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Seasons of Lotus, Seasons of Bone (American Poets Continuum)
by Matthew ShenodaWeaving narratives of ancient and contemporary Egypt while exploring ecological shifts of the Nile Valley, Matthew Shenoda is a voice at the crossroads of the African continent and its diasporas. Amiri Baraka says, "Matthew Shenoda’s poetry will open your mind to another world that exists inside and outside of your own." Winner of the 2006 American Book Award for his debut collection, Somewhere Else, Shenoda is a younger poet with his eyes set on the larger issues of history, politics, and culture.Matthew Shenoda lives in Los Angeles, California. He is on the faculty of the MFA program at Goddard College.
Seasons of Mangoes and Brainfire
by Carolyne WrightSeasons of Mangoes and Brainfire recreates Carolyne Wright's time in Allende's Chile and on other travels through Latin America. It won the Blue Lynx Prize for Poetry, Oklahoma Book Award in Poetry, and American Book Award from the Before Columbus Foundation.
The Seasons of the Soul
by Andrew Harvey Hermann Hesse Ludwig Max FischerVowing at an early age "to be a poet or nothing at all," Hermann Hesse rebelled against formal education, focusing on a rigorous program of independent study that included literature, philosophy, art, and history. One result of these efforts was a series of novels that became counterculture bibles that remain widely influential today. Another was a body of evocative spiritual poetry. Published for the first time in English, these vivid, probing short works reflect deeply on the challenges of life and provide a spiritual solace that transcends specific denominational hymns, prayers, and rituals. The Seasons of the Soul offers valuable guidance in poetic form for those longing for a more meaningful life, seeking a sense of homecoming in nature, in each stage of life, in a renewed relationship with the divine. Extensive quotations from his prose introduce each theme addressed in the book: love, imagination, nature, the divine, and the passage of time. A foreword by Andrew Harvey reintroduces us to a figure about whom some may have believed everything had already been said. Thoughtful commentary throughout from translator Ludwig Max Fischer helps readers understand the poems within the context of Hesse's life.From the Trade Paperback edition.
Sebald's Vision
by Carol JacobsW. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma. In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, carefully illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history, while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.
Sebald's Vision (Literature Now)
by Carol JacobsW. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma.In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.
Secession/Insecession (Literature in Translation Series)
by Erín Moure Chus PatoSecession/Insecession is a homage to the acts of reading, writing and translating poetry. In it, Chus Pato's Galician biopoetics of poet and nation, Secession - translated by Erín Moure - joins Moure's Canadian translational biopoetics, Insecession. To Pato, the poem is an insurrection against normalized language; to Moure, translation itself disrupts and reforms poetics and the possibility of the poem. In solidarity with Pato, Moure echoes Barthes: "A readerly text is something I cannot re-produce (today I cannot write like Atwood); a writerly text is one I can read only if I utterly transform my reading regime. I now recognize a third text alongside the readerly and the writerly: let's call it the intranslatable." In Secession/Insecession, a major European poet and a known Canadian poet, born on opposite sides of the Atlantic in the mid twentieth century and with vastly different experiences of political life, forge a 21st century relationship of thinking and creation. The result is a major work of memoir, poetics, trans-ethics and history. Chus Pato's Secession was chosen as 2009 Book of the Year by the Revista das Letras, literary supplement of Galicia Hoxe (Galicia Today).
The Second Blush: Poems
by Molly PeacockAcclaimed poet Molly Peacock tracks the vicissitudes of midlife marriage in her saucy, vulnerable, philosophical sixth collection. Demonstrating once again her "luxuriantly sensual imagination" (Washington Post), Molly Peacock celebrates marriage and a two-track life with the man who became her husband. As teenage sweethearts separated by other obligations, they found each other again at midlife. The piquant, sonnet-based poems take as their starting point her husband's survival from a life-threatening disease, addressing the contradictory ideas of planning for the future along with the urgency to make the present brilliantly alive. Three sections of the book portray moments in the marriage--domestic glimpses--but all the poems revolve around the deeper issue of how we love and how love affects the way we live.
The Second Blush: Poems
by Molly PeacockDemonstrating once again her "luxuriantly sensual imagination" (Washington Post), Molly Peacock celebrates marriage and a two-track life with the man who became her husband. As teenage sweethearts separated by other obligations, they found each other again at midlife. The piquant, sonnet-based poems take as their starting point her husband's survival from a life-threatening disease, addressing the contradictory ideas of planning for the future along with the urgency to make the present brilliantly alive. Three sections of the book portray moments in the marriage-domestic glimpses-but all the poems revolve around the deeper issue of how we love and how love affects the way we live.
