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The Nashville Bet: A fabulously fun, escapist, romantic read (Girls' Weekend Away)
by Shana Gray'Full of fun, friendship and romance - a real escapist treat' Jill Shalvis on What Happens In Vegas'If you are looking for a fun, sexy and swoon-worthy series about friendships and love, I can't recommend this one enough' Hopeless Romantics Book BlogIn the third warm, funny and romantic novel in the Girls Weekend Away series, four best friends embark on the ultimate girls' getaway filled with hijinks and a sprinkling of romance. For any fan of Bridesmaids and Sex and the City and readers of Jo Watson, Lauren Layne, Joanna Bolouri and Cate Woods.The romantic... When her boss offers her free tickets to the CMA Fest, Ava Trent jumps at the chance for a weekend in Nashville with her best girlfriends. Great music and new opportunities to look for Mr Right? What more could a former country girl ask for? Well, maybe not to literally fall at the feet of the hottest guy she's ever seen. And the superstar singer... After becoming an overnight success, fame doesn't rest easy on Chase Hudson's shoulders. It's hard to tell who's interested in him and who's interested in the star. So when he and Ava collide, and she has no idea who he is, he's immediately intrigued. Something about Ava calls to him - even though he's convinced she's a city-type who couldn't handle his Nashville life. Are about to get their country on. What starts as a light-hearted bet to test one another, becomes something much deeper as Ava and Chase can't stay away from one another. But with so many differences between their lives, will they win the relationship they've been dreaming of? Or lose each other?Look for the other Girls' Weekend Away novels, including What Happens In Vegas and Meet Me In San Francisco!
Nashville Music Before Country
by Tim SharpNashville is a name synonymous with music. Years before the first radio broadcast of country music from Nashville's Grand Ole Opry, music and publishing were central to Nashville's self-identity.Thousands of songs flooded into the Cumberland and Tennessee River valleys from Southern Appalachia, sung by folk performers. These songs became the foundation for the folk-hymn traditions that grew throughout Tennessee. Into this stream flowed a body of African American spirituals, gospel, and minstrel songs. The arrival of trained German musicians brought classical styles to this gathering stream ofmusical confluences. These musicians found a home in the academies and businesses of Nashville. Nashville Music before Country is the story of how music merged with education, publication, entertainment, and distribution to set the stage for a unique musical metropolis. The images for Nashville Music before Country come from private collections as well as public libraries and archives.
Nashville Songwriter: The Inside Stories Behind Country Music's Greatest Hits
by Jake BrownYou've heard them on the radio, listened to them on repeat for days, and sang along at the top of your lungs-but have you ever wondered about the real stories behind all your favorite country songs? Nashville Songwriter gives readers the first completely authorized collection of the true stories that inspired hits by the biggest multi-platinum country superstars of the last half century-recounted by the songwriters themselves. Award-winning music biographer Jake Brown gives readers an unprecedented, intimate glimpse inside the world of country music songwriting.Featuring exclusive commentary from country superstars and chapter-length interviews with today's biggest hit-writers on Music Row, this book chronicles the stories behind smash hits such as:Willie Nelson's "Always on My Mind"Tim McGraw's "Live Like You Were Dying," "Southern Voice," and "Real Good Man"George Jones's "Tennessee Whiskey"Carrie Underwood's "Jesus Take the Wheel" and "Cowboy Casanova"Brooks & Dunn's "Ain't Nothing 'Bout You"Lady Antebellum's "We Owned the Night" and "Just a Kiss"Brad Paisley's "Mud on the Tires," "We Danced," and "I'm Still a Guy"Luke Bryan's "Play It Again," "Crash My Party," and "That's My Kind of Night"The Oak Ridge Boys's "American Made"George Strait's "Ocean Front Property" and "The Best Day,"Rascal Flatts's "Fast Cars and Freedom," and "Take Me There"Kenny Chesney's "Living in Fast Forward" and "When the Sun Goes Down"Ricochet's "Daddy's Money"Montgomery Gentry's "If You Ever Stop Loving Me"The Crickets's "I Fought the Law"Tom T. Hall's "A Week in a County Jail" and "That Song Is Driving Me Crazy"Trace Adkins's "You're Gonna Miss This"David Lee Murphy's "Dust on the Bottle"Jason Aldean's "Big Green Tractor" and "Fly Over States"And many more top country hits over the past 40 years!
