Browse Results

Showing 10,426 through 10,450 of 13,960 results

Rossetti: Poems

by Christina Rossetti

These Everyman's Library Pocket Poets hardcover editions are popular for their compact size and reasonable price which do not compromise content. Poems: Rossetti contains a full selection of Rossetti's work, including her lyric poems, dramatic and narrative poems, rhymes and riddles, sonnet sequences, prayers and meditations, and an index of first lines.

Rota se camina igual

by Lorena Pronsky

Lorena Pronsky impuso un nuevo lenguaje en este libro, que lo convirtió clásico entre sus lectores. Rota se camina igual tiene un discurso fiel y contundente que nombra de forma precisa y lacerante las vivencias que todos, en algún momento de nuestra vida, atravesamos. Rota se camina igual es un libro no solo fue un éxito de ventas sino que también se instaló rápidamente como un clásico. Difícil de catalogar dentro de un género literario, Lorena Pronsky logra conmover al lector a través de un lenguaje disruptivo pero sencillo, a través de relatos que nos invitan a conectarnos con nuestras emociones. Apoyada en la herida como parte inevitable de la vida, nos muestra de qué manera podemos darles un nuevo destino a esos dolores que se nos imponen. En este viaje de reencuentro con nosotros mismos nos iremos identificando con las heridas de la pérdida, del abandono, del desamor, y así entender que siempre tendremos dos caminos para elegir: aferrarnos a ese dolor que nos deja en pausa, o bien comprender que asumir la realidad es el primer escalón para reinventarnos e iniciar una nueva etapa. Aceptar que estamos atravesados por tormentas que han dejado una marca indeleble nos enseña que "continuar" es una palabra que encierra todas las posibilidades aún desconocidas. Solo tenemos que tomar ese envión interior para darnos cuenta de que, a pesar de nuestras fisuras personales, rota se camina igual.

Rotten Days in Late Summer

by Ralf Webb

A TELEGRAPH AND IRISH TIMES BOOK OF THE YEARLONGLISTED FOR THE POLARI FIRST BOOK PRIZE SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTIONSHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE 'Impressive . . . tender, unflinching' Guardian'This is poetry in the grand tradition of annihiliation by desire. It's what the young are always learning, and the old, if they are wise, never forget' Anne Boyer, author of The Undying'Brilliant . . . heralds the arrival of a frank and vital poetic voice' Sharlene Teo, author of Ponti'Frank and alert . . . an important voice in British poetry' Eley Williams, author of The Liar's Dictionary'Direct and heart-breaking' Alex Dimitrov, author of Love and Other Poems'A rare thing . . . razor-sharp' Julia Copus, author of This Rare Spirit: A Life of Charlotte MewIn Rotten Days in Late Summer, Ralf Webb turns poetry to an examination of the textures of class, youth, adulthood and death in the working communities of the West Country, from mobile home parks, boyish factory workers and saleswomen kept on the road for days at a time, to the yearnings of young love and the complexities of masculinity.Alongside individual poems, three sequences predominate: a series of 'Love Stories', charting a course through the dreams, lies and salt-baked limbs of multiple relationships; 'Diagnostics', which tells the story of the death from cancer of the poet's father; and 'Treetops', a virtuosic long poem weaving together grief and mental health struggles in an attempt to come to terms with the overwhelming data of a life.The world of these poems is close, dangerous, lustrous and difficult: a world in which whole existences are lived in the spin of almost-inescapable fates. In searching for the light within it, this prodigious debut collection announces the arrival of a major new voice in British poetry.

Rouge Memoire: Poesie

by Huguette Bertrand

ENTRE NOUS<P> C'est entre vous et moi que ça se passe<P> entre nos apparences<P> qui ont l'air de dire que nous ne sommes pas là<P> corps défaits par l'haleine chaude de la nuit<P> et les jeux bêtes<P> dormeurs éveillés par un baiser de cheval<P> le hasard prend forme<P> Les jeunes lampes<P> sont des fontaines domptéees<P> par les yeux qui passent

Rough Day

by Ed Skoog

Composed during long walks throughout Washington, DC, and careful to err on the side of recklessness, Rough Day finds its essential unity in a fixation on American events and landscapes-from Yellowstone and New Orleans to Kansas and the Pacific Northwest. Throughout, Ed Skoog maintains an openness to discovery that unveils rare and prismatic views into his country.A native of Topeka, Kansas, Ed Skoog's first book of poetry, Mister Skylight (Copper Canyon Press), was published in 2009. His poetry has appeared in Poetry, American Poetry Review, and The Paris Review. He teaches at the University of Montana and lives in Missoula, Montana

Rough Fugue: Poems (Southern Messenger Poets)

by Betty Adcock

Betty Adcock brings fierce insight to her seventh poetry collection, Rough Fugue. Her elegant stanzas evoke bygone moments of beauty, reflection, and rage. “Let things be spare,” she writes, “and words for things be thin / as the slice of moon / the loon’s cry snips.” Adcock’s poems are often spare but never thin, shifting effortlessly from the eerie red of brake lights on a Texas highway to the fluorescents of an office building where a tired worker imagines a holiday in Spain.Adcock reflects upon her poetic forebears, chronicling the desire to write that led them to create cuneiform tablets, scrolls of papyrus, and ultimately vellum and parchment. She also recounts memories about the life with her late husband and tries to define herself in the bewildering new role of “widow.” In poems ranging in tone from playful to reverential, Rough Fugue showcases the work of a veteran poet at her masterful best.

The Rough Poets: Reading Oil-Worker Poetry (McGill-Queen's Rural, Wildland, and Resource Studies #18)

by Melanie Dennis Unrau

Oil workers are often typecast as rough: embodying the toxic masculinity, racism, consumerist excess, and wilful ignorance of the extractive industries and petrostates they work for. But their poetry troubles these assumptions, revealing the fear, confusion, betrayal, and indignation hidden beneath tough personas.The Rough Poets presents poetry by workers in the Canadian oil and gas industry, collecting and closely reading texts published between 1938 and 2019: S.C. Ells’s Northland Trails, Peter Christensen’s Rig Talk, Dymphny Dronyk’s Contrary Infatuations, Mathew Henderson’s The Lease, Naden Parkin’s A Relationship with Truth, Lesley Battler’s Endangered Hydrocarbons, and Lindsay Bird’s Boom Time. These writers are uniquely positioned, Melanie Dennis Unrau argues, both as petropoets who write poetry about oil and as theorists of petropoetics with unique knowledge about how to make and unmake worlds that depend on fossil fuels. Their ambivalent, playful, crude, and honest petropoetry shows that oil workers grieve the environmental and social impacts of their work, worry about climate change and the futures of their communities, and desire jobs and ways of life that are good, safe, and just.How does it feel to be a worker in the oil and gas industry in a climate emergency, facing an energy transition that threatens your way of life? Unrau takes up this question with the respect, care, and imagination necessary to be an environmentalist reader in solidarity with oil workers.

Roughly For the North (The Alaska Literary Series)

by Carrie Ayagaduk Ojanen

“I wish I were a dancer to let lines fall like that. / But I am dressed like you, roughly for the North.” Roughly for the North is a tender and complex portrait of an Arctic and sub-arctic world. Full of lush language and imagery, each poem is an act of devotion and love to one’s family and land. Carrie Ayaġaduk Ojanen weaves a moving portrait of grief, of the rippling effects of historical trauma on succeeding generations, of resilience in the face of adversity, of respect for the Alaska Native traditions she grew up in. With vivid imagery, she draws the reader into Northern life, where the spiritual and industrial collide. She uses formalism and lyrical free verse to explore the natural world and to conjure a place of staggering beauty that hides death around every corner. A member of the Ugiuvamiut tribe, Ojanen grounds her work in a web of familial relationships. Especially important is her connection with her grandparents, members of the last generation to make their home on Ugiuvak (King Island), Alaska. With heartfelt verse, her poems reflect the staggering cultural changes her grandparents faced and the way traditional art forms continue to unite her community and help them connect to the past.

A Round of Robins

by Katie Hesterman

Sixteen fresh and funny poems welcome a new batch of robins to the world!Food FightJumble, jostle, rumble, squirm;Dad has landed with a worm.Game of tug-of-war begins--Biggest bossy baby wins.Mama's a skillful architect, constructing a sturdy nest, while Dad's a champion turf defender. And those hatchlings! Such fluffs of plump perfection! Katie Hesterman's vibrant verse celebrates this awesome circle of bird life, as we follow a pair of robin parents from nest-building and egg-laying, to raising their hungry hatchlings, and finally sending off their flying fledglings. Sergio Ruzzier's brilliant, candy-colored art pays tribute to all these stages of a robin's life cycle, reminding us that while robins may be common, they are also extraordinary!

The Route 9 Anthology: A Collection of Writing from Wesleyan Students, Faculty, Staff & Middlesex County Residents

by Oliver Egger

The Route Nine Anthology is a collection of poetry and prose from Wesleyan students, faculty, staff, and Middlesex County residents. It is the first collection of prose dedicated specifically to bridging the literary divide between the Wesleyan and Middlesex County communities.

