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Modernism and Phenomenology
by Ariane MildenbergFrom the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.
Modernism and Phenomenology: Literature, Philosophy, Art (Modernism and... #10)
by Ariane MildenbergBraiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cézanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.
Modernism and Scottish Theatre since 1969: A Revolution on Stage
by Mark BrownThis book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject
by Adam MeehanIn Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before 1945. Offering a bold new genealogy for literary modernism, Meehan finds versions of a postmodern subject embodied in works by authors who intently undermine attempts to stabilize conceptions of identity and who draw attention to the role of language in shaping conceptions of the self. Focusing on the philosophical registers of literary texts, Meehan traces the development of modernist attitudes toward subjectivity, particularly in relation to issues of ideology, spatiality, and violence. His analysis explores a selection of works published between 1904 and 1941, beginning with Joseph Conrad’s prescient portrait of the subject interpolated by ideology and culminating with Samuel Beckett’s categorical disavowal of the subjective “I.” Additional close readings of novels by F. Scott Fitzgerald, Aldous Huxley, James Joyce, Nathanael West, and Virginia Woolf establish that modernist texts conceptualize subjectivity as an ideological and linguistic construction that reverberates across understandings of consciousness, race, place, and identity. By reconsidering the movement’s function and scope, Modernism and Subjectivity charts how profoundly modernist literature shaped the intellectual climate of the twentieth century.
Modernism and the Critical Spirit
by Eugene GoodheartComplaints about the decline of critical standards in literature and culture in general have been voiced for much of the twentieth century. These have extended from F.R. Leavis's laments for a "lost center of intelligence and urbane spirit," to current opposition to the predominance of radical critical theory in contemporary literature departments. Humanist criticism, which has as its object the quality of life as well as works of art, may well lack authority in the contemporary world. Even amid the disruptions of the industrial revolution, nineteenth-century humanists such as Matthew Arnold, John Ruskin, and Thomas Carlyle could assume a positive order of value and shared habits of imaginative perception and understanding between writers and readers. Eugene Goodheart argues that, by contrast, contemporary criticism is infused with the skepticism of modernist aesthetics. It has willfully rejected the very idea of moral authority.Goodheart starts from the premise that questions about the moral authority of literature and criticism often turn upon a prior question of what happens when the sacred disappears or is subjected to the profane. He focuses on contending spiritual views, in particular the dialectic between the Protestant-inspired, largely English humanist tradition of Carlyle, Ruskin, Arnold, and D.H. Lawrence and the decay of Catholicism represented by James Joyce and T.S. Eliot. Goodheart argues that literary modernism, in distancing itself from natural and social vitality, tends to render suspect all privileged positions. It thereby undermines the critical act, which assumes the priority of a particular set of values. Goodheart makes his case by analyzing the work of a variety of novelists, poets, and critics, nineteenth century and contemporary. He blends literary theory and practical criticism.
Modernism and the Language of Philosophy (Routledge Studies in Twentieth-Century Philosophy)
by Anat MatarModernism can be characterised by the acute attention it gives to language, to its potential and its limitations. Philosophers, artists and literary critics working in the first third of the twentieth century emphasized language’s creative potential, but also stressed its inability to express meaning completely and accurately. In particular, modernists shared the belief that the kind of truth sub specie aeterni that was sought by philosophers was either meaningless or was more appropriately expressed by the arts – especially by literature and poetry. Modernism and the Language of Philosophy addresses the challenge this belief presented to philosophy, and argues that the modernist assumption rests upon a host of unacknowledged, repressed or denied dogmas or tacit images. Drawing in particular upon the work of Michale Dummett and Jacques Derrida, this book explores a new solution to this crisis in philosophical language, and it is these two philosophers who drive the narrative of the book and offer perspectives through which both past and present day philosophers are examined.
Modernism and the Practice of Proletarian Literature
by Simon CooperThis book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.
Modernism and the Social Sciences: Anglo-American Exchanges, c.1918–1980
by Mark BevirThis wide-ranging and original study reveals how prevalent modernism has become in the social sciences. With contributions from a number of leading international scholars, Modernism and the Social Sciences explores the rise and nature of modernist tropes and approaches within social sciences such as economics, econometrics, behaviourism, sociology, administrative science, linguistics, history and anthropology. The essays demonstrate how the social sciences turned away from the developmental historicisms of the nineteenth century. Instead, social scientists have become increasingly committed to synchronic and formal explanations that rely on models, correlations and ideal types, and they have increasingly appealed to systems and functions and to institutions and norms. This book will reveal wider trends and parallels to specialists in particular disciplines and it will also appeal to those interested in intellectual history and social science theory. This volume is a companion to Historicism and the Human Sciences in Britain, a product of the Mellon project on Britain's Modernity, published by Cambridge in 2017.
Modernism at the Barricades: Aesthetics, Politics, Utopia (Columbia Studies In Political Thought/Political History (coup))
by Stephen Eric BronnerStephen Eric Bronner revisits the modernist project's groundbreaking innovations, itsexperimental imagination, and its utopian politics. Reading the artistic and intellectual achievements of the movement's leading figures against larger social, political, and cultural trends, he follows the rise of a flawed yet salient effort at liberation and its confrontation with modernity.Modernism at the Barricades features chapters on expressionism, futurism, surrealism, and revolutionary art and includes fresh perspectives on the work of Arnold Schoenberg, Wassily Kandinsky, and Emil Nolde, among others. The volume illuminates an international avant garde intent on resisting bureaucracy, standardization, scientific rationality, and the increasing commodification of mass culture. Modernists sought new ways of feeling, new forms of expression, and new possibilities of experience while seeking to refashion society. Liberation was their aim, along with the invigoration of daily life—yet their process entangled political resistance with the cultural. Exploring both the political responsibility of the artist and the manipulation of authorial intention, Bronner reconfigures the modernist movement for contemporary progressive purposes and offers insight into the problems still complicating cultural politics. He ultimately reasserts the political dimension of developments often understood in purely aesthetic terms and confronts the self-indulgence and political irresponsibility of certain so-called modernists today. The result is a long overdue reinterpretation and rehabilitation of the modernist legacy for a new age.
Modernism, Ethics and the Political Imagination
by Ben WareIn this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today's emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.
Modernism's Inhuman Worlds
by Rasheed TazudeenModernism's Inhuman Worlds explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies, Rasheed Tazudeen argues, emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. How might (meta)modernist aesthetics help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction? Through innovative readings of canonical and emergent modernist and metamodernist works, Tazudeen theorizes inhuman modernism as a call toward further receptivity to the worlds, beings, and relations that tend to go unthought within Western humanist epistemologies. Modernist engagements with the figures of enigma, riddle, and metaphor, according to the book's central argument, offer a means toward what Franz Kafka calls an "otherwise" speaking, based on language's obliqueness to inhuman and planetary being. Drawing on ecocriticism, decolonial and feminist science studies, postcolonial theory, inhuman geography, and sound studies, Tazudeen analyzes an inhuman modernist lineage—spanning from Darwin, Carroll, and Flaubert, through Joyce, Kafka, and Woolf, to contemporary poetic works—as both part of a collaborative rethinking of modernism's planetary and inhuman aesthetics, as well as occasions for imagining new modes of livingness for the extinctions to come.
Modernist Commitments: Ethics, Politics, And Transnational Modernism
by Jessica BermanModernism has long been characterized as more concerned with aesthetics than politics, but Jessica Berman argues that modernist narrative bridges the gap between ethics and politics, connecting ethical attitudes and responsibilities-ideas about what we ought to be and do-to active creation of political relationships and the way we imagine justice. She challenges the divisions usually drawn between "modernist" and "committed" writing, arguing that a continuum of political engagement undergirds modernisms worldwide and that it is strengthened rather than hindered by formal experimentation.
Modernist Fiction and Vagueness
by Megan QuigleyModernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction.
Modernist Form and the Myth of Jewification
by Neil LeviWhy were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition “Degenerate Art.” Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary.Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections—not only about the figure of the Jew but also about that of the antisemite.
Modernist Idealism: Ambivalent Legacies of German Philosophy in Italian Literature (Toronto Italian Studies)
by Michael J. SubialkaOffering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author’s main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.
Modernité en transit - Modernity in Transit (Cultural Transfers)
by Dubé, Richard; Gin, Pascal; Moser, Walter; Pires, AlvaroEn 1979, Jean-François Lyotard a articulé la condition postmoderne, annonçant la fin de la modernité. Mais la modernité nous tient encore et se réinvente dans des nouvelles périodisations. Il nous incombe de reprendre la réflexion sur ce paradigme à la fois historique, culturel et social, et ceci, à partir de notre condition de « puînés » de la modernité. Tel est le programme de réflexion de cet ouvrage collectif qui privilégie une approche interdisciplinaire et internationale.
