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Borges: Conversaciones en universidades de los Estados Unidos

Ya en sus ochenta años y convertido en una personalidad de enorme notoriedad pública a nivel mundial, Borges emprende un viaje a diversas universidades de los Estados Unidos en las que mantiene conversaciones entrañables sobre sí, sus mundos y sus obras, con académicos, periodistas y público general. En la década final de su vida, Borges emprendió una gira por los Estados Unidos con el fin de participar de una serie de diálogos organizados por las universidades más prestigiosas de esa nación (Chicago, Indiana, Columbia y el M.I.T., entre otras). El recorrido traza una cartografía inquietante: Borges conversa sobre el sentido del universo con un astrofísico, sobre misticismo con un experto en cábala y sobre el difuso límite entre realidad y ficción con escritores y poetas. Asiste a un encuentro en el PEN Club de Nueva York y concede incluso una entrevista a una personalidad televisiva: Dick Cavett. A lo largo de estos encuentros, el escritor argentino evoca sueños y pesadillas, sagas nórdicas, frases del inglés antiguo, la presencia del "otro" y el doble, y varios de sus autores favoritos, entre otros temas. El placer intelectual de la conversación lleva asimismo a Borges (por lo general renuente a las confidencias) a revelar el significado de símbolos y tramas de varias de sus obras. La traducción y las notas de Martín Hadis junto a las notables fotografías de Willis Barnstone completan en estas páginas el sensible retrato de ese misterio esencial de la literatura que conocemos como Borges.

Borges and Black Mirror (Literatures of the Americas)

Borges and Black Mirror convenes a dialogue between one of the most influential writers of the twentieth century, the philosophical fabulist Jorge Luis Borges, and one of the most important writers and producers of the twenty-first century, Charlie Brooker, whose Black Mirror series has become a milestone in an age of “post-television” programming. The book’s introduction provides a detailed examination of the terms of engagement of Borges and Brooker and each of the chapters explores in a sustained way the resonances and affinities between one particular story by Borges and one particular episode of Black Mirror. The result is a series of essays that locate Brooker’s work with respect to a rich literary and philosophical tradition on the one hand and, on the other, demonstrate the relevance of Borges’s work for anyone who wishes to understand one of our most emblematic cultural artifacts in the age of Netflix.

Borges and His Fiction: A Guide to His Mind and Art (Texas Pan American Series)

The acclaimed author of García Márquez delivers &“a compulsively readable account of the life and works of our greatest . . . writer of fantasy&” (New York Daily News). Since its first publication in 1981, Borges and His Fiction has introduced the life and works of this Argentinian master-writer to an entire generation of students, high school and college teachers, and general readers. Responding to a steady demand for an updated edition, Gene H. Bell-Villada has significantly revised and expanded the book to incorporate new information that has become available since Borges&’ death in 1986. In particular, he offers a more complete look at Borges and Peronism and Borges&’ personal experiences of love and mysticism, as well as revised interpretations of some of Borges&’ stories. As before, the book is divided into three sections that examine Borges&’ life, his stories in Ficciones and El Aleph, and his place in world literature. &“Of the scores of Borges studies by now published in English, Bell-Villada&’s excellent book stands out as one of the freshest and most generally helpful . . . Lay readers and specialists alike will find his book a valuable and highly readable companion to Ficciones and El Aleph.&” —Choice

Borges and Me: An Encounter

An apprentice writer has an entirely unexpected encounter with literary genius Jorge Luis Borges that will profoundly alter his life and work. A poignant and comic literary coming-of-age memoir. "This is a jewel of a book." --Ian McEwanIn 1971 Jay Parini was an aspiring poet and graduate student of literature at University of St Andrews in Scotland; he was also in flight from being drafted into service in the Vietnam War. One day his friend and mentor, Alastair Reid, asked Jay if he could play host for a "visiting Latin American writer" while he attended to business in London. He agreed--and that "writer" turned out to be the blind and aged and eccentric master of literary compression and metaphysics, Jorge Luis Borges. About whom Jay Parini knew precisely nothing. What ensued was a seriocomic romp across the Scottish landscape that Borges insisted he must "see," all the while declaiming and reciting from the literary encyclopedia that was his head, and Jay Parini's eventual reckoning with his vocation and personal fate.

