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Spenser's Anatomy Of Heroism: A Commentary On 'the Faerie Queene'
by Maurice EvansThis book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
Spenser's International Style
by David Scott Wilson-OkamuraWhy did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto, and Tasso.
Sphere: The Form Of A Motion
by A. R. Ammons"There wasn't one page of his poem that didn't delight me."—Donald Davie, New York Review of Books Sphere is the second of A. R. Ammons's long poems—following Tape for the Turn of the Year and preceding Garbage—that mark him as a master of this particular form. The sphere in question is the earth itself, and Ammons's wonderfully stocked mind roams globally, ruminating on subjects that range from galaxies to gas stations. It is a remarkable achievement, comparable in importance to Wallace Stevens's Notes Toward a Supreme Fiction.
Spi-ku: A Clutter of Short Verse on Eight Legs
by Leslie BulionLeslie Bulion, award-winning educator favorite and master of science poetry, is back with a humorous exploration of the silk-spinning, bungee-jumping, hunting, trapping, trick-filled world of spiders!Meet spiders that spit silk, roll like wheels, scuba dive, hide under trap doors, strum tunes, and so much more. Watch as they find mates, find prey...or find mates that become prey!Award-winning poet Leslie Bulion and illustrator Robert Meganck team up again for this clutter (a collective noun for spiders) of short poems and humorously accurate illustrations celebrating the amazing attributes of Araneae. The book is also packed with helpful sidebars, call-outs, and back matter, including a glossary of science terms, a description of the poetic forms, a list of common and scientific names, a spider-hunting adventure how-to, resources for further study, and a relative-size chart. A feast for science and animal fans!
The Spice-Box of Earth
by Leonard CohenTo mark the publication of Leonard Cohen's final book, The Flame, McClelland & Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry, many of which are back in print for the first time in decades. A freshly packaged new series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers.Originally published by McClelland & Stewart in 1961, The Spice-Box of Earth was Leonard Cohen's breakout book, announcing the arrival of a major talent, and a popular one--the first edition sold out in less than three months, and one reviewer hailed Cohen as "probably the best young poet in English Canada right now." In his second collection, Cohen deepens his engagement with subjects that would define his career; as biographer Sylvie Simmons argues, "the poems dance back and forth across the border between the holy and the worldly, the elevated and the carnal."
The Spider and the Fly
by Tony Diterlizzi Mary HowittA New Version of an Old Story first appeared in The New Year's in 1829 and five years later in Mary Howitt's Sketches of Natural History. Teaches a moral - Not everyone who talks sweetly offers sweets.
The Spider Web
by Lubna E. AtallahA fertile space for the imagination Between abortive romances, disappointment vs. hope, and past vs. present, The Spider Web taps on your experiences and inspires you to live your way; either get stuck in the spider web or cut your way through it.
The Spider's Thread: Metaphor in Mind, Brain, and Poetry (The\mit Press Ser.)
by Keith J. HolyoakAn examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity.In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.
Spill: Scenes of Black Feminist Fugitivity
by Alexis Pauline GumbsIn Spill, self-described queer Black troublemaker and Black feminist love evangelist Alexis Pauline Gumbs presents a commanding collection of scenes depicting fugitive Black women and girls seeking freedom from gendered violence and racism. In this poetic work inspired by Hortense Spillers, Gumbs offers an alternative approach to Black feminist literary criticism, historiography, and the interactive practice of relating to the words of Black feminist thinkers. Gumbs not only speaks to the spiritual, bodily, and otherworldly experience of Black women but also allows readers to imagine new possibilities for poetry as a portal for understanding and deepening feminist theory.
Spill (Phoenix Poets)
by Bruce Smith“There are two schools: one that sings the sheen and hues, the necessary pigments and frankincense while the world dries and the other voice like water that seeks to saturate, erode, and boil . . . It ruins everything you have ever saved.” Spill is a book in contradictions, embodying helplessness in the face of our dual citizenship in the realms of trauma and gratitude, artistic aspiration and political reality. The centerpiece of this collection is a lyrical essay that recalls the poet’s time working at the Federal Penitentiary at Lewisburg in the 1960s. Mentored by the insouciant inmate S, the speaker receives a schooling in race, class, and culture, as well as the beginning of an apprenticeship in poetry. As he and S consult the I Ching, the Book of Changes, the speaker becomes cognizant of other frequencies, other identities; poetry, divination, and a synchronous, alternative reading of life come into focus. On either side of this prose poem are related poems of excess and witness, of the ransacked places and of new territories that emerge from the monstrous. Throughout, these poems inhabit rather than resolve their contradictions, their utterances held in tension “between the hemispheres of songbirds and the hemispheres of men.”
Spilling the Light
by Julián Jamaica SotoThe light must spill to shine. The thing you must be is yourself. Intimate and uncompromising, Rev. Julián Jamaica Soto’s debut collection Spilling the Light is a luminous offering to their communities and a defiant declaration of their worth in a world hostile to their queer, disabled, and brown being. “America, is this freedom?” they ask. “I cannot prove to you that / I am a person,” writing boldly of identity, community, liberation, and erasure through a prism of tender moments and powerful reckonings. These are poems of broken hallelujahs and codes/witching, of hunger and fire, of hope and resilience. They are complex, tender, and empowering. They embolden us to become our truest selves, willing us to survive.
