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Neil Young on Neil Young: Interviews and Encounters (Musicians in Their Own Words #19)
by Arthur LizieThe life of rock's most durable troubadour in his own wordsNeil Young on Neil Young: Interviews and Encounters is a revealing anthology of Young's most significant, fascinating, and entertaining discussions, declarations, and dreams, chronicling fifty years of conversations, feature stories, and press conferences. With many interviews widely available for the first time—including new transcriptions and first-time translations into English—the book spans Young's words and ideas from 1967 onward: his early days with Buffalo Springfield and 1970s Harvest-fueled celebrity apex, an artistic rebellion and 1980s commercial dip, and the unexpected 1990s revival as the Godfather of Grunge through to his multi-decade victory lap as a living legend.Across the decades, Young's own words tell the story as he perpetually reinvents himself as a master of music and film, a technology pioneer and innovator, and a bold political observer and strident environmental advocate.
Nelly's Sweet Song
by Jennifer Riesmeyer ElvgrenNelly’s grandfather has been away fighting in the Revolutionary War. Her entire family wants to make the homecoming special, but Nelly keeps causing trouble! What can she do to welcome him home?
Neon Angel: A Memoir of a Runaway
by Cherie Currie Tony O'NeillIn this candid autobiography, Cherie Currie—the original lead singer of ‘70s teenage all-girl rock band The Runaways—powerfully recounts her years in the band, her friendship with guitarist Joan Jett, and her struggle with drugs. An intense, behind-the-scenes look at rock music in the gritty, post-glam era, Neon Angel is a must-read for anyone whose heart beats to the rhythm of David Bowie, Suzi Quatro, Nick Gilder, and the Sex Pistols, and for every fan of the movie it inspired: The Runaways, starring Dakota Fanning and Kristen Stewart as Cherie Currie and Joan Jett.
Neon Screams: How Drill, Trap and Bashment Made Music New Again
by Kit MackintoshExamining new genres from the UK and across the Atlantic, including mumble rap, Brooklyn drill, UK drill, trap dancehall and Afrobeats, Neon Screams explores the dystopias and dissociative transcendence offered by this boundary-pushing music.With a foreword by Simon Reynolds, Neon Screams explores the plethora of new street genres that have emerged at the turn of the 2020s. Neon Screams is a manifesto, a rallying cry for the new musical futurism. Taking street music&’s embrace of Auto-Tune in the late 2000s as his starting point, Kit Mackintosh launches you through a whirlwind tour of the last decade of cutting-edge music, championing the modern genres still uncovering the sonic impossible, from mumble rap to drill to Afrobeats, bashment and beyond. Beginning where most future music chronicles end, Mackintosh establishes a new pantheon of pioneers and innovators. Offering dizzying insights into the likes of Future, Young Thug, Migos and Vybz Kartel, Neon Screams is conceptual weaponry to use against all those who say music isn&’t what it used to be. Part polemic, part synesthetic possession, Neon Screams is essential reading for everyone eager to uncover the new frontiers of future music.
Nerd Girl Rocks Paradise City: A True Story of Faking It in Hair Metal L.A.
by Anne Thomas SoffeeThis hilarious peek into the early years of the hair-band era reveals the hierarchy of fishnets, bustiers, and chicks with the Holy Grail--a backstage pass. After college, Anne Thomas Soffee journeyed to Los Angeles to start a career as a rock journalist and small-time heavy-metal flack. A taste for other people's prescriptions and too much beer edges her freelance journalism work right off her schedule. She struggles with not being thin enough, pretty enough, or cool enough when, in the midst of the L.A. riots, Soffee is offered a coveted slot in Virginia Commonwealth University's MFA writing program. Determined to pull herself out of current habits, Soffee starts turning her life around, making a stop at rehab before she heads off to graduate school. Her quarter-life crisis is packed with offbeat characters that prove that fact is often funnier than fiction.
Nettl's Elephant
by Anthony SeegerFrom one of the most lauded scholars in ethnomusicology comes this enlightening and highly personal narrative on the evolution and current state of the field of ethnomusicology. Surveying the field he helped establish, Bruno Nettl investigates how concepts such as evolution, geography, and history serve as catalysts for advancing ethnomusicological methods and perspectives. This entertaining collection covers Nettl's scholarly interests ranging from Native American to Mediterranean to Middle Eastern contexts while laying out the pivotal moments of the field and conversations with the giants of its past. Nettl moves from reflections on the history of ethnomusicology to evaluations of the principal organizations in the field, interspersing those broader discussions with shorter essays focusing on neglected literature and personal experiences.
Networked Music Cultures
by Raphaël Nowak Andrew WhelanThis collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.