Borges and Memory: Encounters with the Human Brain

A scientist's exploration of the working of memory begins with a story by Borges about a man who could not forget. Imagine the astonishment felt by neuroscientist Rodrigo Quian Quiroga when he found a fantastically precise interpretation of his research findings in a story written by the great Argentinian fabulist Jorge Luis Borges fifty years earlier. Quian Quiroga studies the workings of the brain—in particular how memory works—one of the most complex and elusive mysteries of science. He and his fellow neuroscientists have at their disposal sophisticated imaging equipment and access to information not available just twenty years ago. And yet Borges seemed to have imagined the gist of Quian Quiroga's discoveries decades before he made them.The title character of Borges's "Funes the Memorious" remembers everything in excruciatingly particular detail but is unable to grasp abstract ideas. Quian Quiroga found neurons in the human brain that respond to abstract concepts but ignore particular details, and, spurred by the way Borges imagined the consequences of remembering every detail but being incapable of abstraction, he began a search for the origins of Funes. Borges's widow, María Kodama, gave him access to her husband's personal library, and Borges's books led Quian Quiroga to reread earlier thinkers in philosophy and psychology. He found that just as Borges had perhaps dreamed the results of Quian Quiroga's discoveries, other thinkers—William James, Gustav Spiller, John Stuart Mill—had perhaps also dreamed a story like "Funes."With Borges and Memory, Quian Quiroga has given us a fascinating and accessible story about the workings of the brain that the great creator of Funes would appreciate.

Borges and Memory

Imagine the astonishment felt by neuroscientist Rodrigo Quian Quiroga when he found a fantastically precise interpretation of his research findings in a story written by the great Argentinian fabulist Jorge Luis Borges fifty years earlier. Quian Quiroga studies the workings of the brain--in particular how memory works--one of the most complex and elusive mysteries of science. He and his fellow neuroscientists have at their disposal sophisticated imaging equipment and access to information not available just twenty years ago. And yet Borges seemed to have imagined the gist of Quian Quiroga's discoveries decades before he made them. The title character of Borges's "Funes the Memorious" remembers everything in excruciatingly particular detail but is unable to grasp abstract ideas. Quian Quiroga found neurons in the human brain that respond to abstract concepts but ignore particular details, and, spurred by the way Borges imagined the consequences of remembering every detail but being incapable of abstraction, he began a search for the origins of Funes. Borges's widow, María Kodama, gave him access to her husband's personal library, and Borges's books led Quian Quiroga to reread earlier thinkers in philosophy and psychology. He found that just as Borges had perhaps dreamed the results of Quian Quiroga's discoveries, other thinkers--William James, Gustav Spiller, John Stuart Mill--had perhaps also dreamed a story like "Funes. " With Borges and Memory, Quian Quiroga has given us a fascinating and accessible story about the workings of the brain that the great creator of Funes would appreciate.

Borges and the Literary Marketplace: How Editorial Practices Shaped Cosmopolitan Reading

A fascinating history of Jorge Luis Borges&’s efforts to revolutionize and revitalize literature in Latin America Jorge Luis Borges (1899–1986) stands out as one of the most widely regarded and inventive authors in world literature. Yet the details of his employment history throughout the early part of the twentieth century, which foreground his efforts to develop a worldly reading public, have received scant critical attention. From librarian and cataloguer to editor and publisher, this writer emerges as entrenched in the physical minutiae and social implications of the international book world. Drawing on years of archival research coupled with bibliographical analysis, this book explains how Borges&’s more general involvement in the publishing industry influenced not only his formation as a writer, but also global book markets and reading practices in world literature. In this way it tells the story of Borges&’s profound efforts to revolutionize and revitalize literature in Latin America through his varying jobs in the publishing industry.

