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Rus In Urbe
by James Lawless Max Gonçalves Leite FerreiraNesta coletânea de poemas, Rus in Urbe, James Lawless explora o mundo à sua volta, em sua paisagem rural e urbana. Às vezes seus vívidos vislumbres são apresentados em inglês e outras vezes em irlandês. Essa facilidade com ambas as línguas enriquece a coleção. Em A outra metade / Leath Eile – Ouço você somando /na língua antiga … Éistim leat ag comhaireamh / sa tsean teanga .. as palavras levam o leitor à magia do verso – a suave luz …‘le gile séimh trathnóna. Os poemas oferecem um bem-vindo acesso às várias camadas de significado, música e magia. Essa dualidade fornece o imediatismo e a dispersão da língua inglesa em uma página e a melodia e o ritmo da língua irlandesa na página oposta. Há uma riqueza de imagens nos poemas. Em Vinhetas parisienses – marcas da idade no rosto,/ mapeando a rota de sua vida. contrasta com... – Os jovens de skate desviam-se do vento,/ surfando nas ondas da cidade. Aqui há ecos de Yeats. James Lawless apresenta breves e imediatos olhares sobre o dia-a-dia e os transforma em uma vívida memória, com correntes de tensão subjacentes tão bem capturadas em – Como posso dizer.../ Fico/ ou vou? A presença frequente dos pássaros é um símbolo da movimentação entre os cenários rural e urbano. Rus in Urbe é uma coletânea de poemas com um forte trabalho artesanal, de poucas palavras e rica em camadas de significados.
Rus In Urbe
by James Lawless Anabel López MolinaIntroducciónEn esta colección de poemas, Rus in Urbe, James Lawless explora el mundo a su alrededor tanto en el paisaje rural como citadino. En ocasiones presenta sus vívidas imágenes en inglés (en esta edición en español) y en otras las presenta en irlandés; esta comodidad con los dos lenguajes enriquece la colección como en "La otra mitad" / An Leath Eile- Te escucho sumando / en el lenguaje antiguo... Éistim leat ag comhaireamh / sa tsean teanga ..Palabras que llevan al lector a la magia de la siguiente línea:- la suave luz,...'le gile séimh trathnóna.El poema le da una cálida bienvenida a muchas capas de sentido, música y magia. Esta dualidad ofrece la inmediatez y dispersión del inglés en una sola página, y la melodía y el ritmo del irlandés en la página opuesta. Los poemas son ricos en imagines, como en "Estampas parisinas" donde observamos ecos de Yeats:-líneas de edad en su cara, / trazan la ruta de su vida. que contrasta con...-Los jóvenes en patineta esquivan el viento / navegan las olas de la ciudad.James Lawless presenta breves e inmediatos vistazos a la vida diaria y los transforma en vívidas memorias, con un trasfondo de tensión tan hábilmente capturados como en - ¿Cómo podré saber / si me iré o me quedaré?La frecuente presencia de aves es un símbolo de movimientos entre el ambiente rural y el urbano.Rus in Urbe es una colección de poemas con fuerza en su destreza, escaso en palabras y rico en capas de sentido.
Rush Hour: Bad Boys (A Journal of Contemporary Voices Volume #2)
by Michael CartBold, innovative, and eclectic--that's Rush Hour,the place for thought-provoking stories, essays, art, and poems from today's most distinguished voices, both established and new. "Bad Boys" is the hard-hitting theme of Volume Two. Here are drifters, pranksters, jocks, rebels, monsters, and heroes living life on the edge. In knockout stories by Jackie Woodson and E. R. Frank, artwork by John O'Brien and Chris Gall, essays by Robert Lypsite and Jack Gantos, and much more, bad boys sometimes play by the rules, often misbehave, but always grab our attention. This second issue solidifies the reputation of this unprecedented, pulsating journal, published twice a year and focused on themes today's readers care about most. "Rush Hour is ... a vehicle for sharp, challenging new writing that aims for a discerning and literate young adult audience the way the best literary magazines have long done for older readers."
