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The Bakersfield Sound: How a Generation of Displaced Okies Revolutionized American Music
by Robert PriceIn California’s Central Valley, two thousand miles away from country music’s hit machine, the hard edge of the Bakersfield Sound transformed American music in the latter half of the twentieth century. It turned displaced Oklahomans like Buck Owens and Merle Haggard into household names, and it aggressively pushed style, instrumentation, and attitude that countered the orchestral country pop churned out from Nashville. In this compelling book, Robert E. Price traces the Sound’s roots from the Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges: to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly Californian country music.
The Bakersfield Sound: How a Generation of Displaced Okies Revolutionized American Music
by Robert E. PriceAn immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century.In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt.In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music.Praise for The Bakersfield Sound“A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews“This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus
Bakhmetev to Lyapunov: Music of the Russian Court Chapel Choir II (Music Archive Publications #8)
by Carolyn C. DunlopFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Balinese Dance, Drama & Music
by Rucina Ballinger I Wayan Dibia Barbara AnelloThis book is a lavishly illustrated introduction to the most commonly seen forms of traditional performing arts in Bali; gamelan music, dance, drama and puppetry. Ideal reading for visitors to the island as well as for anyone interested in Balinese culture. The book presents the history and function of each type of performance with illustrations and photographs to aid in identification. Introductory sections discuss the way performing arts are learned in Bali and the principal Balinese values that are passed on in these forms, as well as some of the basic religious and cultural tenets that are expressed in the arts and the functions of the forms themselves.This book is enhanced with a bibliography and discography and over 200 photographs and specially prepared watercolors of Balinese performances.
Balinese Dance, Drama & Music
by Rucina Ballinger I Wayan Dibia Barbara AnelloThis book is a lavishly illustrated introduction to the most commonly seen forms of traditional performing arts in Bali; gamelan music, dance, drama and puppetry. Ideal reading for visitors to the island as well as for anyone interested in Balinese culture. The book presents the history and function of each type of performance with illustrations and photographs to aid in identification. Introductory sections discuss the way performing arts are learned in Bali and the principal Balinese values that are passed on in these forms, as well as some of the basic religious and cultural tenets that are expressed in the arts and the functions of the forms themselves.This book is enhanced with a bibliography and discography and over 200 photographs and specially prepared watercolors of Balinese performances.
Balinese Discourses on Music and Modernization: Village Voices and Urban Views (Current Research In Ethnomusicology: Outstanding Dissertations Ser. #Vol. 5)
by Brita Heimarck ReneeWhile many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines the influence of modernization on the traditional arts and their role in society. A concentration on Balinese discourses enables individual performers and scholars to represent themselves to a greater extent than previously seen in ethnomusicological scholarship, making this study more of a critical discussion among equals than a Western interpretation of 'others'. This approach permits a rare view into contemporary Balinese conceptions and practices of music.
Balinese Gamelan Music
by I Made Moja Michael Tenzer*DOWNLOADABLE AUDIO INCLUDED*With extensive photographs this guide to Balinese music showcases the history, culture and art of the gamelan ceremony. Bali has develop and nourished an astonishing variety of musical ensembles-called gamelan-comprising dozens of instruments mainly made of bronze or bamboo, and organized into groups with as many as 30 to 40 players. In Balinese Gamelan Music, Michael Tenzer, a noted Professor of Music at the University of British Columbia, Vancouver, presents an introduction to many types of Balinese gamelan ensembles, each with its own established tradition, repertoire and context. The instruments and basic principles underlying the music are introduced, providing listeners with the means to better appreciate the music-and its importance not only in Bali but around the world.The gamelan music of Bali is a centuries-old kaleidoscope of sound and rhythm that is recognized today as one of the world's most sophisticated musical traditions. Despite rapid changes in contemporary village life, hundreds of groups still perform regularly around this tiny island.A portfolio of color photographs and a brief guide to studying and experiencing music in Bali will prove indispensable to visitors and gamelan aficionados around the world.
Balinese Gamelan Music
by Michael Tenzer I Made MojaThis authoritative book, newly revised and updated with an audio CD of recordings, presents an introduction to the basic types of Balinese gamelan ensembles, each with its own established tradition, repertoire and context. The instruments and basic principles underlying the music are introduced, providing listeners with the means to better appreciate the music. A portfolio of color photographs and a brief guide to studying and experiencing music in Bali will prove indispensable to visitors and gamelan aficionados around the world.
The Ballad as Song
by Bertrand H. BronsonThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Ballad Hunting with Max Hunter: Stories of an Ozark Folksong Collector (Music in American Life)
by Sarah NelsonA traveling salesman with little formal education, Max Hunter gravitated to song catching and ballad hunting while on business trips in the Ozarks. Hunter recorded nearly 1600 traditional songs by more than 200 singers from the mid-1950s through the mid-1970s, all the while focused on preserving the music in its unaltered form. Sarah Jane Nelson chronicles Hunter’s song collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter’s own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values.