The Second Child
by Deborah GarrisonNine years after the stunning debut of her critically acclaimed poetry collectionA Working Girl Can't Win, which chronicled the progress and predicaments of a young woman, Deborah Garrison now moves into another stage of adulthood-starting a family and saying good-bye to a more carefree self. InThe Second Child, Garrison explores every facet of motherhood-the ambivalence, the trepidation, and the joy ("Sharp bliss in proximity to the roundness, / The globe already set aspin, particular / Of a whole new life")- and comes to terms with the seismic shift in her outlook and in the world around her. She lays out her post-9/11 fears as she commutes daily to the city, continues to seek passion in her marriage, and wrestles with her feelings about faith and the mysterious gift of happiness. Sometimes sensual, sometimes succinct, always candid,The Second Child is a meditation on the extraordinariness resident in the everyday-nursing babies, missing the past, knowing when to lead a child and knowing when to let go. With a voice sound and wise, Garrison examines a life fully lived.
Second Childhood: Poems
by Fanny HoweThe new poetry collection by Fanny Howe, whose "body of work seems larger, stranger, and more permanent with each new book she publishes" (Ruth Lilly Poetry Prize citation)People want to be poets for reasons that have little to do with language.It's the life of the poet that they want.Even the glow of loneliness and humiliation.To walk in the gutter with a bottle of wine.Some people's lives are more poetic than a poem,and Francis is certainly one of these.I know, because he walked beside me for that short timewhether you believe it or not. —from "Outremer"Fanny Howe's poetry is known for its lyricism, fragmentation, experimentation, religious engagement, and commitment to social justice. In Second Childhood, the observing poet is an impersonal figure who accompanies Howe in her encounters with chance and mystery. She is not one age or the other, in one time or another. She writes, "The first question in the Catechism is: / What was humanity born for? / To be happy is the correct answer."
Second Finding: A Poetics of Translation (Perspectives on Translation)
by Barbara FolkartThe translation of poetry has always fascinated the theorists, as the chances of "replicating" in another language the one-off resonance of music, imagery, and truth values of a poem are vanishingly small. Translation is often envisaged as a matter of mapping over into the target language the surface features or semiotic structures of the source poem. Little wonder, then, that the vast majority of translations fail to be poetry in their own right. These essays focus on the poetically viable translation - the derived poem that, while resonating with the original, really is a poem. They proceed from a writerly perspective, eschewing both the theoretical overkill that spawns mice out of mountains and the ideological misappropriation that uses poetry as a way to push agendas. The emphasis throughout is on process and the poem-to-come.
Second Fleet Baby
by Nadia RhookSecond Fleet Baby examines birth and motherhood, drawing on the playful energies and powers of 18th and 19th century ‘convict chicks', including Rhook's own ancestor, who was transported from England to Eora land on the Lady Juliana as part of the notorious 1789 Second Fleet.How might a settler reconcile the violence bound up with their role populating stolen land with the love and euphoria that can flow from parenthood? Intergenerational ties are traced through the soft weapons of the body, connecting the intimacies of nation-making with the politics of reproduction in lavishly personal ways.
Second Grade, Here I Come! (Here I Come!)
by D.J. SteinbergGo back to school for second grade—and get ready to go with these fun and silly poems!D. J. Steinberg's heartfelt, relatable, and silly poems bring to life the highlights of second grade—reading those big-kid books, trying out for the school play, and even dance breaks to wiggle "arms and legs and kaboodles. . . like a big bunch of second-grade noodles!" Covering an entire school year of holidays, memorable moments, and important life lessons, this is perfect for soon-to-be second graders!
Second Language: Poems (Poems Ser.)
by Lisel MuellerSecond Language is the fourth volume of work from the highly acclaimed poet Lisel Mueller. The second language of the title, English, supplanted Mueller’s native language when she came to the United States from Hitler’s Germany at age fifteen. But other second languages are at work here as well. The poems in this collection have to do with memory and metaphor, two forces that enable us to interpret our experience. Each is in a sense a second language, and in Mueller’s employ each gains expression in an imaginative and humanistic voice. In “English as a Second Language,” the various meanings of Second Language come together lucidly and effectively.
Second Nature: Poems
by Margaret Gibson“Learn of the green world what can be thy place,” wrote Ezra Pound. In Second Nature, her tenth collection of poems, Margaret Gibson takes Pound’s stern counsel to heart. With stunning clarity, these poems move from acute observation to an empathy, participation, and intimacy that continues Gibson’s search to experience the “one body” of the world in direct encounter and to translate that encounter into words. As Emerson tells us, the Spirit moves throughout Nature and through us—our art is, therefore, second nature. Whether Gibson’s poems take us to Greece and to “a writing desk no larger than a page of light” or whether they explore the woods that surround her house, all of the poems arise from the desire to embrace a “fierce, clear-eyed attention” and to be open to revelation. Her poems re-imagine watchfulness, seeing beyond surfaces, listening to what is innermost. Second Nature gives us poems that are a ripening of years of poetic and spiritual practice—simply Gibson at her best.
