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Stripper in Wonderland: Poems (Southern Messenger Poets)
by Derrick HarriellThe percussive poems of Stripper in Wonderland move from birth to death, funk to hip-hop, and racism to religion as Derrick Harriell explores the life of a modern black man transplanted from the American Midwest to the Deep South.Harriell summons the ghosts of the past as he deals with the realities of the present. He carefully winds images and words together to produce powerful, often graphic, poems that inform our view of one another as they punch through our assumptions.
A Stroll in the Rain: New and Selected Poems
by George BradleyGeorge Bradley’s A Stroll in the Rain is at once a retrospective volume and a new advance in the career of one of our most accomplished poets. Distilling more than thirty-five years of his work, this volume exhibits a wide variety of styles and forms, ranging from brief lyric to extended verse essay, establishing moods that encompass humor, tenderness, and surprise. The substantial section of new work shows Bradley deepening his exploration of the only two topics finally available to any author: the mystery of human consciousness and the unassimilable fact of death.From agriculture to astrophysics, from New England winters to Tuscan summers, and much else besides, A Stroll in the Rain presents spirited, often witty poetry that is skillful, rich, and fun.
Strong and True 3rd Edition
by Laurel HicksSelections from the Bible, Aesop, Longfellow, and Stevenson are among the character-building stories and poems in this reader. Exercises to improve vocabulary and reading comprehension skills are included.
Strong Measures: Contemporary American Poetry in Traditional Forms
by Philip Dacey David JaussThis anthology helps instruct poets, and students of poetry, in the techniques of formal verse, so that the beauty and power of traditional forms will not be lost to future generations.
Structure and Meaning in Medieval Arabic and Persian Lyric Poetry: Orient Pearls (Culture and Civilization in the Middle East)
by Julie MeisamiThis is the first comprehensive and comparative study of compositional and stylistic techniques in medieval Arabic and Persian lyric poetry. Ranging over some seven countries, it deals with works by over thirty poets in the Islamic world from Spain to present-day Afghanistan, and examines how this rich poetic traditions exhibits both continuity and development in the use of a wide variety of compositional strategies. Discussing such topics as principles of structural organisation, the use of rhetorical figures, metaphor and images, and providing detailed analyses of a large number of poetic texts, it shows how structural and semantic features interacted to bring coherence and meaning to the individual poem. It also examines works by the indigenous critics of poetry in both Arabic and Persian, and demonstrates the critics' awareness of, and interest in, the techniques which poets employed to construct poems which were both eloquent and meaningful. Comparisons are also made with classical and medieval poetics in the west. The book will be of interest not merely to specialists in the relevant fields, but also to all those interested in pre-modern poetry and poetics.
Structure in Milton's Poetry
by Ralph W. CondeeMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
Structure in Milton's Poetry
by Ralph W. CondeeMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
The Structure of Modernist Poetry (Routledge Revivals)
by Theo HermansFirst published in 1982, this book provides a descriptive and comparative study of some of the fundamental structural aspects of modernist poetic writing in English, French and German in the first decades of the twentieth century. The work concerns itself primarily with basic structural elements and techniques and the assumptions that underlie and determine the modernist mode of poetic writing. Particular attention is paid to the theories developed by authors and to the essential ‘principles of construction’ that shape the structure of their poetry. Considering the work of a number of modernist poets, Theo Hermans argues that the various widely divergent forms and manifestations of modernistic poetry writing can only be properly understood as part of one general trend.
Struggling Times (American Poets Continuum)
by Louis SimpsonPulitzer Prize–winning poet Louis Simpson has been a leading figure in American letters for more than half a century. Born in the West Indies, Simpson immigrated to the United States at the age of seventeen. He studied at Columbia University, then served the US Army in active duty in Europe during World War II. After the war he continued his studies at Columbia and at the University of Paris. While living in France, he published his first book of poems, The Arrivistes (1949).The poems in Struggling Times find Simpson’s distinct imaginative voice working at its full poetic power. Both timely and personal, the poems reveal Simpson’s ongoing quarrel with suburban America, as well as the American government’s struggle to retain its integrity and honor in the midst of its own aggression and worldwide strife.You have to be carefulwhat you hear or see.In Afghanistan I sawthe man and the womanwho were caught in adulteryburied up to their heads.Their children were broughtand told to throw stones.I can still see the headstwisting on the ground.The poor devil in Papillonwith his head in the guillotine . . .but Goya’s half-buried doglooking up at the skyI think was the worst of all."This is the Jamaican-born Simpson's 18th collection; its dry trimeters and tragic resignations should certainly please the faithful fans... Yet the new poems, as much as any in his oeuvre, leave room for unexpected happiness...Simpson believes in endurance and the rewards of the ordinary. He can, at his best, make his readers believe in those things too." --Publishers WeeklyLouis Simpson’s last book, The Owner of the House: New Collected Poems 1940-2001, (BOA Editions, Ltd., 2003) was finalist for the National Book Award and the Griffin Poetry Prize. His other honors include the Prix de Rome, Guggenheim Foundation fellowships, and the Columbia Medal for Excellence.