Networked Music Performance: Theory and Applications
by Miriam IorwerthNetworked Music Performance (NMP) is the essential guide to both playing music online and ensemble music through networks. Offering a range of case studies, from highly technical solutions to inclusive community projects, this book provides inspiration to musicians to try NMP whatever their level of technical expertise. Drawing upon recent research to examine the background and history of the practice as well as specific practical approaches, technical and musical considerations are included for readers, as are ideas around accessibility and creativity. Accessibility is considered in the context of the opportunities that NMP gives to musicians working remotely, as well as some of the barriers to participation in NMP and how these can be overcome. Synchronous and asynchronous approaches to NMP are explored in detail, examining the technical and musical affordances and challenges of working remotely for musicians. Networked Music Performance will appeal to music and music technology students as well as professional musicians and technicians who have started working online and wish to improve their practice. As NMP in the context of music education and community music are also explored, this book supplies educators and community leaders with knowledge and practical guidance on how to move their practice online.
Networking Operatic Italy (Opera Lab: Explorations in History, Technology, and Performance)
by Francesca VellaA study of the networks of opera production and critical discourse that shaped Italian cultural identity during and after Unification. Opera’s role in shaping Italian identity has long fascinated both critics and scholars. Whereas the romance of the Risorgimento once spurred analyses of how individual works and styles grew out of and fostered specifically “Italian” sensibilities and modes of address, more recently scholars have discovered the ways in which opera has animated Italians’ social and cultural life in myriad different local contexts. In Networking Operatic Italy, Francesca Vella reexamines this much-debated topic by exploring how, where, and why opera traveled on the mid-nineteenth-century peninsula, and what this mobility meant for opera, Italian cities, and Italy alike. Focusing on the 1850s to the 1870s, Vella attends to opera’s encounters with new technologies of transportation and communication, as well as its continued dissemination through newspapers, wind bands, and singing human bodies. Ultimately, this book sheds light on the vibrancy and complexity of nineteenth-century Italian operatic cultures, challenging many of our assumptions about an often exoticized country.
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips’s 450th Anniversary
by David J. Smith Rachelle TaylorPeter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.
Neurocognitive Music Therapy: Intersecting Music, Medicine and Technology for Health and Well-Being
by Rafael Ramírez-MeléndezFor thousands of years, music has acted as a powerful medium for evoking emotions, facilitating communication, and nurturing overall well-being. With the advent of new sophisticated neuroimaging technology, human responses to music and music therapy are being viewed through a new lens. As a consequence, new knowledge is being obtained about how music can produce significant improvements in cognitive, social, overt and agitated behaviours. The aim of this book is to provide an overview of neurocognitive music therapy, its impact and implications in the practice of evidence-based music interventions. The book seeks to provide researchers, psychologists, music therapists, musicians and physicians interested in the therapeutic applications of music, with a source of information about current techniques and novel music interventions. It is structured into several chapters, each of them presenting peer-reviewed research and evidence-based procedures carried out in a specific clinical context. Topics covered in the book include: Musical engagement for individuals with motor disabilities Enhancing emotional processing in autism through music Stroke rehabilitation via musical interventions Musical neurofeedback for emotional disorders Emotional modulation with music therapy in palliative care AI-driven personalisation in music interventionsThe book highlights the profound capacity of music-based interventions to facilitate cognitive and emotional processing, enhance communication, and promote motor rehabilitation. At the same time, the book demonstrates how modern technologies offer new opportunities to evaluate, validate, and potentiate music-based interventions, allowing new and innovative possibilities and more personalised interventions. This book aims to contribute to the growing body of knowledge in this field and inspire further research and innovation in the practice of music therapy.
Never a Dull Moment: 1971--The Year That Rock Exploded
by David HepworthDavid Hepworth was twenty-one in 1971 and has been writing and broadcasting about music ever since. In this entertaining and provocative book, he argues that 1971 saw an unrepeatable surge of musical creativity, technological innovation, naked ambition and outrageous good fortune that combined to produce music that still crackles with relevance today. There’s a story behind every note of that music. From the electric blue fur coat David Bowie wore when he first arrived in America in February to Bianca’s neckline when she married Mick Jagger in Saint-Tropez in May, from the death of Jim Morrison in Paris in July to the reemergence of Bob Dylan at Madison Square Garden in August, from the soft launch of Carole King’s Tapestry in California in February to the sensational arrival of Led Zeppelin’s “Stairway To Heaven” in London in November, Hepworth’s forensic sweep takes in all the people, places and events that helped make 1971 rock’s unrepeatable year.