Nashville Songwriter, Volume 2: The Inside Stories Behind Country Music's Greatest Hits
by Jake BrownNashville's best-kept secret has long been that the majority of country music's biggest hits are written by a Shakespearean behind-the-scenes club of Music Row songsmiths who have churned out many of country's most beloved classics over the past fifty years. Picking up with Volume II of the first-of-its-kind “NASHVILLE SONGWRITER” book series, country music fans get more behind-the-scenes V.I.P. access as this book series reveals the first TOTALLY AUTHORIZED telling of the true stories that inspired hundreds of # 1s by a collective roster of the biggest multi-platinum Country Superstars. <P><P> With 300+ # 1 hits covered throughout the 300+ page book, including many of today's hottest Country Music hits, including recent Carrie Underwood, Lady Antebellum, George Strait, Florida/Georgia Line, Sam Hunt, Eric Church, Miranda Lambert, Tim McGraw, Little Big Town, Jason Aldean, Dierks Bentley, Thomas Rhett, Thomas Rhett, Kenny Chesney, Miranda Lambert, Blake Shelton, George Jones, Zac Brown Band, Toby Keith, Cole Swindell, Johnny Lee, Loretta Lynn, Jerry Reed, Vince Gill, Conway Twitty, Merle Haggard, the Dixie Chicks, Rodney Atkins, Rhett Akins, Luke Bryan, Dustin Lynch, Alan Jackson, Lee Anne Womack, Martina McBride, Gary Evans, etc.
Nashville Steeler: My Life in Country Music
by Don Davis50-year account of the rise of country music through the career of Don DavisStories and 100 images showing legends, singers, songwriters, personalities, and fansOver 50 artists, musicians, producers, managers, and others
Nathaniel Clark Smith: Pioneer American Music Educator
by Dr Eva Diane Lyle-SmithIf you are interested in learning about a pioneer African American music educator in the United States, then you want to read the story of Nathaniel Clark Smith. Smith was a prolific and charismatic music educator, musician, and composer who lived during the early years of music education history in the United States. His formal training in music was on a military base in Ft. Leavenworth, KS. Extended studies were from Guild Hall in London, England. A college graduate with B.M.A. and M.M degrees, Smith taught music in educational institutions and industries; was a world traveller who performed with the Ernest Hogan Minstrel Troupe; introduced the saxophone to African Americans; composed and published spirituals, marches, operatic songs, a suite, and an unfinished symphony; and hosted a radio broadcast show which was aired all over the Mid-West. He organized bands and out of that, orchestras, choirs, glee clubs and numerous combinations of the voice and instruments were developed. Smith captured the melodies of the countries that he visited in his music compositions.During his illustrious career, Smith worked with Frederick Douglas, Paul Lawrence Dunbar, Booker T. Washington, Nat King Cole, Lionel Hampton, Milton Hinton, John Phillip Sousa, a young Charlie Parker, and others. His students from the Lincoln High School Band became the nucleus of the big band format of the Mid-West. His Pullman Porter musicians were able to perform at a moment&’s notice.Married with one daughter and the son of an African Sergeant Trumpeter and Indian mother, The Story of Nathaniel Clark Smith is a colourful reading of the times during abolition to the mid depression years in the United States. It is the story of an African-American who survived the challenges of the time to obtain a successful music career, and who helped people to better their lives through music in the Mid-Western and Southern African-American communities of the United States.
Nathan's Song
by Leda SchubertThe Jewish immigrant experience in the early 1900s is touchingly and joyfully portrayed in this picture book based on the author's own grandfather.Growing up in a shtetl in Russia, Nathan is always singing, and when he hears a famous opera soloist perform in a nearby town one day, he realizes that music could be his future. But he'll need to travel far from his loved ones and poor village in order to pursue that cherished goal. With his family's support he eventually journeys all the way to New York City, where hard work and much excitement await him. His dream is coming true, but how can he be fully happy when his family is all the way across the ocean?