The Ballad in American Popular Music: From Elvis to Beyoncé
by David MetzerWhile ballads have been a cornerstone of popular music for decades, this is the first book to explore the history and appeal of these treasured songs. David Metzer investigates how and why the styles of ballads have changed over a period of more than seventy years, offering a definition of the genre and discussing the influences of celebrated performers including Frank Sinatra, Aretha Franklin, and Whitney Houston. The emotional power of the ballad is strongly linked to the popular mood of the time, and consequently songs can tell us much about how events and emotions were felt and understood in wider culture at specific moments of recent American history. Tracing both the emotional and stylistic developments of the genre from the 1950s to the present day, this lively and engaging volume is as much a musical history as it is a history of emotional life in America.
Ballad of an American: A Graphic Biography of Paul Robeson
by Sharon RudahlThe first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson’s career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences. Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson’s work in both the arts and politics. This graphic biography will enable all kinds of readers—especially newer generations who may be unfamiliar with him—to understand his life’s story and everlasting global significance. Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University’s centennial commemoration of Robeson’s 1919 graduation from the university. View the blad for Ballad of an American.
The Ballad of Blind Tom, Slave Pianist: America's Lost Musical Genius
by Deirdre O'ConnellThis biography of a musical genius who went from slavery to international stardom is a “vivid, carefully researched narrative reflects the tenor of the” (Publishers Weekly). Born into slavery in Georgia, Tom Wiggins died an international celebrity in New York in 1908. His life was one of the most bizarre and moving episodes in American history. Born blind and autistic—and therefore unable to work with other slaves—Tom was left to his own devices. He was mesmerized by the music of the family’s young daughters, and by the time he was four, Tom was playing tunes on the piano. Eventually freed from slavery, “Blind Tom” toured the country and the world, dazzling audiences that included celebrities like Mark Twain and the Queen of England. Considered both a genius and a novelty act, Blind Tom embodied contradictions—a star and a freak, freed from slavery yet still under the control of his white guardian. His life offers a window into the culture of celebrity and racism at the turn of the twentieth century. In this rollicking and heartrending book, O’Connell takes us through the life (and three separate deaths) of Blind Tom Wiggins, restoring to the modern reader this unusual yet quintessentially American life.
The Ballad of Bob Dylan: A Portrait
by Daniel Mark EpsteinThrough the lens of four seminal concerts,acclaimed poet and biographer DanielMark Epstein offers an intimate, nuancedlook at Bob Dylan: a vivid, full-bodiedportrait of one of the most influential artistsof the twentieth century, from his birth tothe Never Ending Tour.Beginning with 1963’s Lisner Auditoriumconcert in Washington, D.C., Epstein revisitsDylan’s astonishing rise as the darling ofthe folk revival, focusing on the people andbooks that shaped him, and his struggle tofind artistic direction on the road in the1960s. Madison Square Garden, 1974, shedslight on Dylan’s transition from folk iconto rock star, his family life in seclusion,his subsequent divorce, and his highly anticipatedreturn to touring. Tanglewood,1997, reveals how Dylan revived his flaggingcareer in the late 1990s—largelyunder the influence of Jerry Garcia—discoveringnew ways of singing and connectingwith his audience, and assembling the greatbands for his Never Ending Tour. In abreathtaking account of the Time Out of Mindsessions, Epstein provides the most completepicture yet of Dylan’s contemporary workin the studio, his acceptance of his laurels,and his role as the éminence grise ofrock and roll today. Aberdeen, 2009, bringsus full circle, detailing the making of Dylan’striumphant albums of the 2000s, as well ashis long-running radio show.Drawing on anecdotes and insights fromnew interviews with those closest to theman—including Maria Muldaur, Happy Traum,D. A. Pennebaker, Nora Guthrie, Ramblin’ JackElliott, and Dylan’s sidemen throughout the years—The Ballad of Bob Dylan is a singulartake on an artist who has transformed generationsand, as he enters his eighth decade,continues to inspire and surprise today.
Ballet Beyond Tradition
by Anna PaskevskaFor nearly a century, the training of ballet and modern dancers has followed two divergent paths. Modern practitioners felt ballet was artificial and injurious to the body; ballet teachers felt that modern dancers lacked the rigorous discipline and control that comes only from years of progressive training. Ballet Beyond Tradition seeks to reconcile these age-old conflicts and bring a new awareness to ballet teachers of the importance of a holistic training regimen that draws on the best that modern dance and movement-studies offers.
