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Multiplicity and Ontology in Deleuze and Badiou
by Becky VartabedianThis book approaches work by Gilles Deleuze and Alain Badiou through their shared commitment to multiplicity, a novel approach to addressing one of the oldest philosophical questions: is being one or many? Becky Vartabedian examines major statements of multiplicity by Deleuze and Badiou to assess the structure of multiplicity as ontological ground or foundation, and the procedures these accounts prescribe for understanding one in relation to multiplicity. Written in a clear, engaging style, Vartabedian introduces readers to Deleuze and Badiou’s key ontological commitments to the mathematical resources underpinning their accounts of multiplicity and one, and situates these as a conversation unfolding amid political and intellectual transformations.
Multiplitism: Set Theory and Sociology
by Eliran Bar-ElThis book presents a set theoretical approach to sociological research. It revisits existing sociological approaches and discusses their limitations, before suggesting an alternative. While the existing canonical approaches of Positivism, Conflictualism, and Pragmatism are based on biology, history, and physics, respectively, the set theoretical approach is based on mathematics. Utilising its philosophical exploration delineated by Alain Badiou, the book further translates his work into the field of social science. The result of this translation is termed Multiplitism, which evades the limiting contradictions of existing approaches. Drawing on the mathematical notion of ‘set’ and relating it to recent sociological turns such as the relational and the ontological, the book proposes a scale-relativity through which the researcher (as subject) and the researched (as object) are integrated. The book will be of interest to social scientists, particularly social theorists and advanced level students.
Multipolarität und bipolare Konfrontationen
by Dietmar Schössler Michael PlathowDieser interdisziplinäre Sammelband vereint in zehn Beiträgen Analysen bi- und multipolarer Relationen, durch die potentielle Chancen, aber auch problematische Implikate vor Augen treten.Der Inhalt„Ironie“. Interpretationsmodell der Historie und ihre Bedeutung für Reinhold Niebuhrs politische Theologie heute ● Über Fremdheit und Selbstfremdheit der Kirchen im Kontext eskalierender Kulturkämpfe ● Politik der Differenz vs. Anerkennung im Zeichen radikaler Alterität ● Ernst Troeltsch und Max Weber – Religionstheorie in transatlantischer Perspektive ● ‚Neuer Atheismus‘ und ‚Kreationismus‘ – Transatlantische Zwillings-Phänomene ● Transatlantic Networks and the German-American Protestant Exchange ● Paul Tillichs Emigration in die Vereinigten Staaten und sein theologisches Reden über die Grenze ● Beobachtungen zum Weg von Leonardo Boff ● Sicherheitspolitischer Dialog zwischen transatlantischem Bündnis und dem Nahen Osten in Zeiten des geopolitischen UmstrukturierungsprozessesDie HerausgeberProf. Dr. em. Dietmar Schössler war Hochschullehrer für Politik- und Sozialwissenschaften an den Universitäten Mannheim, Frankfurt am Main und München (Universität der Bundeswehr).Prof. Dr. Michael Plathow ist Hochschullehrer für Systematische Theologie an der Universität Heidelberg.
Multitudes: How Crowds Made the Modern World
by Dan HancoxIn pursuit of the liberating powers of the crowdDespite what politicians, philosophers and the press have long told us, every peaceful crowd is not a violent mob in waiting. Dan Hancox argues it is time to rethink long-held assumptions about crowd behaviour and psychology, as well as the part crowds play in our lives. The story of the modern world is the story of multitudes in action. Crowds are the ultimate force for change: the bringer of conviviality, euphoria, mass culture and democracy.Behind the establishment&’s long war against crowds is the work of eccentric proto-fascist Gustave Le Bon. Having witnessed the revolutionary Paris Commune, he declared the crowd barbaric, the enemy of all that was civilized. In the twentieth century, his theory influenced Mussolini, Hitler and Freud alike. It moulded the policing of our communities and the new industry of public relations, shaping our cities and politics.From raucous football matches and raves to rubber-bullet-riddled riots, Dan Hancox takes us into the crowd&’s pulsating heart to pose the questions that will define our age. Is the madness of crowds real? What did the January 6 insurrection on Capitol Hill share with the Nuremberg rallies? What fresh dangers are posed to free assembly by the surveillance society? And how has a radical new generation of psychologists begun to change everything – even the policing of protests?