The National Anthem
by Elaine LandauIdeal for today's young investigative reader, each A True Book includes lively sidebars, a glossary and index, plus a comprehensive "To Find Out More" section listing books, organizations, and Internet sites. A staple of library collections since the 1950s, the new A True Book series is the definitive nonfiction series for elementary school readers. A True Book -- American History: How do you wrap a 450,000-pound gift? What is the world's oldest and shortest written consitution? Find out in this patriotic celebration of things uniquely American.
National Identity in Contemporary Australian Opera: Myths Reconsidered (Ashgate Interdisciplinary Studies in Opera)
by Michael HalliwellOpera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire. It is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera. The premiere of Voss by Richard Meale and David Malouf in 1986 was a watershed in the staging and reception of new opera, and there has been a diverse series of new works staged in the last thirty years, not only by the national company, but also by thriving regional institutions. The emergence of a thriving operatic tradition in contemporary Australia is inextricably enmeshed in Australian cultural consciousness and issues of national identity. In this study of eighteen representative contemporary operas, Michael Halliwell elucidates the ways in which the operas reflect and engage with the issues facing contemporary Australians. Stylistically these eighteen operas vary greatly. The musical idiom is diverse, ranging from works in a modernist idiom such as The Ghost Wife, Whitsunday, Fly Away Peter, Black River and Bride of Fortune, to Voss, Batavia, Bliss, Lindy, Midnight Son, The Riders, The Summer of the Seventeenth Doll and The Children’s Bach being works which straddle several musical styles. A number of operas draw strongly on musical theatre including The Eighth Wonder, Pecan Summer, The Rabbits and Cloudstreet, and Love in the Age of Therapy is couched in a predominantly jazz idiom. While some of them are overtly political, all, at least tangentially, deal with recent cultural politics in Australia and offer sharply differing perspectives.
National Myth and the First World War in Modern Popular Music
by Peter GrantThis book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of 'memory studies' and analyses how songwriters are influenced by their country's 'national myths'. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bog≤ the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Gal#65533;s and PJ Harvey.
The National Party Chairmen and Committees: Factionalism at the Top
by Andrew GoldmanThis study traces the history of the national committee chairmanships of the two major political parties in the United States, emphasizing the national conventions and presidential campaigns - where national factions often reveal themselves. Candidate and ideolological factionalism, as the evidence of this volume demonstrates, has been the principal engine of convention action. Factional conflicts have had consequences not just for the political parties but for the party system itself. The institutional history of the two national committees and their chairmanships reveals a previously unrecorded aspect of United States national party development.
National Schools of Singing: English, French, German and Italian Techniques of Singing Revisited
by Richard MillerA comprehensive update of a 1977 study of historical and current techniques practiced in four major Western European schools of vocalism, investigating which techniques within the national schools are common to them all and which idiosyncratic regional tendencies remain. Contains chapters on breath management techniques, techniques of vowel formation, vibrato and national tendencies, vocal registration and national attitudes, the different types of voices, and international tonal ideals. Also discusses the North American singer and the national schools.
National Traditions in Nineteenth-Century Opera, Volume I: Italy, France, England and the Americas (The Ashgate Library of Essays in Opera Studies #4)
by Steven HuebnerThis volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.
National Traditions in Nineteenth-Century Opera, Volume II: Central and Eastern Europe (The Ashgate Library of Essays in Opera Studies)
by Michael C. TusaThis volume offers a cross-section of English-language scholarship on German and Slavonic operatic repertories of the "long nineteenth century," giving particular emphasis to four areas: German opera in the first half of the nineteenth century; the works of Richard Wagner after 1848; Russian opera between Glinka and Rimsky-Korsakov; and the operas of Richard Strauss and Janácek. The essays reflect diverse methods, ranging from stylistic, philological, and historical approaches to those rooted in hermeneutics, critical theory, and post-modernist inquiry.