Borges Buenos Aires: La noche, las calles, el periodismo, la amistad y los sueños: Borges antes de la celebridad

Crónica de la amistad más antigua y más larga que tuvo Borges (nace en los años veinte y se prolonga por más de medio siglo) y fresco de la Buenos Aires de los años treinta y cuarenta. Biografía de primera mano del Borges joven y aún desconocido. Antes de ser consagrado mundialmente como uno de los escritores más importantes del siglo XX, hubo un Borges joven, apodado familiarmente Georgie, que trajinó la noche de Buenos Aires en extensas caminatas junto a un compañero de ruta con el que cultivaba el hábito de la ciudad, el dominio del verso y ciertas perplejidades metafísicas: Ulyses Petit de Murat, "compartidor de calles y de versos", y tal vez su amistad más antigua y más larga. Poco antes de morir, al escribir este, su último libro, Ulyses deja el único testimonio sobre los años en que su amigo, que todavía es joven y goza de la vista, se alimenta fruitivamente del material que será sustrato de las obsesiones que cristalizarán posteriormente en su obra de hombre de letras famoso, maduro y ciego. A pesar de que no hay otra crónica tan de primera mano sobre el Borges de las décadas del veinte al cuarenta (los diarios de Bioy registran lo que va de los cincuenta en adelante), la felicidad de estas páginas va mucho más allá de lo meramente biográfico: está cifrada en la celebración de la amistad entre dos hombres y su ciudad.

Borges' Classics: Global Encounters with the Graeco-Roman Past (Classics after Antiquity)

In Borges' Classics, Laura Jansen reads the oeuvre of the Argentine author Jorge Luis Borges as a radically globalized model for reimagining our relationship with the classical past. This major study reveals how Borges constructs a new 'physics of reading' the classics, which privileges a paradoxical vision of the canon as universal yet centreless, and eschews fixed ideas about the cultural history of the West. Borges' unique approach transforms classical antiquity into a simultaneously familiar and remote world, whose legacy is both urgent and unstable. In the process, Borges repositions the classical tradition at the intersection of the traditional Western canon and modernist literature of the peripheral West. Jansen's study traces Borges' encounters with the classics through appeal to themes central to Borges' thought, such as history and fiction, memory and forgetfulness, the data of the senses, and the vectors that connect cultures and countries.

Borges, Language and Reality: The Transcendence of the Word (Literatures of the Americas)

This book brings together the work of several scholars to shed light on the Argentine author Jorge Luis Borges' complex relationship with language and reality. A critical assumption driving the work is that there is, as Jaime Alazraki has put it, 'a genuine effort to overcome the narrowness that Western tradition has imposed as a master and measure of reality' in Borges' writing. That narrowness is in large measure a consequence of the chronic influence of positivist approaches to reality that rely on empirical evidence for any authentication of what is 'real'. This study shows that, in opposition to such restrictions, Borges saw in fiction, in literature, the most viable means of discussing reality in a pragmatic manner. Moreover, by scrutinising several of the author's works, it establishes signposts for considering the truly complicated relationship that Borges had with reality, one that intimately associates the 'real' with human perception, insight and language.

Borges, Second Edition: The Passion of an Endless Quotation (SUNY series in Latin American and Iberian Thought and Culture)

Borges cites innumerable authors in the pages making up his life's work, and innumerable authors have cited and continue to cite him. More than a figure, then, the quotation is an integral part of the fabric of his writing, a fabric made anew by each reading and each re-citation it undergoes, in the never-ending throes of a work-in-progress. Block de Behar makes of this reading a plea for the very art of communication; a practice that takes community not in the totalized and totalizable soil of pre-established definitions or essences, but on the ineluctable repetitions that constitute language as such, and that guarantee the expansiveness—through etymological coincidences of meaning, through historical contagions, through translinguistic sharings of particular experiences—of a certain index of universality. This edition includes a new introduction by the author and three entirely new chapters, as well as updated images and corrections to the original translation.