Never Broken: Songs Are Only Half the Story
by JewelNew York Times bestselling poet and multi-platinum singer-songwriter Jewel explores her unconventional upbringing and extraordinary life in an inspirational memoir that covers her childhood to fame, marriage, and motherhood.When Jewel's first album, Pieces of You, topped the charts in 1995, her emotional voice and vulnerable performance were groundbreaking. Drawing comparisons to Joan Baez and Joni Mitchell, a singer-songwriter of her kind had not emerged in decades. Now, with more than thirty million albums sold worldwide, Jewel tells the story of her life, and the lessons learned from her experience and her music. Living on a homestead in Alaska, Jewel learned to yodel at age five, and joined her parents' entertainment act, working in hotels, honky-tonks, and biker bars. Behind a strong-willed family life with an emphasis on music and artistic talent, however, there was also instability, abuse, and trauma. At age fifteen, she moved out and tasked herself with a mission: to see if she could avoid being the kind of statistic that her past indicated for her future. Soon after, she was accepted to the prestigious Interlochen Arts Academy in Michigan, and there she began writing her own songs as a means of expressing herself and documenting her journey to find happiness. Jewel was eighteen and homeless in San Diego when a radio DJ aired a bootleg version of one of her songs and it was requested into the top-ten countdown, something unheard-of for an unsigned artist. By the time she was twenty-one, her debut had gone multiplatinum. There is much more to Jewel's story, though, one complicated by family legacies, by crippling fear and insecurity, and by the extraordinary circumstances in which she managed to flourish and find happiness despite these obstacles. Along her road of self-discovery, learning to redirect her fate, Jewel has become an iconic singer and songwriter. In Never Broken she reflects on how she survived, and how writing songs, poetry, and prose has saved her life many times over. She writes lyrically about the natural wonders of Alaska, about pain and loss, about the healing power of motherhood, and about discovering her own identity years after the entire world had discovered the beauty of her songs.From the Hardcover edition.
The Never-Ending Revival: Rounder Records and the Folk Alliance (Music in American Life)
by Michael F. ScullyIn recent years, there has been an upsurge in interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without "selling out." In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music.
Never Give Up
by Catherine HapkaCould Star's wish be coming true? Star is touring Italy when she gets exciting news: The police have a new lead on her family's disappearance! Star is desperate to fly to Florida where the clues have turned up, but her manager, Mike, won't let her go because of her commitments, and because he doesn't want her getting in the investigators' way. Star is so angry she sneaks off -- in rocker Eddie Urbane's tour jet! Now Mike is furious with Star, and the media is having a field day. Will star and manager ever forgive each other, or is the tour ruined before it's barely begun?
Never Look at the Empty Seats: A Memoir
by Charlie DanielsThe Incredible Story of a Country Music LegendFew artists have left a more indelible mark on America&’s musical landscape than Charlie Daniels.Readers will experience a soft, personal side of Charlie Daniels that has never before been documented. In his own words, he presents the path from his post-depression childhood to performing for millions as one of the most successful country acts of all time and what he has learned along the way. The book also includes insights into the many musicians that orbited Charlie&’s world, including Elvis Presley, Bob Dylan, Willie Nelson, Tammy Wynette and many more.Charlie was officially inducted into The Country Music Hall of Fame in 2016, shortly before his 80th birthday. He now shares the inside stories, reflections, and rare personal photographs from his earliest days in the 1940s to his self-taught guitar and fiddle playing high school days of the fifties through his rise to music stardom in the seventies, eighties and beyond. Charlie Daniels presents a life lesson for all of us regardless of profession:&“Walk on stage with a positive attitude. Your troubles are your own and are not included in the ticket price. Some nights you have more to give than others, but put it all out there every show. You're concerned with the people who showed up, not the ones who didn't. So give them a show and…Never look at the empty seats!&”
Never Say No
by Jan Foreman Mark ForemanThe question Mark and Jan Foreman are most often asked is: How did you raise your kids?Never Say No takes you on a personal journey to learn first-hand how they raised Jon and Tim of Switchfoot. They share practical advice for instilling wonder in a media-saturated culture, cultivating specific gifts, and balancing structure with individual choice. Our purpose as parents is the same as our child's: to live creatively beyond ourselves, bringing the love, beauty and nature of God to this world. Let the adventure begin.
Never Say No To A Rock Star: In the Studio with Dylan, Sinatra, Jagger and More...
by Glenn BergerIn 1974, at the age of seventeen, author Glenn Berger served as “Schlepper” and apprentice to the legendary recording engineer Phil Ramone at New York City’s A&R Studios, and was witness to music history on an almost daily and nightly basis as pop and rock icons such as Paul Simon, Bob Dylan, Mick Jagger, Frank Sinatra, Burt Bacharach, Bette Midler, and James Brown performed their hit-making magic, honed their sound, strutted their stuff, bared their souls, and threw epic tantrums. In this memoir, full of revelatory and previously unknown anecdotal observations of these musical giants, Glenn recounts how he quickly learned the ropes to move up from schlepperhood to assistant to the tyrannical Ramone, and eventually, to become a recording engineer superstar himself. Not only is Never Say No to A Rock Star a fascinating, hilarious and poignant behind-the-scenes look of this musical Mecca, but Berger, now a prominent psychologist, looking back through the prism of his youthful experience and his years working as a counselor and therapist, provides a telling and honest examination of the nature of fame and success and the corollaries between creativity, madness and self-destruction.
