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BTS: Rise of Bangtan
by Cara J. StevensA must-have for diehard ARMY members and new fans alike, this fan guide celebrates everything you love about BTS with an in-depth look at their journey (and ARMY’s role in it)—featuring tons of color photos! <P><P>This unofficial biography tells the story of BTS and their global ARMY, which helped propel them to the top of the charts all over the world. <P><P>Extensively researched, Rise of Bangtan explores the lives of RM, J-Hope, Suga, Jimin, V, Jin, and Jungkook, the story behind how they all got together, and their amazing rise to fame—from their start in East Asia to their dominance across the globe. If you love BTS and everything K-Pop, this celebration of your favorite band is what you’ve been waiting for.
Baakisimba: Gender in the Music and Dance of the Baganda People of Uganda (Current Research in Ethnomusicology: Outstanding Dissertations)
by Sylvia Antonia Nannyonga-TamusuzaFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Babes in Toyland
by Neal KarlenBabes in Toyland is a rare peek into the glamorous and tough world of rock and roll--an exclusive backstage pass for anyone who has ever fantasized about starting a band, being discovered by a major label, recording an album, and touring the country to play music in front of thousands. Also, with its revealing look at the record business--an industry that makes the rest of show business seem positively tame--this book is as immediate as a new issue of Rolling Stone, as colorful as a good mystery, and as tart and explosive as a top-ten hit. Told with the gritty, up-close feel of a behind-the-scenes documentary film, this is the story of three young women who wanted to play rock and roll like the boys. It follows their coming together in the underground grunge-rock scene in Minneapolis, their early club days, and their discovery by Warner Bros. Records. It tracks their dramatic breakup (and reconfiguration), goes through the often funny, sometimes inspiring, and always emotional recording sessions for their album Fontanelle, and goes stage-side as they film their all-important video for MTV. Veteran journalist Neal Karlen was given unprecedented access to Warners marketing and strategy meetings, where he observed firsthand the star-making machinery that runs the pop music business. From punk rockers in the mosh pit to rock stars in mansions, Babes in Toyland contains revealing snapshots of Kurt Cobain and Courtney Love, Soul Asylum's Dave Pirner, Pearl Jam's Eddie Vedder, and R.E.M.'s Michael Stipe, as well as Beavis and Butt-head, today's most powerful rock critics. Center-stage in this story are the members of Babes in Toyland: Kat Bjelland, the punk-rock poetess who'd dreamed of being a star since she was five years old; Lori Barbero, the dreadlocked drummer and band mother who was best friend to everybody in the alternative music scene; and Maureen Herman, the brainy bassist who struggled to fit in with the group. There's also Tim Carr, the Warner Bros. A & R man who saw in the Babes the talent and drive to make it to the top of the grunge scene. Finally, there's Babes in Toyland's triumphant spot on the 1993 Lollapalooza, the most prestigious tour in rock and roll. In this real-life version of The Commitments, readers will also see how success can do more to damage a band of best friends than failure.
Baby Aretha: A Book about Girl Power (Baby Rocker Ser.)
by PintachanIntroduce your littlest rocker to early concepts through the empowering words and look of Aretha Franklin in this fun and entertaining book that is perfect for the next generation of music lovers.Every Girl Deserves Respect! Strength. Love. Hope. Smarts. Celebrate the iconic Queen of Soul, Aretha Franklin, with little ones in this colorful, playful, and inspiring new board book in the Baby Rocker series. The theme of girl empowerment runs throughout this delightful and aspirational board book for rock and soul fans big and small.
Baby Beats: Let's Learn 2/4 Time! (Baby Beats #3)
by Odd DotRead, clap, and sing in 2/4 time! Count the beats like a conductor with the adorable dancing animals.Get your baby smiling and clapping along with you as you discover a love of music together! Clap on the first syllable of each word—and don’t let go until the word is done. Before long, you’ll be clapping to the tango beat.In BABY BEATS: LET'S LEARN 2/4 TIME, you’ll love to:- Engage young readers with hands-on interaction, percussion, and song- Build baby’s vocabulary by connecting words with illustrations- Stimulate baby through multisensory reading experiences- Inspire the love of conducting music for ages to comePlay conductor in other time signatures with the BABY BEATS series: LET'S LEARN 4/4 TIME and LET'S LEARN 3/4 TIME!
