takes center stage in the school play! There's no way Nancy will get stuck in the chorus again this year--she's been practicing guitar for months and her audition was superb. So when Nancy gets a callback, she's overwhelmed with joy! <P>But after Nancy's performance during the play is captured on a video that gets posted on YouTube, it seems her stardom has gone viral. Will Nancy's humiliation get the best of her, or will she find a way to embrace her newfound fame? <P>Fans of Nancy Clancy will enjoy watching Nancy sparkle in the spotlight in her latest chapter book. The central theme of all the Nancy Clancy books shines through, showing the power of positive thinking.
The Nantucket Diary of Ned Rorem, 1973–1985: 1973-1985
by Ned RoremThe acclaimed author of The Paris Diary, Pulitzer Prize–winning American composer Ned Rorem offers readers a mellow, thoughtful, and candid chronicle of his life, work, and contemporariesOne of our most revered contemporary musical artists—winner of the Pulitzer Prize and declared &“the world&’s best composer of art songs&” by Time magazine—Ned Rorem writes that he is &“a composer who writes, not a writer who composes.&” Despite this claim, Rorem&’s published diaries, memoirs, essay collections, and other nonfiction works have all received resounding acclaim for their lyricism, bold honesty, and insightful social commentary. His Nantucket Diary, covering the years 1973 through 1985, reveals a more mature and graceful Ned Rorem, a man who has experienced great loss and serious illness yet has lost none of his acute observational skills and keenly opinionated nature. His wit remains bracing and his candor refreshing as he offers sharp critiques on the state of modern classical music and its creators. His accounts of times shared with luminaries and legends, musical and otherwise (including Leonard Bernstein, Edward Albee, Virgil Thomson, and Stephen Sondheim) are consistently enthralling and delightful. The outspoken hedonist of The Paris Diary may be older and more subdued now, but his incisive observations and unique outlook on life, both personal and creative, remain an unforgettable reading experience.
Narcocorrido
by Elijah WaldIn the first full-length exploration of the contemporary and controversial Mexican corrido, award-winning author Elijah Wald blends a travel narrative with his search for the roots of this genre -- a modern outlaw music that fuses the sensibilities of medieval ballads with the edgy grit of gangsta rap. From international superstars to rural singers documenting their local current events in the regions dominated by guerilla war, Wald visited these songwriters in their homes, exploring the heartland of the Mexican drug traffic and traveling to urban centers such as Los Angeles and Mexico City. The corrido genre is famous for its hard-bitten songs of drug traffickers and gunfights, and also functions as a sort of musical newspaper, singing of government corruption, the lives of immigrants in the United States, and the battles of the Zapatista rebellion in Chiapas. Though largely unknown to English speakers, corridos top the Latin charts and dominate radio playlists both in the United States and points south. Wald provides in-depth looks at the songwriters who have transformed groups like the popular Tigres del Norte into enduring superstars, as well as the younger artists who are carrying the corrido into the twenty-first century. In searching for the poetry and social protest behind the gaudy lyrics of powerful drug lords, Wald shows how popular music can remain the voice of a people, even in this modern world of globalization, electronic media, and gangsters who ship cocaine in 747s.
The Narrative Arts of Tianjin: Between Music and Language (SOAS Studies in Music Series)
by Francesca R. LawsonIn studying one of the world's oldest and most enduring musical cultures, academics have consistently missed one of the richest forms of Chinese cultural expression: performed narratives. Francesca R. Sborgi Lawson explores the relationships between language and music in the performance of four narrative genres in the city of Tianjin, China, based upon original field research conducted in the People's Republic of China in the mid 1980s and in 1991. The author emphasizes the unique nature of oral performances in China: these genres are both musical and literary and yet are considered to be neither music nor literature. Lawson employs extensive examples of the complex interaction of music and language in each genre, all the while relating those analyses to broader cultural issues and to patterns of social relationships. The narrative arts known as shuochang (speaking-singing) are depicted as genres that constitute a unique communicative discourse”the communication of stories in song. The genres subsumed under the native conception of shuochang include Tianjin Popular Tunes, Beijing Drumsong, Clappertales and Comic Routines. The maximum utilization of shuo (speaking) and chang (singing) in all their varying manifestations constitutes the vitality of the traditional narrative arts in the city of Tianjin”the center for these arts in North China. The variety of narrative forms provides entertainment for audiences representing all social strata of Chinese society. The author argues that Chinese narrative traditions represent a foundation from which certain Chinese literary and operatic traditions have borrowed, such as how the novels from the Ming-Qing period draw on the performed narrative arts both in style and in content. Hence, an understanding of performed narratives is not only useful to scholars in Chinese literature and music, but also to scholars interested in broadening their understanding of China generally.
Narratives and Reflections in Music Education: Listening to Voices Seldom Heard (Landscapes: the Arts, Aesthetics, and Education #28)
by Tawnya D. Smith Karin S. HendricksThis volume offers chapters written by some of the most respected narrative and qualitative inquiry writers in the field of music education. The authorship and scope are international, and the chapters advance the philosophical, theoretical, and methodological bases of narrative inquiry in music education and the arts. The book contains two sections, each with a specific aim. The first is to continue and expand upon dialogue regarding narrative inquiry in music education, emphasizing how narrative involves the art of listening to and hearing others whose voices are often unheard. The chapters invite music teachers and scholars to experience and confront music education stories from multiple perspectives and worldviews, inviting an international readership to engage in critical dialogue with and about marginalized voices in music. The second section focuses on ways in which narrative might be represented beyond the printed page, such as with music, film, photography, and performative pieces. This section includes philosophical discussions about arts-based and aesthetic inquiry, as well as examples of such work.
Narratives from Beyond the UK Reggae Bassline: The System is Sound (Palgrave Studies in the History of Subcultures and Popular Music)
by William ‘Lez’ Henry Matthew WorleyThis book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK’s Afro-Caribbean community. From roots to lovers’ rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae’s influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae’s importance to both the culture and the politics of late twentieth and early twenty-first century Britain.