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Powerful Voices: The Musical and Social World of Collegiate a Cappella
by Joshua S. DuchanCollegiate a cappella, part of a long tradition of unaccompanied singing, is known to date back on American college campuses to at least the colonial era. Considered in the context of college glee clubs, barbershop quartets, early-twentieth-century vocal pop groups, doo-wop groups, and late-twentieth-century a cappella manifestations in pop music, collegiate a cappella is an extension of a very old tradition of close harmony singing---one that includes but also goes beyond the founding of the Yale Whiffenpoofs. Yet despite this important history, collegiate a cappella has until now never been the subject of scholarly examination. InPowerful Voices: The Musical and Social World of Collegiate A Cappella, Joshua S. Duchan offers the first thorough accounting of the music's history and reveals how the critical issues of sociability, gender, performance, and technology affect its music and experience. Just as importantly, Duchan provides a vital contribution to music scholarship more broadly, in several important ways: by expanding the small body of literature on choruses and amateur music; by addressing musical and social processes in a field where the vast majority of scholarship focuses on individuals and their products; and by highlighting a musical context long neglected by musicologists---the college campus. Ultimately,Powerful Voicesis a window on a world of amateur music that has begun to expand its reach internationally, carrying this uniquely American musical form to new global audiences, while playing an important role in the social, cultural, and musical education of countless singers over the last century.
El pozo. Novelas breves 1 (Biblioteca Breve Ser.)
by Juan Carlos OnettiEste primer volumen de las novelas cortas de Juan Carlos Onetti reúne: El pozo (1939), Los adioses (1954), Para una tumba sin nombre (1959), La cara de la desgracia (1960) y Jacob y el otro (1961). Con la publicación de El pozo en 1939, Juan Carlos Onetti imprimía las primeras huellas de una trayectoria extraordinaria al tiempo que la literatura hispanoamericana abría sus puertas a una voz irrepetible. Este primer volumen de sus Novelas breves abarca un período de veintidós años a lo largo de los cuales el autor uruguayo consolidó e hizo inconfundible un estilo perpetrado en obras como las que aquí se reúnen: Los adioses (1954), Para una tumba sin nombre (1959) , La cara de la desgracia (1960) y Jacob y el otro (1961), además de su ya mentado debut narrativo. Sus páginas son el fruto amargo de la turbia pero hiriente mirada de unos ojos enfrentados alrostro mismo de la existencia y la condición humana. Reseñas:«Onetti sintetiza, simultáneamente, la precisión constructiva y lingüística de Borges y la pasión humana. Para mí, Onetti escribe en el límite del idioma.»Antonio Muñoz Molina «El más grande novelista latinoamericano.»Julio Cortázar
La práctica de la práctica
by M. Celeste Espina Jonathan HarnumEl talento no es nada cuando se trata de mejorar. La práctica lo es todo. Pero ¿qué es exactamente una buena práctica? ¿Cómo se crea el talento a través de ella? ¿Y qué tiene que ver un molinete con todo esto? El foco de este libro es la práctica musical, pero estas técnicas e ideas pueden aplicarse a cualquier habilidad que desees mejorar. Aquí se abarcan las estrategias e ideas esenciales acerca de la práctica que no encontrarás en ningún otro libro. Aprenderás el Qué, el Por qué, el Cuándo, el Dónde, el Quién, y especialmente el Cómo de la buena práctica musical. Aprenderás lo que la investigación nos dice acerca de ella, y, lo que es aún más importante, aprenderás qué piensan los grandes músicos de diversos géneros al respecto, y qué estrategias y técnicas usan para mejorar. Este libro te ayudará a progresar más rápidamente, ya sea que toques rock, Bach o cualquier otro tipo de música. Cualquiera que sea el instrumento que desees tocar, La Práctica de la Práctica te ayudará a aprovechar tu tiempo al máximo. Este libro te ayudará a ser más hábil para planear tu progreso o a estar más informado como maestro o padre de un joven aprendiz. No practiques durante más tiempo, hazlo de un modo más inteligente. El libro cubre 6 aspectos de la práctica: Qué: definiciones es y qué hace la práctica musical en nuestro cerebro. Por qué: la motivación es crucial. En esta sección aprenderás formas de mantener la llama encendida. Quién: mucha gente tendrá impacto en tu práctica, incluso tú mismo. Aprende a usarlo a tu favor. Cuándo: esta sección habla de la cantidad de tiempo y de los horarios del día que son mejores para practicar y también del desarrollo de la práctica a través del tiempo. Dónde: el lugar en el que practicas influye en cómo lo haces. Aprende a aprovechar el espacio. Cómo: la sección más larga del l
A Practical Approach to the Study of Form in Music
by Peter Spencer Peter M. TemkoLearning music's organizing principles . . . Approaching the study of form as an exercise in perceiving the interaction of a number of discrete musical events, Spencer and Temko's book embodies much more than a search for visual clues. Students of form develop perceptual tools that allow them to proceed from the aural experience to an understanding of the arch-principles upon which music is organized. The authors hold that the organizing principles of a given piece of music may be gleaned from studying: the internal attributes that give a section its specific identity; the functional relations between sections; the ordering of those sections.