The Routledge Companion to Ecopoetics (Routledge Literature Companions)

by Julia Fiedorczuk Mary Newell Bernard Quetchenbach Orchid Tierney

The Routledge Companion to Ecopoetics offers comprehensive coverage of the vital and growing movement of ecopoetics. This volume begins with a general introduction to the field, followed by six sections: Perspectives: broad overviews engaging fields such as biosemiosis, kinship praxis, and philosophical approaches Experiments: formal innovations developed by poets in response to planetary crises Earth and Water: explorations of poetic entanglement with planetary chemical and biological systems Waste/Toxicity/Precarity: poetics addressing the effects of pollution and climate change Environmental Justice and Activism: examinations of poetry as an engine of political and cultural change Region and Place: an international array of traditional and contemporary geographically focused responses to ecosystems and environmental conditions; and Subjectivities/Affects/Sexualities: investigations of gender, ethnicity, and race as they intersect with ecological concerns Each section includes an overview and summary addressing the specific essays in the section. These previously unpublished essays represent a wide variety of nationalities, backgrounds, perspectives, and critical approaches exploring the interdisciplinary field of ecopoetics. Contributions from leading scholars working across the globe make The Routledge Companion to Ecopoetics a landmark textbook and reference for a variety of researchers and students.

The Routledge Companion to William Morris (Routledge Art History and Visual Studies Companions)

by Florence S. Boos

William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.

The Routledge Companion to William Morris (Routledge Art History and Visual Studies Companions)

by Florence S. Boos

William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.

Routledge Handbook of Medicine and Poetry

by Alan Bleakley Shane Neilson

The Routledge Handbook of Medicine and Poetry draws on an international selection of authors to ask what the cultures of poetry and medicine may gain from reciprocal critical engagement. The volume celebrates interdisciplinary inquiry, critique, and creative expansion with an emphasis upon amplifying provocative and marginalized voices.This carefully curated collection offers both historical context and future thinking from clinicians, poets, artists, humanities scholars, social scientists, and bio-scientists who collectively inquire into the nature of relationships between medicine and poetry. Importantly, these can be both productive and unproductive. How, for example, do poet-doctors reconcile the outwardly antithetical approaches of bio-scientific medicine and poetry in their daily work, where typically the former draws on technical language and associated thinking and the latter on metaphors? How does non-narrative lyrical poetry engage with narrative-based medicine? How do poets writing about medicine identify as patients? Central to the volume is the critical investigation of the consequences of varieties of medical pedagogy for clinical practice.Presenting a vision of how poetic thinking might form a medical ontology this thought-provoking book affords an essential resource for scholars and practitioners from across medicine, health and social care, medical education, the medical and health humanities, and literary studies.

The Routledge Research Companion to John Gower

by Ana Saez-Hidalgo Brian Gastle R. F. Yeager

The Routledge Research Companion to John Gower reviews the most current scholarship on the late medieval poet and opens doors purposefully to research areas of the future. It is divided into three parts. The first part, "Working theories: medieval and modern," is devoted to the main theoretical aspects that frame Gower’s work, ranging from his use of medieval law, rhetoric, theology, and religious attitudes, to approaches incorporating gender and queer studies. The second part, "Things and places: material cultures," examines the cultural locations of the author, not only from geographical and political perspectives, or in scientific and economic context, but also in the transmission of his poetry through the materiality of the text and its reception. "Polyvocality: text and language," the third part, focuses on Gower’s trilingualism, his approach to history, and narratological and intertextual aspects of his works. The Routledge Research Companion to John Gower is an essential resource for scholars and students of Gower and of Middle English literature, history, and culture generally.

Routledge Revivals: English Writing 1360-1430 (Routledge Revivals)

by David Aers

First published in 1988, David Aers explores the treatment of community, gender, and individual identity in English writing between 1360 and 1430, focusing on Margery Kempe, Langland, Chaucer, and the poet of Sir Gawain. He shows how these texts deal with questions about gender, the making of individual identity, and competing versions of community in ways which still speak powerfully in contemporary analysis of gender formation, sexuality, and love. Making wide use of recent research on the English economy and communities, and informed by current debates in the theory of culture and gender, the book will be of interest to those concerned with Medieval studies, Renaissance studies, and Women’s studies.

Routledge Revivals: From the Mahabharata (Routledge Revivals)

by Edwin Arnold

First published in 1909, this book presents an English translation of chapters 25-42 of the Bhishma Parva from the epic Sanskrit poem Mahabharata — better known as the Bhagavad-Gita, reckoned as one of the "Five Jewels" of Devanagari literature. The plot consists of a dialogue between Prince Arjuna and Krishna, the Supreme Deity, in a war-chariot prior to a great battle. The conversation that takes place unfolds a philosophical system which remains the prevailing Brahmanic belief, blending the doctrines of Kapila, Patanjali, and the Vedas. Building on a number of preceding translations, this highly-regarded poetic interpretation provides a major work of literature in an accessible popular form.