Struwwelpeter in English Translation
by Heinrich HoffmannFirst published in 1845. Struwwelpeter (variously translated as "slovenly" or "shock-headed" Peter) has become widely recognized as one of the most popular and influential children's books ever written. Heinrich Hoffmann was a Frankfurt physician. Unhappy with the dry and pedagogic books available for children at the time, he wrote and illustrated Struwwelpeter as a Christmas present for his three-year-old son. The book relates in verse and pictures the often gruesome consequences that befall children who torment animals, play with matches, suck their thumbs, refuse to eat, fidget at meals, etc.Written in rhyming couplets and illustrated by the author, the book was an immediate success. It has since gone through hundreds of editions and been published in almost every European language. The present volume reprints 25 color plates from a German edition (including a bonus plate done for the 100th edition in 1876) with the reset text of a standard English translation. Also included are the full German text and an afterword with a brief biography of the author and note on how the book came to be written.Children, bibliophiles, antiquarians--any lover of time-honored tales for children--will welcome this new edition of the classic German story. Content is optimized for tablet.
A Student's Commentary on Ovid's Metamorphoses Book 10
by Shawn O'BryhimDiscover a holistic perspective on Ovid’s Metamorphoses Book 10 with this insightful resource. In A Student’s Commentary on Ovid’s Metamorphoses Book 10, Shawn O’Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid’s Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid’s myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student’s Commentary on Ovid’s Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.
The Study of Human Life (Penguin Poets)
by Joshua BennettA third collection that reveals an acclaimed poet further extending his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthoodAcross three sequences, Joshua Bennett&’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, &“The Book of Mycah,&” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.
A Study of the Urban Poetics of Frank O’Hara (China Perspectives)
by Wang Xiaoling Wang Yuzhi Zheng MingyuanFocusing on the poetry and cultural practice of Frank O’Hara, the great urban poet of the New York School during the 1950s and 1960s, this books explores the interwoven relationship between his urban poetics and the urban culture of New York, seeking to shed light on poetic concept and its cultural relevance. The poetry of Frank O’Hara is deeply rooted in and nourished by his urban experience as a metropolitan and an active participant in the vibrant cultural scene of New York. Therefore, an investigation into the interactive dynamics between his poetry and the urban culture he helped shape serves as a starting point for further study on the literary representation of European and American urban culture. Across eight chapters, the authors look into the genesis, theoretical constitution, the interface with culture and aesthetics of O’Hara’s urban poetics and also their philosophical foundations, literary ethics, special expression and representation as well as his reception of modernity and postmodernity. The title will appeal to scholars, students and general readers interested in American literature, poetry and urban culture, especially Frank O’Hara and the New York School.
Stuff I've Been Feeling Lately
by Alicia CookStructured like an old-school mix-tape, Stuff I've Been Feeling Lately is Alicia Cook's lyric message to anyone who has dealt with addiction. <P><P> "Side A" touches on all aspects of the human condition: life, death, love, trauma, and growth. <P>"Side B" contains haunting black-out remixes of those poems.
Stuff I've Been Feeling Lately
by Alicia CookStructured like an old-school mix-tape, Stuff I've Been Feeling Lately is Alicia Cook's lyric message to anyone who has dealt with addiction. "Side A" touches on all aspects of the human condition: life, death, love, trauma, and growth. "Side B" contains haunting black-out remixes of those poems.