Borges y la memoria: Un viaje por el cerebro humano. De "Funes el memorioso" a la neurona de Jennifer

«El trabajo de Quian Quiroga demuestra su conocimiento de la obra deBorges y va dándonos de una manera inefable la unión o la premoniciónentre esa obra y su especialidad, la neurociencia». María Kodama La hiperconectividad del nuevo siglo determina, nos guste o no, un flujoinformativo permanente: vivimos pegados a una pantalla, recibiendodatos. Si no es la TV es el mail, o Facebook, o Twitter, o lacomputadora, o el sms que pasa de goteo a temporal. «Funes el memorioso»se ha hecho realidad: la información abruma y no hay tiempo paradetenerse a pensar. Desde esa perspectiva, el investigador argentinoRodrigo Quian Quiroga produce el extraordinario cruce entre lasneurociencias y la obra de Jorge Luis Borges, y con esas herramientas,que son las mejores posibles, se lanza a explorar los mecanismos querigen nuestra memoria, explica con deslumbrante claridad elcomportamiento de ciertas neuronas y se pone un traje de narrador sobreel uniforme del científico para que el viaje por el cerebro humano queensaya aquí sea tan divertido como revelador.

BORGES Y LA MEMORIA (EBOOK)

La hiperconectividad del nuevo siglo determina, nos guste o no, un flujo informativo permanente: vivimos pegados a una pantalla, recibiendo datos. Si no es la TV es el mail, o Facebook, o Twitter, o la computadora, o el sms que pasa de goteo a temporal. "Funes el memorioso" se ha hecho realidad: la información abruma y no hay tiempo para detenerse a pensar. Desde esa perspectiva, el investigador argentino Rodrigo Quian Quiroga produce el extraordinario cruce entre las neurociencias y la obra de Jorge Luis Borges, y con esas herramientas, que son las mejores posibles, se lanza a explorar los mecanismos que rigen nuestra memoria, explica con deslumbrante claridad el comportamiento de ciertas neuronas y se pone un traje de narrador sobre el uniforme del científico para que el viaje por el cerebro humano que ensaya aquí sea tan divertido como revelador.

The Borgia Family: Rumor and Representation

The Borgia Family: Rumor and Representation explores the historical and cultural structures that underpin the early modern Borgia family, their notoriety, and persistence and reinvention in the popular imagination. The book balances studies focusing on early modern observations of the Borgias and studies deconstructing later incarnations on the stage, on the page, on the street, and on the screen. It reveals how contemporary observers, later authors and artists, and generations of historians reinforced and perpetuated both rumor and reputation, ultimately contributing to the Borgia Black Legend and its representations. Focused on the deeds and posthumous reputations of Pope Alexander VI and his children, Cesare and Lucrezia Borgia, the volume charts the choices made by the family and contextualizes them amid contemporary expectations and reactions. Extending beyond their deaths, it also investigates how the Borgias became emblems of anti-Catholic and anti-Spanish criticism in the later early modern period and their residing reputation as the best and worst of the Renaissance. Exploring a spectrum of traditional and modern media, The Borgia Family contextualizes both Borgia deeds and their modern representations to analyze the family’s continuing history and meaning in the twenty-first century. It will be of great interest to researchers and students working on interdisciplinary aspects of the Renaissance and early modern Italy.

The Borgias

The Borgias: 1431-1519

The name Borgia is synonymous with the corruption, nepotism, and greed that were rife in Renaissance Italy. The powerful, voracious Rodrigo Borgia, better known to history as Pope Alexander VI, was the central figure of the dynasty. Two of his seven papal offspring also rose to power and fame - Lucrezia Borgia, his daughter, whose husband was famously murdered by her brother, and that brother, Cesare, who served as the model for Niccolo Machiavelli's The Prince. Notorious for seizing power, wealth, land, and titles through bribery, marriage, and murder, the dynasty's dramatic rise from its Spanish roots to its occupation of the highest position in Renaissance society forms a gripping tale.Erudite, witty, and always insightful, Hibbert removes the layers of myth around the Borgia family and creates a portrait alive with his superb sense of character and place.