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
by Thomas TurinoThe book talks about how cosmopolitanism gave rise to the nationalist movement in Zimbabwe, explaining the combination of "foreign" and indigenous elements that define nationalist art and cultural projects.
A Natural History of the Piano: The Instrument, the Music, the Musicians from Mozart to Modern Jazz and Everything in Between
by Stuart IsacoffA beautifully illustrated, totally engrossing celebration of the piano, and the composers and performers who have made it their own. With honed sensitivity and unquestioned expertise, Stuart Isacoff--pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization--unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna's coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance. With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.From the Hardcover edition.
The Natural Mystics: Marley, Tosh, and Wailer
by Colin GrantThe definitive group biography of the Wailers--Bob Marley, Peter Tosh, and Bunny Livingston--chronicling their rise to fame and power. Over one dramatic decade, a trio of Trenchtown R&B crooners swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers--one of the most influential groups in popular music. Colin Grant presents a lively history of this remarkable band from their upbringing in the brutal slums of Kingston to their first recordings and then international superstardom. With energetic prose and stunning, original research, Grant argues that these reggae stars offered three models for black men in the second half of the twentieth century: accommodate and succeed (Marley), fight and die (Tosh), or retreat and live (Livingston). Grant meets with Rastafarian elders, Obeah men (witch doctors), and other folk authorities as he attempts to unravel the mysteries of Jamaica's famously impenetrable culture. Much more than a top-flight music biography, The Natural Mystics offers a sophisticated understanding of Jamaican politics, heritage, race, and religion--a portrait of a seminal group during a period of exuberant cultural evolution.
A Natural Woman
by Carole KingThe enhanced ebook includes dozens of exclusive of photos from Carole King's childhood, her own family, and behind-the-scenes images from her performances. It also features a video of the author in the recording studio, and two classic songs embedded within the ebook. A memoir by the iconic singer-songwriter chronicling her story from her beginnings in Brooklyn through her remarkable success as one of the world's most acclaimed musical talents, to her present day as a leading performer and activist. From her marriage to Gerry Goffin, with whom she wrote dozens of songs that hit the charts, to her own achievements, notably with "Tapestry," which remained on the charts for more than six years, to her experiences as a mother, this memoir chronicles one of music's most successful and fascinating stars. The book will include dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances over the years.
A Natural Woman: A Memoir
by Carole KingA memoir by the iconic singer-songwriter chronicling her story from her beginnings in Brooklyn through her remarkable success as one of the world's most acclaimed musical talents, to her present day as a leading performer and activist. From her marriage to Gerry Goffin, with whom she wrote dozens of songs that hit the charts, to her own achievements, notably with 'Tapestry', which remained on the charts for more than six years, to her experiences as a mother, this memoir chronicles one of music's most successful and fascinating stars. The book includes dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances over the years.
A Natural Woman
by Carole KingA memoir by the iconic singer-songwriter chronicling her story from her beginnings in Brooklyn through her remarkable success as one of the world's most acclaimed musical talents, to her present day as a leading performer and activist. From her marriage to Gerry Goffin, with whom she wrote dozens of songs that hit the charts, to her own achievements, notably with "Tapestry," which remained on the charts for more than six years, to her experiences as a mother, this memoir chronicles one of music's most successful and fascinating stars. The audiobook will include a pdf of dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances over the years.
A Natural Woman: A Memoir
by Carole KingRead the New York Times Bestselling memoir that is "revealing, humble, and cool-aunt chatty" about the incredible life that inspired the hit Broadway musical Beautiful (Rolling Stone). Carole King takes us from her early beginnings in Brooklyn, to her remarkable success as one of the world's most acclaimed songwriting and performing talents of all time. A Natural Woman chronicles King's extraordinary life, drawing readers into her musical world, including her phenomenally successful #1 album Tapestry, and into her journey as a performer, mother, wife and present-day activist. Deeply personal, King's long-awaited memoir offers readers a front-row seat to the woman behind the legend. The book will include dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances.
