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Hume's Politics: Coordination and Crisis in the History of England

by Andrew Sabl

Hume's Politics provides a comprehensive examination of David Hume's political theory, and is the first book to focus on Hume's monumental History of England as the key to his distinctly political ideas. Andrew Sabl argues that conventions of authority are the main building blocks of Humean politics, and explores how the History addresses political change and disequilibrium through a dynamic treatment of coordination problems. Dynamic coordination, as employed in Hume's work, explains how conventions of political authority arise, change, adapt to new social and economic conditions, improve or decay, and die. Sabl shows how Humean constitutional conservatism need not hinder--and may in fact facilitate--change and improvement in economic, social, and cultural life. He also identifies how Humean liberalism can offer a systematic alternative to neo-Kantian approaches to politics and liberal theory. At once scholarly and accessibly written, Hume's Politics builds bridges between political theory and political science. It treats issues of concern to both fields, including the prehistory of political coordination, the obstacles that must be overcome in order for citizens to see themselves as sharing common political interests, the close and counterintuitive relationship between governmental authority and civic allegiance, the strategic ethics of political crisis and constitutional change, and the ways in which the biases and injustices endemic to executive power can be corrected by legislative contestation and debate.

Hume's Problem Solved: The Optimality of Meta-Induction (The\mit Press Ser.)

by Gerhard Schurz

A new approach to Hume's problem of induction that justifies the optimality of induction at the level of meta-induction.Hume's problem of justifying induction has been among epistemology's greatest challenges for centuries. In this book, Gerhard Schurz proposes a new approach to Hume's problem. Acknowledging the force of Hume's arguments against the possibility of a noncircular justification of the reliability of induction, Schurz demonstrates instead the possibility of a noncircular justification of the optimality of induction, or, more precisely, of meta-induction (the application of induction to competing prediction models). Drawing on discoveries in computational learning theory, Schurz demonstrates that a regret-based learning strategy, attractivity-weighted meta-induction, is predictively optimal in all possible worlds among all prediction methods accessible to the epistemic agent. Moreover, the a priori justification of meta-induction generates a noncircular a posteriori justification of object induction. Taken together, these two results provide a noncircular solution to Hume's problem.Schurz discusses the philosophical debate on the problem of induction, addressing all major attempts at a solution to Hume's problem and describing their shortcomings; presents a series of theorems, accompanied by a description of computer simulations illustrating the content of these theorems (with proofs presented in a mathematical appendix); and defends, refines, and applies core insights regarding the optimality of meta-induction, explaining applications in neighboring disciplines including forecasting sciences, cognitive science, social epistemology, and generalized evolution theory. Finally, Schurz generalizes the method of optimality-based justification to a new strategy of justification in epistemology, arguing that optimality justifications can avoid the problems of justificatory circularity and regress.

Hume’s Radical Scepticism and the Fate of Naturalized Epistemology

by Kevin Meeker

Was David Hume radically sceptical about our attempts to understand the world or was he merely approaching philosophical problems from a scientific perspective? Most philosophers today believe that Hume's outlook was more scientific than radically sceptical and that his scepticism was more limited than previously supposed. If these philosophers are correct, then Hume's approach to philosophy mirrors the approach of many contemporary philosophers. This similarity between Hume and many aspects of contemporary philosophy suggests that we should try to understand Hume not as an historical relic but as a partner in a continuing philosophical dialogue. When we look closely at Hume's thoughts about human understanding, we find that Hume's scepticism emerges very insistently in the context of Hume's scientific approach. This book tries to come to terms with Hume's scepticism in a way that sheds light on contemporary philosophy and its relationship to science.

Hume's Scepticism and the Science of Human Nature (Ashgate New Critical Thinking in Philosophy)

by Paul Stanistreet

This book explores the relationship between Hume's sceptical philosophy and his Newtonian ambition of founding a science of human nature. Assessing both received and 'new' readings of Hume's philosophy, Stanistreet offers a line of interpretation which, he argues, makes sense of many of the apparent conflicts and paradoxes in Hume's work and describes how well-known controversies concerning Hume's thinking about causation, induction and the external world can be resolved. Stainstreet argues that Hume's notorious sceptical arguments are not the episodic outbursts of an unsystematic philosopher, but emerge as part of his attempt to provide science and philosophy with grounds which face up to and withstand the scepticism to which reflective thinkers are naturally prone. Offering important new contributions to Hume scholarship, this book also surveys and assesses the new research responsible for the recent sea-change in thinking about Hume. It offers an accessible overview of these developments while suggesting significant revisions to current readings of Hume's philosophy.