The Borgias: 1431-1519

The name Borgia is synonymous with the corruption, nepotism, and greed that were rife in Renaissance Italy. The powerful, voracious Rodrigo Borgia, better known to history as Pope Alexander VI, was the central figure of the dynasty. Two of his seven papal offspring also rose to power and fame - Lucrezia Borgia, his daughter, whose husband was famously murdered by her brother, and that brother, Cesare, who served as the model for Niccolo Machiavelli's The Prince. Notorious for seizing power, wealth, land, and titles through bribery, marriage, and murder, the dynasty's dramatic rise from its Spanish roots to its occupation of the highest position in Renaissance society forms a gripping tale.Erudite, witty, and always insightful, Hibbert removes the layers of myth around the Borgia family and creates a portrait alive with his superb sense of character and place.

The Borgias: The Hidden History

The startling truth behind one of the most notorious dynasties in history is revealed in a remarkable new account by the acclaimed author of The Tudors and A World Undone. Sweeping aside the gossip, slander, and distortion that have shrouded the Borgias for centuries, G. J. Meyer offers an unprecedented portrait of the infamous Renaissance family and their storied milieu. THE BORGIAS They burst out of obscurity in Spain not only to capture the great prize of the papacy, but to do so twice. Throughout a tumultuous half-century--as popes, statesmen, warriors, lovers, and breathtakingly ambitious political adventurers--they held center stage in the glorious and blood-drenched pageant known to us as the Italian Renaissance, standing at the epicenter of the power games in which Europe's kings and Italy's warlords gambled for life-and-death stakes. Five centuries after their fall--a fall even more sudden than their rise to the heights of power--they remain immutable symbols of the depths to which humanity can descend: Rodrigo Borgia, who bought the papal crown and prostituted the Roman Church; Cesare Borgia, who became first a teenage cardinal and then the most treacherous cutthroat of a violent time; Lucrezia Borgia, who was as shockingly immoral as she was beautiful. These have long been stock figures in the dark chronicle of European villainy, their name synonymous with unspeakable evil. But did these Borgias of legend actually exist? Grounding his narrative in exhaustive research and drawing from rarely examined key sources, Meyer brings fascinating new insight to the real people within the age-encrusted myth. Equally illuminating is the light he shines on the brilliant circles in which the Borgias moved and the thrilling era they helped to shape, a time of wars and political convulsions that reverberate to the present day, when Western civilization simultaneously wallowed in appalling brutality and soared to extraordinary heights. Stunning in scope, rich in telling detail, G. J. Meyer's The Borgias is an indelible work sure to become the new standard on a family and a world that continue to enthrall. Praise for G. J. Meyer's The Tudors "Energetic and comprehensive . . . [a] sweeping history of the gloriously infamous Tudor era . . . Unlike the somewhat ponderous British biographies of the Henrys, Elizabeths and Boleyns that seem to pop up perennially, The Borgias displays some flashy, fresh irreverence [and cuts] to the quick of the action."--Kirkus Reviews "[A] cheeky, nuanced, and authoritative perspective . . . brims with enriching background discussions."--Publishers Weekly (starred review) "Both serious students of sixteenth-century England and those with a passing interest in the period will find The Tudors by G. J. Meyer a comprehensive look at that momentous span of history. . . . The book is also a refreshing reality-check grounded in fact after the entertaining fictions of the recent past."--Seattle Post-Intelligencer"A thoroughly readable and often compelling narrative."--Associated Press "A rich and vibrant tapestry."--The Star-LedgerFrom the Hardcover edition.

