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Thendral: Vol. 14, Issue 05, April 2014
by MadhurabharathiThis issue features an interview with Kalakshetra’s Director Priyadarshini Govind , two short stories, ‘Payanam’ talks about a visit to Marymoor Park in Washington, ‘Samayam’ features Ayirathen Vinayagar temple, an article paying homage to T.K.Sivasankaran and Kushvanth Singh, mouth watering recipes, an article on Achievers featuring Kuralarasi Geetha Arunachalam and a few other young achievers ,an article on the veteran writer Kumuthini along with usual features like Thendral Pesukirathu ,Kathiravanai Kelungal,Nalam Vaazha, Kavithai Pandhal, Pudhinam and important events of last month.
Thendral: Vol. 14, Issue 6 May 2014
by MadhurabharathiThis issue features an interview with Mekala Ramamoorthy and Na.Muthukumar, two short stories , an article on Pioneer Dr.Rajammal Devdoss and another on writer Rajendra Chozhan , mouth watering recipes, ‘Samayam’ featuring a Needamangalam Sri Santhana Ramasamy temple, an aricle paying homage to S. Sripal along with usual features like Thendral Pesukirathu , Kathiravanai Kelungal, Nalam Vaazha, Kavithai Pandhal, Pudhinam and important events of last month.
Thendral: Vol. 14, Issue 07, June 2014
by MadhurabharathiThis issue features an interviews with Arunachalam Muruganandam and Siripananda, few short stories , an article on Pioneer Navalar Na.Mu.Venkatasamy Nattar and another on writer Kadugu ,a couple of mouth watering recipes, a special feature on Narendra Modi along with usual features like Thendral Pesukirathu , Kathiravanai Kelungal, Nalam Vaazha, Kavithai Pandhal and important events of last month.
Thendral: Vol. 14, Issue 08, July 2014
by MadhurabharathiThis issue features an interviews with Professor Arogyasamy Palraj and Bombay kannan, few short stories , an article on Pioneer P.T.Srinivasa Iyengar,a couple of mouth watering recipes, Samayam featuring Marudamalai Murugan temple, along with usual features like Thendral Pesukirathu , Kathiravanai Kelungal, Nalam Vaazha, Kavithai Pandhal and important events of last month.
Thendral: Vol. 14, Issue 09, August 2014
by MadhurabharathiThis issue features interviews with T.V.Varadarajan, ‘Nalla Keerai’ Jagannathan , a special coverage on the volunteer driven NGO -- North South Foundation, a feature on ‘Transactions Of Belonging’ – a book by Jeya Padmanabhan, a couple of mouth watering recipes,Samayam featuring the Ragu –Kethu sthalas : Thirunageshwaram and Keelperumpallam, an article on writer Kalaniyuran, a few short stories , an article paying homage to veteran journalist ‘Vandumama’, another article on young achievers along with usual features like Thendral Pesukirathu , Anbulla Snehitiye, Kathiravanai Kelungal, Kavithai Pandhal etc and important events of last month.
Theodore Roethke
by Jay PariniJay Parini's biography of the poet, Theodore Roethke. Parini views Roethke through the lens of a Romantic poet. <P><P>With this incredibly researched and well written work, Parini reaffirms Roethke's reputation as a poet that came into his own after the publication of "The Lost Son," and then continued to develop from there and greatly extended his reputation with further works.
Theogony And Works And Days
by Stephanie Nelson Edited Translated By Richard Caldwell HesiodGreek poet Hesiod took many lines of thought and knowledge - myth, fable, personal experience, practical understanding - and wove them into one great whole. He did as much with the origins of the Greek gods in the Theogony, and then did the same in creating his manual of moral and practical advice, Works and Days. Here, Stephanie Nelson's translation of Works and Days is paired with Richard S. Caldwell's take on the Theogony. Along with introductory essays, these comprehensible versions of Hesiod's two best-known poems make it easy for readers to see why Hesiod's writings continue to resound through the ages.