A Practical Guide to Choral Conducting
by Harold RosenbaumRooted in the experience of a professional choral conductor, this book provides a guide to practical issues facing conductors of choral ensembles at all levels, from youth choruses to university ensembles, church and community choirs, and professional vocal groups. Paired with the discussion of practical challenges is a discussion of over fifty key works from the choral literature, with performance suggestions to aid the choral conductor in directing each piece. Dealing with often-overlooked yet vital considerations such as how to work with composers, recording, concert halls, and choral tours, A Practical Guide to Choral Conducting offers a valuable resource for both emerging choral conductors and students of choral conducting at the undergraduate and graduate levels.
Practical Recording Techniques
by Bruce BartlettHands-on practical guide covering all aspects of recording, ideal for beginning and intermediate recording engineers, producers, musicians and audio enthusiasts. Filled with tips and shortcuts, this book offers advice on equipping a home studio (both low-budget and advanced), suggestions for set-up, acoustics, choosing monitor speakers, and preventing hum. This best-selling guide also tells how to judge recordings and improve them to produce maximum results. New material covered in the 5th edition to include: * complete revision and update of digital media sections* new section on mixing tips* new section on podcasts and file sharing* new section equipment and connector levels* new section function and connector types* new section on digital metering* new section exporting projects from other studios* new photos
Practical Theory Complete: A Self-Instruction Music Theory Course
by Sandy FeldsteinA combination text and workbook in three volumes. All areas of music theory are covered in a concise and practical manner and each level contains 28 lessons.
The Practice of Popular Music: Understanding Harmony, Rhythm, Melody, and Form in Commercial Songwriting
by Trevor de ClercqThe Practice of Popular Music is a music theory and musicianship textbook devoted to explaining the organization of contemporary popular music styles such as pop, rock, R&B, rap, and country. Rooted in recent research showing that the structure of popular music differs from classical music in important ways, this textbook offers an approach to teaching music theory that is fully oriented around popular and commercial genres.Beginning with fundamentals and requiring no previous training in music theory or notation, this book eventually guides the reader through a range of advanced topics, including chromatic mixture, secondary chord function, complex time signatures, and phrase organization. Each chapter develops concepts in tandem with aural comprehension, and the included exercises balance written tasks with listening activities. A companion website provides links to playlists of the music discussed in the book.With an innovative approach designed to broaden the reach of music theory coursework to a wide range of students, including non-majors and those in modern music degree programs such as audio engineering, songwriting, and music business, this textbook enables readers to gain a deep understanding of music theory in the context of popular music.
Practicing: A Musician's Return to Music
by Glenn KurtzThe remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion. With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young man's struggle to forge an artist's life--and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar--and giving up the instrument, and his dream, entirely. Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing--the rigor, attention, and commitment it requires--becomes its own reward, an almost spiritual experience that redefines the meaning of "success. " Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages. Complete with a guide to selected musical recordings and methods,Practicingtakes us on a revelatory, inspiring journey: a love affair with music.
Practicing Music by Design: Historic Virtuosi on Peak Performance
by Christopher BergPracticing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing. The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to m practice practices [ first word is in italics] ake for better musicians and artists?
Practicing Music by Design: Historic Virtuosi on Peak Performance
by Christopher BergPracticing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing.The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to make for better musicians and artists?
The Pre-history of ‘The Midsummer Marriage’: Narratives and Speculations (Royal Musical Association Monographs)
by Roger SavageThe Pre-history of ‘The Midsummer Marriage’ examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett’s first mature opera and charts the developments that grew out of that phase. Drawing on a fascinating group of Tippett’s sketchbooks and a lengthy sequence of his letters to Douglas Newton, it helps construct a narrative of the Tippett-Newton collaboration and provides insights into the devising of the opera’s plot, both in that early phase and in the phase from 1946 onwards when Tippett went on with the project alone. The book asks: who was Newton, and what kind of collaboration did he have—then cease to have— with Tippett? What were the origins of and shaping factors behind the original scenario and libretto-drafts? How far did the narrative and controlling concepts of Midsummer Marriage in its final form tally with—and how far did they move away from—those that had been set up in the years of the two men’s collaboration, the ‘pre-historic’ years? The book will be of particular interest to scholars and researchers in opera studies and twentieth-century music.