Baby Beats: Let's Learn 3/4 Time! (Baby Beats #2)
by Odd DotRead, clap, and sing in 3/4 time! Count the beats like a conductor with the adorable waltzing animals.Get your baby smiling and clapping along with you as you discover a love of music together! Clap on the first syllable of each word—and don’t let go until the word is done. Before long, you’ll be clapping to the waltzing beat.In BABY BEATS: LET'S LEARN 3/4 TIME, you’ll love to:- Engage young readers with hands-on interaction, percussion, and song- Build baby’s vocabulary by connecting words with illustrations- Stimulate baby through multisensory reading experiences- Inspire the love of conducting music for ages to comePlay conductor in other time signatures with the BABY BEATS series: LET'S LEARN 4/4 TIME and LET'S LEARN 2/4 TIME!
Baby Beats: Let's Learn 4/4 Time! (Baby Beats #1)
by Odd DotRead, clap, and sing in 4/4 time! Count the beats like a conductor with the adorable animals in the marching band.Get your baby smiling and clapping along with you as you discover a love of music together! Clap on the first syllable of each word—and don’t let go until the word is done. Before long, you’ll be clapping to the marching beat.In BABY BEATS: LET'S LEARN 4/4 TIME, you’ll love to:- Engage young readers with hands-on interaction, percussion, and song- Build baby’s vocabulary by connecting words with illustrations- Stimulate baby through multisensory reading experiences- Inspire the love of conducting music for ages to comePlay conductor in other time signatures with the BABY BEATS series: LET'S LEARN 3/4 TIME and LET'S LEARN 2/4 TIME!
Baby Bowie: A Book about Adjectives (Baby Rocker)
by Running PressIntroduce your littlest rocker to the magic and creativity of David Bowie in this delightful book in the new Baby Rocker board book series. Shiny lightning bolt. High boots. Spiky hair. Celebrate all that iconic musician David Bowie is about with your toddler in this fun, fantastical, and playful new book. Perfect for any Bowie fan, young or old, this book is sure to provide read-aloud fun with the pairing of iconic Bowie items and looks with simplified text. At the end of the book, put on your shoes and best costume because it's time to dance with Baby Bowie and friends!
Baby Elvis: A Book about Opposites (Baby Rocker)
by Running PressGet out your blue suede shoes. It's time to rock n' roll!Smooth hair. Rough sideburns. Long jumpsuit. Short lei. Celebrate the King of Rock n' Roll with little ones in this vibrant, playful, and fun board book.
Baby Girl: Better Known as Aaliyah
by Kathy IandoliIn a definitive and &“excellent homage to a star who left this planet too soon&” (Questlove), the life, career, tragic death, and evolution of Aaliyah into a music legend are explored—now updated with new material featuring in-depth research and exclusive interviews.By twenty-two years old, Aaliyah had already accomplished a staggering amount: hit records, acclaimed acting roles, and fame that was just about to cross over into superstardom. Like her song, she was already &“more than a woman&” but her shocking death in a plane crash prevented her from fully growing into one. Now, two decades later, the full story of Aaliyah&’s life and cultural impact is finally and lovingly revealed. Baby Girl features never-before-told stories, including studio anecdotes, personal tales, and eyewitness accounts on the events leading up to her untimely passing. Her enduring influence on today&’s artists—such as Rihanna, Drake, Normani, and many more—is also celebrated, providing Aaliyah&’s discography a cultural critique that is long overdue. &“There&’s no better way to pay your respect to R&B&’s true angel than to lose yourself in the pages&” (Kim Osorio, journalist and author of Straight from the Source) of this &“dazzling biography&” (Publishers Weekly) that is as unforgettable as its subject. This book was written without the participation of Aaliyah&’s family/estate.