rushes from the river disappointment (Hugh MacLennan Poetry Series #53)
by stephanie roberts"those of us who've seen miracles know how to ask. / if you've asked, do you love me, i almost certainly / don't love you." This meditative, musically attentive collection explores the confounding nature of intimate relationships. stephanie roberts's poetic expression is often irreverent, unapologetic, and infused with humour that can take surprisingly grave turns. rushes from the river disappointment traverses city, country, and fantasy using nature as artery through the emotional landscape. As they wrestle to come to terms with the effects of uncertainty and grief on hope and belief, these diverse field notes are interspersed with the fabulous: a polar bear and owl engage in flirtation, a time traveller appears on a lake, an erotic scene takes place on a train, and we confront "people capable of eating popcorn at the movie of your agony." roberts's language is dense with images and sometimes acrobatic. In poems that affirm love and desire as treasures fought for more than just felt, rushes from the river disappointment turns an unblinking gaze on the failures of courage that distance us from love.
Ruslan and Ludmila
by D. M. ThomasAlexander Pushkin’s epic magic-realist tale is brought vividly to life in this superb translation by D. M. Thomas. Drawing on the Russian folklore of Pushkin’s childhood, the poem recounts the abduction of Princess Ludmila by the evil wizard Chernomor and the attempt by the brave knight Ruslan to rescue his bride. Ruslan must embark on a perilous quest, encountering an intriguing cast of characters – including a hermit, a witch and a pugnacious floating head – before he can be reunited with his love.Ruslan and Ludmila is a vibrantly colourful blend of traditional chivalry, outrageous humour and exciting escapades: a gorgeous display of the poet's astonishing imagination.
S O S: Poems 1961–2013
by Amiri BarakaA New York Times Editors' Choice Fusing the personal and the political in high-voltage verse, Amiri Baraka whose long illumination of the black experience in America was called incandescent in some quarters and incendiary in others (New York Times) was one of the preeminent literary innovators of the past century. Selected by Paul Vangelisti, this volume comprises the fullest spectrum of Baraka's rousing, revolutionary poems, from his first collection to previously unpublished pieces composed during his final years. Throughout Baraka’s career as a prolific writer (also published as LeRoi Jones), he was vehemently outspoken against oppression of African American citizens, and he radically altered the discourse surrounding racial inequality. The environments and social values that inspired his poetics changed during the course of his life, a trajectory that can be traced in this retrospective spanning more than five decades of profoundly evolving subjects and techniques. Praised for its lyricism and introspection, his early poetry emerged from the Beat generation, while his later writing is marked by intensely rebellious fervor and subversive ideology. All along, his primary focus was on how to live and love in the present moment despite the enduring difficulties of human history.
The Sacking of the Muses
by Susan Hawthornethe Muses have been sackedtheir role in the pantheonsold up for some newreal estate ventureWhen the Muses are sacked, what are we to do? The Muses who inspire poetry, astronomy, history and daily living bring their song and dance into present-day political struggles. These Muses are for rebellion. Susan Hawthorne’s poems span millennia of resistance by women. The earth itself is implicated. She writes about women's bodies, how they are used, abused and celebrated in birthing, in sexual pleasure, in grief, in imagining. She draws on stories from ancient and contemporary India, from Greece and Rome, through language, storytelling and translation.we embrace our double liveslike actors and their alter egossome say slesha is unnaturalI've heard the same said about us
Sacrament of Bodies (African Poetry Book)
by Romeo OriogunIn this groundbreaking collection of poems, Sacrament of Bodies, Romeo Oriogun fearlessly interrogates how a queer man in Nigeria can heal in a society where everything is designed to prevent such restoration. With honesty, precision, tenderness of detail, and a light touch, Oriogun explores grief and how the body finds survival through migration.