Hume’s Science of Human Nature: Scientific Realism, Reason, and Substantial Explanation (Routledge Studies in Eighteenth-Century Philosophy)

by David Landy

Hume’s Science of Human Nature is an investigation of the philosophical commitments underlying Hume's methodology in pursuing what he calls ‘the science of human nature’. It argues that Hume understands scientific explanation as aiming at explaining the inductively-established universal regularities discovered in experience via an appeal to the nature of the substance underlying manifest phenomena. For years, scholars have taken Hume to employ a deliberately shallow and demonstrably untenable notion of scientific explanation. By contrast, Hume’s Science of Human Nature sets out to update our understanding of Hume’s methodology by using a more sophisticated picture of science as a model.

Hume's Skepticism in the Treatise of Human Nature (Routledge Library Editions: 18th Century Philosophy #6)

by Robert J. Fogelin

This work, first published in 1985, offers a general interpretation of Hume’s Treatise of Human Nature. Most Hume scholarship has either neglected or downplayed an important aspect of Hume’s position – his scepticism. This book puts that right, examining in close detail the sceptical arguments in Hume’s philosophy.

Hume's Theory of the Understanding (Routledge Library Editions: 18th Century Philosophy #7)

by Ralph W. Church

This book, first published in 1935, is an examination of Hume’s theories of causal inference and belief in substance and his analysis of the understanding.

Hume's 'A Treatise of Human Nature'

by John P. Wright

David Hume's A Treatise of Human Nature (1739-40) presents the most important account of skepticism in the history of modern philosophy. In this lucid and thorough introduction to the work, John P. Wright examines the development of Hume's ideas in the Treatise, their relation to eighteenth-century theories of the imagination and passions, and the reception they received when Hume published the Treatise. He explains Hume's arguments concerning the inability of reason to establish the basic beliefs which underlie science and morals, as well as his arguments showing why we are nevertheless psychologically compelled to accept such beliefs. The book will be a valuable guide for those seeking to understand the nature of modern skepticism and its connection with the founding of the human sciences during the Enlightenment.

Humiliation, Degradation, Dehumanization

by Hannes Kuch Elaine Webster Paulus Kaufmann Christian Neuhaeuser

Degradation, dehumanization, instrumentalization, humiliation, and nonrecognition - these concepts point to ways in which we understand human beings to be violated in their dignity. Violations of human dignity are brought about by concrete practices and conditions; some commonly acknowledged, such as torture and rape, and others more contested, such as poverty and exclusion. This volume collates reflections on such concepts and a range of practices, deepening our understanding of human dignity and its violation, bringing to the surface interrelationships and commonalities, and pointing to the values that are thereby shown to be in danger. In presenting a streamlined discussion from a negative perspective, complemented by conclusions for a positive account of human dignity, the book is at once a contribution to the body of literature on what dignity is and how it should be protected as well as constituting an alternative, fresh and focused perspective relevant to this significant recurring debate. As the concept of human dignity itself crosses disciplinary boundaries, this is mirrored in the unique range of perspectives brought by the book's European and American contributors - in philosophy and ethics, law, human rights, literature, cultural studies and interdisciplinary research. This volume will be of interest to social and moral philosophers, legal and human rights theorists, practitioners and students.

Humility: Rediscovering the Way of Love and Life in Christ

by Michael W. Austin

Amid culture wars and church division, Michael W. Austin calls us back to the authentic Way—following Christ in humility and love. American Christians have lost the Way. We chase power and comfort and coat our self-righteousness in a Christian veneer. We comfort ourselves that we follow the rules and go to church, so life will work out for us. But we have forgotten what it means to truly follow Christ. Michael Austin brings us back to basics of the Christian life: humility and love. Drawing on Philippians and 1 Corinthians, Austin reminds us how Jesus, in love, poured himself out for others. This other-centeredness stands contrary to vainglorious affirmation in our lives, online and off—and it is the key to healing the deep divisions in our communities. Austin guides the reader through spiritual disciplines to aid in the formation of this virtue, from praying the Psalms to building healthy communities. For Christians seeking transformative union with God, in their souls and society, Humility is the ideal companion.

Humor (Routledge filosofie)

by Simon Critchley

Humor is een fascinerend, prachtig geschreven en komisch boek over wat homor ons kan vertellen over onze menselijke natuur.Van de oudheid tot aan de moderne tijd en puttend uit het werk van een breed scala aan auteurs, in het bijzonder Swift, Sterne, Shaftesbury, Bergson, Beckett en Freud, keert Humor het komische binnenstebuiten en onthult ons een smakelijk inzicht in wat we grappig vinden. Humor beantwoordt vragen zoals: "Waarom lijden komieken aan depressies", "Waarom lachen we zo vaak om dieren" en "Wat gebeurt er in racistische en seksistische humor".Humor zal niet alleen de lezers uit een reeks van disciplines zoals filosofie, theologie, literatuurwetenschap, psycholanalyse, geschiedenis en antropologie aanspreken, maar ook zeer tot de verbeelding spreken van een ieder met een gevoel voor humor - ieder van ons dus, hopelijk.

