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Recentering Anglo/American Folksong: Sea Crabs and Wicked Youths
by Roger deVeer RenwickA wealth of texts of British and Anglo/North American folksong has long been accessible in both published and archival sources. For two centuries these texts have energized scholarship. Yet in the past three decades this material has languished, as literary theory has held sway over textual study. In this crusading book Roger deV. Renwick argues that the business of folksong scholars is to explain folksong: folklorists must liberate the material's own voice rather than impose theories that are personally compelling or appealing. To that end, Renwick presents a case study in each of five essays to demonstrate the scholarly value of approaching this material through close readings and comparative analysis. In the first, on British traditional ballads in the West Indies, he shows how even the best of folklorists can produce an unconvincing study when theory is overvalued and texts are slighted. In the second he navigates the many manifestations of a single Anglo/American ballad, “The Rambling Boy,” to reveal striking differences between a British diasporic strain on the one hand and a southern American, post–Civil War strain on the other. The third essay treats the poetics of a very old, extremely widespread, but never before formalized trans-Atlantic genre, the catalogue. Next is Renwick's claim that recentering folksong studies in our rich textual databanks requires that canonical items be identified accurately. He argues that “Oh, Willie,” a song thought to be a simple variety of “Butcher's Boy,” is in fact a distinct composition. In the final essay Renwick looks at the widespread popularity of “The Crabfish,” sung today throughout the English-speaking world but with roots in a naughty tale found in both continental Europe and Asia. With such specific case studies as these, Renwick justifies his argument that the basic tenets of folklore textual scholarship continue to yield new insights.
Receptive Methods in Music Therapy: Techniques and Clinical Applications for Music Therapy Clinicians, Educators and Students
by Tony Wigram Katrina Mcferran Denise Grocke Emily Shanahan Susan B Wesely Karen Hamlett Matt Holmes Clare Kildea Karin Schou Katerina Stathis Melina RobertsThis practical book describes the specific use of receptive (listening) methods and techniques in music therapy clinical practice and research, including relaxation with music for children and adults, the use of visualisation and imagery, music and collage, song-lyric discussion, vibroacoustic applications, music and movement techniques, and other forms of aesthetic listening to music. The authors explain these receptive methods of intervention using a format that enables practitioners to apply them in practice and make informed choices about music suitable for each of the different techniques. Protocols are described step-by-step, with reference to the necessary environment, conditions, skills and appropriate musical material. Receptive Methods in Music Therapy will prove indispensable to music therapy students, practitioners, educators and researchers.
Reckless
by Chrissie HyndeFrom Chrissie Hynde, one of rock's most iconic, alluring, kick-ass, and (let's face it) sexy women, a brilliant, no-holds barred memoir of a rock life lived to the hilt. Chrissie Hynde, the songwriter and frontwoman of The Pretenders in its various incarnations, has for 35 years been one of the most admired and adored and imitated figures in rock. This long-awaited memoir tells her life story in full and utterly fascinating detail, from her fifties childhood in Akron, Ohio, to her classic baby boomer seduction by the rock of the sixties to her sojourn in the crucible of punk that was seventies London to her instant emergence with her band The Pretenders in 1980 into stardom as a frontwoman and songwriter. She brings a fantastic eye for detail, a withering and sardonic sense of humor and a fearless and sometimes naked emotional honesty to her memoir, and every line, every word of it, is unmistakably hers. It is sure to be recognized as a classic of rock literature--and man, is it fun to read.