The Nature of Nordic Music
by Tim HowellThe Nature of Nordic Music explores two distinctive yet complementary understandings of the term ‘nature’: the inherent features, characters and qualities of contemporary Nordic music, and how the elemental forces of nature, the phenomena of the physical world (landscape, climate, environment), inspire and condition creativity here. Within a broader debate about the meaning of ‘Nordicness’, 12 case studies challenge our assumptions about a ‘Nordic tone’ to reveal a creative energy that is diverse and cosmopolitan in outlook. Each of the three parts of the book – ‘Identities’, ‘Images’ and ‘Environments’ – accommodates an eclectic array of musical genres (classical, popular, jazz, folk, electronic). This book will appeal to anyone interested in Nordic music and culture, especially students and researchers.
Naushadnama: The Life and Music of Naushad
by Raju BharatanThe seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960).No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hold on the public imagination. Although we continue to marvel at the incredible variety of his mellifluous creations that have withstood the test of time, how little most of us know about Naushad the man. Renowned song historian Raju Bharatan fleshes out the real Naushad – his triumphs and tragedies – bringing into play more than 50 years of personal interaction with the tuneful titan. In the process, the author makes the book more sparking with a string of anecdotal gems. For instance: • How Naushad and his contemporaries despite their professed bonhomie, were fiercely competitive (both musically and monetarily) in their attempts to occupy the ‘top spot’. • How many days of rehearsal were needed for some of the Baiju Bawara masterpieces? • How the immortal compositions of Mughal-e-Azam were recorded in a studio no better than a tin shed.This volume also throws new light on the relations and interactions between Naushad and his singers (especially Suraiya, Mohammed Rafi, Lata Mangeshkar, Asha Bhosle and Shamshad Begum); his songwriters (mainly D.N Madhok, Shakeel Badayuni and Majrooh Sultanpuri); and his ‘unsung’ instrumentalists (some of whom were geniuses in their own right).
NAUSHADNAMA The Life and Music of Naushad: The Life And Music Of Naushad
by Raju BharatanNaushad is by popular consent the greatest among our film music composers, having been active for 65 years! For twenty years during that period, he ruled the field: from Rattan in 1944, he was the standard against whom every other composer tried to match himself! He didn't have much to show by way of originality after Mughal e Azam (1961), though his music never became base : it was only that the stars for whom he composed declined, the public taste changed, he became trapped in his own image as the custodian of the classical mould in film sangeet. It is a measure of the great man that he steadily refused to succumb to the market pressure. His composing abilities were never in question, but he could not give 'hits" or tunes that would appeal.When he tried to adjust, he was pathetic. Raju Bharatan is such an authority on Naushad and our film music, with so much first hand knowledge and information, a book from him on Naushad is likely to be the last word as an account of his professional life. But this book covers so much more: what the cine music filed was like from inside, how the composers were competing , how they were bad-mouthing Naushad in private, in spite of the show of public bonhomie, what devious games were played to corner awards and limelight, etc. The point is not the filmi world was so dirty; the point is that the composers created great music even in such atmosphere.
Navigating Stylistic Boundaries in the Music History Classroom: Crossover, Exchange, Appropriation (Modern Musicology and the College Classroom)
by Esther M. Morgan-EllisAt a time of transformation in the music history classroom and amid increasing calls to teach a global music history, Navigating Stylistic Boundaries in the Music History Classroom adds nuance to the teaching of varied musical traditions by examining the places where they intersect and the issues of musical exchange and appropriation that these intersections raise. Troubling traditional boundaries of genre and style, this collection of essays helps instructors to denaturalize the framework of Western art music and invite students to engage with other traditions—vernacular, popular, and non-Western—on their own terms.The book draws together contributions by a wide range of active scholars and educators to investigate the teaching of music history around cases of stylistic borders, exploring the places where different practices of music and values intersect. Each chapter in this collection considers a specific case in which an artist or community engages in what might be termed musical crossover, exchange, or appropriation and delves deeper into these concepts to explore questions of how musical meaning changes in moving across worlds of practice. Addressing works that are already widely taught but presenting new ways to understand and interpret them, this volume enables instructors to enrich the perspectives on music history that they present and to take on the challenge of teaching a more global music history without flattening the differences between traditions.