The Ballet Lover's Companion
by Zoe AndersonA richly informed, up-to-date performance guide to more than 140 favorite ballets, from the classical era to the present day
The Ballets of Maurice Ravel: Creation and Interpretation
by Deborah MawerMaurice Ravel, as composer and scenario writer, collaborated with some of the greatest ballet directors, choreographers, designers and dancers of his time, including Diaghilev, Ida Rubinstein, Benois and Nijinsky. In this book, the first study dedicated to Ravel's ballets, Deborah Mawer explores these relationships and argues that ballet music should not be regarded in isolation from its associated arts. Indeed, Ravel's views on ballet and other stage works privilege a synthesized aesthetic. The first chapter establishes a historical and critical context for Ravel's scores, engaging en route with multimedia theory. Six main ballets from Daphnis et Chlo hrough to Bol are considered holistically alongside themes such as childhood fantasy, waltzing and neoclassicism. Each work is examined in terms of its evolution, premiere, critical reception and reinterpretation through to the present; new findings result from primary-source research, undertaken especially in Paris. The final chapter discusses the reasons for Ravel's collaborations and the strengths and weaknesses of his interpersonal relations. Mawer emphasizes the importance of the performative dimension in realizing Ravel's achievement, and proposes that the composer's large-scale oeuvre can, in a sense, be viewed as a balletic undertaking. In so doing, this book adds significantly to current research interest in artistic production and interplay in early twentieth-century Paris.
The Ballets Russes and beyond
by Davinia Caddy"Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day"--
Balzac and Music: Its Place and Meaning in His Life and Work (Routledge Library Editions: The Nineteenth-Century Novel #1)
by Jean-Pierre BarricelliFirst published in 1990, this book was the first comprehensive study of Balzac’s relationship to music, blending past scholarship with new perspectives to formulate an inclusive account. It begins by examining the contacts and experiences that shaped the musical side of Balzac’s life. These left valuable and lasting impressions which often found their way into his writings, where he recorded a myriad of critical and musicological opinions — assessed primarily in relation to Gambara and Massimilla Doni. These discussions prepare the way for an analysis of Balzac two major musical persuasions: religious music and Beethoven. This book will be of interest to students of literature and music.
Bamako Sounds
by Ryan Thomas SkinnerBamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali's booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property.Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako's urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.
Banana Banana Meatball (GoNoodle)
by Random HouseDance, laugh, and learn with this GoNoodle storybook!Get ready to learn about patterns with the Blazer Fresh crew! Introduce readers to some of their favorite GoNoodle characters with this new hardcover storybook based on "Banana Banana Meatball," the popular video and song that embraces dancing, diversity, education, and good old-fashioned fun! Get up and get moving with GoNoodle!
The Band: Pioneers of Americana Music
by Craig HarrisAt a time when Acid Rock and Heavy Metal dominated popular music, The Band rebelled against the rebellion with a masterful mix of tight ensemble arrangements, great vocals, highly literate lyricism, and a respect for the musical traditions of the American South. Comprising Canadians Robbie Robertson, Rick Danko, Richard Manuel, and Garth Hudson, and Arkansas-born Levon Helm, The Band sparked a new appreciation for America’s musical roots, fusing R&B, jump blues, country, folk, boogie-woogie, swing, Cajun, New Orleans-style jazz, and rock, and setting the foundations for the Americana craze that would take hold 30 years later. The Band: Pioneers of Americana Music explores the diverse influences on the quintet’s music, and the impact that their music had in turn on contemporary music and American society. Through previously unpublished interviews with Robbie Robertson, Eric Andersen, Pete Seeger, and the late Rick Danko, as well as numerous other sources, Craig Harris surveys The Band’s musical journey fro
Band Camp! 1: All Together Now! (Band Camp)
by Brian "Smitty" SmithThe band is getting together in this brand-new, laugh-out-loud graphic chapter book series starring four musical instruments in their first year at Band Camp!Cordelia the accordion, Trey the triangle, Kaylee the ukulele, and Zook the kazoo meet when they're assigned to Bunk J--nicknamed "Junk Bunk" by the other instruments. Despite their differences, they'll have to become fast friends as they explore the wonders and challenges of the camp, including experiences with nature, food fights, and camp pranks. Can they learn to be in tune with each other by the time the big relay race comes around?
Band Camp! 2: Out of Sync (Band Camp)
by Brian "Smitty" SmithThe band is learning to play in tune in the second book of this laugh out loud series starring four musical instruments in their first year at Band Camp!Cordelia is feeling down after losing her footing during the tug-of-war competition, so Kaylee, Zook, and Trey decide to throw her a surprise birthday party. Determined not to disappoint her friends again for the next challenge, a group hike, Cordelia does all she can to prepare, but all the rest of the instruments' secret planning for the party is making Cordelia feel even more left out. Who will end up surprising who when the day of the hike comes around?
Bandalism: The Rock Group Survival Guide
by Julian RidgwayBandalism [ban-d?l-i-z?m] n .: the willful or malicious destruction of, or damage to, the fabric of a rock/pop/indie group brought about by one or more of its membersAxl Rose's monumental meltdowns . . . Kurt Cobain's tragic band-slaying suicide: The long history of platinum-selling überband implosions is more dramatic than a Russian novel. But even local cover bands can suffer the ill effects of the limelight.Multi-rock-band veteran Julian Ridgway's Bandalism is a can't-miss guide to rock 'n' roll survival, offering sage advice on how to avoid the pitfalls that can doom your group. Here's how to:Find nonpsycho band membersCraft the perfect band imageChoose a name that doesn't suckAnd much more, including the handy Healthy Band Checklist, an ideal MySpace profile generator, and the Second Album Venn Diagram.