Modernities in Northeast Asia (Political Theories in East Asian Context)
by Jun-Hyeok Kwak Ken ChengTo form a truer portrait of Northeast Asian perspectives on modernity, this book presents a broad range of analyses from philosophical and political-philosophical scholars specializing in the region. The book considers the encounter between "Western" modernity and "Eastern" tradition not as a simple clash of cultures, but as a generative and hybridizing process of negotiation. It examines the concrete manifestations of modernity in various intellectual and political movements that attempted to radically restructure Northeast Asian societies. And through these situated perspectives, it rethinks and redefines the idea of "modernity" itself, challenging and presenting alternatives to Western-centric thinking on the topic. This book will be of particular interest to political philosophers, political theorists, comparative philosophers, regional specialists in East Asia, and all scholars grappling with the perplexities of global "modernity."
Modernity and Crisis in the Thought of Michel Foucault: The Totality of Reason (Routledge Studies in Social and Political Thought)
by Matan OramFew studies of Foucault have examined his thought from a sustained interdisciplinary perspective. Through the interpretative prism of the concept of the ‘Totality of Reason’, this book suggests an original analytical reading of Foucault's thought. This book addresses Foucault’s characterizations of the Enlightenment, asking whether the developmental history of the modern conception of knowledge – from the Renaissance to the Enlightenment – warrants the conclusion he draws. From the perspective of a critical evaluation of Foucault's thesis on ‘the crisis of modernity’, the book examines whether Foucault, the philosophical and social critic, truly belongs to those intellectual trends known as a ‘deconstruction’ and ‘post-modernism’ that advocate a wholesale rejection of the project of modernity, demonstrating how a classification of this kind contributes to an impoverishment of our understanding of Foucault's thought. This book will attract the attention of readers interested in Foucault, and what is broadly perceived to be the ‘crisis of modernity’. It will appeal to scholars and advanced students of sociology, political philosophy and political science, psychology, philosophy, interdisciplinary studies and cultural studies.
Modernity and Its Discontents: Making and Unmaking the Bourgeois from Machiavelli to Bellow
by Steven B. SmithSteven B. Smith examines the concept of modernity, not as the end product of historical developments but as a state of mind. He explores modernism as a source of both pride and anxiety, suggesting that its most distinctive characteristics are the self-criticisms and doubts that accompany social and political progress. Providing profiles of the modern project's most powerful defenders and critics--from Machiavelli and Spinoza to Saul Bellow and Isaiah Berlin--this provocative work of philosophy and political science offers a novel perspective on what it means to be modern and why discontent and sometimes radical rejection are its inevitable by-products.
Modernity and its Futures Past: Recovering Unalienated Life
by Nishad PatnaikThe work reimagines emancipatory possibilities in the face of reified capitalist modernity. The enlightenment resulted in a ‘disenchanted’ world, stripped of ‘anthropomorphised’ meaning and purpose. This world, in its capitalistic figuration, alienates us from others, and from nature. To rearticulate emancipatory possibilities requires a non-alienated relation to society and nature. Yet, modernist disenchantment cannot be undone by returning to pre-modern ‘enchantment’. Rather, such rearticulation calls for the recovery of ‘unalienated life’ from within non-reified modernity, by renewing its universalist dimension.
Modernity and Responsibility: Essays for George Grant
by Eugene CombsWhat is it to be modern? How does the world look through the eyes of a modern? Is it possible to bring the sensibility of the non-modern to bear on the world around one? If so, how?The essays in this volume consider these and a number of related questions in an attempt to determine how a thoughtful individual can understand and act justly in the world of modernity. The authors stand firmly and deeply in modernity, but they are profoundly aware of the classical and the Judaeo-Christian traditions that the modern world has largely discarded and of non-Western traditions that ask profound questions about the nature of man and his role in the universe. They are willing to ask difficult and critical questions about traditional thought and about the assumptions, often tacit, of modernity.The essays explore the problematic nature of the concept of transcendence in modern social and political philosophy. They start with an analysis of Spinoza's use of biblical criticism to separate political philosophy and divine revelation, and explore the impact of the rise of naturalistic individualism in the North Atlantic world. A discussion of the role of the transcendent and of traditional philosophy in the East helps the reader to gain a deeper understanding of the process of secularization in the West. The issue of moral responsibility is shown to be greatly influenced by the existence of the concept of transcendence, and philosophy and the apocalyptic tradition form the basis of attempts to bridge the gulf between the traditional and the modern, secular view of the world.These essays show that the quest for the grounds of responsible action requires a thorough-going critique of modernity that looks not only at the modern world, but beyond it, to the traditions that formed and still inform it, and to the experience of other cultures that are also facing the processes we already take for granted.