The Stuff of Stars
by Marion Dane Bauer Ekua Holmes<p>In an astonishing unfurling of our universe, Newbery Honor winner Marion Dane Bauer and Caldecott Honor winner Ekua Holmes celebrate the birth of every child. <p>Before the universe was formed, before time and space existed, there was . . . nothing. But then . . . BANG! Stars caught fire and burned so long that they exploded, flinging stardust everywhere. And the ash of those stars turned into planets. Into our Earth. And into us. In a poetic text, Marion Dane Bauer takes readers from the trillionth of a second when our universe was born to the singularities that became each one of us, while vivid illustrations by Ekua Holmes capture the void before the Big Bang and the ensuing life that burst across galaxies. A seamless blend of science and art, this picture book reveals the composition of our world and beyond — and how we are all the stuff of stars.</p>
Stung With Love: Poems and Fragments
by Sappho Aaron Poochigian Carol Ann DuffyMore or less 150 years after Homer's Iliad, Sappho lived on the island of Lesbos, west off the coast of what is present Turkey. Little remains today of her writings, which are said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry—among them poems of invocation, desire, spite, celebration, resignation and remembrance—that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. This is a new translation of her surviving poetry.
Stung with Love: Poems and Fragments of Sappho
by SapphoMore or less 150 years after Homer's Iliad, Sappho lived on the island of Lesbos, west off the coast of what is present Turkey. Little remains today of her writings, which are said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry - among them poems of invocation, desire, spite, celebration, resignation and remembrance - that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. This is a new translation of her surviving poetry.
Stunt Heart (The Backwaters Prize in Poetry)
by Mary Jo ThompsonIn Stunt Heart, Mary Jo Thompson’s debut collection,a female gaze locates the ironies inside the subjects of marriage and death, loneliness and love, speaking and silence. The title plays on both sick hearts and circus tricks, and appropriately, these poems are direct, personal, and disarmingly emotive. Look at the end of the first poem, “Says Penelope,” where the speaker suddenly veers to “Newsflash: I sleep- / walk.” These stark moments of admission are used to perfection in the centerpiece sonnet series, “Thirteen Months,” the collection’s highlight. Distilled emotion over the illness and death of an estranged husband ranges in tone from the dark humor that compares the marriage to a used car to the elegiac imagery of protecting the family garden from frost. The shock of seeing the deceased in his casket looking like a cross between Clark Gable and Dracula seasons the collection, recurring in ruminations on the various ways a body is prepared at death and the story of a mother who dies while sneezing. Although no one brings back the dead by writing poetry, in Stunt Heart,Thompson revisits them with credible humor and tough dispatches from bedrooms, graveyards, and hospital hallways. Thompson’s Stunt Heart jukes, dodges, and prays while muscling through all manners of demise and in the process reveals how one can turn grief into speech, art into grieving.
The Stuntman: Poems
by Brian LaidlawMusings on the modern epidemic of narcissism in “deadpan, witty poems that flash with plangent images and macabre moments” (Minneapolis Star Tribune).“THE EARTH BROKE OPEN CAUSE WE BROKE IT OPEN,” blares the first line of this enrapturing debut collection mapping the myth of Narcissus and Echo and the Iron Range roots of Bob Dylan onto a world growing increasingly self-obsessed. Against the backdrop of the mining town of Hibbing, Minnesota, Brian Laidlaw examines the ways narcissism has flooded culture. Much like a “hawk has a horizontal sweet spot on its retina / for spotting prey on the prairie,” the speaker of these poems “has a narcissus / shaped sweet spot / all the better to spot himself.”The volume comes combined with a brand new LP from Laidlaw produced by Brett Bullion, co-arranged by Hibbing native Danny Vitali, and featuring members of The Pines and Halloween, Alaska. Expanding on the themes addressed in The Stuntman, the album provides listeners an innovative multimedia experience.“[A] gorgeous debut.” —Chris Martin
Sturge Town: Poems
by Kwame DawesIn this stunning volume, acclaimed poet Kwame Dawes explores the mythic, ancestral, and spiritual journeys that make up a life. The site of the ruined ancestral home of Kwame Dawes’s family, in one of the earliest post-slavery free villages in Jamaica, Sturge Town is at once a place of myth and, for Dawes, a metaphor of the journeying that has taken him from Ghana, through Jamaica, and to the United States. The poet ranges through time, pursued by a keen sense of mortality, and engages in an intimate dialogue with the reader—serious, confessional, alarmed, and sometimes teasing. Metrically careful and sonorous, these poems engage in a personal dialogue with the reader, serious, confessional, alarmed and sometimes teasing. They create highly visualized spaces, observed, remembered, imagined, the scenes of both outward and inner journeys. Whether finding beauty in the quotidian or taking astonishing imaginative leaps, these poems speak movingly of self-reflection, family crises, loss, transcendence, the shattering realities of political engagement, and an unremitting investment in the vivid indeterminacy of poetry.