El precio de la fama (Serie Yes, we dance #Volumen 4)
by Esther Sanz¡Las Saturno Star se han hecho famosas! Su sueño por fin se ha hecho realidad. Sin embargo, no todo es tan bonito como parecía... Y ahora descubrirán cuál es el precio de la fama. Después de su triunfo en Nueva York, las Saturno Stars viven como celebrities en su propio barrio. ¡No pueden salir a la calle sin que los vecinos se hagan fotos con ellas! Cuando llega el verano y, con él, la gira junto a sus ídolos, sienten que su mayor sueño está cumplido, pero Martina, Sofía, Liu y Violeta están a punto de descubrir que la vida de los famosos no es tan genial como parece... ¿Están preparadas para pagar el precio de la fama?
Precious and Few: Pop Music in the Early '70s
by Don Breithaupt Jeff BreithauptPrecious and Few is a lively and nostalgic look back at the forgotten era of pop that gave us "Hooked on a Feeling", "Dancing in the Moonlight", "I Am Woman", "Seasons in the Sun", and more. The early 1970s brought a "Convoy" of popular rock music--everything from cheesy to the classic. The authors of Precious and Few, Don Breithaupt and Jeff Breithaupt, true-blue '70s fanatics, have put together this irresistibly readable book to transport readers back to a time when people wore smiley-face buttons, went to singles bars, and heartily sang along with Mac Davis.Illustrations throughout.
Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces
by Albert MudrianThe making of the 25 greatest extreme metal albums of all time, as told via exclusive band-member interviews, drawn and expanded from "Decibel"'s OC Hall of FameOCO"
Precious Moments: My Bible Songbook (Precious Moments)
by Precious MomentsRemember your sweet childhood moments singing "Jesus Loves Me" and "This Little Light of Mine" as you share your favorite songs and lullabies with your own little ones. You'll love singing together about Bible heroes, God's miracles, and the joy of praising the Lord with Precious Moments: My Bible Songbook.This keepsake board book for 0- to 4-year-olds featureslyrics to traditional songsclassic Precious Moments illustrationsscripture verses from the trusted International Children's BibleMy Bible Songbook is a great giftfor babies, toddlers, and preschoolersfor baby showers, baptisms, first communion, Easter baskets, birthdays, and holiday giftingto serve as a sweet reminder to your children, grandchildren, or godchildren of how much you love themShare your faith and your love with your child by singing with them and over them at story time and bedtime. Your family will cherish making a joyful noise together as your little ones learn that they are precious in God's sight.You'll also enjoy these other Precious Moments books for little ones:Little Book of Prayers Little Book of Bible Stories Little Book of Angels Little Book of Baby Animals
A Preferred Blur
by Henry Rollins2007 was a very busy year for Henry Rollins. He traveled to Iran, Syria, Lebanon, and Pakistan, where he was staying when Prime Minister Benazir Bhutto was assassinated. While traveling, Rollins performed numerous spoken word shows and worked on films, his IFC television show, and Harmony in My Head, his popular weekly radio show. In short, a quintessentially Rollins-ian year: sleepless, nonstop, and highly productive. A Preferred Blur contains stories written in the form of journal entries from Rollins' travels throughout the year. As in his other travel-related books and journals, Rollins - Detail magazine's 1994 Man of the Year - writes not only about his own life and work, but of music, current affairs, and the world around him with humor, insight, and brutal honesty.
Prelude a l'Apres-midi d'un Faune and Other Works for Piano Four Hands
by Maurice Ravel Claude DebussyHere are two suites Debussy composed specifically for piano four hands, Petite Suite and Six Épigraphes Antiques, plus Ravel's arrangement for four hands of Debussy's Prélude à l'Après-midi d'un Faune and a piano four hands version of Prélude, Cortège and Air de Danse from L'Enfant Prodigue. These works range widely in mood, displaying both the brilliant pianism at the heart of Debussy's musical imagery and the composer's affinity for the unexpected. Reprinted from authoritative French editions, these works display innovative musical qualities that will both delight and challenge pianists.
Preparing Musicians for Precarious Work: Transformational Approaches to Music Careers Education (ISME Series in Music Education)
by Nicole CanhamPreparing Musicians for Precarious Work: Transformational Approaches to Music Careers Education promotes career counselling-informed techniques that encourage and guide musicians to drive their careers in necessary new directions. In exposing the ‘dark side’ of precarious work in the arts sector, these approaches acknowledge the high levels of risk many musicians face and focus on the fundamental and urgent skills they need to navigate uncertainty and hardship. The author calls for a greater recognition of the psychological magnitude of managing such work, drawing upon training as a career counsellor and the lived experience of a career musician to advance transformative learning principles as pathways for artists, students, and educators alike. Representing a radical shift from the content-knowledge approach to career development, a counselling-informed method is fortified by a broad range of ideas from vocational psychology and narrative therapy, emphasising the importance of change readiness and flexible identities while identifying the need for a post-portfolio paradigm. Preparing Musicians for Precarious Work proposes a new model for musicians’ career learning – the CHOICE model – in a timely and practical guide for 21st-century musicians looking to future-proof their careers.