Reckless Daughter: A Joni Mitchell Anthology
by Barney HoskynsJoni Mitchell has only visited the U.S. Top 40 singles chart four times in her long recording career - and the Top 20 just once. So much for 'stoking the starmaker machinery behind the popular song', as she sang in her 1974 song 'Free Man in Paris'.What Joni has done, on the other hand, is record a handful of masterful albums - Blue, Court And Spark, The Hissing Of Summer Lawns for starters - that prove she is right up there with the big boys: with Bob Dylan, Brian Wilson and Stevie Wonder. Few women can hold a candle to her oeuvre: maybe Aretha Franklin, maybe Kate Bush, Bjork, Joanna Newsom. Airs and graces she may have, but airs and graces backed up by 'Woodstock', 'The Arrangement', 'A Case Of You', 'Help Me', 'Dog Eat Dog' and 'The Magdalene Laundries' are forgivable. Some of Mitchell's songs are great art. Almost all are emotionally complex and musically gripping.Reckless Daughter collects some of the most incisive commentary on Joni's music - and some of the most candid conversations she has had with journalists during her long career. From a review of her first performance at L.A.'s legendary Troubadour in 1968 to a career-sweeping 1998 interview by MOJO's Dave DiMartino, this anthology of almost 60 articles charts every stage of Joni's extraordinary journey as a singer, songwriter and artist.
Reckless Daughter: A Joni Mitchell Anthology
by Barney HoskynsJoni Mitchell has only visited the U.S. Top 40 singles chart four times in her long recording career - and the Top 20 just once. So much for 'stoking the starmaker machinery behind the popular song', as she sang in her 1974 song 'Free Man in Paris'. <P><P>What Joni has done, on the other hand, is record a handful of masterful albums - Blue, Court And Spark, The Hissing Of Summer Lawns for starters - that prove she is right up there with the big boys: with Bob Dylan, Brian Wilson and Stevie Wonder. Few women can hold a candle to her oeuvre: maybe Aretha Franklin, maybe Kate Bush, Bjork, Joanna Newsom. Airs and graces she may have, but airs and graces backed up by 'Woodstock', 'The Arrangement', 'A Case Of You', 'Help Me', 'Dog Eat Dog' and 'The Magdalene Laundries' are forgivable. Some of Mitchell's songs are great art. Almost all are emotionally complex and musically gripping. <P><P>Reckless Daughter collects some of the most incisive commentary on Joni's music - and some of the most candid conversations she has had with journalists during her long career. From a review of her first performance at L.A.'s legendary Troubadour in 1968 to a career-sweeping 1998 interview by MOJO's Dave DiMartino, this anthology of almost 60 articles charts every stage of Joni's extraordinary journey as a singer, songwriter and artist.
Reckless Daughter: A Portrait of Joni Mitchell
by David YaffeNATIONAL BESTSELLER"She was like a storm." ―Leonard Cohen"The definitive biography of a gifted songwriter and musician." ―Publishers Weekly (starred review)With an inimitable sound and unmistakable voice, Joni Mitchell is one of the most iconic performers and storytellers of any generation. Reckless Daughter tells the remarkable, heart-wrenching story of how the blonde girl from Saskatchewan with the guitar became a superstar of folk music in the 1960s, a key figure in the Laurel Canyon music scene of the 1970s, and the songwriter who spoke resonantly to, and for, audiences around the world. In this intimate biography, composed of dozens of unprecedented in-person interviews with Mitchell, her childhood friends, and a cast of famous characters that includes Leonard Cohen, Joan Baez, Judy Collins, and David Crosby, David Yaffe reveals the backstory behind the famous songs―from Mitchell’s youth in Canada, her pre-vaccine bout with polio at age nine, her early marriage, and the child she gave up for adoption, through the quintessential love affairs that inspired masterpieces, and up to the present―and shows us why Mitchell has so enthralled her listeners, her lovers, and her friends. Drawing on musical expertise and a reverence for and deep understanding of Mitchell’s work, Yaffe offers insightful analyses of her famous lyrics, exploring their imagery, their style, and their reflection of the woman herself.A Canadian prairie girl, a free-spirited artist, Mitchell never wanted to be a pop star. She was nothing more than “a painter derailed by circumstances,” she would explain. And yet, she went on to become a talented self-taught musician and a brilliant band leader, releasing album after album, each distinctly experimental, challenging, and revealing. Her lyrics captivated listeners with their poignant, perceptive language and naked emotion, born out of Mitchell’s life, loves, complaints, and prophecies. As an artist whose work deftly balances narrative and musical complexity, she was admired by such legendary lyricists as Bob Dylan and Leonard Cohen and was a beloved collaborator of jazz musicians Jaco Pastorius, Wayne Shorter, and Herbie Hancock, among others. Her hits—from “Big Yellow Taxi” to “Both Sides, Now” to “A Case of You”—endure as timeless favorites. Mitchell’s influence on the generations of singer-songwriters who would follow her is undeniable. Reckless Daughter is the story of Joni Mitchell, and of the fertile, exciting musical time of which she was an integral part. It is the story of an artist and an era that have left an indelible mark on our music and our culture.
