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Song of Myself: With A Complete Commentary (Iowa Whitman Ser.)
by Walt WhitmanIt was with this first version of "Song of Myself," from the 1855 edition of Leaves of Grass, that Whitman first made himself known to the world. Readers familiar with the later, revised editions will find this first version new, surprising, and often superior to the revisions, and exhilarating in the freshness of its vision. A selection of the Common Core State Standards Initiative.
Song of Myself
by Walt WhitmanDo I contradict myself?Very well then I contradict myself.(I am large, I contain multitudes.)Abundant, ecstatic, generous, courageous - this is the first American epic poem, a celebration of selfhood and a catalogue of nineteenth-century American life of all ages and races. Revolutionary in style and controversial in content when it was first published in 1855, Whitman's masterwork has since inspired generations with its intoxicating rhythms and images, and its inclusive, praiseful joy.THE ORIGINAL 1855 TEXT
Song of Napalm: Poems
by Robert Stone Bruce WeiglSong of Napalm is more than a collection of beautifully wrought, heart-wrenching and often very funny poems. It’s a narrative, the story of an American’s innocent’s descent into hell and his excruciating return to life on the surface. Weigl may have written the best novel so far about the Vietnam War, and along the way a dozen truly memorable poems.” Russell Banks
Song of Ourselves: Walt Whitman and the Fight for Democracy
by Mark EdmundsonIn the midst of a crisis of democracy, we have much to learn from Walt Whitman’s journey toward egalitarian selfhood. Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself. Esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach. In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self and nation.
The Song of Roland (Dover Thrift Editions: Poetry Ser.)
by AnonymousThe first and greatest of French literature's epics, this eleventh-century tale of romance and heroism embodies all the power and majesty of its predecessors from other cultures. Its narrative framework echoes that of classical mythology, and it melds European historic accounts and legends of the troubadours with folklore from the Far East. This crystalline translation by Leonard Bacon does full justice to the timeless tale of the warrior Roland, nephew to Charlemagne and prince of the Holy Roman Empire. A patriotic and poetic story of valor, betrayal, and revenge, it represents a landmark in world literature.
The Song of Roland
by Anonymous Dorothy L. SayersPresents the classical epic, glorifying the heroism of Charlemagne in the 778 battle between the Franks and the Moors
The Song of Roland: Oxford Text and English Translation
by Gerard J. BraultPublished to observe the twelfth centenary of the Battle of Roncevaux, the event that inspired the Chanson de Roland, this edition provides the first systematic analysis of the entire poem. Professor Brault's edition also incorporates the considerable scholarly work done in the half century since the Bedier and Jenkins editions appeared. The underlying theme of this new edition is that the poem is a Christian hero. As imagined by the poet Turoldus- writing about 1100, at the time of the First Crusade- Roland, the nephew of Charlemagne, had no faults and accomplished mighty deeds in warring against the Saracens. The introduction compares the known historical facts about the Battle of Roncevaux with the Roland legend, with various versions of the poem, and with the Oxford text. Christian thought and sensibility are shown to permeate the Chanson de Roland, in its character portrayal and narrative development, as well as in its tone and diction - and to provide its thematic unity and metaphorical consistency. Influences of the oral tradition of the chansons de geste are demonstrated, as are evidences of the accompanying gestures used by the jongleurs in interpreting these works. The Commentary organizes discussion of the 4002 verses into 49 units. The method of analysis is eclectic, combining thematic criticism with philology, exegetical interpretation with iconography. The 66 illustrations, primarily from Romanesque works of art, clarify key passages.
The Song of Roland
by Glyn BurgessOn 15 August 778, Charlemagne’s army was returning from a successful expedition against Saracen Spain when its rearguard was ambushed in a remote Pyrenean pass. Out of this skirmish arose a stirring tale of war, which was recorded in the oldest extant epic poem in French. The Song of Roland, written by an unknown poet, tells of Charlemagne’s warrior nephew, Lord of the Breton Marches, who valiantly leads his men into battle against the Saracens, but dies in the massacre, defiant to the end. In majestic verses, the battle becomes a symbolic struggle between Christianity and paganism, while Roland’s last stand is the ultimate expression of honour and feudal values of twelfth-century France.