Baby Janis: A Book about Nouns (Baby Rocker)
by Running PressIntroduce your littlest rocker to early concepts through the creativity of Janis Joplin in this fun and entertaining book that is perfect for the next generation of music lovers. Featuring eleven spreads pairing elements of Janis Joplin with simple words, this is the book for any Janis fan, young or old. Baby Janis teaches babies and toddlers a variety of nouns (heart, baby, half moon, pearl, tattoo, guitar, etc.).
Baby KISS: A Book about Colors (Baby Rocker)
by Running PressIntroduce your littlest rocker to the glamour and theatricality of KISS in this delightful book in the Baby Rocker board book series. Black-and-white face paint. White lights. Pink tongue. Orange fireworks. Celebrate all that encompasses the rock group KISS with your young toddler in this fun, fantastical, and playful new board book. Perfect for the KISS fan, young or old, this book is sure to provide read-aloud fun with the pairing of iconic KISS items with simplified text. At the book's end, get ready to rock n' roll all nite with Baby KISS and their baby friends!
Baby Sounds
by Joy AllenA baby-sized introduction to sounds we hear every day, and a delightful companion to Baby Signs Long before they can speak, babies are listening. And with this book of fourteen everyday sounds, babies and toddlers are encouraged to interact with parents, caregivers, and the noisy world around them in ways that widen their sensory awareness and expand their vocabulary. From a tweeting bird to clanging pots, a beeping phone to honking cars, the splash! of water to the sound of a kiss--mmmwah!--this book is full of the sounds that fill a baby's day. Perfect for little hands to grasp, this is a delightful stand-alone or a lovely companion to Baby Signs.
Baby's First Bedtime Songs (Baby's First)
by Jennifer MillerBabies will love to hear these favorite lullabies. Rock-a-Bye, Baby Sleep, Baby, Sleep Twinkle, Twinkle, Little Star Brahms' Lullaby
Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad
by Kevin K. BirthTrinidad is known for its vibrant musical traditions, which reflect the island's ethnic diversity. The annual Carnival, far and away the biggest event in Trinidad, is filled with soca and calypso music. Soca is a dance music derived from calypso, a music with African antecedents. In parang, a Venezuelan and Spanish derived folk music that dominates Trinidadian Christmas festivities, groups of singers and musicians progress from house to house, performing for their neighbors. Chutney is also an Indo-Caribbean music. In Bacchanalian Sentiments, Kevin K. Birth argues that these and other Trinidadian musical genres and traditions not only provide a soundtrack to daily life on the southern Caribbean island; they are central to the ways that Trinidadians experience and navigate their social lives and interpret political events. Birth draws on fieldwork he conducted in one of Trinidad's ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d'tat in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.
Bach
by Peter WilliamsBach, like Shakespeare, is known largely by his works, exceptional in quantity as well as quality, and only a few original documents convey any idea of his life and character. Peter Williams's 2003 look at Bach's biography asks many questions about the so-called evidence. What was he like as a young man, as a father, as an ageing church servant? What were his preoccupations? What music did he know and how did he compose and perform such an amazing amount of music? Was he a disappointed man? Reading the available documentation critically, especially from the viewpoint of a performer, and going back to the first substantial 'biography' of Bach, namely his Obituary, Williams suggests new interpretations of the composer's life and his work. In addition, he asks if our understanding of Bach has been hindered by the unremitting deference displayed towards him since his death.
Bach Masterpieces for Solo Piano: 37 Works (Dover Music for Piano)
by Johann Sebastian Bach*** This book contains musical notation that is displayed in images only *** Rich in the composer's customary melodic and rhythmic invention and harmonic ingenuity, this magnificent compilation of piano works includes such favorites as "Chromatic Fantasia and Fugue," "Italian Concerto," "Air Varied in the Italian Manner," "Capriccio on the Departure of His Most Beloved Brother," "Toccata and Fugue in D Minor," and "Prelude and Fugue in C Minor." Additional selections from among the master's shorter works include Little Preludes, minuets, two- and three-part Inventions, and dances from the French and English suites. Reprinted from authoritative sources.
Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature
by Dorottya FabianAnalysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
Bach Perspectives 11: J. S. Bach and His Sons
by Mary OleskiewiczAmong his numerous children, Johann Sebastian Bach sired five musically gifted sons. The eleventh volume of Bach Perspectives presents essays that explore these men's lives and careers via distinctive and, in several cases, alternative and interdisciplinary methodologies. Robert L. Marshall traces how each of the sons grappled with ”and at times suffocated beneath ”their illustrious father's legacy. Mary Oleskiewicz's essay investigates the Bach family's connections to historical keyboard instruments and musical venues at the Prussian court, while David Schulenberg looks at Carl Philipp Emanuel Bach's diverse and innovative keyboard works. Evan Cortens digs into everything from performance materials to pay stubs to offer a detailed view of the business of Carl Philipp Emanuel Bach's liturgical music. Finally, Christine Blanken discusses how the rediscovery of Bach family musical manuscripts in the Breitkopf archive opens up new perspectives on familiar topics.
Bach Perspectives, VOL. 6: J. S. Bach's Concerted Ensemble Music, The Ouverture (Bach Perspectives)
by Gregory ButlerAs the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin’s seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin’s discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann’s and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture," responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute.
Bach Perspectives, VOL. 7: J. S. Bach's Concerted Ensemble Music: The Concerto (Bach Perspectives)
by Gregory ButlerCorrespondence capturing Dreiser's own take on his long and eventful life In addition to his novels, short stories, plays, poetry, and a flood of journalism, Theodore Dreiser is estimated to have written an astonishing 20,000 letters. A Picture and a Criticism of Life presents a selection from his previously unpublished letters and shows Dreiser in every mood and circumstance, from crisply professional to happily unbuttoned. Meticulously annotated by Donald Pizer, the selections often shed significant new light on the writer's beliefs and activities during the various stages of his long career. A volume in the series The Dreiser Edition, edited by Thomas P. Riggio
Bach Perspectives, Volume 1 (Bach Perspectives)
by Michael Marissen Stephen A. Crist David Schulenberg Russell Stinson James A. Brokaw Eric T. ChafeLaunched in 1995, Bach Perspectives has become the premier English-language serial book series dedicated to cutting-edge Bach scholarship. The University of Illinois Press now offers the first four volumes in open access editions available for free to all interested readers. In Volume One, Bach scholar Russell Stinson edits essays from Stephen A. Crist, Michael Marissen, David Schulenberg, and other experts. Topics range from issues of composition and improvisation to works like the Orgelbüchlein and the First Brandenburg Concerto. Contributors: James A. Brokaw II, Eric T. Chafe, Stephen A. Crist, Michael Marissen, David Schulenberg, and Russell Stinson
Bach Perspectives, Volume 10: Bach and the Organ
by Matthew DirstThe official publication of the American Bach Society, Bach Perspectives pioneers new areas of research into the life, times, and music of the master composer. In Volume 10 of the series, Matthew Dirst edits a collection of groundbreaking essays exploring various aspects of Bach's organ-related activities. Lynn Edwards Butler reconsiders Bach's report on Johann Scheibe's organ at St. Paul's Church in Leipzig. Robin Leaver clarifies the likely provenance and purpose of a collection of chorale harmonizations copied in Dresden. George Stauffer investigates the ways various independent trio movements served Bach as an artist and teacher. In separate contributions, Christoph Wolff and Gregory Butler seek the origins of concerted Bach cantata movements spotlighting the organ and propose family trees of both parent works and offspring. Finally, Matthew Cron provides a broad cultural frame for such pieces and notes how their components engage in a larger discourse about the German Baroque organ's intimation of heaven.
Bach Perspectives, Volume 12: Bach and the Counterpoint of Religion (Bach Perspectives #15)
by Robin A. LeaverJohann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.
Bach Perspectives, Volume 13: Bach Reworked (Bach Perspectives)
by Laura BuchScholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf