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Thanksgiving, Here I Come! (Here I Come!)
by D.J. SteinbergCelebrate Thanksgiving with a collection of festive poems from the author of Kindergarten, Here I Come!It's Thanksgiving time and everyone is getting into the holiday spirit! From making stuffing with Grandma to playing Plymouth Rock in a school skit, these poems from author D. J. Steinberg cover the heartwarming and hilarious moments families share on this special occasion. Readers are sure to be thankful for this book!
Thanksgiving Parade
by Price Stern SloanGet excited about the Thanksgiving Day parade! Through rhyming text, this adorable book captures some of the best features of the parade, as seen through the eyes of a child.
Thanksgiving Poems
by Myra Cohn LivingstonSome of the poems were written for this collection, others are from well-known sources of poetry--Navajo and Osage writings, The King James version of the Holy Bible. There are poems poking fun at people who stuff themselves, and poems singing praises to God. Other selections by this American poet are available in this library.
Thanksgiving Rules
by Laurie FriedmanI officially command you to eat EVERYTHING you see! Percy knows just what to do to get the most out of this delicious holiday. And so will you if you follow ten simple rules. From "the early bird gets the turkey" to "life is sweeter when you eat sweets," his rules will help you eat your way through the big meal. But is there more to Thanksgiving than stuffed turkey and sweet potatoes with marshmallows? See how Percy discovers the true recipe for a perfect Thanksgiving holiday. Ages 5-9
Thanniir Desam of Vairamuthu-Part I
by Kavignar VairamuthuThe first of two parts book is a modern poetry (Pudhu Kavidhai) about adventures of Sea in a poetic novel format.
Thanniir Desam of Vairamuthu-Part II
by Kavignar VairamuthuThe second part of the two parts book is a modern poetry (Pudhu Kavidhai) about adventures of Sea in a poetic novel format.
That Beauty in the Trees: Poems (Southern Messenger Poets)
by Ron SmithMoving effortlessly from Virginia to Italy and beyond, Ron Smith’s new volume responds with a range of emotions from humor to horror and with a variety of forms from the sonnet to visually expressive organic shapes. The book’s forty-three pieces gather themselves into three flights that hover above and touch down among the politics of memory and the psychology of beauty. With inspiration drawn from memoir, myth, history, fiction, and the visual arts, That Beauty in the Trees presents, ponders, and sometimes judges the actions, fates, and aesthetics of not only the author’s friends and family but also legendary and historical figures, including Achilles, Catullus, George Washington, Edgar Allan Poe, H.D., Ezra Pound, and many more.
That Distant Land: The Collected Stories (Port William Ser.)
by Wendell BerryOriginally published in 2005, That Distant Land brings together twenty–three stories from the Port William Membership. Arranged in their fictional chronology, the book is not an anthology so much as it is a coherent temporal mapping of this landscape over time, revealing Berry’s mastery of decades of the life lived alongside this clutch of interrelated characters bound by affection and followed over generations.This volume combines the stories found in The Wild Birds (1985), Fidelity (1992), and Watch with Me (1994), together with a map and a charting of the complex and interlocking genealogies.
That Invincible Samson: The Theme of Samson Agonistes in World Literature
by Watson KirkconnellThis work examines the more than one hundred analogues of Samson Agonistes, about half of them written earlier than Milton's drama. The author has gone back in every instance to primary sources, and examined all treatments of Milton's theme, in all languages, for their intrinsic interest and merit. While he has not entirely omitted a discussion of source relationships, his concern here has been chiefly with analogues. In Part I of the book the author compares five pre-Miltonic works, which he has translated, in whole or in part, from the original Latin, Dutch, and Italian. In Part II, a descriptive catalogue, he comments on the significance, to Miltonists and to the general reader, of the analogues. He traces the purposes beyond mere theatre in the different versions of the play: versions prior to 1670 contain many overtones of personal, national, or theological significance, while, after 1671, there is a rapid shift away from religious or moral presentation to a more strictly theatrical entertainment. Dr. Kirkconnell believes that this shift in interest has obscured from most of the critics of later centuries the tone and tradition of this great drama. The nineteenth and twentieth centuries have seen dozens of versions of the old play theme, nearly all of them wholly disregarding any inner drama of the spirit, and stressing extrovert aspects of Strength, Beauty, and Sex. As a whole, the analogues will reveal the variety that playwrights have found possible in the ancient theme. The author concludes that Milton's treatment is the noblest ever written, surpassing all others in literary quality and in the nature of the dramatic conflict it describes.