Reckless: My Life as a Pretender
by Chrissie HyndeChrissie Hynde, for nearly four decades the singer/songwriter/ undisputed leader of the Pretenders, is a justly legendary figure. Few other rock stars have managed to combine her swagger, sexiness, stage presence, knack for putting words to music, gorgeous voice and just all-around kick-assedness into such a potent and alluring package. From "Tatooed Love Boys" and "Brass in Pocket" to "Talk of the Town" and "Back on the Chain Gang," her signature songs project a unique mixture of toughness and vulnerability that millions of men and women have related to. A kind of one- woman secret tunnel linking punk and new wave to classic guitar rock, she is one of the great luminaries in rock history. Now, in her no-holds-barred memoir Reckless, Chrissie Hynde tells, with all the fearless candor, sharp humor and depth of feeling we've come to expect, exactly where she came from and what her crooked, winding path to stardom entailed. Her All-American upbringing in Akron, Ohio, a child of postwar power and prosperity. Her soul capture, along with tens of millions of her generation, by the gods of sixties rock who came through Cleveland--Mitch Ryder, David Bowie, Jeff Back, Paul Butterfield and Iggy Pop among them. Her shocked witness in 1970 to the horrific shooting of student antiwar protestors at Kent State. Her weakness for the sorts of men she calls "the heavy bikers" and "the get-down boys." Her flight from Ohio to London in 1973 essentially to escape the former and pursue the latter. Her scuffling years as a brash reviewer for New Musical Express, shop girl at the Malcolm McLaren and Vivienne Westwood boutique 'Craft Must Wear Clothes But The Truth Loves To Go Naked', first-hand witness to the birth of the punk movement, and serial band aspirant. And then ,at almost the last possible moment, her meeting of the three musicians who comprised the original line-up of The Pretenders, their work on the indelible first album "The Pretenders," and the rocket ride to "Instant" stardom, with all the disorientation and hazards that involved. The it all comes crashing back down to earth with the deaths of lead guitarist James Honeyman Scott and bassist Peter Farndon, leaving her bruised and saddened, but far from beaten. Because Chrissie Hynde is, among other things, one of rock's great survivors. We are lucky to be living in a golden age of great rock memoirs. In the aptly titled Reckless, Chrissie Hynde has given us one of the very best we have. Her mesmerizing presence radiates from every line and page of this book.From the Hardcover edition.
Reclaiming Calliope: Freeing the Female Voice through Undomesticated Singing
by Fides KruckerThe practice and politics of the unfettered female voice--reclaiming your power through voice, song, and opera-inspired exercises.For centuries, opera has used women&’s voices to convey male stories. Within an art form dominated by men, the female voice is a means to an end: controlled, denatured, and crafted to carry words and intentions that belie the true depth and complexity of the female experience.Here, author and opera singer Fides Krucker shows readers what it means to find--and use--our authentic voice, to sing wildly and uninhibited from the depths of our bodies and spirits. Part memoir, part radical vocal guide, and part feminist call to action, Reclaiming Calliope offers an intriguing look at the rarified world of opera, with fascinating behind-the-scenes details to which outsiders don&’t typically have access. Through incisive critique, personal stories, and intriguing exposé, Krucker razes the male gaze that packaged characters like Carmen, Tosca, and La Traviota&’s Violetta for viewer consumption--and radically envisions an empowered, new way of finding and fueling the authentic female voice.Through a series of breathing and vocal prompts that anyone--not just singers--can do, Krucker helps readers reconnect to their authentic primal voices: she takes the reader inside her vocal studio to learn new methods of breath, voicework, and embodiment to uncover and access personal and social truths. Each chapter includes a theme-related exercise--an act of expression, release, self-discovery, or resistance--that guides readers to develop voices unbound from anyone else&’s storytelling, boldly and without apology.
