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Rachmaninoff and His World (Bard Music Festival)
by Philip Ross BullockA biography of composer Sergei Rachmaninoff, published in collaboration with the Bard Music Festival. One of the most popular classical composers of all time, Sergei Rachmaninoff (1873–1943) has often been dismissed by critics as a conservative, nostalgic holdover of the nineteenth century and a composer fundamentally hostile to musical modernism. The original essays collected here show how he was more responsive to aspects of contemporary musical life than is often thought, and how his deeply felt sense of Russianness coexisted with an appreciation of American and European culture. In particular, the essays document his involvement with intellectual and artistic circles in prerevolutionary Moscow and how the form of modernity they promoted shaped his early output. This volume represents one of the first serious explorations of Rachmaninoff’s successful career as a composer, pianist, and conductor, first in late Imperial Russia, and then after emigration in both the United States and interwar Europe. Shedding light on some unfamiliar works, especially his three operas and his many songs, the book also includes a substantial number of new documents illustrating Rachmaninoff’s celebrity status in America.
Rachmaninoff and His World (Bard Music Festival)
by Philip Ross BullockA biography of composer Sergei Rachmaninoff, published in collaboration with the Bard Music Festival. One of the most popular classical composers of all time, Sergei Rachmaninoff (1873–1943) has often been dismissed by critics as a conservative, nostalgic holdover of the nineteenth century and a composer fundamentally hostile to musical modernism. The original essays collected here show how he was more responsive to aspects of contemporary musical life than is often thought, and how his deeply felt sense of Russianness coexisted with an appreciation of American and European culture. In particular, the essays document his involvement with intellectual and artistic circles in prerevolutionary Moscow and how the form of modernity they promoted shaped his early output. This volume represents one of the first serious explorations of Rachmaninoff’s successful career as a composer, pianist, and conductor, first in late Imperial Russia, and then after emigration in both the United States and interwar Europe. Shedding light on some unfamiliar works, especially his three operas and his many songs, the book also includes a substantial number of new documents illustrating Rachmaninoff’s celebrity status in America.
Rachmaninoff: Composer, Pianist, Conductor
by Barrie MartynThis study is the first to consider all three of Rachmaninoff's careers in detail. After surveying his place in Russian musical history and his creative activity, the author examines, with musical examples, each working chronological order against the background of the composer's life. Among the the many subjects upon which new light is shed are the operas, the songs, and the religious music. Rachmaninoff's remarkable career as a pianist, his style of playing and repertoire are analysed along with his historically important contribution to the gramophone and his work for the reproducing piano. The book includes a survey of his activity as a conductor. There are extensive references to Russian sources and the first appearance of a complete Rachmaninoff disconography is included. This book is the only comprehensive study in any language of the three aspects of Rachmaninoff's musical career and is a stimulating read for music lovers everywhere.
Rachmaninoff's Complete Songs: A Companion with Texts and Translations (Russian Music Studies)
by Richard D. SylvesterSergei Rachmaninoff—the last great Russian romantic and arguably the finest pianist of the late 19th and early 20th centuries—wrote 83 songs, which are performed and beloved throughout the world. Like German Lieder and French mélodies, the songs were composed for one singer, accompanied by a piano. In this complete collection, Richard D. Sylvester provides English translations of the songs, along with accurate transliterations of the original texts and detailed commentary. Since Rachmaninoff viewed these "romances" primarily as performances and painstakingly annotated the scores, this volume will be especially valuable for students, scholars, and practitioners of voice and piano.
Rachmaninoff's Recollections (Routledge Revivals)
by Oskar von RiesemannThis book, first published in 1934, contains the recollections of the varied and coloured life of a great pianist and composer, who is one of the most striking figures of the musical world. Rachmaninoff dictated his memoires to the author of this book, and much of the story is therefore told in the first person. The final chapter is Riesemann’s own contribution. It is an estimate of Rachmaninoff’s qualities as composer; it shows knowledge of all his more important works; and it shows discrimination. The whole book is an authoritative and interesting study of a popular artist.
Racine: Drum and Bugle Corps Capital of the World
by George D. FennellMany activities become short-lived fads. Not so for the drum and bugle corps in Racine. Here, after 150 years, drum and bugle corps activity still flourishes as a proud tradition. Racine is the self-proclaimed drum corps capital of the world. Racine had six competing drum and bugle corps during the 1960s and 1970s--very impressive for a community of 90,000. In fact, it would be difficult to find a longtime resident who is unaware of this activity. Everyone in Racine either was a member of or had family or friends who were members of a drum and bugle corps.