That Is My Dream!: A picture book of Langston Hughes's "Dream Variation"
by Langston Hughes&“Dream Variation,&” one of Langston Hughes's most celebrated poems, about the dream of a world free of discrimination and racial prejudice, is now a picture book stunningly illustrated by Daniel Miyares, the acclaimed creator of Float. To fling my arms wide In some place of the sun, To whirl and to dance Till the white day is done…. Langston Hughes's inspiring and timeless message of pride, joy, and the dream of a better life is brilliantly and beautifully interpreted in Daniel Miyares's gorgeous artwork. Follow one African-American boy through the course of his day as the harsh reality of segregation and racial prejudice comes into vivid focus. But the boy dreams of a different life—one full of freedom, hope, and wild possibility, where he can fling his arms wide in the face of the sun. Hughes's powerful vision, brought joyously to life by Daniel Miyares, is as relevant—and necessary—today as when it was first written.
That Light, All at Once: Selected Poems (The Margellos World Republic of Letters)
by Jean-Paul de DadelsenPoetry in a time of upheaval Equal parts dramatic and symphonic, the poetry of Jean-Paul de Dadelsen provides acute insight into the European consciousness of the first half of the twentieth century. With energetic innovation and imaginative depth, Dadelsen extols the somber beauty of his Alsatian homeland, grapples with the elusiveness of meaning, and decries religion&’s futile attempts to speak to a continent ravaged by fascism and war. His is an acerbic and humane assessment of French and European identity that draws on the past and imagines the future, while remaining firmly rooted in the present. In these poems, Dadelsen modulates himself in dramatic monologue, exploring a mosaic of voices to form a composite portrait of the postwar landscape. Inhabiting such characters as King Solomon, Johann Sebastian Bach, provincial French women, and a Hungarian resistant in the 1956 uprising, the poems in this new bilingual collection offer an inside look at the shifting cultural topography of midcentury Europe, forged in the war that reshaped our understanding of the human condition.
That Light Feeling Under Your Feet (Crow Said Poetry)
by Kayla GeitzlerFinalist for The Fiddlehead Poetry Book Prize at the New Brunswick Book Awards!Shortlisted for the Robert Kroetsch Award for Poetry at the 2019 Alberta Book Publishing Awards!That Light Feeling Under Your Feet plunges headfirst into the surreal and slogging world of cruise ship workers. These masterfully crafted poems challenge perpetuating colonial and class relations, as well as the hedonistic lifestyle attributed to the employees of these floating resorts. Kayla Geitzler’s debut collection interprets isolation, alienation, racism, and assimilation into the margins as inevitable consequences for the seafaring workforce of the most profitable sector of the tourism industry.Exploring the liminal space between labour and leisure, the poems in That Light Feeling Under Your Feet are at once buoyant and weighty, with language that cuts like a keel through the sea.
That Little Something: Poems
by Charles SimicIn his nineteenth collection, Charles Simic, the poet of the vaguely ominous sound and the disturbing, potentially significant image, moves closer to the dark heart of history and human behavior.
That Night We Were Ravenous
by John StefflerA beautiful new edition of the award-winning collection from Canada's new Poet Laureate.Newfoundland-born poet John Steffler is one of this country's most accomplished writers. Recently named Canada's national poet, he is the author of The Grey Islands (poems) and the award-winning novel The Afterlife of George Cartwright, both of which have become classics in our time.That Night We Were Ravenous is Steffler's most recent book of new poetry. In this extraordinary gathering of poems, he follows the trajectory of some of his earlier work with poems situated in Newfoundland's coves, on trails, and in communities that testify to the pure bite and edge of this terrain. Other poems in the later sections of the book, more intimate, are set in Southern Ontario and Greece.This is poetry that captures the imagination and activates the heart. Simply by looking through Steffler's eyes, we come away with an enlarged sense of the natural world on the one hand, and of our own humanity on the other.From the Trade Paperback edition.