Never Understood: The Jesus and Mary Chain
by William Reid Jim ReidFor 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain. The rest was not silence, and picking up those conversations again more than 40 years later, William and Jim tell the full story of one of Britain's greatest guitar bands for the very first time - a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.
Never Understood: The Jesus and Mary Chain
by William Reid Jim ReidFor 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain. The rest was not silence, and picking up those conversations again more than 40 years later, William and Jim tell the full story of one of Britain's greatest guitar bands for the very first time - a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.
Never Understood: The Jesus and Mary Chain
by William Reid Jim ReidWilliam and Jim Reid, brothers and founding members of The Jesus and Mary Chain—a band that bridged the gap between the punk explosion and the emergence of grunge and Britpop—chronicle the chaos, confusion, and stories behind their music. For five years after they&’d swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents&’ East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn&’t play in the same band because they&’d argue too much, so they&’d describe their dream ensembles to each other until finally they realized that these two perfect bands were actually the same band. The name of that band was The Jesus and Mary Chain. The rest was not silence, and picking up those conversations again more than forty years later, William and Jim tell the full story of one of Britain&’s greatest guitar bands for the very first time – a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.
The New Age of Electronic Dance Music and Club Culture (Music Business Research)
by Martin Lücke Anita JóriThis book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music.
A New America: How Music Reshaped the Culture and Future of a Nation and Redefined My Life
by Tommy MottolaThe long-anticipated companion book to the groundbreaking HBO documentary The Latin Explosion by renowned music producer Tommy Mottola. Legendary music mogul, entertainment impresario, and New York Times bestselling author Tommy Mottola explores and expounds on his lifelong love of Latin music, its influence on his life and career, and its ever-growing influence in America. Tommy Mottola discovered a passion for Latin music when he was a small child on the streets of the Bronx, where he fell in love with the energy and rhythm of the legendary Tito Puente. It is a love he carries with him to this day. In A New America, Mottola explores the societal and cultural impact the Latino community and its music has had on America by sharing behind-the-scenes stories from his own life and his connection to the Latin sound throughout the decades--from his initial fascination with Latin music, which started with Puente, to the mainstream success of Ritchie Valens, to the groove-laden guitar wizardry of Carlos Santana. Along the way, Mottola reveals heartfelt accounts of his longtime collaboration and friendship with Gloria Estefan and her husband, Emilio, the meteoric rise and tragic end of Selena, and his orchestration of the Latin Explosion of the 1990s, which launched megastars such as Marc Anthony, Ricky Martin, Shakira, and Jennifer Lopez. But A New America is more than a story about music and musicians. It is the story of a culture that continues to grow and influence America in all its aspects and an irresistible sound that continues to move and inspire the nation.From the Hardcover edition.
The New Analog: Listening and Reconnecting in a Digital World
by Damon KrukowskiAn NPR Best Book of the Year: &“A pointedly passionate look at what&’s been lost in the digital era.&” —Los Angeles Times A longtime musician and former member of the indie band Galaxie 500 who has also taught at Harvard, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered that transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Does streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer&’s distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era—the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time—as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out. &“This is not a book about why vinyl sounds better; it&’s way more interesting than that . . . [It] is full of things I didn&’t know, like why people yell into cellphones . . . Ultimately, it&’s about how we consume sound as a society—which is, increasingly, on an individual basis.&” —NPR &“If you&’re a devoted music fan who&’s dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski&’s The New Analog is for you.&” —The New York Times Book Review
A New and Concise History of Rock and R&B through the Early 1990s
by Eric CharryA New and Concise History provides a strong foundation for understanding how music, the music industry, and American culture intersect. Ethnomusicologist Eric Charry's innovative and road-tested teaching style is brought to you in this textbook suitable for general education courses in music. The book is organized around a series of timelines, tables, and figures created by the author, and provides fresh perspectives that bring readers into the heart of the social and cultural importance of the music. Charry lays out key contemporary theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres and subgenres. The book's figures distill the history and provide new insight into understanding trends. Over 1000 artists, albums, and songs are included here, such as Muddy Waters, Elvis Presley, Bob Dylan, Aretha Franklin, the Velvet Underground, Janis Joplin, Jimi Hendrix, David Bowie, Stevie Wonder, Prince, Madonna, Talking Heads, and Public Enemy.