Murder, Inc.: The CIA under John F. Kennedy
by James H. JohnstonLate in his life, former president Lyndon B. Johnson told a reporter that he didn’t believe the Warren Commission’s finding that Lee Harvey Oswald acted alone in killing President John F. Kennedy. Johnson thought Cuban president Fidel Castro was behind it. After all, Johnson said, Kennedy was running “a damned Murder, Inc., in the Caribbean,” giving Castro reason to retaliate. Murder, Inc., tells the story of the CIA’s assassination operations under Kennedy up to his own assassination and beyond. James H. Johnston was a lawyer for the Senate Intelligence Committee in 1975, which investigated and first reported on the Castro assassination plots and their relation to Kennedy’s murder. Johnston examines how the CIA steered the Warren Commission and later investigations away from connecting its own assassination operations to Kennedy’s murder. He also looks at the effect this strategy had on the Warren Commission’s conclusions that assassin Lee Harvey Oswald acted alone and that there was no foreign conspiracy. Sourced from in-depth research into the “secret files” declassified by the JFK Records Act and now stored in the National Archives and Records Administration, Murder, Inc. is the first book to narrate in detail the CIA’s plots against Castro and to delve into the question of why retaliation by Castro against Kennedy was not investigated.
Murdering Animals: Writings On Theriocide, Homicide And Nonspeciesist Criminology (Palgrave Studies In Green Criminology Ser.)
by Piers BeirneMurdering Animals confronts the speciesism underlying the disparate social censures of homicide and “theriocide” (the killing of animals by humans), and as such, is a plea to take animal rights seriously. Its substantive topics include the criminal prosecution and execution of justiciable animals in early modern Europe; images of hunters put on trial by their prey in the upside-down world of the Dutch Golden Age; the artist William Hogarth’s patriotic depictions of animals in 18th Century London; and the playwright J.M. Synge’s representation of parricide in fin de siècle Ireland. Combining insights from intellectual history, the history of the fine and performing arts, and what is known about today’s invisibilised sites of animal killing, Murdering Animals inevitably asks: should theriocide be considered murder? With its strong multi- and interdisciplinary approach, this work of collaboration will appeal to scholars of social and species justice in animal studies, criminology, sociology and law.
Murderous Consent: On the Accommodation of Violent Death (Perspectives in Continental Philosophy)
by Marc CréponWinner, 2002 French Translation Prize for NonfictionMurderous Consent details our implication in violence we do not directly inflict but in which we are structurally complicit: famines, civil wars, political repression in far-away places, and war, as it’s classically understood. Marc Crépon insists on a bond between ethics and politics and attributes violence to our treatment of the two as separate spheres. We repeatedly resist the call to responsibility, as expressed by the appeal—by peoples across the world—for the care and attention that their vulnerability enjoins. But Crépon argues that this resistance is not ineluctable, and the book searches for ways that enable us to mitigate it, through rebellion, kindness, irony, critique, and shame. In the process, he engages with a range of writers, from Camus, Sartre, and Freud, to Stefan Zweig and Karl Kraus, to Kenzaburo Oe, Emmanuel Levinas and Judith Butler. The resulting exchange between philosophy and literature enables Crépon to delineate the contours of a possible/impossible ethicosmopolitics—an ethicosmopolitics to come.Pushing against the limits of liberal rationalism, Crépon calls for a more radical understanding of interpersonal responsibility. Not just a work of philosophy but an engagement with life as it’s lived, Murderous Consent works to redefine our global obligations, articulating anew what humanitarianism demands and what an ethically grounded political resistance might mean.
Murdoch on Truth and Love (Philosophers in Depth)
by Gary BrowningThis book reviews Iris Murdoch’s thought as a whole. It surveys the breadth of her thinking, taking account of her philosophical works, her novels and her letters. It shows how she explored many aspects of experience and brought together apparently contradictory concepts such as truth and love. The volume deals with her notions of truth, love, language, morality, politics and her life. It shows how she offers a challenging provocative way of seeing things which is related to but distinct from standard forms of analytical philosophy and Continental thought. Unlike so many philosophers she does offer a philosophy to live by and unlike many novelists she has reflected deeply on the kind of novels she aimed to write. The upshot is that her novels and her philosophy can be read together productively as contributions to how we can see others and the world.