Racine's Horlick Athletic Field: Drums Along the Foundries (Landmarks)
by Alan R. KarlsLaunched in 1919 by William Horlick, the inventor of malted milk, Horlick Athletic Field has hosted two NFL teams, the Racine Belles professional women's baseball team (immortalized in "A League of Their Own)" and thousands of semiprofessional- and industrial-league games. But it is the drum and bugle corps shows that have made the stadium one of the most iconic landmarks in its corner of the state. From an archive of fond recollection and painstaking record, Alan Karls has pieced together a history of Horlick Athletic Field that justifies the reverence that drum and bugle corps have felt for the place for almost a century.
Racing in the Street
by June Skinner Sawyers Martin ScorseseFor more than three decades, Bruce Springsteen's ability to express in words and music the deepest hopes, fears, loves, and sorrows of average Americans has made him a hero to his millions of devoted fans. Racing in the Street is the first comprehensive collection of writings about Springsteen, featuring the most insightful, revealing, famous, and infamous articles, interviews, reviews, and other writings. This nostalgic journey through the career of a rock-'n'-roll legend chronicles every album and each stage of Springsteen's career. It's all here--Dave Marsh's Rolling Stone review of Springsteen's ten sold-out Bottom Line shows in 1975 in New York City, Jay Cocks's and Maureen Orth's dueling Time and Newsweek cover stories, George Will's gross misinterpretation of Springsteen's message on his Born in the USA tour, and Will Percy's 1999 interview for Double Take, plus much, much more.
Rackham's Color Illustrations for Wagner's "Ring"
by Arthur Rackham James SperoBy the time he created these images, Rackham was England's leading illustrator, famous throughout the world for his interpretations of fairy tales and myths. These illustrations from the original 1911 and 1912 editions, widely regarded as the greatest representations of Wagner's drama, constitute Rackham's masterworks. 64 full-page color images and 9 vignettes.
Radiation Sounds: Marshallese Music and Nuclear Silences
by Jessica A. SchwartzOn March 1, 1954, the US military detonated “Castle Bravo,” its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States’ silencing of information about the human radiation study. By foregrounding the centrality of the aural and sensorial in understanding nuclear testing’s long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics.
Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants (Music Culture)
by Jonathan PieslakA comparative study of the music cultures of four radical groups
Radiohead: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of the slow-building rock band Radiohead.This look at "one of the biggest, most important and most revered bands in the world" is adapted from the audiobook.
Radiohead and the Journey Beyond Genre: Analysing Stylistic Debates and Transgressions (Routledge Studies in Popular Music)
by Julia EhmannRadiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band’s varied reception in online and offline media. Radiohead’s work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead’s musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead’s work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners’ search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead’s music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band’s experimental stance has increasingly fostered debates about Radiohead’s generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies.
Radiohead: Climbing Up the Walls
by Tom SheehanFOREWORD BY RADIOHEAD'S ED O'BRIENExplore the story of Radiohead - perhaps the finest band of a generation - through the lens of legendary Melody Maker chief photographer Tom Sheehan.Through more than 200 photographs and Sheehan's first-hand memories and stories, journey into the eye of a musical storm. From their earliest days as indie upstarts, through the wild, all-conquering years of OK Computer and into the experimental soundscapes beyond, Tom Sheehan captured Radiohead's world in breathtaking detail.Covering recording sessions, live performances, studio portraits and moments snatched on tour around the world, these photographs - many of which have never been published before - paint an intimate picture of a band pushing the boundaries of music.Accompanied by a biography of Radiohead from Craig McLean (Associate Editor, The Face) drawing on his personal interviews with the band, this beautiful book is a unique visual record of a breathtaking musical journey.