Presence Through Sound: Music and Place in East Asia (SOAS Studies in Music)
by Keith Howard Catherine IngramPresence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and ‘place’ intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.
Present Tense: Rock & Roll and Culture
by Anthony DecurtisThe most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time. In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Robert Palmer tells the gripping tale of the origins and meanings of the electric guitar. Rap music, MTV, and the issue of gender identity in the work of Bruce Springsteen all undergo thorough examination; rock & roll's complex relationship with the forces of censorship gets a remarkably fresh reading; and the mainstreaming of rock & roll in the 1980s is detailed and analyzed. And, in an interview with Laurie Anderson and an essay by Atlanta musician Jeff Calder, the artists speak for themselves. Contributors. Jeff Calder, Anthony DeCurtis, Mark Dery, Paul Evans, Glenn Gass, Trent Hill, Michael Jarrett, Alan Light, Greil Marcus, Robert Palmer, Robert B. Ray, Dan Rubey, David R. Shumway, Martha Nell Smith, Paul Smith
Present Tense: A Radiohead Compendium
by Barney Hoskyns'Present Tense is an anthology to savour . . . giving you as sharp a portrait of this unknowable band as you could hope for . . . Radiohead fans will love it' Classic RockA Rock's Backpages anthology of Radiohead, the most radical and fascinating rock band in modern music history, edited and introduced by Barney Hoskyns.For over 25 years, Radiohead have been the most radical and fascinating rock band in the world. Fearless in their desire to change and shape-shift, the Oxfordshire quintet has - through the nine studio albums from 1993's Pablo Honey to 2016's A Moon-Shaped Pool - consistently stretched the boundaries of what 'rock' means and does. Anchored in Thom Yorke's soaring voice and elliptical lyrics, and in the compositional genius of guitarist/keyboardist Jonny Greenwood, Radiohead continue to astonish as they approach their fourth decade.Present Tense collects the best writing on this most literate of pop groups, from the earliest local reports about On A Friday - Radiohead's first moniker - through the inspired commentary of Mark Greif and Simon Reynolds to the trenchant profiles of Will Self, John Harris and others. It's an anthology that goes a long way towards explaining what Rock's Backpages editor Barney Hoskyns describes as the band's 'seriousness, emotional grandeur and willingness to stare humanity's dystopian hi-tech future in the face'.
Preservation Hall: The War in the East from Gettysburg to Appomattox, 1863–1865
by Shannon Brinkman Eve AbramsPreservation Hall, located in the French Quarter just three blocks from the Mississippi River, remains an icon of New Orleans and an essential stop for all fans of traditional jazz. Since the early 1960s "The Hall" has served as a sanctuary for the Crescent City's rich and illustrious jazz heritage, a haven for players, and an incubator for successive generations of jazz musicians.Seven nights a week the venue fills to capacity with die-hard fans and curious tourists eager to hear live New Orleans jazz played by a mix of veteran musicians and up-and-coming players. Preservation Hall dedicates itself to the authentic performance of traditional jazz. The space inside seems simple, and a large portion of the audience must stand in the back, behind a limited number of benches, chairs, and floor cushions. The Hall has no dance floor and serves no food or drink. In Preservation Hall, the music alone fills the space between listener and player.In their rare behind-the-scenes portrait, New Orleans photographer Shannon Brinkman and audio documentarian Eve Abrams capture the rhythm and cool of this historic club with both a pulsating array of images and the heartfelt words of band members.
Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge Research in Music)
by Sarah BakerThere is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.
The President Sang Amazing Grace: A Book About Finding Grace After Unspeakable Tragedy
by Zoe MulfordThis picture book about Barack Obama singing with a grieving nation after the Charleston church shooting “represents an important moment in U.S. history” (Kirkus Reviews).When nine people were killed in a historic black church in Charleston, South Carolina, in 2015, the nation grieved as one, and when President Barack Obama sang “Amazing Grace” during his eulogy for Reverend Clementa Pinckney, it was acknowledged as one of the most powerful moments of his presidency. Singer/songwriter Zoe Mulford was so moved that she wrote the song “The President Sang Amazing Grace,” which was sung by Joan Baez and illustrated by filmmaker and painter Jeff Scher for a video that has been viewed countless times. This book presents the lyrics to the song, Scher’s paintings, excerpts from Obama’s eulogy, biographies of those who were killed, historical context, and sheet music.