Reclaiming Late-Romantic Music
by Peter FranklinWhy are some of the most beloved and frequently performed works of the late-romantic period--Mahler, Delius, Debussy, Sibelius, Puccini--regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world.
Reclaiming Venus: The Many Lives of Alvenia Bridges
by Alvenia Bridges Dr Maya Angela Smith"Reclaiming Venus: The Many Lives of Alvenia Bridges" chronicles the remarkable journey of Alvenia Bridges from segregated Kansas to the heights of fashion and rock 'n' roll, breaking barriers and rubbing shoulders with legends. It is a powerful testament to resilience and the pursuit of dreams against all odds. "Reclaiming Venus: The Many Lives of Alvenia Bridges" chronicles the remarkable journey of Alvenia Bridges from segregated Kansas to the heights of fashion and rock 'n' roll, breaking barriers and rubbing shoulders with legends. It is a powerful testament to resilience and the pursuit of dreams against all odds. Growing up in the 1950s in segregated Kansas, Alvenia Bridges dreamed of leaving home and seeing the world. Despite her destructive home life and the racially oppressive environment of her childhood, Alvenia graduated high school, left for L.A., and successfully navigated the predominantly white and male-run worlds of fashion and 70s and 80s Rock and Roll. From a chance encounter with race car driver John Von Neumann that jump-started her modeling career in Europe to her years working for famous musicians, Alvenia's unflappable resolve left her impressively mobile in the face of societal constraints. Alvenia had much to share with the world as she crossed paths and worked with a wide variety of people in the music and fashion industries, from long-term working relationships with Bill Graham, Roberta Flack, and the Rolling Stones, to momentary yet extraordinary encounters with Jimi Hendrix, John Lennon, Prince, and Tina Turner, to personal and professional interactions with Jerry Hall, Antonio Lopez, and Francesco Scavullo. Alvenia's remarkable life forged a path through glass ceilings and blocked doors that reads like a work of fiction.
Recommender Systems for Medicine and Music (Studies in Computational Intelligence #946)
by Zbigniew W. Ras Alicja Wieczorkowska Shusaku TsumotoMusic recommendation systems are becoming more and more popular. The increasing amount of personal data left by users on social media contributes to more accurate inference of the user’s musical preferences and the same to quality of personalized systems. Health recommendation systems have become indispensable tools in decision making processes in the healthcare sector. Their main objective is to ensure the availability of valuable information at the right time by ensuring information quality, trustworthiness, authentication, and privacy concerns. Medical doctors deal with various kinds of diseases in which the music therapy helps to improve symptoms. Listening to music may improve heart rate, respiratory rate, and blood pressure in people with heart disease. Sound healing therapy uses aspects of music to improve physical and emotional health and well-being. The book presents a variety of approaches useful to create recommendation systems in healthcare, music, and in music therapy.
Recomposing the Past: Representations Of Early Music On Stage And Screen (Ashgate Screen Music Series)
by James Cook Alexander Kolassa Adam WhittakerRecomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English ‘dramatick opera’). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: ‘Authenticity, Appropriateness, and Recomposing the Past’, ‘Music, Space, and Place: Geography as History’, and ‘Presentness and the Past: Dialogues between Old and New’. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.
Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis (Routledge Studies in Music Theory)
by Judy LochheadThis book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.
Reconfiguring Myth and Narrative in Contemporary Opera
by Yayoi Uno EverettYayoi Uno Everett focuses on four operas that helped shape the careers of the composers Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun, which represent a unique encounter of music and production through what Everett calls "multimodal narrative." Aspects of production design, the mechanics of stagecraft, and their interaction with music and sung texts contribute significantly to the semiotics of operatic storytelling. Everett's study draws on Northrop Frye's theories of myth, Lacanian psychoanalysis via Slavoj i ek, Linda and Michael Hutcheon's notion of production, and musical semiotics found in Robert Hatten's concept of troping in order to provide original interpretive models for conceptualizing new operatic narratives.
Record Collecting For Girls: Unleashing Your Inner Music Nerd, One Album at a Time
by Courtney E. Smith“Record Collecting for Girls is an invitation for all of you stereophiles (who happen to be female), to make your own top-five lists, and then, armed and ready with the book’s fun facts, to argue their merits to the ever-present boys’ club of music snobs in your life.” —Sarahbeth Purcell, author of Love Is the Drug and This Is Not a Love SongYou never leave home without your iPod. You’re always on the lookout for new bands, and you have strong opinions when it comes to music debates, like Beatles vs. Stones. For years, you’ve listened to guys talk about all things music, but the female perspective has been missing. Until now. Drawing on her personal life as a music enthusiast, as well as her experience working at MTV and in radio, Courtney E. Smith explores what music can tell women about themselves—and the men in their lives. She takes on a range of topics, from the romantic soundtracks of Romeo and Juliet to the evolution of girl bands. She shares stories from her own life that shed light on the phenomenon of guilty pleasures and the incredible power of an Our Song. Along the way, she evaluates the essential role that music plays as we navigate life’s glorious victories and its soul-crushing defeats. Finally, here is a voice that speaks to women—because girls get their hearts broken and make mix tapes about it, too. “Courtney Smith has smarts and sass in spades. Her insights are as hilarious as they are thoughtful, and when you finish reading this book, you’ll feel like you just got home from a perfect night out with your best friend. And you’ll want to listen to Prince. At full volume.” —Megan Jasper, Executive Vice President, Sub Pop Records
Record Cultures: The Transformation of the U.S. Recording Industry
by Kyle BarnettRecord Cultures tells the story of how early U.S. commercial recording companies captured American musical culture in a key period in both music and media history. Amid dramatic technological and cultural changes of the 1920s and 1930s, small recording companies in the United States began to explore the genres that would later be known as jazz, blues, and country. Smaller record labels, many based in rural or out of the way Midwestern and Southern towns, were willing to take risks on the country’s regional vernacular music as a way to compete with more established recording labels. Recording companies’ relationship with radio grew closer as both industries were on the rise, propelled by new technologies. Radio, which had become immensely popular, began broadcasting more recorded music in place of live performances, and this created profitable symbiosis. With the advent of the talkies, the film industry completed the media trifecta. The novelty of recorded sound was replacing film accompanists, and the popularity of movie musicals solidified film’s connections with the radio and recording industries. By the early 1930s, the recording industry had gone from being part of the largely autonomous phonograph industry to being major media industry of its own, albeit deeply tied to—and, in some cases, owned by—the radio and film industries. The triangular relationships between these media industries marked the first major entertainment and media conglomerates in U.S. history. Through an interdisciplinary and intermedial approach to recording industry history, Record Cultures creates new connections between different strands of media research. It will be of interest to scholars of popular music, media studies, sound studies, American culture, and the history of film, television, and radio.
Record Label Marketing, 2nd ed.
by Paul Allen Tom Hutchison Amy MacyRecord Label Marketing offers a comprehensive look at the inner workings of record labels, showing how the record labels connect commercial music with consumers. In the current climate of selling music through both traditional channels and new media, authors Tom Hutchison, Paul Allen and Amy Macy carefully explain the components of the contemporary record label's marketing plan and how it is executed. This new edition is clearly illustrated throughout with figures, tables, graphs, and glossaries, and includes a valuable overview of the music industry.<P> Record Label Marketing has become essential reading for current and aspiring professionals, and for music business students everywhere. <P> Record Label Marketing.<P> * Gives you an exclusive and complete look at SoundScan and how it is used as a marketing tool<P> * Presents essential information on uses of new media, label publicity, advertising, retail distribution, and marketing research by record labels<P> * Offers insight into how successful labels use videos, promotional touring, and special products to build revenue<P> * Includes important specialized marketing strategies using the tools of grassroots promotion and international opportunities<P> * Reveals how labels are managing within their transitional digital industry<P> * Looks to the future of the music business - how online developments, technological diffusion, and convergence and new markets continue to reshape the industry
Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers (Music in American Life)
by John BrovenThis volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more.
Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years
by Stephen MorrisTHE SUNDAY TIMES BESTSELLER'A unique and thoughtful musical memoir' Observer'Gritty coming-of-age story . . . plenty of anecdotes to keep us hooked, and his memories of Joy Division's Ian Curtis are poignant' Daily MirrorBefore he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise twentieth-century rock.Following two landmark albums and widespread critical acclaim, Joy Division were at the height of their powers and poised to break the US, when lead singer, Ian Curtis, committed suicide.Part memoir, part scrapbook and part aural history: Stephen Morris's innate sense of rhythm and verve pulses through Record Play Pause. From recollections of growing up in the North West to the founding of New Order, Morris never strays far from the music. And by turns profound and wry, this book subverts the mythology and allows us to understand music's power to define who we are and what we become.
Record Play Pause: Confessions of a Post-Punk Percussionist: the Joy Division Years: Volume I
by Stephen MorrisTHE SUNDAY TIMES BESTSELLER'A unique and thoughtful musical memoir' Observer'Gritty coming-of-age story . . . plenty of anecdotes to keep us hooked, and his memories of Joy Division's Ian Curtis are poignant' Daily MirrorBefore he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise twentieth-century rock.Following two landmark albums and widespread critical acclaim, Joy Division were at the height of their powers and poised to break the US, when lead singer, Ian Curtis, committed suicide.Part memoir, part scrapbook and part aural history: Stephen Morris's innate sense of rhythm and verve pulses through Record Play Pause. From recollections of growing up in the North West to the founding of New Order, Morris never strays far from the music. And by turns profound and wry, this book subverts the mythology and allows us to understand music's power to define who we are and what we become.
Record Play Pause: Confessions of a Post-Punk Percussionist: the Joy Division Years: Volume I
by Stephen MorrisTHE SUNDAY TIMES BESTSELLER'A unique and thoughtful musical memoir' Observer'Gritty coming-of-age story . . . plenty of anecdotes to keep us hooked, and his memories of Joy Division's Ian Curtis are poignant' Daily MirrorThis audiobook includes music from Joy Division and original tracks from Stephen MorrisBefore he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise twentieth-century rock.Following two landmark albums and widespread critical acclaim, Joy Division were at the height of their powers and poised to break the US, when lead singer, Ian Curtis, committed suicide.Part memoir, part scrapbook and part aural history: Stephen Morris's innate sense of rhythm and verve pulses through Record Play Pause. From recollections of growing up in the North West to the founding of New Order, Morris never strays far from the music. And by turns profound and wry, this book subverts the mythology and allows us to understand music's power to define who we are and what we become.
Record, Mix and Master: A Beginner’s Guide to Audio Production
by Simon DuggalThis textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering.
Recorded Music in Creative Practices: Mediation, Performance, Education (ISSN)
by Daniel Barolsky Georgia VoliotiRecorded Music in Creative Practices: Mediation, Performance, Education brings new critical perspectives on recorded music research, artistic practice, and education into an active dialogue.Although scholars continue to engage keenly in the study of recordings and studio practices, less attention has been devoted to integrating these newer developments into music curricula. The fourteen chapters in this book bring fresh insight to the art and craft of recording music and offer readers ways to bridge research and pedagogy in diverse educational, academic, and music industry contexts. By exploring a wide range of genres, methods, and practices, this book aims to demonstrate how engaging with recordings, recording processes, material artefacts, studio spaces, and revised music history narratives means we can promote new understandings of the past, more creative performance in the present, and freer collaboration and experimentation inside and outside of the recording studio; enhance creative teaching and learning; inform and stimulate reform of the institutional processes and structures that frame musical training; and ultimately promote more diverse music curricula and communities of practice.This book will be of value to educators, researchers, practitioners (performers, composers, recordists), students in music and music-related fields, recording enthusiasts, and readers with a keen interest in the subject.
Recorded Poetry and Poetic Reception From Edna Millay to The Circle of Robert Lowell
by Derek FurrThrough an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U. S. , from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton.
Recording History: Jews, Muslims, and Music across Twentieth-Century North Africa
by Christopher SilverA new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices—of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons—whose music still resonates well into our present.