The Sacred Complex: On the Psychogenesis of Paradise Lost
by William KerriganThis reading of Milton juxtaposes the poet's theology and Freud's account of the Oedipus complex in ways that yield both new understanding of Milton and a model for psychoanalytic interpretation of literature. The book ranges widely through the art and life of Milton, including extensive discussions of his theological irregularities and the significance, medical and symbolic, he assigned to his blindness. Kerrigan analyzes the oedipal aspect of Milton's religion; examines the nature of the Miltonic godhead; studies Milton's analogies linking human, angelic, and cosmic bodies; and explores Milton's symbolism of home. In a commanding demonstration, Kerrigan delineates how the great epic and the psyche of its author bestow meaning on each other.
Sacrifice as a Narrative Strategy in May Sinclair, Mary Butts, and H. D.
by Sanna Melin SchyllertThis book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials.
Sad Birds Still Sing
by FarawaySad Birds Still Sing is the highly anticipated book of poetry from anonymous author Faraway. In less than a year, he became one of the most recognizable figures on the platform he writes: Instagram (@farawaypoetry). In this book of selected poems and writings, Faraway takes the reader on a journey of discovery, with a message of hope running as the main artery through the pages. It fearlessly dives into the depths of the human condition, tackling topics such as new and old love, heartbreak, loss, anxiety, self-love, dreaming, and much more.
Sad Little Breathing Machine: Poems
by Matthea HarveyHarvey, whose debut collection was praised by the New Yorker as "intensely visual, mournfully comic and syntactically inventive," offers her second stunning collection. In "Sad Little Breathing Machine," Matthea Harvey explores the strange and intricate mechanics of human systems-of the body, of thought, of language itself. These are the engines, like poetry, that propel both our comprehension and misunderstanding. "If you're lucky," Harvey writes, "after a number of / revolutions, you'll / feel something catch. " "I pictured myself arriving at an amusement park, only none of the rides are familiar. I considered running away. I could break my neck or be catapulted into the sky. I might never be seen again. It's only poetry, I reminded myself, and climbed on board. I'm tossed and bucked and jabbed and lashed and flipped. I'm having a nearly insane amount of fun, and I don't want it to ever end. "--James Tate
Sad Underwear and Other Complications: More Poems for Children and Their Parents
by Judith ViorstKnock, knock. Who's there? Someone with sad underwear. Sad underwear? How can that be? When my best friend's mad at me, Everything is sad. Even my underwear. Only Judith Viorst, with the perfect pitch for the trials of childhood that has made her Alexander books modern classics, could create an ode to melancholy unmentionables. But the title poem is just one of the many pleasures in this collection, which bursts with wit and understanding -- and the occasional poignant note. Sure to delight readers of Shel Silverstein and Jack Prelutsky, as well as Viorst's own legions of fans, Sad Underwear is a perfect companion volume to her celebrated If I Were In Charge of the World.
Sadness and Happiness: Poems by Robert Pinsky (Princeton Series of Contemporary Poets #160)
by Robert PinskyFrom Sadness and Happiness: Poems by Robert Pinsky:CEREMONY FOR ANY BEGINNING Robert Pinsky ? Against weather, and the randomHarpies--mood, circumstance, the lawsOf biography, chance, physics--The unseasonable soul holds forth,Eager for form as a renownedPedant, the emperor's man of worth,Hereditary arbiter of manners. Soul, one's life is one's enemy.As the small children learn, what happensTakes over, and what you were goes away.They learn it in sardonic softComments of the weather, when it sharpensThe hard surfaces of daylight: lightWinds, vague in direction, like blades Lavishing their brilliant strokesAll over a wrecked house,The nude wallpaper and the bruteIntelligence of the torn pipes.Therefore when you marry or buildPray to be untrue to the plainDominance of your own weather, how it keeps Going even in the woods when notA soul is there, and how it impliesAlways that separate, coldSplendidness, uncouth and unkind--On chilly, unclouded mornings,Torrential sunlight and moist air,Leafage and solid bark breathing the mist.