Modernity and the Ideals of Arab-Islamic and Western-Scientific Philosophy: The Worldviews of Mario Bunge and Taha Abd al-Rahman
by A. Z. ObiedatThis is the first study to compare the philosophical systems of secular scientific philosopher Mario Bunge (1919-2020), and Moroccan Islamic philosopher Taha Abd al-Rahman (b.1945). In their efforts to establish the philosophical underpinnings of an ideal modernity these two great thinkers speak to the same elements of the human condition, despite their opposing secular and religious worldviews. While the differences between Bunge’s critical-realist epistemology and materialist ontology on the one hand, and Taha’s spiritualist ontology and revelational-mystical epistemology on the other, are fundamental, there is remarkable common ground between their scientific and Islamic versions of humanism. Both call for an ethics of prosperity combined with social justice, and both criticize postmodernism and religious conservatism. The aspiration of this book is to serve as a model for future dialogue between holders of Western and Islamic worldviews, in mutual pursuit of modernity’s best-case scenario.
Modernity, Religion, and the War on Terror
by Richard Dien WinfieldThe war on terror cannot be truly understood without investigating the legitimacy of modernity, the challenge that religion presents to modernization, the inescapable conflicts attending the emergence and expansion of modernity, and the post-colonial predicament from which Islamist reaction arises. Richard Dien Winfield illuminates the war on terror in light of these issues, presenting an anti-foundationalist justification of the rationality and freedom of modernity, while assessing how religion can stand in opposition to modernity and why Islam has been a privileged vehicle of anti-modern religious revolt. Winfield shows that the privatization that religion must undergo to be compatible with modern freedom involves no capitulation to relativism, but rather is a theological imperative on which the truth of religion depends. Exposing the limits of any purely secular modernization of Islam, Winfield shows how Islam can draw upon its core tradition to repudiate the oppression of Islamist reaction and become at home in the modern world.
Modernity's Wager: Authority, the Self, and Transcendence
by Adam B. SeligmanAdam Seligman, one of our most important social thinkers, continues the incisive critique of modernity he began in his previously acclaimed The Idea of Civil Society and The Problem of Trust. In this provocative new work of social philosophy, Seligman evaluates modernity's wager, namely, the gambit to liberate the modern individual from external social and religious norms by supplanting them with the rational self as its own moral authority. Yet far from ensuring the freedom of the individual, Seligman argues, "the fundamentalist doctrine of enlightened reason has called into being its own nemesis" in the forms of ethnic, racial, and identity politics. Seligman counters that the modern human must recover a notion of authority that is essentially transcendent, but which extends tolerance to those of other--or no--faiths. Through its denial of an authority rooted in an experience of transcendence, modernity fails to account for individual and collective moral action. First, deprived of a sacred source of the self, depictions of moral action are reduced to motives of self interest. Second, dismissing the sacred leaves the resurgence of religious movements unexplained. In this rigorous and imaginative study, Seligman seeks to discover a durable source of moral authority in a liberalized world. His study of shame, pride, collective guilt, and collective responsibility demonstrates the mutual relationship between individual responsibility and communal authority. Furthermore, Seligman restores the indispensable role of religious traditions--as well as the features of those traditions that enhance, rather than denigrate, tolerance. Sociologists, political theorists, moral philosophers, and intellectual historians will find Seligman's thesis enlightening, as will anyone concerned with the ethical and religious foundations of a tolerant society.
Moderns Worth Keeping
by Russell FraserIn this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets Edwin Muir and G.M. Brown are complemented by three great Europeans: Paul Valery, Eugenio Montale, and Osip Mandelstam, "mandarins" who wrote for an elite of their time, not a social elite, but readers who could read. The New Critics, who gave language first place in their writing, loom large in this account. R.P. Blackmur and Allen Tate are followed by Delmore Schwartz, Austin Warren, and Francis Fergusson, lesser stars orbiting those greater than themselves. Kingsley Amis the novelist and James Dickey the poet, with whom the book concludes, had a great run at fame and fortune, but ended bleakly. The world was livelier for these writers' presence, and what they left us still gives satisfaction. This heterogeneous group may be said to be our saving remnant. In a time of coarsened feeling, its members possess in high degree the ability to discriminate, seeing acutely, and inspiring feeling where it was dead. Their function is therapeutic, even restorative for the life of letters. To give them a hearing is the principal purpose of the book.