Routledge Revivals: Values and Traditions (Routledge Revivals)

by B. Ifor Evans

First published in 1962, this book is a reflection on Sir Ifor Evans’s well-known A Short History of English Literature. In this reflective study, Evans wonders if it is possible to trace permanent elements in such a huge and varied mass of writings? As he moves from the Anglo-Saxon Caedmon to T.S Eliot, or from Milton to James Joyce, he finds out how, in unexpected ways, the English spirit of compromise extends into its literature, along with its love of nature and interest in the individual. In poetic imagery above all the British genius seems, typically, to have found a way of making ‘empiricism transcendental’. This book, which had its origin during the war under the aegis of the British Council, provides the reader with a stimulating passport to a very rich kingdom.

Routledge Revivals: Linguistic and Critical Approaches to Literary Style (Routledge Revivals)

by Roger Fowler

First published in 1966, this book is contributed to by authors who share an interest in the literary uses of language. The book gives a close analysis of the language of literature contributed to by critics and linguists, examining linguistic theory and poetry, and as part of this the rhythm and metre of English poetry is deconstructed. Language and its emotive structure is analysed, while the middle chapters of the book address the interaction of linguistic dimensions. Two medievalist scholars conclude the volume, giving a well-rounded examination to the broad and complex study of literary style in the English language. This book is suitable for students and scholars concerned with English literature and linguistics.

Routledge Revivals: Essays on Nineteenth and Twentieth Century Literature (Routledge Revivals)

by G. Wilson Knight

First published in 1971, Professor Knight’s book draws analytic attention to poets including Tennyson, Masefield, and Brooke, who are shown to hold a dimension of meaning previously ignored or misunderstood. Homage is paid to John Cowper Powys as one of the foremost seers of the modern age. A comprehensive review of the work of Francis Berry claims to establish him as our foremost living poet. Professor Knight urges, and goes far to prove, that modern literary criticism up until the 1970s failed to touch upon the richer meanings of contemporary literature – he stresses the relation between such acclaimed poets as Yeats and Eliot and the spiritualistic movements of contemporary times. Knight regards youth-revolts as a sign of a healthy dissatisfaction with an irreligious and directionless culture, and believes that hope lies in the neglected powers pressing for acceptance.

Routledge Revivals: Laureate of Peace (Routledge Revivals)

by G. Wilson Knight

First published in 1955, this exegesis on the writings of Alexander Pope reveals the technical felicities of his poetry, and is the first to be devoted to the great meaning inherent in his work. One section, which has appeared before and did much to redirect the study of Pope, has been thoroughly revised. Of the other four chapters, one offers an original of The Temple of Fame, and, while discussing this neglected poem, makes several suggestions which may be said to constitute a significant advance in aesthetics. Another analyses Byron’s support of Pope, regarding it as a landmark in the history of English literary criticism and as necessary to the understanding of Pope and Byron alike. The last chapter discusses the relation of Pope’s thought to our own time. This book adds much to what is already known of Pope, and will go far in reviving an interest in the work and philosophy of the Laureate of Peace.

Routledge Revivals: An Annotated Bibliography and Commentary (Routledge Revivals)

by Philip C Kolin

First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 — a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture — shedding light on Shakespeare’s views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author’s perspective, supplying a careful and thorough account of the main points of an article.

Routledge Revivals (1988): Dialectics, Poetry, Politics

by Peter Brooker

First published in 1988, this books argues with received accounts to reclaim Brecht’s emphasis on his self-described ‘dialectical theatre’, re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht’s poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht’s career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht’s political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht’s changed circumstances in the years of war-time exile and in post-war East Germany.

Routledge Revivals: Chaucer, Langland, and the Creative Imagination (Routledge Revivals)

by David Aers

First published in 1980, this study of two renowned later fourteenth century English poets, Chaucer and Langland, concentrates on some major and representative aspects of their work. Aers shows that, in contrast to the mass conventional writing of the period, which was happy to accept and propagate traditional ideologies, Chaucer and Langland were preoccupied with actual conflicts, strains, and developments in received ideologies and social practices. He demonstrates that they were genuinely exploratory, and created work which actively questioned dominant ideologies, even those which they themselves revered and hoped to affirm. For Chaucer and Langland the imagination was indeed creative, involved in the active construction of meanings, and in their poetry they grasped and explored social commitments, religious developments and many perplexing contradictions which were subverting inherited paradigms.

Routledge Revivals: English Poetry in the Later Nineteenth Century (Routledge Revivals)

by B. Ifor Evans

First published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received.

Refine Search

Showing 10,426 through 10,450 of 13,960 results