The Safari Stomp
by Caryl HartPrepare to hop, crawl, lunge and STOMP in this delightful rhyming story that will get children reading along and moving along!As I was going for a walk, I met a little Bunny."Come hop with me", the Bunny said,"Hopping's super funny!"Join the romp, join the romp,Let's hop to the wild safari stomp!Learn to move like your animal friends on safari! Lunge with a giraffe, roar with a lion and stomp, stomp, stomp with the elephants. On the safari stomp, everyone must join in the fun! With 5 different exercises to try and a brilliant rhyming refrain throughout, this story will have children reading along and moving along! From award-winning creators Caryl Hart and Nicola Slater.
The Saga of the Volsungs: The Norse Epic Of Sigurd The Dragon Slayer (Legends from the Ancient North)
by Petra BornerPart of a new series Legends from the Ancient North, Beowulf is one of the classic books that influenced JRR Tolkien's The Hobbit and The Lord of the Rings'So the company of men led a careless life,All was well with them: until One beganTo encompass evil, an enemy from hell.Grendel they called this cruel spirit...'J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales.Legends from the Ancient North brings together from Penguin Classics five of the key works behind Tolkien's fiction.They are startling, brutal, strange pieces of writing, with an elemental power brilliantly preserved in these translations.They plunge the reader into a world of treachery, quests, chivalry, trials of strength.They are the most ancient narratives that exist from northern Europe and bring us as near as we will ever get to the origins of the magical landscape of Middle-earth (Midgard) which Tolkien remade in the 20th century.
Sage: Poems
by Marilyn ChinA rebellious, refined, provocative, and audacious volume from award-winning poet Marilyn Chin. In her galvanizing sixth collection of poems, Marilyn Chin once again turns moral outrage into unforgettable art. A rambunctious take on our contemporary condition, Sage shifts skillfully in tone and register from powerful poems on social justice and the pandemic to Daoist wild girl satire. A self-described "activist-subversive-radical-immigrant-feminist-transnational-Buddhist-neoclassical-nerd poet," Chin is always reinventing herself. In Sage, she sings fearless identity anthems, pulls farcical details from an old diary, and confronts the disturbing rise in violence against Asian Americans. Leaping between colloquialisms and vivid imagery, anger and humor, she merges the personal and political with singular, resilient spirit. Whether she is spinning tall tales, mixing Chinese poems with hip-hop rhymes, reinventing lovelorn folk songs with a new-world anxiety, or penning a raucous birthday poem, a heartrending elegy, or an "un-gratitude" prayer, Chin offers dazzling surprises at every turn.
Said Like Reeds or Things
by Mark TruscottWarning: this book may encourage a series of ungrammatical thoughts!Welcome to the poetic landscape of Mark Truscott, where less is more than you bargained for. Said Like Reeds or Things is a book of micropoetic and linguistic koans. With a quirky, off-centre sense of humour, these poems uncover a language that has malfunctioned only to find itself in the form of a gesture.Minimalist in form, these small gatherings of words, a.k.a. 'poems', seek strangeness in familiar language; their effect is harmonic dissonance within the mind - like an overturned toy box in your path to the television set, these poems are a fresh and amusing diversion from the everyday from which they are derived. Mysteriously entertaining and precise, these succinct, visual lyrics say as much about the world as they do about their own status as objects for reading, and they persist in the hilarity and contemplation of their own enigmatic possibilities.'Mark Truscott's Said Like Reeds or Things is the work of a mischievous conservationist with a shadow of Basho in the mix. It's sometimes snappy, sometimes calm, and always an exhilarating tease. This is the place where little pieces of perfection ride along a sublime horizon line.' - Lisa Jarnot
Said Not Said: Poems
by Fred Marchant“Fred Marchant teaches and awakens the soul.” —Maxine Hong Kingstonsomeone in Benghazi with a hose in one handuses his free one to wipe down the corpsewater flows over the body and downa tilted steel tray toward the drain what washes off washes off—“Below the Fold”In this important and formally inventive new poetry collection, Fred Marchant brings us into realms of the intractable and the unacceptable, those places where words seem to fail us and yet are all we have. In the process he affirms lyric poetry’s central role in the contemporary moral imagination. As the National Book Award winner David Ferry writes, “The poems in this beautiful new book by Fred Marchant are autobiographical, but, as is always the case with his poems, autobiographical of how he has witnessed, with faithfully exact and pitying observation, the sufferings in the lives of other people, for example the heartbreaking series of poems about the fatal mental suffering of his sister, and the poems about other peoples, in Vietnam, in the Middle East, written about with the noble generosity of feeling that has always characterized his work, here more impressively even than before.”Said Not Said is a poet’s taking stock of conscience, his country’s and his own, and of poetry’s capacity to speak to what matters most.