Style and Sense(s)
by Sandrine Sorlin Linda PillièreThis edited volume celebrates cutting-edge research in stylistics and, more specifically, recent work on sense and the senses. The title originated in the Poetics and Linguistics Association (PALA) 2022 conference and marks the 40th onsite event by showcasing some of the excellent papers delivered on that occasion. The selected chapters fall into 4 parts each of which gives pride of place to how style makes sense and how senses make style. The chapters follow research in neuroscience and sociocognition, investigate how body and mind are inextricably linked through embodied meaning; how emotions are both conveyed and perceived; and how impressions, thoughts and worldviews can be induced by a certain style. The apprehension of the senses is carried through a variety of theories (cognitive linguistics and stylistics, ecostylistics, phenomenology, simulation theory, enactivism, metaphor theory, Text World Theory) and is applied to various genres (poetry, novels, short stories, detectivefiction, restaurant reviews) and media (the oral vs written tradition, ekphrasis, and semiotic transfers). This book will be of interest to students and academics in stylistics, cognitive linguistics, discourse analysis, ecostylistics, and multimodality.
Stylistics: Text, Cognition and Corpora
by Jane Lugea Brian WalkerThis textbook introduces the reader to contemporary approaches to language analysis such as cognitive stylistics and corpus stylistics, reflecting recent shifts in research trends and offering students a practical way to access and understand these developments. The authors lead readers through detailed explanations, guided analyses, examples of research and suggestions for further reading. This textbook makes an ideal introduction to the field of stylistics for students who are new to the area, but who have some background in basic language analysis. It will be of use to students on courses in stylistics, literary linguistics, corpus methods, cognitive linguistics, and language and style.
The Stylistics of Embodiment: Language and Sensory Memory in Lyric Texts
by Anne HolmThis book presents a stylistic framework for analysing embodiment in lyric texts. While the assumption that our minds are embodied underlies most approaches in cognitive stylistics (and beyond), a systematic account of the linguistic patterns through which the body may be manifested in poetic expression has not yet been provided. Aiming to fill this gap, the book focuses on contemporary lyric texts that prominently engage the senses in depicting past experiences. Drawing its tools mainly from Cognitive Grammar and research on conceptual metaphors and iconicity, the book investigates how sensory language gives rise to simulated embodied responses. In doing so, the book views poetic expression as a complex interplay of modalities and seeks to expand the concept of the lyric by incorporating digital poetry, song lyrics, performance poetry and lyrical prose among its case studies. The book furthermore brings in current cognitive scientific research on the workings of memory to the analysis of sensory memory, most centrally the psychological phenomenon of mental time travel. It will be of interest to students and scholars working on stylistics, literary studies, and multimodal and intermedial studies.
Suave es vivir solo (Flash Poesía #Volumen)
by Fernando PessoaLa colección «Poesía Portátil» reúne en Suave es vivir solo una muestra de los versos más rompedores de Fernando Pessoa, creador de una obra dominada por el vanguardismo y las identidades múltiples. Fernando Pessoa es considerado, junto con Luis de Camões, el poeta más importante en lengua portuguesa y uno de los más reconocidos de la literatura universal. Álvaro de Campos, Ricardo Reis y Alberto Caeiro son algunos de sus heterónimos, verdaderas personalidades poéticas con estilo propio, personajes completos, con biografías propias y estilos literarios dispares. Se convirtieron así en máscaras del propio escritor, en las que se despersonalizó para dar forma, a través de sus múltiples voces, a la amplitud y complejidad de sus pensamientos, conocimientos, y percepciones de la vida y el mundo. -------«El poeta es un fingidor.Finge tan completamenteque hasta finge que es dolorel dolor que en verdad siente.»-------