The Borgias: Power And Depravity In Renaissance Italy

The glorious and infamous history of the Borgia family—a world of saints, corrupt popes, and depraved princes and poisoners—set against the golden age of the Italian Renaissance. The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice and vicious cruelty—all have been associated with their name. And yet, paradoxically, this family lived when the Renaissance was coming into its full flowering in Italy. Examples of infamy flourished alongside some of the finest art produced in western history. This is but one of several paradoxes associated with the Borgia family. For the family which produced corrupt popes, depraved princes and poisoners, would also produce a saint. These paradoxes which so characterize the Borgias have seldom been examined in great detail. Previously history has tended to condemn, or attempt in part to exonerate, this remarkable family. Yet in order to understand the Borgias, much more is needed than evidence for and against. The Borgias must be related to their time, together with the world which enabled them to flourish. Within this context the Renaissance itself takes on a very different aspect. Was the corruption part of the creation, or vice versa? Would one have been possible without the other? In this way, the Borgia too represent the greatest aspirations of the Renaissance. Condemning the Borgia is as futile as attempting to exonerate them. Their leadership and their depravity must both be taken into account, for it would appear that they are both part of the same picture. In the nineteenth century the German philosopher Nietzsche would outline his theory of the Will to Power. In the ensuing century this idea would be hijacked by the Fascists and put into ruthless practice. The Borgia were no Fascists, nor were they thinkers of the calibre of Nietzsche: yet it is arguable that they united both the idea and the practice of the Will to Power some four centuries prior to Nietzsche’s conception of this guiding human principle. Telling the story of the Borgias becomes both an illustration and an exemplary analysis of the strengths and flaws of this evolutionary idea. The primitive psychological forces which first played out in the amphitheaters of ancient Greece: hubris, incest, murder, the bitter rivalries and entanglements of doomed families, the treacheries of political power, the twists of fate – they are all here. Along with the final, tragic downfall. All these elements are played out in full in the glorious and infamous history of the Borgia family.

The Borgias and Their Enemies, 1431–1519: 1431–1519

This colorful history of a powerful family brings the world they lived in—the glittering Rome of the Italian Renaissance—to life. The name Borgia is synonymous with the corruption, nepotism, and greed that were rife in Renaissance Italy. The powerful, voracious Rodrigo Borgia, better known to history as Pope Alexander VI, was the central figure of the dynasty. Two of his seven papal offspring also rose to power and fame—Lucrezia Borgia, his daughter, whose husband was famously murdered by her brother, and that brother, Cesare, who inspired Niccolò Machiavelli&’s The Prince. Notorious for seizing power, wealth, land, and titles through bribery, marriage, and murder, the dynasty&’s dramatic rise from its Spanish roots to its occupation of the highest position in Renaissance society forms a gripping tale. From the author of The Rise and Fall of the House of Medici and other acclaimed works, The Borgias and Their Enemies is &“a fascinating read&” (Library Journal).

The Borgias: History's Most Notorious Dynasty

The Borgias have become a byword for pride, lust, cruelty, avarice, splendour and venomous intrigue. An inspiration for many works of fiction, most famously Mario Puzo's The Godfather, they have aroused abomination and fascination in almost equal measure, while their patronage of the arts created some of the great masterpieces of the Renaissance. From the powerful, merciless Rodrigo Borgia, better known as Pope Alexander VI, to the beautiful Lucrezia and the debauched and murderous Cesare, Mary Hollingsworth's account of the dynasty's dramatic rise from its Spanish roots to the heights of Renaissance society forms a compelling tale of brutality, incest, unparalleled corruption and extortionate greed.

The Boric Government in Chile: Between Refoundation and Reform (Routledge Studies in Latin American Development)

This book analyses the victory of Gabriel Boric in Chile during the presidential elections of December 2021. He brought the radical left into power, after three decades of centre- left and right- wing governments. In order to explain this abrupt political mutation in the country, the book explores a series of fast and deep social and cultural transformations experienced in the country in the last decades. In addition, the book considers the main features of the new Boric government both in terms of goals and in terms of performance in his first year in office in several key areas of policy making. The triumph of the radical left in Chile poses several questions regarding the ability of the Boric administration to guarantee political and economic stability in the country. Among the greatest challenges the Boric government will have to face in the coming years are the reduction of inflation, the reactivation of the economy, the regulation of illegal immigration and the improvement of public security among the population. This book constitutes the first major academic attempt in the English language to provide a broad analysis of the Boric government in Chile and the changes the country will experience in the years ahead. The book will be of interest to students, scholars and practitioners who are interested in the evolution of the Latin American left in general, and the Chilean left in particular. The book has been conceived from a multidisciplinary perspective, including insights coming from history, sociology, political science, economics, institutional law and development studies.