Humor

by Terry Eagleton

UN PASEO POR LOS LUGARES FUNDAMENTALES QUE OCUPA EL HUMOR EN LA CULTURA OCCIDENTAL, CON EL GUÍA MÁS AUTORIZADO (Y GRACIOSO). ¿Por qué nos reímos? ¿Qué ganamos con tanta carcajada? ¿Es el humor un agente subversivo o un remedio para las tensiones? ¿Cómo definir el ingenio? Escrito por un reconocido maestro de la comedia, este libro es una muestra perfecta de la naturaleza del humor y de sus funciones. Armado de agudas ocurrencias y un buen puñado de excelentes chistes, examina con mirada crítica las principales teorías del humor, como la idea de que este brota de la incongruencia o de que es el reflejo de una forma ligeramente sádica de sentimiento de superioridad con respecto a los demás. Terry Eagleton nos guía a las entrañas del humor basándose en una amplia gama de fuentes literarias y filosóficas, acompañado de Aristóteles, Rabelais, Hobbes y Freud, entre muchos otros, pero apoyándose también en ejemplos como los Monty Python o la stand-up comedyy deteniéndose en los mecanismos psicoanalíticos que subyacen al humor y en su evolución social y política a lo largo de los siglos. La crítica ha dicho...«Una prosa rebosante de paradojas, vituperios y chistes absolutamente desternillantes.»The Guardian «Si Terry Eagleton no existiera habría que inventarlo.»Simon Critchley «Una introducción concisa y divertida, con un análisis sensato del papel contradictorio del humor en la política. Eagleton es un guía ingenioso y tenaz, además de tremendamente gracioso.»Harper's «Delicioso y admirable. Cada frase es sencilla pero aporta una idea nueva. Se puede abordar como una lectura rápida y divertida, o como una lectura sosegada para explorar las profundidades ocultas que acechan detrás de cada nuevo ejemplo. Una espléndida puerta de entrada al tema.»Popmatters

Humor and the Good Life in Modern Philosophy: Shaftesbury, Hamann, Kierkegaard

by Lydia B. Amir

By exploring the works of both Anthony Ashley Cooper, Third Earl of Shaftesbury, and Søren Kierkegaard, Lydia B. Amir finds a rich tapestry of ideas about the comic, the tragic, humor, and related concepts such as irony, ridicule, and wit. Amir focuses chiefly on these two thinkers, but she also includes Johann Georg Hamann, an influence of Kierkegaard's who was himself influenced by Shaftesbury. All three thinkers were devout Christians but were intensely critical of the organized Christianity of their milieux, and humor played an important role in their responses. The author examines the epistemological, ethical, and religious roles of humor in their philosophies and proposes a secular philosophy of humor in which humor helps attain the philosophic ideals of self-knowledge, truth, rationality, virtue, and wisdom.

Humor, Laughter and Human Flourishing: A Philosophical Exploration of the Laughing Animal

by Mordechai Gordon

This book is a philosophical investigation of the significance of humor and laughter, examining its relation to other human phenomena including truth, nihilism, dreams, friendship, intimacy, aesthetic experience, self-transcendence and education. The author addresses the relative neglect of humor and laughter among philosophers of education with this volume, where the focus is on the significance of humor and laughter for human flourishing. Central questions are threaded through this work: What does the study of humor and laughter bring to philosophy and specifically to philosophy of education? How is humorist thinking different from other modes of human knowing? What might happen if we were to respond to the absurdity of human existence with humor and laughter? What insights can be learned from a philosophical investigation of humor in relationship to other human phenomena such as dreams, friendship, intimacy, aesthetic experience and self-transcendence? And, finally, how can humor and laughter enhance human existence and flourishing? The author presents groundbreaking insights into what can be gained from a study of humor and laughter about human existence in general and flourishing in particular. This work will be of interest to philosophers, especially philosophers of education, as well as to teachers and educators. Its unique blend of philosophical investigation and humorous discourse is both a rigorous and accessible analysis of humor.