That Our Eyes Be Rigged
by Kristi MaxwellPlayful, penetrating, and often operating by aural law, the poems in That Our Eyes Be Rigged take shape as one word quickly transforms into another via sonic slippages. These fluid transformations simultaneously reveal the worlds within a word and build correspondences between unlikely terms—highlighting the very notion of exchange between the linguistic and the physical realm. Maxwell’s poems are both generous and demanding. While the operating intelligence behind the poems incessantly questions how one makes a life in language (and vice versa), the poems themselves enact arrangements that might make such pathways possible. These restless and inventive poems provide feats of language that lead us to agree with Maxwell’s speaker when she says: Our awe is our confession.
That Said: New and Selected Poems
by Jane Shore“Jane Shore is the poet of little ambushes, moments that hold us hostage, moments when we come to life.” — Julia AlvarezSince Robert Fitzgerald praised Eye Level, Jane Shore’s 1977 Juniper Prize–winning first collection, for its “cool but venturesome eye,” her work has continued to receive the highest accolades and attention from critics and fellow poets. That Said: New and Selected Poems extends Shore’s lifelong, vivid exploration of memory—her childhood in New Jersey, her Jewish heritage, her adult years in Vermont. Shore’s devotion to her familiar coterie of departed parents, aunts, uncles, and friends passionately subscribes to Sholem Aleichem’s dictum that “eternity resides in the past.”United States Poet Laureate W. S. Merwin wrote, “Shore’s characters emerge with an etched clarity . . . She performs this summoning with a language of quiet directness, grace and exactness, clear and without affectations.” And while there is no “typical” Jane Shore poem, what unifies them is her bittersweet introspection, elegant restraint, provocative autobiography, and on every page a magnetic readability.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions--of literary and social norms--in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Shakespeherian Rag: Essays on a critical process
by Terence HawkesFirst published in 1986. This collection of essays focuses on the ways in which our society 'processes' Shakespeare and the purposes for which this seems to be done. The case is made by examining the work of four highly influential critics: A C Bradley, Walter Raleigh, T S Eliot and John Dover Wilson. Terence Hawkes asks whether, beyond the readings to which the plays may be subjected, there lies any final, authoritative or essential meaning to which we can ultimately turn, concluding that jazz music offers the most fruitful model for twentieth-century criticism.
That Swing: Poems, 2008–2016 (Johns Hopkins: Poetry and Fiction)
by X. J. KennedyThe latest rollicking verse from award-winning poet X. J. Kennedy.In this, his ninth book of poetry, lyric master X. J. Kennedy regales his readers with engaging rhythm fittingly signaled by the book’s title, which echoes Duke Ellington’s jazz classic "It Don’t Mean a Thing (If It Ain’t Got That Swing)." Kennedy’s poems, infused with verve and surprise, are by turns irresistibly funny and sharply insightful about life in America.Some poems are personal recollections of childhood and growing up, as in "My Mother Consigns to the Flames My Trove of Comic Books." "Thomas Hardy’s Obsequies" tells the bizarre true account of the literary giant’s burial. Other poems portray memorable characters, from Jane Austen ("Jane Austen Drives to Alton in Her Donkey Trap") to a giant land tortoise ("Lonesome George") to a slow-witted man hired to cook for a nudist colony ("Pudge Wescott"). Kennedy is a storyteller of the first order, relating tales of travel to far-reaching places, from the Galápagos Islands and Tiananmen Square to the hectic back streets of Bamako, Mali. This wise and clever book is rounded out with adept translations of work by Charles Baudelaire, Stéphane Mallarmé, Arthur Rimbaud, and others.
That That (Made in Michigan Writers Series)
by Ken MikolowskiPoet Ken Mikolowski ran a letterpress printing house for over thirty years, setting poems by hand, one letter at a time--an experience that influenced his love of short verse. In That That, Mikolowski presents his trademark quirky, humorous, and insighful poems, none longer than three brief lines and some made up of only two or three carefully chosen words. Together, these poems create a narrative of life and love broken down to the most minimal of forms. Mikolowski's deceptively simple collection takes readers on a whirlwind tour through weighty topics and humorous vignettes. He reflects on the nature of art, identity, and legacy in poems that muse in their entirety, "I've never met a deadline / I've ever met yet" and "Why I am not a New York poet / Detroit." Mikolowski also gives unparalleled assessments of serious subjects like love, aging, and death, declaring, "Sometimes / I don't think of you / for hours" and "Getting old / gets old / real quick." Some poems are more lighthearted and delight only in the wordplay of rhyme or unexpected imagery, adding an unmistakably playful element to this spare but polished volume. Mikolowski's collection demonstrates the singular power of language in the hands of a master craftsman. That That will be read and re-read by anyone interested in short poetry.