Radiohead: Climbing Up the Walls
by Tom SheehanFOREWORD BY RADIOHEAD'S ED O'BRIENExplore the story of Radiohead - perhaps the finest band of a generation - through the lens of legendary Melody Maker chief photographer Tom Sheehan.Through more than 200 photographs and Sheehan's first-hand memories and stories, journey into the eye of a musical storm. From their earliest days as indie upstarts, through the wild, all-conquering years of OK Computer and into the experimental soundscapes beyond, Tom Sheehan captured Radiohead's world in breathtaking detail.Covering recording sessions, live performances, studio portraits and moments snatched on tour around the world, these photographs - many of which have never been published before - paint an intimate picture of a band pushing the boundaries of music.Accompanied by a biography of Radiohead from Craig McLean (Associate Editor, The Face) drawing on his personal interviews with the band, this beautiful book is a unique visual record of a breathtaking musical journey.
Ragged but Right: Black Traveling Shows, "Coon Songs," and the Dark Pathway to Blues and Jazz (American Made Music Series)
by Lynn Abbott Doug SeroffThe commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from “coon shouters” to “blues singers.” Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.
Rags and Bones: An Exploration of The Band (American Made Music Series)
by Jeff Sellars and Kevin C. NeeceContributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957–1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band’s fusion of rock, country, soul, and blues music—all tinged with a southern flavor and musical adventurousness—created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era.In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band’s music and influence.Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs—and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.
Rags and Ragtime: A Musical History (Dover Books On Music: History)
by Trebor Jay Tichenor David A. Jasen"A work for all time . . . (with) a tremendous amount of historical information which has never been published. . . . It will be the standard text and reference work in the ragtime field." -- Rag Times.This well-known, highly praised book is the definitive history of ragtime music and its composers. Both authors are widely celebrated composers, performers, collectors, historians, and critics of ragtime music. With great enthusiasm and expertise, they trace the growth and diversification of ragtime from its earliest beginnings in the late nineteenth century through its heyday in the Folk, Classic, Popular, Novelty, and Stride Ragtime periods to its current revival.Forty-eight major composers are discussed, including Scott Joplin, Zez Confrey, Jelly Roll Morton, Fats Waller, and many other greats. In addition, 800 important rags are profiled, most of them bearing the carefree titles that were part of the tradition, titles like "Canned Corn Rag," "Bantam Step," "Too Much Raspberry," "Ragging the Scale," and "Red Onion Rag." Each profile includes date of publication, original publisher, a discography, and a commentary of the unique character and appeal of each rag.Over 100 photographs, many of them rare, illuminate this lively chronicle, along with reproductions of original sheet music and many other items of interest from the authors' personal archives."Jasen and Tichenor have no peers in ragtime knowledge. . . .They are the two unchallengeable authorities in the field of ragtime history, personalities, and musical forms." -- The Classic Rag."A combination encyclopedia/biography/history/analysis and review, it teems with what would appear to be everything the ragtime buff or casual inquirer needs or wants to know about the music that won't stand still." -- The Christian Science Monitor."Rags and Ragtime tells it all. There's a lot here I didn't know in pictures, music, and words." -- Eubie Blake.
Ragtime: A Musical and Cultural History
by Edward BerlinRagtime, the jaunty, toe-tapping music that captivated American society from the 1890s through World War I, forms the roots of America's popular musical expression. But the understanding of ragtime and its era has been clouded by a history of murky impressions, half-truths, and inventive fictions. Ragtime: A Musical and Cultural History cuts through the murkiness. A methodical survey of thousands of rags along with an examination of then-contemporary opinions in magazines and newspapers demonstrate how the music evolved, and how America responded to it.
Ragtime: An Encyclopedia, Discography, and Sheetography
by Dave JasenRagtime: An Encyclopedia, Discography, and Sheetography is the definitive reference work for this important popular form of music that flourished from the 1890s through the 1920s, and was one of the key predecessors of jazz. It collects for the first time entries on all the important composers and performers, and descriptions of their works; a complete listing of all known published ragtime compositions, even those self-published and known only in single copies; and a complete discography from the cylinder era to today. It also represents the culmination of a lifetime’s research for its author, considered to be the foremost scholar of ragtime and early twentiethh-century popular music. Rare photographs accompany most entries, taken from the original sheets, newspapers, and other archival sources.