The Humor of Kierkegaard: An Anthology

by Søren Kierkegaard

Who might reasonably be nominated as the funniest philosopher of all time? With this anthology, Thomas Oden provisionally declares Søren Aabye Kierkegaard (1813-1855)--despite his enduring stereotype as the melancholy, despairing Dane--as, among philosophers, the most amusing. Kierkegaard not only explored comic perception to its depths but also practiced the art of comedy as astutely as any writer of his time. This collection shows how his theory of comedy is integrated into his practice of comic perception, and how both are integral to his entire authorship. Kierkegaard's humor ranges from the droll to the rollicking; from farce to intricate, subtle analysis; from nimble stories to amusing aphorisms. In these pages you are invited to meet the wife of an author who burned her husband's manuscript and a businessman who, even with an abundance of calling cards, forgot his own name. You will hear of an interminable vacillator whom archeologists found still pacing thousands of years later, trying to come to a decision. Then there is the emperor who became a barkeeper in order to stay in the know. The Humor of Kierkegaard is for anyone ready to be amused by human follies. Those new to Kierkegaard will discover a dazzling mind worth meeting. Those already familiar with his theory of comedy will be delighted to see it concisely set forth and exemplified. Others may have read Kierkegaard intensively without having ever really noticed his comic side. Here they will find what they have been missing.

Humour

by Terry Eagleton

A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.

A Hundred Years of British Philosophy

by Metz, Rudolf

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

A Hundred Years of Phenomenology: Perspectives on a Philosophical Tradition (Routledge Library Editions: Continental Philosophy #5)

by Robin Small

This title was first published in 2001. This collection of new essays on phenomenological themes reviews aspects of the philosophical movement which began with the publication in 1900-01 of Edmund Husserl's path-breaking Logical Investigations. A broad survey of phenomenology is particularly timely given that this philosophical movement is reaching a hundred years of its existence. The thirteen contributions represent a wide range of approaches and interests within the phenomenological framework. Some present approaches to Husserl, while others explore aspects of the fundamental texts of phenomenology and provide critical discussions of later thinkers such as Heidegger, Sartre, and Derrida whose relation to Husserl receives particular attention. The final section relates phenomenology to other disciplines and to broader issues in social thought and cultural studies. This book will enable students and professional philosophers alike to explore the various strands of this widely influential school of thought.

The Hungarian Nominal Functional Sequence (Studies in Natural Language and Linguistic Theory #100)

by Éva Dékány

The Hungarian Nominal Functional Sequence combines the methods of syntactic cartography with evidence from compositional semantics in a comprehensive exploration of the structure of Noun Phrases. Proceeding from the lexical core to the top of DP, it uses Hungarian as a window on the underlying universal functional hierarchy of Noun Phrases, but it also regularly complements and supports the analysis with cross-linguistic evidence. The book works out a minimal map of the extended NP in the sense that the proposed hierarchy only has projections which host overt material and it does not draw on semantically empty word order projections. Topics which receive special attention include the syntax of classifiers, demonstratives, proper names, possessive NPs and plural pronouns.

Hunger (The Art of Living)

by Raymond Tallis

Understanding hunger is the key to understanding ourselves. While they seem the most obvious things about us, our hungers are also deeply mysterious, arising out of, and casting light on, the unique character of human consciousness. In humans, physiological need is transformed into a multitude of needs that are remote from organic necessity. Even first-level biological hunger is experienced differently in humans; and little in human feeding behaviour has any parallel in the animal kingdom.In this book, Ray Tallis takes us through the different levels of our hunger. Out of our primary appetites arise a myriad of pleasures and tastes that are elaborated in second-level hedonistic hungers creating new values. The evolution of appetite into desire opens the way to social hungers such as the hunger for acknowledgement. Awareness of death awakens a further level of hunger for something that lies beyond the pell-mell of successive experiences leading towards extinction. The art of living is the art of managing our hungers.

A Hunger for Aesthetics: Enacting the Demands of Art (Columbia Themes in Philosophy, Social Criticism, and the Arts)

by Michael Kelly

For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands.Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontag's aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person who is suffering only aestheticizes the suffering for the viewer's pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richter's and Doris Salcedo's art, chosen because it is often identified with the anti-aesthetic, even though it is clearly aesthetic. Focusing first on Richter's Baader-Meinhof series, Kelly concludes with Salcedo's enactments of suffering caused by social injustice. Throughout A Hunger for Aesthetics, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art.