Theogony / Works and Days
by Eric Voegelin Hesiod Roger Scruton C. S. MorrisseyPhilosopher C.S. Morrissey adapts Hesiod's two great works, Theogony and Works and Days, taking into account the poet's essential meditative insights that paved the way for the subsequent achievements of Greek philosophy,most notably of Plato, and thereby gave a distinctive shape to all of Western philosophy. Theogony recounts the genesis of the first generations of the Greek gods and recollects how Zeus used both force and persuasion to establish his cosmic reign of justice. Works and Days tells the story of the origin and ordination of human beings within this cosmos and their perennial struggle to win order from disorder in a world overwhelmed by harsh sorrows and injustice.In the wake of personal adversity and suffering, Hesiod was inspired by the Muses to sing out against the untruth of society and to disclose the truth about justice in the cosmos. Theogony, which won him his laurels in a poetic competition, begins by telling of how the Muses chose him as an individual vessel of inspiration, to be a rival to Homer and the old myths with a newer vision of the struggle for justice among the gods. In Works and Days, Hesiod includes these autobiographical details within a reflection on the two-fold role of competition in life: "the bad strife" is visible everywhere in the manifold forms of universal disorder, although "the good strife" is part of the struggle to maintain order in the wake of chaos and the primeval void.These new translations are contextualized with a foreword by distinguished philosopher Roger Scruton and text by the late philosopher and historian Eric Voegelin, who argues the magnitude of Hesiod's influence on Greek philosophy and Western history, and how his sublime contribution to literature has formed a signal bridge between myth and metaphysics.
Theophobia (American Poets Continuum #136.00)
by Bruce BeasleyTheophobia is the latest volume in Bruce Beasley's ongoing spiritual meditation which forms a kind of postmodern devotional poetry in a reinvention of the tradition of John Donne, George Herbert, Emily Dickinson, Gerard Manley Hopkins, and T. S. Eliot. Theophobia is structured around a series of poems called "Pilgrim's Deviations" and forms a deviant and deviating pilgrimage through science, history, politics, and popular culture. Beasley seeks the Biblical Kingdom of God among Dolly the cloned sheep, the wonders and horrors of extremophilic creatures living in astonishing intensities of temperature, robotic phone operators, and Wikipedia's explanation of the mysteries of the Holy Spirit. Bruce Beasley is the author of six poetry collections, most recently The Corpse Flower: New and Selected Poems (University of Washington Press, 2007). He has won fellowships from the NEA and the Artist Trust of Washington and three Pushcart Prizes.
Theophobia
by Bruce BeasleyTheophobia is the latest volume in Bruce Beasley's ongoing spiritual meditation which forms a kind of postmodern devotional poetry in a reinvention of the tradition of John Donne, George Herbert, Emily Dickinson, Gerard Manley Hopkins, and T. S. Eliot. Theophobia is structured around a series of poems called "Pilgrim's Deviations" and forms a deviant and deviating pilgrimage through science, history, politics, and popular culture. Beasley seeks the Biblical Kingdom of God among Dolly the cloned sheep, the wonders and horrors of extremophilic creatures living in astonishing intensities of temperature, robotic phone operators, and Wikipedia's explanation of the mysteries of the Holy Spirit. Bruce Beasley is the author of six poetry collections, most recently The Corpse Flower: New and Selected Poems (University of Washington Press, 2007). He has won fellowships from the NEA and the Artist Trust of Washington and three Pushcart Prizes.
Theophylline: A Poetic Migration via the Modernisms of Rukeyser, Bishop, Grimké (de Castro, Vallejo)
by Erín Moure Elisa SampedrínWhat is breath for? What is archive? Why write a poem, instead of... something else? Theophylline is a work of poetry motivated by asthma, seeking poetry’s futurity in a queer and female heritage. Moure crosses a border to engage the poetry of three American modernists—Muriel Rukeyser, Elizabeth Bishop, and Angelina Weld Grimké—as a translator might enter work to translate it. But what if that work is already in English? Moure listens to rhythms, punctuation, conditions of production and reception, and finds migration patterns, queeritude, mother mimory, wars, silence, constraints on breath, and social bias played out in terms of race and/or class. Moving from present to past to a future in the unwritten; querying borders, jarred by intrusions from alter ego Elisa Sampedrín, Theophylline finishes with poems informed by pandemic walks and human aging that include two translations: from Rosalía de Castro, pre-modernist poet who wrote in Galician calling on women to speak, and from César Vallejo, the twentieth century Peruvian whose poetics shattered the colonial (Spanish) tongue.
Theorie des lyrischen Gedichts: Eine Einführung
by Dieter LampingAusgehend von handlichen Definitionen des Gedichts und des lyrischen Gedichts erörtert die Einführung Grundfragen der Lyrik-Theorie – etwa die, welche Bedeutung die Form beim Verstehen von Verstexten hat, wer in ihnen jeweils spricht, inwiefern Lyrik auch fiktional sein kann, welche Typen des lyrischen Gedichts sich unterscheiden lassen und welche Funktionen Lyrik erfüllt. Ihre Beispiele entnimmt sie der Weltliteratur von der Antike bis in die Gegenwart: von Sappho über Shakespeare und Goethe bis zu Rilke, Brecht und Kästner. Dabei bemüht sie sich um eine ohne spezielle Voraussetzungen verständliche Darstellung.
Theorists of Modernist Poetry: T.S. Eliot, T.E. Hulme, Ezra Pound (Routledge Critical Thinkers)
by Rebecca BeasleyModernist poetry heralded a radical new aesthetic of experimentation, pioneering new verse forms and subjects, and changing the very notion of what it meant to be a poet. This volume examines T.S. Eliot, T.E. Hulme and Ezra Pound, three of the most influential figures of the modernist movement, and argues that we cannot dissociate their bold, inventive poetic forms from their profoundly engaged theories of social and political reform. Tracing the complex theoretical foundations of modernist poetics, Rebecca Beasley examines: the aesthetic modes and theories that formed a context for modernism the influence of contemporary philosophical movements the modernist critique of democracy the importance of the First World War modernism’s programmes for social reform. This volume offers invaluable insight into the modernist movement, as well as demonstrating the deep influence of the three poets on the shape and values of the discipline of English Literature itself. Theorists of Modernist Poetry is relevant not only to students of modernism, but to all those with an interest in why we study, teach, read and evaluate literature the way we do.
Theory of the Lyric
by Jonathan CullerWhat sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric-the older Romantic model and the modern conception that has come to dominate the study of poetry-both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. Theory of the Lyric constitutes a major advance in our understanding of the Western lyric tradition. Examining ancient as well as modern poems, from Sappho to Ashbery, in many European languages, Culler underscores lyric's surprising continuities across centuries of change-its rhythmical resources, its strange modes of address, its use of the present tense, and the intriguing tension between its ritualistic and fictional dimensions. He defends the idea of lyric as a genre against recent critiques, arguing that lyrics address our world rather than project a fictional world and also challenging the strongly established assumption that poems exist to be interpreted. Theory of the Lyric concludes with a discussion of how to conceive the relations between lyric and society in ways that would acknowledge and respond to lyric's enduring powers of enchantment.
A Therapeutic Approach To Teaching Poetry
by Todd O. WilliamsExplains how the study of poetry, by providing experiences similar to those produced by poetry therapy, can help students discover themselves and develop their potential to effect change in the world.
There Are More Beautiful Things Than Beyoncé
by Morgan ParkerThere Are More Beautiful Things Than Beyoncé uses political and pop-cultural references as a framework to explore 21st century black American womanhood and its complexities: performance, depression, isolation, exoticism, racism, femininity, and politics. <p> <p> The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need.
There Are More Beautiful Things Than Beyoncé
by Morgan ParkerOne of Oprah Magazine's Ten Best Books of 2017A TIME Magazine Best Paperback of 2017Publishers Weekly's Ten Best Poetry Collections of SpringA Most Anticipated book at Buzzfeed, NYLON and BustleOne of i-D's emerging female authors to read in 2017 'Outstanding collection of poems. So much soul. So much intelligence in how Parker folds in cultural references and the experiences of black womanhood. Every poem will get its hooks into you. And of course, the poems about Beyoncé are the greatest because Beyoncé is our queen.' Roxane Gay 'I can and have read Morgan Parker's poems over and over . . . She writes history and pleasure and kitsch and abstraction, then vanishes like a god in about 13 inches.' Eileen Myles'Morgan Parker has a mind like wildfire and these pages are lit. I can't recall being this enthralled, entertained, and made alert by a book in a very long time.' Jami AttenbergThe only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist's office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless and sequinned, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and déjà vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You're gonna give us the love we need.
There Are Three: Poems (Wesleyan Poetry Series)
by Donald RevellBelieving and espousing an American tradition alive in the testimony of Anne Hutchinson, in the prose-poetry of Thoreau, and in the music of Ives, Donald Revell's new poems seek moments of harmony between language and silence. The death of the poet's father and almost concurrent birth of his son form the emotional underpinnings of this meditation on faith. "Every morning, beginning in childhood, / the music of variation sustains / the equal loneliness of every soul." These spare and elegant poems speak of a conversion in which a new city is founded in the heart of silence, and grace is a refinement of grammar.