The Song of Roland
by Glyn S. BurgessOn 15 August 778 Charlemagne's army was returning from a successful expedition against Saracen Spain when its rearguard was ambushed in a remote Pyrenean pass. Out of this skirmish arose a stirring tale or war, which was recorded in the oldest extant epic poem in French. The Song of Roland, written by an unknown poet, tells of Charlemagne's warrior nephew, Lord of the Breton Marches, who valiantly leads his men into battle against the Saracens, but dies in the massacre, defiant to the end. In majestic verses, the battle becomes a symbolic struggle between Christianity and paganism, while Roland's last stand is the ultimate expression of honour and feudal values of twelfth-century France. Glyn Burgess's lucid translation is designed to assist the reader in understanding the original French of the Chanson de Roland, of which a substantial portion is included as an appendix in this volume. This edition also includes notes and an updated list for further reading.
The Song of Roland
by Robert HarrisonOne of the crowning achievements of medieval artistic genius, The Song of Roland tells the story of the battle of Roncesvals in 778. At the center of this heroic epic is Roland, the supreme embodiment of the chivalric ideal who leads his men into combat and fights valiantly to the death.
The Song of Roland
by David Staines John DuvalSwift yet resonant, this masterful new verse translation conveys the immediacy, intimacy, and power of this greatest of Old French epic poems. John DuVal approaches the unadorned syntax of The Song of Roland in straightforward modern English, attuned to the nuance and detail of the narrative and the poetry of the original text.In his concise but thorough general Introduction, David Staines traces the origins of the poem and its reception in medieval society, discusses its content and its themes, and in clear, accessible prose illuminates the epic poem's chivalric spirit.Footnotes provide glosses on events, characters, and medieval terms. Endnotes discuss editorial and translational issues. This edition also includes a selected bibliography, a map, and a glossary and index. An appendix provides the entire text of the Old French original.
Song of Songs: A Poem
by Sylvie BaumgartelA debut poetry collection from a writer whose vivid verse explores the connections and relationships that make us humanSometimes I like to feel sexy. Sometimes I don’t. Sometimes I like to be very plain. Invisible almost, hiding in plain sight. I want to hide and to be found. In the spirit of the biblical Song of Solomon, Sylvie Baumgartel’s Song of Songs takes the subjects of love and worship, and brings them to the desperate, wild spaces of domestic life. With a voice at once precise and oneiric, Baumgartel explores the landscapes of sex and desire, power and submission, in this groundbreaking book-length poem that forces us to question the bounds of devotion. An ambitious and vivid debut, Song of Songs is a work of breathtaking honesty, couched in language few of us are brave enough to speak aloud.
The Song Of Songs: The World's First Great Love Poem
by Ariel Bloch Chana BlochComposed more than two thousand years ago, this book of the Old Testament is not only an essential religious and literary text, but also a source of inspiration to modern-day poets and lovers.
Song of the Circus
by Lois DuncanGisselda and Bop, true children of the circus stand up to the snarling tiger on the terrible day that the whole performance goes wrong.
Song of the Closing Doors: Poems
by Patrick PhillipsFrom New York City subway encounters to memories of pickup basketball games on Fourth Street, a love letter to the past, and to all the relationships and memories our homeplaces hold, from the National Book Award finalist.&“I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best. Phillips finds his love of a complex, vibrant city extends to his dearest people—he writes for his friend Paul, dying of cancer; for his wife&’s stormy eyes when they fight; for the baby boy he once woke at night to feed and change. All these and more pass through Phillips's elegant yet colloquial lines, in a book that shines with love and honesty on every page. As he writes, "If you're reading this / we were once friends."