Ragtime Gems: Original Sheet Music for 25 Ragtime Classics (Dover Classical Piano Music)
by David JasenHere is a choice selection of 25 of the most famous rags, several of which cannot be found elsewhere. Written during ragtime's golden age from 1904 to 1910, these melodies include three of Scott Joplin's finest works -- Searchlight Rag, Rose Leaf Rag, and Fig Leaf Rag -- plus songs by Tin Pan Alley's hottest composers of the day: George Botsford, Harry Armstrong, and Egbert Van Alstyne.Reprinted from the original editions, the songs in this value-packed volume were selected by David Jasen, a noted ragtime performer as well as a composer and historian of popular music. A splendid array of sheet music accompanies the full musical texts, offering glimpses of popular art from a century ago that range from the serenely beautiful to the eccentric.
Rails through Barnsley: A Photographic Journey
by Alan WhitehouseFew people realise it, but Barnsley was once the centre of a railway universe. In Victorian times, dozens of competing companies put forward schemes to build railways across, through and around the town. Between them they constructed what some still regard as the most dense railway network in the country more complicated even than Londons commuter system or even the railway networks of our major cities. The reason almost no one knows about it is because many of the lines built never saw a passenger service. They were built for one reason: coal. A maze of semi-unknown branches served every colliery in the district and the network became so overloaded with coal trains that they even had to build a railway bypass around the town to prevent everything grinding to a standstill!Down the years Barnsleys railway network became something of a backwater, ignored by many enthusiasts and photographers. So the full story of how the railways aided the towns prosperity has rarely been told. This book is an attempt to put that right by giving a relatively short but fact-packed history, looking at each of the railway companies that opened up the town and connecting it with what was going on in the outside world. It includes a collection of high quality images, many of which have not been seen before.As the coal industry rose and fell, so did the railway system which served it, and this book will show exactly how it all happened and why.
Rainbow in the Dark: The Autobiography
by Ronnie James DioThe long-awaited autobiography by one of heavy metal&’s most revered icons, treasured vocalists, and front man for three legendary bands—Rainbow, Black Sabbath, and Dio.Prior to his tragic death in 2010, Ronnie James Dio had been writing his autobiography, looking back on the remarkable life that led him from his hometown in upstate New York to the biggest stages in the world, including the arena that represented the pinnacle of success to him—Madison Square Garden, where this book begins and ends. As Ronnie contemplates the achievement of a dream, he reflects on the key aspects that coalesced into this moment—the close gang of friends that gave him his start in music, playing parties, bars, frats, and clubs; the sudden transition that moved him to the microphone and changed his life forever; the luck that led to the birth of Rainbow and a productive but difficult collaboration with Ritchie Blackmore; the chance meeting that made him the second singer of Black Sabbath, taking them to new levels of success; the surprisingly tender story behind the birth of the Devil Horns, the lasting symbol of heavy metal; his marriage to Wendy, which stabilized his life, and the huge bet they placed together to launch the most successful endeavor of his career…his own band, Dio. Everything is described in great detail and in the frankest terms, from his fallout with Blackmore, to the drugs that derailed the resurrection of Black Sabbath, to the personality clashes that frayed each band. Written with longtime friend of thirty years and esteemed music writer, Mick Wall, who took up the mantle after Ronnie&’s passing, Rainbow in the Dark is a frank, startling, often hilarious, sometimes sad testament to dedication and ambition, filled with moving coming-of-age tales, glorious stories of excess, and candid recollections of what really happened backstage, at the hotel, in the studio, and back home behind closed doors far away from the road. (Black and white photos throughout plus an 8-page 4-color photo insert.)
Rainbow in the Dark: The Autobiography
by Ronnie James DioRonnie James Dio was a heavy metal icon and frontman of three of the best-selling, most influential and famous rock bands in history: Rainbow, Black Sabbath and his own multi-million selling band, Dio. Rainbow in the Dark is a rollercoaster ride through the extraordinary highs and lows of Dio's life, and takes us from his early days as a street gang leader and Doo-wop singer in '60s Vegas through to his breakout success with Rainbow and Black Sabbath in the '70s and the stadiums of US metal in the '80s - ending in Dio's dressing room at Madison Square Garden, in June 1986, at the peak of his worldwide fame with Dio.Tragically Dio passed away from cancer in 2010, but had already begun writing a memoir before his death. Edited by the world-renowned music biographer Mick Wall, with the involvement of Dio's wife of over 35 years and personal manager Wendy Dio, Rainbow in the Dark will honour and feature Dio's never-before-seen original manuscript, while drawing on the extraordinary collection of print and audio interviews with the man himself to produce a vivid, raw and faithful portrait of one of the world's greatest ever rock legends.