That This
by James Welling Susan HoweSusan Howe's newest book of poetry is a revelation as well as a mystery. "What treasures of knowledge we cluster around." That This is a collection in three pieces. "Disappearance Approach," an essay about the sudden death of the author's husband ("land of darkness or darkness itself you shadow mouth"), begins the book with paintings by Poussin, an autopsy, Sarah Edwards and her sister-in-law Hannah, phantoms, elusive remnants, and snakes. "Frolic Architecture," the second section -- inspired by visits to the vast 18th-century Jonathan Edwards archives at the Beinecke and accompanied by six black-and-white photograms by James Welling -- presents hauntingly lovely, oblique text-collages that Howe (with scissors and "invisible" Scotch Tape and a Canon copier) has twisted, flattened, and snipped into "inscapes of force." The final section, "That This," delivers beautiful short squares of verse that might look at home in a hymnal, although their orderly appearance packs startling power: That this book is a history of a shadow that is a shadow of Me mystically one in another another another to subserve "The still-new century's finest metaphysical poet."--The Village Voice
That Was Now, This Is Then: Poems
by Vijay SeshadriThe brilliant new collection from Vijay Seshadri, author of the Pulitzer Prize–winning 3 SectionsNo one blends ironic intelligence, emotional frankness, radical self-awareness, and complex humor the way Vijay Seshadri does. In this, his fourth collection, he affirms his place as one of America’s greatest living poets. That Was Now, This Is Then takes on the planar paradoxes of time and space, destabilizing highly tuned lyrics and elegies with dizzying turns in poems of unrequitable longing, of longing for longing, of longing to be found, of grief. In these poems, Seshadri’s speaker becomes the subject, the reader becomes the writer, and the multiplying refracted narratives yield an “anguish so pure it almost / feels like joy.”
That Wondrous Pattern: Essays on Poetry and Poets
by Kathleen Raine“There is no exaggeration in pointing out that these essays are addressed to the soul of the reader. They are not academic exercises in erudition as a contribution to ‘Eng. Lit.’” —from the introduction by Brian Keeble Kathleen Raine was one of the greatest British poets of the last century. Born to a deeply literary and spiritual household, she went on to study at Cambridge, where she met Jacob Bronowski, William Empson, and Malcolm Lowry. A dedicated neoPlatonist, she studied and presented the works of Thomas Taylor and wrote seminal books on William Blake. With Keith Critchlow, Brian Keeble, and Philip Sherrard, she founded, in 1981, the Temenos Academy of Integral Studies, its journal Temenos, and, later, the Temenos Academy Review. HRH The Prince of Wales became the patron of the academy in 1997.For our new selection, That Wondrous Pattern, Raine offers sixteen essays that range from “The Inner Journey of the Poet” and “What Is Man?” to essays on Blake, Wordsworth, Hopkins, Yeats, Eliot, and several others. The centerpiece, “What Is the Use of Poetry?”, is a rigorous defense of the great art. Editor Brian Keeble himself contributes a fascinating introduction to Raine’s work, and Wendell Berry, a colleague and friend of hers, offers a preface.All who spend time in the presence of this wonderful writer will leave newly entranced with the art and use of the beautiful, convinced that “it is only in moments when we transcend ourselves that we can know anything of value.
That's a Pretty Thing to Call It: Prose and Poetry by Artists Teaching in Carceral Institutions
by Leigh SugarFrank, eye-opening writing by "arts in corrections" educatorsPoetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.
That's Life: New And Selected Poems
by Abbie Johnson TaylorLife happens. As a teenager, you're told you can't go to the mall because your aunt from out of town is visiting, and the family is planning a trip to see The Nutcracker. As an adult, you hear news on the radio about an airport bombing in Los Angeles. Your husband suffers a debilitating stroke, and you spend the last six years of his life caring for him at home. Not all the poems in this book are about tragedies. Some are humorous, others serious. Topics range from school to love to death and everything in between. Here is what others have to say.