Spinning Through the Universe: A Novel in Poems from Room 214
by Helen FrostEngrossing tales from the fifth grade. Unforgettable students in this fifth-grade classroom reveal their private feelings about birth and death, a missing bicycle and a first kiss, as well as their thoughts about recess, report cards, fitting in, and family. Using a rich array of traditional poetic forms, such as sonnets, sestinas, and acrostics, Helen Frost interweaves the stories of the kids in Room 214 and their teacher.
Spinoza im frühen 20. Jahrhundert: Rezeptionen in der jiddischen und deutsch-jüdischen Literatur und Philosophie (Schriften zur Weltliteratur/Studies on World Literature #14)
by Miriam NeboDie breite jüdische Spinoza-Rezeption hatte mit Moses Mendelssohn begonnen und fand in Deutschland im Jahr 1932 mit dem Spinoza-Jubiläum ein Ende. Die jüdische Auseinandersetzung ist Teil der gesamten deutschsprachigen Spinoza-Rezeption, die im 19. Jahrhundert ihren Höhepunkt hatte und zu der neben philosophischen auch literarische Rezeptionen gehörten. Am Ende des 19. Jahrhunderts setzte eine jiddische Spinoza-Rezeption ein. In der Zwischenkriegszeit entstanden eine Reihe von jiddischen Texten, die die Person Baruch Spinozas und seine Theorie thematisierten. Das Buch widmet sich der Untersuchung der Spinoza-Texte von Yankev Shatzky, Melech Ravitch, Avrom Koralnik, Avrom Sutzkever, H. Leivick und Yoysef Tunkler. Ihre Spinoza-Rezeptionen werden mit denen einiger deutsch-jüdischer Autoren und Autorinnen verglichen. Die Analysen der Abhandlung stehen in einem literaturwissenschaftlich-komparatistischen und jiddistischen Kontext, zu dem philosophisch orientierte Perspektiven hinzutreten. Zudem bietet das Buch eine kompakte Darstellung des Rezeptionsthemas ab 1670 (u.a. zu Goethe, Hölderlin, Heine).
The Spiral of Memory: Interviews (Poets On Poetry)
by Joy HarjoWith the recently-published The Woman Who Fell from the Sky, Joy Harjo has emerged as one of the most powerful Native American voices of her generation. Over the past two decades, Harjo has refined and perfected a unique poetic voice that speaks her multifaceted experience as Native American, woman and Westerner in twentieth-century society. The Spiral of Memory gathers the conversations in which Harjo has articulated her singular yet universal perspective on the world and her poetry. She reflects upon the nuances and development of her art, the importance of her origins, the arduous reconstruction of the tribal past, the dramatic confrontation between Native American and Anglo civilizations, the existential and artistic itinerary through present-day America, and other provocative and profoundly human themes. Joy Harjo is the author of several volumes of poetry. She received awards from the National Endowment for the Arts, the Before Columbus Foundation, and the Poetry Society of America. She is Professor of English, University of New Mexico, Albuquerque. Laura Coltelli is Associate Professor of American Literature, University of Pisa.
Spirit Engine
by John DonlanJohn Donlan’s lyric work seeks the connection between lives—not just the life of a coyote and the life of a man, or the peaceful cacophony of a pond in summer and the life of the human listener—but between the life before birth, and the life after. He reveals the wilderness to us moment by moment, while simultaneously driving us back into our own nature—a process readers, lifted by Donlan’s imagery, rhythms, and insights, can only experience as pure pleasure. Here beauty is the engine that enspirits the mind, freeing us from contemporary despair and the illusion we’ve left nature behind. Devil’s Paintbrush. In my slow-burning archive orange hawkweed thrives in granite-charactered soil spalled off the basement stone, a beaver labours up her steep skid road logging poplar for food and shelter, wind drives rivers of ripples down a pond. Everything here knows what to do. I investigate every valve, work and rework notes to husks, skeletal remains, survivors who revive experience. I try to memorize, to make some pictures to walk into, in the final time when I can’t walk or hear or see, and see lake-cradling pink granite, its orange earth, its skin of lives flickering, flickering.
The Spirit Level
by Seamus HeaneyThe 1996 Whitbread book of the year, this collection of poetry about the balance between nature, morality and spirituality comes from the 1995 recipient of the Nobel Prize in Literature.
Spirit Machines
by Robert CrawfordSPIRIT MACHINES, Robert Crawford's fourth collection, attends imaginatively to the fusion of spiritual experience and the insistently material world. In several of the poems, emotional and religious insights merge lyrically with modern technologies of information. The title sequence deals with bereavement and memorializes the poet's father, who died in1997, while the serio-comical catechism of 'A Life-Exam' arises from the experience of hospitalisation. The imaginative, 360-line tour de force 'Impossibility' presents a swirling underwater world imaging the heroic struggle of the nineteenth-century writer and mother, Margaret Oliphant. While some of the poems communicate a sense of hurt and loss, others are insuperably comic, giving the collection an ambitious range and vitality. Throughout the book, Robert Crawford's alert sense of Scotland provides a source and sounding-board for poems -lyrics, ballads, verse narratives and prose poems - that are finely nuanced, moving, and excitingly resourceful.