Song of the Heart: Selected Poems by Ramon Lopez Velarde
by Ramon Lopez VelardeIn this illustrated volume of poetry, two of Mexico's most prominent artists, poet and painter, join their words and images of animals to create a work of startling insight and beauty.
Song of the Morning: Easter Stories and Poems for Children
by Pat AlexanderHere is a book for the whole family to enjoy this Easter, the year round, and for years to come. The Easter events form the climax to a story that began long before. So this book starts with the creation and spoiling of the world, God's rescue plan and the coming of Jesus. The Bible's stories of Palm Sunday, Good Friday and Easter Day are placed in context.
Song of the North
by Frank Asch Ted LevinBear, Puffin, Moose, and all the other inhabitants of the North know its songs. It sings of clean icy waters for fishing, craggy cliffs for nesting, and smooth ponds for teaching babies to swim. The North embraces a community of creatures living together and sharing its resources.
Song of the Sparrow
by Lisa Ann SandellSince she was a small child, Elaine has been the only woman living in a military camp with hundreds of men. When her mother died, her father took Elaine and her brothers to Arthur's camp, where she regularly mingles with people who are now legends.
The Song of the Stone Wall
by Helen KellerAn unrhymed poem, fashioned from traditional style, first published in 1910 in which a rough, enduring old stone wall, that winds over hill and meadow, becomes a symbol of New England history. Its importance lies in the meaning it held for Helen Keller, and the strength she gained from its existence.
Song of the Water Boatman And Other Pond Poems: A Caldecott Honor Award Winner
by Joyce SidmanA collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.
The Song of Us
by Kate FussnerThis stunning debut and wholly original queer middle grade novel-in-verse retelling of “Orpheus and Eurydice” adds a new chorus to the songs of great love, perfect for fans of Other Words for Home and Ivy Aberdeen’s Letter to the World.Love at first sight isn’t a myth. For seventh graders Olivia and Eden, it’s fate. Olivia is a capital-P Poet, and Eden thinks she wants to be a musician one day, but for now she’s just the new girl. And then Eden shows up to Poetry Club and everything changes.Eden isn’t out, and she has rules for dating Olivia: don’t call. Don’t tell her friends. And don’t let anyone know they’re together.But when jealousy creeps in, it’s Olivia’s words that push Eden away. While Eden sets out to find herself, Olivia begins a journey to bring Eden back—using poetry. Both Olivia and Eden will learn just how powerful their words can be to bring them together . . . or tear them apart forever.
Song of Walls
by Poul Lynggaard DamgaardThe poetry collection Song of Walls by Poul Lynggaard Damgaard is a transformation of the poem when it meets the world, and when it meets the world again. The depth of the landscape in touch with the reeds. ‘The courage of the junction” is a poem published in The Long‑Islander, New York, 2018. The beauty of nature is a point of reference. Digtsamlingen Song of Walls af Poul Lynggaard Damgaard er en forvandling af digtet, når det møder verden, og når det igen møder verden. Landskabets dybde i berøring med sivene. ‘The courage of the junction’ er et digt udgivet i The Long Islander, New York, 2018. Naturens skønhed er et referencepunkt.
A Songbird Dreams of Singing: Poems about Sleeping Animals
by Kate HosfordLearn more about the variety of fascinating ways animals sleep: from upside down and holding hands, to sleeping while swimming or flying!Did you know otters sleep while holding hands; zebra finches rehearse their songs while dreaming; ducks and dolphins sleep with one half of their brains at a time; and, frigate birds sleep while flying? A Songbird Dreams of Singing: Poems about Sleeping Animals is a book of poetry with a scientific-and child-friendly-underpinning. With a poem for every animal, followed by a paragraph explaining the fascinating science behind how that animal sleeps, this artfully compiled book captures the wonder of our ecosystem. Designed with the look of a classic storybook/collection, with special effects on the cover, the book makes the perfect gift for young children!
Songbook: How Lyrics Became Poetry in Medieval Europe
by Marisa GalvezToday we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category “poetry”: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.