Boricua Pop: Puerto Ricans and the Latinization of American Culture (Sexual Cultures #1)

Boricua Pop is the first book solely devoted to Puerto Rican visibility, cultural impact, and identity formation in the U.S. and at home. Frances Negrón-Muntaner explores everything from the beloved American musical West Side Story to the phenomenon of singer/actress/ fashion designer Jennifer Lopez, from the faux historical chronicle Seva to the creation of Puerto Rican Barbie, from novelist Rosario Ferré to performer Holly Woodlawn, and from painter provocateur Andy Warhol to the seemingly overnight success story of Ricky Martin. Negrón-Muntaner traces some of the many possible itineraries of exchange between American and Puerto Rican cultures, including the commodification of Puerto Rican cultural practices such as voguing, graffiti, and the Latinization of pop music. Drawing from literature, film, painting, and popular culture, and including both the normative and the odd, the canonized authors and the misfits, the island and its diaspora, Boricua Pop is a fascinating blend of low life and high culture: a highly original, challenging, and lucid new work by one of our most talented cultural critics.

Boricua Power: A Political History of Puerto Ricans in the United States

Where does power come from? Why does it sometimes disappear? How do groups, like the Puerto Rican community, become impoverished, lose social influence, and become marginal to the rest of society? How do they turn things around, increase their wealth, and become better able to successfully influence and defend themselves?Boricua Power explains the creation and loss of power as a product of human efforts to enter, keep or end relationships with others in an attempt to satisfy passions and interests, using a theoretical and historical case study of one community–Puerto Ricans in the United States. Using archival, historical and empirical data, Boricua Power demonstrates that power rose and fell for this community with fluctuations in the passions and interests that defined the relationship between Puerto Ricans and the larger U.S. society.

Boricuas: Influential Puerto Rican Writings, an Anthology

MANY CULTURES * ONE WORLD "Boricua is what Puerto Ricans call one another as a term of endearment, respect, and cultural affirmation; it is a timeless declaration that transcends gender and color. Boricua is a powerful word that tells the origin and history of the Puerto Rican people. " --From the Introduction From the sun-drenched beaches of a beautiful, flamboyan-covered island to the cool, hard pavement of the fierce South Bronx, the remarkable journey of the Puerto Rican people is a rich story full of daring defiance, courageous strength, fierce passions, and dangerous politics--and it is a story that continues to be told today. Long ignored by Anglo literature studies, here are more than fifty selections of poetry, fiction, plays, essays, monologues, screenplays, and speeches from some of the most vibrant and original voices in Puerto Rican literature. * Jack Agüeros * Miguel Algarín * Julia de Burgos * Pedro Albizu Campos * Lucky CienFuegos * Judith Ortiz Cofer * Jesus Colon * Victor Hern ndez Cruz * José de Diego * Martin Espada * Sandra Maria Esteves * Ronald Fernandez * José Luis Gonzalez * Migene Gonzalez-Wippler * Maria Graniela de Pruetzel * Pablo Guzman * Felipe Luciano * René Marqués * Luis Muñoz Marín * Nicholasa Mohr * Aurora Levins Morales * Martita Morales * Rosario Morales * Willie Perdomo * Pedro Pietri * Miguel Piñero * Reinaldo Povod * Freddie Prinze * Geraldo Rivera * Abraham Rodriguez, Jr. * Clara E. Rodriguez * Esmeralda Santiago * Roberto Santiago * Pedro Juan Soto * Piri Thomas * Edwin Torres * José Torres * Joseph B. Vasquez * Ana Lydia Vega