Musashi's Book of Five Rings
by Stephen F. KaufmanOften used to explain Japanese business competition, Musashi's Book of Five Rings is more properly a definitive treatise on mortal combat from one of Japan's most formidable warriors - the martial arts luminary Miyamoto Musashi. Famed martial artist Stephen Kaufman has translated this classic without the usual commercial bias, driving straight to the heart of Musashi's incisive martial arts stratagems. The result is an enthralling combination of powerful technical wisdom and the philosophical elucidation offered to martial artists by Buddhism, Shintoism, Confucianism, and Taoism. From the metaphor of the Four Elements and fundamentals of physical practice and strategy to an offering of Zen wisdom on the "way" of nature, Musashi's Book of Five Rings is as profound and important a book on martial arts as you will find.
Musashi's Book of Five Rings
by Stephen F. KaufmanMiyamoto Musashi is the greatest martial artist and warrior Japan has ever known. His Book of Five Rings is the definitive Japanese treatise on warfare, mortal combat and the chivalrous code of the samurai known simply as Bushido--the "Way of the Warrior." This classic book by Stephen Kaufman is a modern interpretation of Musashi's work specifically intended for today's martial artist. It explains the essential truths found in the Book of Five Rings that are necessary for a full understanding of Musashi's message as it was originally intended--as a practical training manual for warriors. The result is an enthralling treatise on martial strategy combining a warrior's instincts with the deep philosophical insights of Buddhism, Shintoism, Confucianism and Taoism. It is a book that every modern warrior should read and absorb.
Musashi's Book of Five Rings
by Stephen F. KaufmanThis classic work interprets Miyamoto Musashi's famous Book of Five Rings specifically for the martial artist-as Miyamoto Musashi originally intended. It explains the underlying truths necessary for a full understanding of Musashi's message for warriors. The result is an enthralling book on martial strategy that combines the instincts of the warrior with the philosophies of Zen Buddhism, Shintoism, Confucianism and Taoism. It is a crucial book for every martial artist to read and understand. Like the original, this book is divided into five sections. The Book of Earth lays the groundwork for anyone wishing to understand Musashi's teachings; the Book of Water explains the warrior's approach to strategy; the Book of Fire teaches fundamental fighting techniques based on the Earth and Water principles; the Book of Wind describes differences between Musashi's own martial style and the styles of other fighting schools; while the Book of No-thing describes the "way of nature" as understood through an "unthinking" existing preconception.Famed martial artist Stephen Kaufman has translated this classic without the usual academic or commercial bias, driving straight into the heart of Musashi's martial teachings and interpreting them for his fellow martial artists.
Museums & Their Development V5: Being An Account Of The Chief Collections Of Paintings, Drawings, Sculptures, Illuminated Mss;, &c. &c (classic Reprint)
by Gustav WaagenFirst published in 2004. This eight volume set is a compilation of writings of Museums and their development from the 1700 to 1900s. Volume 5 includes Volume 1 of Treasure of Art in Great Britain, an account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS, by Dr Waagen of Berlin, on his visit to England in 1835.
Museums & Their Development V7: Being An Account Of The Chief Collections Of Paintings, Drawings, Sculptures, Illuminated Mss. , &c. &c, Volume 2
by Gustav WaagenFirst published in 2004. This eight volume set is a compilation of writings of Museums and their development from the 1700 to 1900s. Volume 7 includes volume 3 of Treasure of Art in Great Britain, an account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS, by Dr Waagen of Berlin, on his visit to England in 1835.
Museums & Their Development V8: Being An Account Of More Than Forty Collections Of Paintings, Drawings, Sculptures, Mss. , &c. &c. , Visited In 1854 And 1856, And Now For The First Time Described (classic Reprint)
by Gustav WaagenFirst published in 2004. This eight volume set is a compilation of writings of Museums and their development from the 1700 to 1900s. Volume 8 includes a supplient to the 3 volumes of Galleries and Cabinets of Art in Great Britain..., forming a Supplemental Volume to the Treasures of Art in Great Britain (1857) by Dr Waagen of Berlin.
Museums & Their Developmnt V6: Being An Account Of The Chief Collections Of Paintings, Drawings, Sculptures, Illuminated Mss;, &c. &c (classic Reprint)
by Gustav WaagenFirst published in 2004. This eight volume set is a compilation of writings of Museums and their development from the 1700 to 1900s. Volume 6 includes volume 2 of Treasure of Art in Great Britain, an account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS, by Dr Waagen of Berlin, on his visit to England in 1835.