The Spirit of Christmas
by Nancy TillmanChristmas is coming! Bells jingle, sleds dash through the snow, trees are topped with sparkling stars, and children everywhere dream of candy canes and presents. But the best gift of all - the most magical gift of the season - is when we spend Christmas with those we love. With glorious verse and artwork, New York Times bestselling author Nancy Tillman celebrates all of the special moments that become the holiday memories we carry throughout our lives. Families will treasure searching for the Spirit of Christmas on every page, and especially in their hearts.
The Spirit of the Earth: A creative Journey into the Soul of Mother Nature
by Vernon HutterThe Spirit of the Earth A creative journey into the soul of mother nature. Humanity is ‘part-of’ and not ‘apart from’ Nature and the Earth. We rely on her for everything that we stand for, which is why it’s so important to look after her. This book is a restorative journey, expressed in photographs and creative words. It conveys the process of regaining our true nature by reconnecting with Mother Nature. There are four processes, in which I have travelled the journey from the beginning, and which can be a guide for others to emulate… Reflection, Reconnection, Strength and Growth, and, finally, Change and Transition. The Creative Spirit is the bridge to becoming connected to the Spirit of the Earth once more. And when we have reconnected to Mother Nature, then we are able to heal our inner nature and fulfil our true purpose.
Spirits in Bondage: A Cycle of Lyrics
by C. S. LewisA repackaged edition of the revered author’s first book—a collection of poems, written in the wake of World War I, in which the young intellectual and soldier wrestles with the perplexing polarities of life, including love and war, evil and goodness, and other complex dichotomies.In 1919, C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—published his first book, Spirits in Bondage, under the pseudonym Clive Hamilton. Written when Lewis was a student at Oxford and during the war when he served at the front in France, Spirits in Bondage reflects the intellectual and spiritual struggles of a young man wounded by war and conflicted over faith. As he contemplates the nature of morality, love, the presence of evil, the possibility of God, and other profound questions. Lewis reveals a side of himself unfamiliar to many readers.
Spirits In Bondage
by C. S. LewisPublished in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.
Spiritual Exercises (Penguin Poets)
by Mark YakichA new collection from a poet of "wily verve" whose work is "filled with more satire and jeopardy than anything going today" (Terrance Hayes)Mark Yakich's fifth collection of poetry is a dynamic and discerning journey of devotion and temptation in pursuit of the divine. Not trifling in ambiguity but diving headlong into it, Spiritual Exercises wrestles with popular gods as much as with personal ghosts. From autism to eroticism, from benediction to excommunication, and from grief to gratitude, this collection lays bare a full spectrum of emotional life, showing us how grace can be as playful as it is sincere.
Spiritual Verses
by The Jalaluddin RumiBegun in 1262 AD, Masnavi-ye Ma ‘navi, or ‘spiritual couplets', is thought to be the longest single-authored ‘mystical’ poem ever written. As the spiritual masterpiece of the Persian Sufi tradition, it teaches how to progress to the ultimate goal of the Sufi path - union with God. Jalaloddin Rumi was a poet and a mystic, but he was first a teacher; in these verses he draws the reader into the complexities of human love and separation and explains the path to divine love through the elimination of self-regard and worldly desires. Drawing on diverse sources from bawdy tales and fables to stories of the prophet Mohammed, these verses are brief in expression yet copious in meaning.
Splay Anthem
by Nathaniel MackeyIn a stunning new collection of poems of transport and transcendence, African-American poet Nathaniel Mackey's "asthmatic song of aspiration" scuttles across cultures and histories from America to Andalucía, from Ethiopia to Vienna in a sexy, beautiful adaptive dance. Part antiphonal rant, part rhythmic whisper, Nathaniel Mackey's new collection of poems, Splay Anthem, takes the reader to uncharted poetic spaces. Divided into three sections "Braid," "Fray," and "Nub" (one referent Mackey notes in his stellar Introduction: "the imperial, flailing republic of Nub the United States has become, the shrunken place the earth has become, planet Nub") Splay Anthem weaves together two ongoing serial poems Mackey has been writing for over twenty years. In the cosmology of the Dogon of West Africa, the Andoumboulou are progenitor spirits, and the song of the Andoumboulou is a song addressed to the spirits, a funeral song, a song of rebirth. "Mu," too, splays with meaning: muni bird, Greek muthos, a Sun Ra tune, a continent once thought to have existed in the Pacific. With the vibrancy of a Miró painting, Mackey's poems trace the lost tribe of "we" through waking and dream time, through a multitude of geographies, cultures, histories, and musical traditions, as poetry here serves as the intersection of everything, myth's music, spirit lift.<P><P> Winner of the National Book Award