The Second O of Sorrow (American Poets Continuum Series #165)
by Sean Thomas DoughertySean Thomas Dougherty celebrates the struggles, the dignity, and the joys of working-class life in the Rust Belt. Finding delight in everyday moments—a night at a packed karaoke bar, a father and daughter planting a garden, a biography of LeBron James as a metaphor for Ohio—these poems take pride in the people who survive despite all odds, who keep going without any concern for glory, fighting with wit and grace for justice, for joy, every god damned day.
The Second Sex
by Michael RobbinsA second collection from a poet of "sheer joy and dizzy command" (The New York Times)Upon its publication in 2012, Alien vs. Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership. Robbins's poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with "a sky-blue originality of utterance" (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.
The Secret Destiny of Pixie Piper (Pixie Piper Ser. #1)
by Annabelle FisherPixie Piper, an ordinary fifth grader, discovers she is a direct descendant of Mother Goose—and she has the magical ability and poetry power to prove it! A lively and funny twist on a classic character for fans of the Clementine books, Wendy Mass, and Lisa Graff. This is the first of two books about Pixie Piper, and it features black-and-white spot art throughout.Fifth grader Pixie Piper has always known that she was a little different. She has a wild mop of hair that won’t stay put, her best friend is a boy, and to top it all off, she’s constantly coming up with rhymes and poems that just seem to pop out of her. Then, when Pixie thinks it can’t get any worse, she finds out that she actually is different—she’s a descendant of Mother Goose! This surprising and clever novel features family, friendship, poetry, a toilet museum, and just the right amount of magic, as well as a goose, a fox, and a beautiful golden retriever puppy. Rich, multigenerational characters and the real and powerful portrayal of grade-school friendships, with all their ups and downs, distinguish this terrific elementary school story that will appeal to fans of Judy Moody, Clementine, and novels by Wendy Mass and Lisa Graff.
The Secret of Hoa Sen: Poems
by Nguyen Phan Que MaiPoems by Nguyen Phan Que MaiTranslated from the Vietnamese by Bruce Weigl and Nguyen Phan Que MaiNguyen Phan Que Mai is among the most exciting writers to emerge from post-war Vietnam. Bruce Weigl, driven by his personal experiences as a soldier during the war in Vietnam, has spent the past 20 years translating contemporary Vietnamese poetry. These penetrating poems, published in bilingual English and Vietnamese, build new bridges between two cultures bound together by war and destruction. The Secret of Hoa Sen, Que Mai's first full-length U.S. publication, shines with craft, art, and deeply felt humanity.I cross the Lam River to return to my homelandwhere my mother embraces my grandmother's tomb in the rain,the soil of Nghe An so dry the rice plants cling to rocks.My mother chews dry corn; hungry, she tries to forget.
The Secret Signature of Things
by Eve JosephMuch of this poised and luminous book is rooted in an idea of epiphany, an aesthetic of everyday incarnation; not the sudden and profound manifestation of essence or meaning, but the smaller steps taken toward it. The moments in which, as Joyce writes, “the soul of the commonest object…seems to us radiant.” If epiphanies are for theologians, perhaps the little steps towards them are for poets like Eve Joseph, and for all of us who attempt to see beyond the names we give things to the names they give themselves.
A Secret Weavers Anthology: Selections from the White Pine Press Secret Weavers Series (Secret Weavers Series #13)
by Andrea O’Reilly HerreraA selection of work from all twelve volumes of the critically-acclaimed and successful Secret Weavers series.
Secretaries of the Moon: The Letters of Wallace Stevens and José Rodriguez Feo
by Alan Filreis Beverly CoyleThe letter from Jose Rodriguez Feo that prompted Stevens's poem was the third in a ten-year correspondence (1944-54) between the poet and the young Cuban, who quickly became Stevens's "most exciting correspondent." The two shared a Harvard education, both were anxious to see Stevens translated for a Cuban audience, and each had an enduring admiration for Santayana, whose awareness of the cultural tensions between the Northern and Southern hemispheres formed a basis for the protracted argument between Stevens as the practical, Protestant father and the passionate Rodriguez Feo. The Cuban's descriptions of his life at the Villa Olga, of his black-and-white cow Lucera and his mule Pompilio, delighted Stevens, as did his wide-ranging questions and pronouncements of literary matters. Unaware of the well-known Stevens reticence, Rodriguz Feo elicited a more informal, playful response than Stevens's other correspondents. Formal salutations soon gave way to "Dear Antillean," "Dear Wallachio."Coyle and Filreis present the entire extant correspondence between the two men. The fifty-one Rodriguez Feo letters and ten of the numerous Stevens letters are printed here for the first time, and the exchange between the two is unusually complete. The work includes a critical introduction and complete annotation of the letters.