Music & Camp (Music/culture Ser.)
by Christopher Moore and Philip PurvisThis collection of essays provides the first in-depth examination of camp as it relates to a wide variety of twentieth and twenty-first century music and musical performances. Located at the convergence of popular and queer musicology, the book provides new research into camp's presence, techniques, discourses, and potential meanings across a broad spectrum of musical genres, including: musical theatre, classical music, film music, opera, instrumental music, the Broadway musical, rock, pop, hip-hop, and Christmas carols. This significant contribution to the field of camp studies investigates why and how music has served as an expressive and political vehicle for both the aesthetic characteristics and the receptive modes that have been associated with camp throughout twentieth and twenty-first-century culture.Hardcover is un-jacketed.
Music And Empire In Britain And India
by Bob Van Der LindenMusic has been neglected by imperial historians, but this book shows that music is an essential aspect of identity formation and cross-cultural exchange. It explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization of "classical" music converged and diverged in Britain and India from 1880-1940.
Music Education as Craft: Reframing Theories and Practices (Landscapes: the Arts, Aesthetics, and Education #30)
by Regina Murphy Kari Holdhus Magne I. EspelandThis book is a collection of leading international authors in the field of music education taking the concept of 'craft' as a starting point to deconstruct and reconstruct their understanding of the practices and theories of music education. Their insights draw from deep wells of resources located in historical, philosophical, epistemological, musicological and educational traditions that lead to rich and complex insights on the evolving field of music education. In so doing, they generate a constellation of new understandings and illustrations of what crafts can mean in this field. Historically, the idea of craft was typically associated with a skill or experience in knowing how to do or make something, or an activity of some kind that requires specific professional skills. In Old Norse, the concept for craft was kraptr, meaning strength and virtue, while Old English and continental use was associated with power and physical strength, as well as skill. When these definitions of ‘crafts’ are infused into contemporary understandings of the field of music education as a professional field, a whole new set of possible interpretations are unearthed. Such insights are not exhaustive, but rather, point the way in which this professional, diverse, inclusive and ambiguous field might continue to evolve in the 21st century.
Music Education, Ecopolitical Professionalism, and Public Pedagogy: Towards Systems Transformation (SpringerBriefs in Education)
by Margaret S. Barrett Heidi M. WesterlundThis book challenges the dominant expertise professionalism rationale for music education by responding to the call to develop ‘ecological awareness’ at a time when all professions have a moral obligation to place sustainable and interdependent life at the center. The book aims to expand music education’s professional horizons to acknowledge the responsibility of the music field to contribute to the demands of complex questions of sustainability and identify the ways in which sustainable music education may be strengthened through an activist relational ecological stance. It suggests a radical moral turn by asking: What if music education is recognised as part of the problem of sustaining unsustainability? and What if music teacher education was developed in and through dialogue with a futures perspective? These questions are interrogated through a critical analysis of the historical positioning of music in education and an interdisciplinary application of theories of ecology and professionalism.
Music Lessons: The Collège de France Lectures
by Pierre BoulezThe eminent French composer’s groundbreaking lectures, available for the first time in English: “a major event” (Alex Ross).Music Lessons collects the yearly lectures of French composer Pierre Boulez, prepared for the Collège de France between 1976 and 1995. These lectures offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores the process through which a musical idea is realized in a full-fledged composition; the complementary roles of craft and inspiration; the degree to which the memory of other musical works can influence and change the act of creation; and other deeply fascinating topics. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the crippling conservatism of many musical institutions. Woven into the discussion are stories of Boulez’s own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach.This edition includes a foreword by Jean-Jacques Nattiez and a preface by Jonathan Goldman.