, said the shotgun to the head.
by Saul WilliamsThe greatest AmericansHave not been born yet<p><p>They are waiting quietly<p>For their past to die<p>please give blood <p>Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an incongruent mean of babble and brilliance...
, said the shotgun to the head.
by Saul WilliamsThe greatest AmericansHave not been born yetThey are waiting quietlyFor their past to dieplease give blood Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...
Saigyo: Poems Of A Mountain Home (Translations From The Asian Classics)
by Burton Watson Saigyô"Poems of a Mountain Home" contains translations of two hundred of Saigyo's poems. His poems are almost all written in the thirty-one syllable "tanka" form, the form most favored in Japanese court poetry. The translations follow the traditional topical arrangements used in Japanese editions of Saigyo's work, allowing the reader to appreciate the poet's celebration of each season of the year.
Sail Away with Me
by Jane Collins-PhilippeJane Collins-Philippe loves the sea – after all she has spent many years living on a sailboat – and she has collected verses old and new to share her understanding and affection. Some of the poems will be familiar, like Eugene Field&’s &“Wynken, Blynken and Nod.&” Others are from Collins-Philippe&’s own pen and are sure to become favorites. Who could resist a poem about a ship with a hippo for a captain and a giraffe named Joyce for a lookout?Laura Beingessner&’s charming art is the perfect complement to a collection that will delight children, whether they are old salts or landlubbers.A note from the author: OOPS! Credit for Baby&’s Boat on the very last page of my book should have gone to Ridley and Gaynor who penned it in 1898. I wouldn&’t want to take credit for something I didn&’t write. Besides, that would make me very old indeed!
Sailing Alone Around the Room: New and Selected Poems
by Billy CollinsSailing Alone Around the Room, by America's Poet Laureate, Billy Collins, contains both new poems and a generous gathering from his earlier collections The Apple That Astonished Paris, Questions About Angels, The Art of Drowning, and Picnic, Lightning. These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.From the Trade Paperback edition.
Sailing by Ravens (The Alaska Literary Series)
by Holly HughesGillnetter, mariner, and naturalist Holly Hughes has experienced first-hand the practical and philosophical consequences of navigating difficult waters. In Sailing by Ravens, she gathers wisdom gained from thirty seasons working off Alaska’s shores, weaving personal experience and her love of the sea with the history and science of navigation. In this exquisite collection of poems, Hughes deftly navigates “the wavering, certain path” of a woman’s heart, finding that sometimes the best directions to follow are those that come from the natural forces in our lives. These meditations offer waypoints for readers on their own journeys. “These poems of the sea begin with a school girl’s fascination for ‘the blue sea holding captive all the land’ and end as the seasoned sailor learns that ‘even the old charts/ can’t navigate the wild shoals of your heart.’ Along the way we are shipmates through days of fishing, sailing, loving, and losing as Hughes navigates the lure, lore, and loneliness of a sea that is both natural force and metaphor. I love Sailing by Ravens with its salt of the sea, salt of our deepest lives.” —Gary Thompson, author of One Thing After Another