The Hunger Games and Philosophy

by George A. Dunn Nicolas Michaud

A philosophical exploration of Suzanne Collins's New York Times bestselling series, just in time for the release of The Hunger Games movie Katniss Everdeen is "the girl who was on fire," but she is also the girl who made us think, dream, question authority, and rebel. The post-apocalyptic world of Panem's twelve districts is a divided society on the brink of war and struggling to survive, while the Capitol lives in the lap of luxury and pure contentment. At every turn in the Hunger Games trilogy, Katniss, Peeta, Gale, and their many allies wrestle with harrowing choices and ethical dilemmas that push them to the brink. Is it okay for Katniss to break the law to ensure her family's survival? Do ordinary moral rules apply in the Arena? Can the world of The Hunger Games shine a light into the dark corners of our world? Why do we often enjoy watching others suffer? How can we distinguish between what's Real and Not Real? This book draws on some of history's most engaging philosophical thinkers to take you deeper into the story and its themes, such as sacrifice, altruism, moral choice, and gender. Gives you new insights into the Hunger Games series and its key characters, plot lines, and ideas Examines important themes such as the state of nature, war, celebrity, authenticity, and social class Applies the perspective of some of world's greatest minds, such as Charles Darwin, Thomas Hobbes, Friedrich Nietzsche, Plato, and Immanuel Kant to the Hunger Games trilogy Covers all three books in the Hunger Games trilogy An essential companion for Hunger Games fans, this book will take you deeper into the dystopic world of Panem and into the minds and motivations of those who occupy it.

Hunger Mountain: A Field Guide to Mind and Landscape

by David Hinton

Learning to see with the eyes of the ancient Chinese sages can change your view of the universe, as David Hinton demonstrates. He takes us on a series of walks up Hunger Mountain, a wilderness area near his home in Vermont. What he sees and describes about these outings is informed by the cosmos-view he's imbibed from his many years of translating Chinese poetry: a way of looking at nature, and our place in it, and a particular way of regarding the relationship between ourselves and the universe. It's a view that informs all the great Chinese poetry and art. It's found in Taoism and Chinese expressions of Buddhism, but it predates them by millennia, going back probably to the Paleolithic Age--and it's found in the structures of the Chinese language itself, and in the evolution of the system of writing. Each chapter takes its name and theme from a character of the Chinese alphabet, whose history and development Hinton examines. They originate as primitive marks, very literally expressing the simplest of ideas, from which they grow and develop through time to express concepts of great subtlety. The poets and artists understood this and kept their focus on the emptiness that gives birth to all things as they used language and images that sprang from that emptiness. We learn about this as David walks up and around Hunger Mountain, making observations about the landscape, his place in it, and the underlying geological reality, telling stories of the great poets as he goes. It's the profoundest kind of nature writing, and it's an exceptionally accessible entrée to an ancient Chinese view of the universe.

The Hungry Eye: Eating, Drinking, and European Culture from Rome to the Renaissance

by Leonard Barkan

An enticing history of food and drink in Western art and cultureEating and drinking can be aesthetic experiences as well as sensory ones. The Hungry Eye takes readers from antiquity to the Renaissance to explore the central role of food and drink in literature, art, philosophy, religion, and statecraft.In this beautifully illustrated book, Leonard Barkan provides an illuminating meditation on how culture finds expression in what we eat and drink. Plato's Symposium is a timeless philosophical text, one that also describes a drinking party. Salome performed her dance at a banquet where the head of John the Baptist was presented on a platter. Barkan looks at ancient mosaics, Dutch still life, and Venetian Last Suppers. He describes how ancient Rome was a paradise of culinary obsessives, and explains what it meant for the Israelites to dine on manna. He discusses the surprising relationship between Renaissance perspective and dinner parties, and sheds new light on the moment when the risen Christ appears to his disciples hungry for a piece of broiled fish. Readers will browse the pages of the Deipnosophistae—an ancient Greek work in sixteen volumes about a single meal, complete with menus—and gain epicurean insights into such figures as Rabelais and Shakespeare, Leonardo and Vermeer.A book for anyone who relishes the pleasures of the table, The Hungry Eye is an erudite and uniquely personal look at all the glorious ways that food and drink have transfigured Western arts and high culture.

Hungry Listening: Resonant Theory for Indigenous Sound Studies (Indigenous Americas)

by Dylan Robinson

Reimagining how we understand and write about the Indigenous listening experience​Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives. A critical response to what has been called the &“whiteness of sound studies,&” Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. This, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism&’s &“tin ear&” that renders silent the epistemic foundations of Indigenous song as history, law, and medicine. With case studies on Indigenous participation in classical music, musicals, and popular music, Hungry Listening examines structures of inclusion that reinforce Western musical values. Alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, Hungry Listening offers examples of &“doing sovereignty&” in Indigenous performance art, museum exhibition, and gatherings that support an Indigenous listening resurgence.Throughout the book, Robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. Through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. Indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.

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