There Now: Poems
by Eamon Grennan"Few poets are as generous as Eamon Grennan in the sheer volume of delight his poems convey." --Billy Collins . . . there goes the sudden shriek of the blackbird . . . all alive inside the inhumanbreath-pattern of the wind trawling every last leaf and blade of grass and flinging rain like velvet pebblesonto the skylight: nothing but parables in every bristling inch of the out-of-sight unspoken never-to-be-known puresense-startling untranslatable there of the world as we find it.--from "World Word"In these short poems full of patient listening, looking, and responding, Eamon Grennan presents a world of brilliantly excavated moments: watching a flight of oystercatchers off a Connemara strand or the laden stall of a fish market in Manhattan; listening to the silence in an empty room or the beat of his partner's heart; pondering violence in the Middle East or the tenuous, endangered nature of even "the fairest / order in the world." Grennan's philosophic gaze manages to allow the ordinary facts of life to take on their own luminous glow. It is the sort of light he finds in some of his favorite painters--Cézanne, Bonnard, Renoir, the Dutch masters--light that is inside things and drawn out to our attention. There Now is a celebration of the momentary recognition of transcendence, all the more precious for being momentary.
There Once Was a Cowpoke Who Swallowed an Ant
by Helen Ketteman Will TerryThere once was a cowpoke who swallowed an ant-- A fiery thing with a Texas-sized sting.The cowpoke panted, and his voice got higher."Yippie-ti-yay! My stomach's on fire!!"In this Texas-styled reworking of "There Was an Old Lady Who Swallowed a Fly," a cowboy downs a variety of native Southwest creatures--a spider, a roadrunner, a lizard, an armadillo, a snake, a boar, and more--all to catch that ant! This is a fixed-format ebook, which preserves the design and layout of the original print book.
There Once Was a Limerick Anthology: Lewis Carroll, Robert Frost, Edward Lear, Mark Twain, Carolyn Wells, Woodrow Wilson and Others (Dover Thrift Editions: Poetry)
by Heidi GagnonHumor buffs and poetry lovers will laugh out loud with this captivating collection of more than 350 limericks. A limerick is a five-line rhyming poem with a bouncy rhythm, and common varieties include geographical and bawdy limericks as well as tongue twisters and creative misspellings. Limerick legends Morris Bishop, Edward Lear, and Carolyn Wells are featured, as are renowned political figures, poets, and writers such as Lewis Carroll, Robert Frost, James Joyce, Mark Twain, and Woodrow Wilson. With selections from the Elizabethan era, classics from the golden age, and contemporary verse, this irresistible, rib-tickling anthology has something for everyone.
There Was an Old Lady Who Gobbled a Skink
by Tamera Wissinger Ana BermejoThere was an old lady who gobbled a skink. And a worm and a pail and a line and an oar and much more in this hilarious book about a crazy fisherwoman who swallows all the essentials for a successful fishing trip. With the ever looming threat of "perhaps she’ll sink,” readers will hold their breath in anticipation as she gobbles her way through the tackle box and then the boat! With an already impressively full stomach, she reaches for just one last bite . . . but to find out how the story ends, you have to read the book! A wonderfully humorous take on a classic nursery rhyme by Tamera Will Wissinger, accompanied by Ana Bermejo’s fun-filled illustrations, this story will delight children, adults, and all those who like fishing. It’s perfect for reading aloud and sure to be read (and perhaps even sung) again and again. Intended for preschool-aged children, this silly story is sure to be a fun read-aloud both at home or at school/daycare. It's also the ideal gift for kids whose parents or grandparents love to fish or to explore the outdoors and might even inspire a few to try fishing at some point (hopefully without gobbling any of the tackle!).
There Was an Old Lady Who Lived in a Shoe (First Edition)
by Jane CabreraThis variation of the nursery rhyme features a chaotic household of children and pets who live in a shoe, and who know how to repair broken furniture, remake work clothing, and reuse and recycle.
There Was an Old Lady Who Swallowed a Clover!
by Lucille ColandroThere was an Old Lady who swallowed things over and over, and now she's come back to swallow a clover! She's back! That lovely old lady has returned just in time for St. Patrick's Day. Now she's swallowing items to make the perfect rainbow to hide a pot of gold.