Music Making Community
by Bruno Nettl Joanna Bosse Stefan Fiol Stephen Blum Veit Erlmann Eduardo Herrera Ioannis Tsekouras Donna A Buchanan Thomas Solomon Sylvia Bruinders David A McDonald Rick DejaMaking music offers enormous possibilities--and faces significant limitations--in its power to generate belonging and advance social justice. Tony Perman and Stefan Fiol edit essays focused on the forms of interplay between music-making and community-making as mutually creative processes. Contributors in the first section look at cases where music arrived in settings with little or no sense of community and formed social bonds that lasted beyond its departure. In the sections that follow, the essayists turn to stable communities that used musical forms to address social needs and both forged new social groups and, in some cases, splintered established communities. By centering the value of difference in productive feedback dynamics of music and community while asserting the need for mutual moral indebtedness, they foreground music’s potential to transform community for the better. Contributors: Stephen Blum, Joanna Bosse, Sylvia Bruinders, Donna A. Buchanan, Rick Deja, Veit Erlmann, Stefan Fiol, Eduardo Herrera, David A. McDonald, Tony Perman, Thomas Solomon, and Ioannis Tsekouras
Music Studies and Its Moment of Truth: CMS Emerging Fields in Music (CMS Emerging Fields in Music)
by Edward SarathMusic Studies and Its Moment of Truth: Leading Change through America’s Black Music Roots presents a new framework for racial justice discourse in the context of music studies and education. Centering on Black American Music, the book issues challenges to both the conventional music studies paradigm and decades-old reform efforts. While Black American Music ranks high among America’s contributions to world culture, and offers musicians powerful tools for musical practice and understanding, this musical legacy remains remarkably marginalized even in activist conversations. The author argues that this reflects lingering and unexamined racist patterns that persist even among the most fervent voices for anti-racist interventions, and addresses the need for a higher-order activist framework within music studies. Delving further into the transformative changes needed to pursue racial justice, the short pieces collected in this book discuss topics including a shift from multicultural ideology to a transcultural model of musical pluralism, analysis of the multi-tiered nature of musical racism, the whitewashing of music studies activism, K-12 music teacher education as the locus for paradigmatic change and the potential for a transformed model of music studies to catalyze an overarching revolution in creativity and consciousness in both education and society at large. Critiquing the failures of progressive reform efforts and conventional reaction, this book argues that major changes are needed to the discourse on racism in music studies, and envisions new paradigms for the future.
Music Studies and Its Moment of Truth: CMS Emerging Fields in Music (CMS Emerging Fields in Music)
by Edward SarathMusic Studies and Its Moment of Truth: Leading Change through America’s Black Music Roots presents a new framework for racial justice discourse in the context of music studies and education. Centering on Black American Music, the book issues challenges to both the conventional music studies paradigm and decades-old reform efforts.While Black American Music ranks high among America’s contributions to world culture, and offers musicians powerful tools for musical practice and understanding, this musical legacy remains remarkably marginalized even in activist conversations. The author argues that this reflects lingering and unexamined racist patterns that persist even among the most fervent voices for anti-racist interventions, and addresses the need for a higher-order activist framework within music studies.Delving further into the transformative changes needed to pursue racial justice, the short pieces collected in this book discuss topics including a shift from multicultural ideology to a transcultural model of musical pluralism, analysis of the multi-tiered nature of musical racism, the whitewashing of music studies activism, K-12 music teacher education as the locus for paradigmatic change and the potential for a transformed model of music studies to catalyze an overarching revolution in creativity and consciousness in both education and society at large. Critiquing the failures of progressive reform efforts and conventional reaction, this book argues that major changes are needed to the discourse on racism in music studies, and envisions new paradigms for the future.
Music and Aesthetic Reality: Formalism and the Limits of Description (Routledge Studies in Contemporary Philosophy)
by Nick ZangwillIn this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of language issues about the metaphorical nature of aesthetic descriptions of music. Among the innovations of this book, Zangwill addresses the limits of literal description, generally, and in the aesthetic case. He also explores the social and political issues about musical listening, which tend to be addressed more in continental traditions.
Music and Astronomy: From Pythagoras to Steven Spielberg (Springer Praxis Books)
by Maurizio AgròThis book explores the profound and ancient relationship between music and astronomy. Throughout history, Music has occupied a significant place among the disciplines of the Quadrivium, which also include Geometry, Arithmetic, and Astronomy. The captivating bond between these two realms has not only inspired eminent scientists like Kepler, Newton, and Einstein, but has also captured the imagination of NASA and astronauts in modern times. The author delves into various aspects of the intersection between music and astronomy, encompassing everything from ancient cosmological beliefs to groundbreaking discoveries such as the cosmic background radiation and gravitational waves. This enthralling theme has not only stimulated renowned artists like David Bowie and Elton John, but has also served as a muse for movies like Close Encounters of the Third Kind. Within the book, readers will find an extensive photo gallery and a specially curated soundtrack that enhances the reading experience. It caters to a broad audience, appealing to those with a general interest in both music and astronomy, as well as to specialized individuals in either field of study.