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Talking Dead

by Neil Rollinson

Shortlisted for the 2015 Costa Poetry PrizeLike Neil Rollinson’s earlier books, Talking Dead is a refreshment of the senses: lifting the lid on the human condition in a heartfelt celebration of the act of being, whether in moments of love or mortality, sex or feasting.In the central sequence of the book – a meditation on the space between life and death – the dead speak of their final earthly moments with a liberating sense of fascination, and a luminous awe. Elsewhere we enjoy al fresco sex, astronomy via many pints in the Cat and Fiddle, and the deliverance of an Indian monsoon after weeks of thirst and drought. In ‘Christmas in Andalucia’ two lovers Skype each other achingly across hundreds of miles – ‘I am full of loss and longing,’ the poet says, ‘the heart is hewn from elm and oak and mistletoe.’As provocative, sensual and subversive as ever, these poems seek and find the numinous in the everyday: some element of ritual or wonder that transforms experience. Although the spectre of darkness is never far away, it is the spirit of pleasure that endures, and we discover to our delight, as D. H. Lawrence did, that the Dionysian finally prevails over the Apollonian.

The Talking Horse and the Sad Girl and the Village Under the Sea: Poems

by Mark Haddon

That Mark Haddon's first book after The Curious Incident of the Dog in the Night-Time is a book of poetry will perhaps come as a surprise to his legions of fans; that it is also one of such virtuosity and range will simply astonish them. The Talking Horse and the Sad Girl and the Village Under the Sea reveals a poet of great versatility and formal talent: all the gifts so admired in Haddon's prose are in strong evidence here--the humanity of his voices, the dark humour and the uncanny ventriloquism but Haddon is also a writer of considerable seriousness, lyric power and surreal invention. Here are bittersweet love-lyrics, lucid and bold new versions of Horace, comic set-pieces, lullabies, wry postmodern shenanigans (including a note from the official board of censors on "18" certificate poetry), and an entire John Buchan novel condensed to five pages. The Talking Horse and the Sad Girl and the Village Under the Sea will consolidate his reputation as our most powerful myth-weavers and spell-makers, as well as one of the most outrageous and freewheeling imaginations at work in contemporary literature.

Talking Like the Rain: A Read-to-me Book of Poems

by X. J. Kennedy Dorothy M. Kennedy

Here is a lively celebration of more than a hundred poems that are by turns playful, funny, mischievous, and thoughtful. Compiled especially for the youngest child, this splendid collection includes familiar poems by Robert Louis Stevenson, Edward Lear, Christina Rossetti, and others, as well as poems by new voices such as Nikki Giovanni and Jack Prelutsky. All of the events of a child's life--be they great or small--are found in: PLAY; FAMILIES; JUST FOR FUN; BIRDS, BUGS, AND BEASTS; RHYMES AND SONGS; MAGIC AND WONDER; WIND AND WEATHER; CALENDARS AND CLOCKS; DAY AND NIGHT. Listen and hear Talking Like the Rain.

Talking the Walk & Walking the Talk: A Rhetoric of Rhythm (Verbal Arts: Studies in Poetics)

by Marc Shell

This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk.The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry—as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology.Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy.The final chapters of the book provide a series of interrelated representative case studies.

Talking to Shadows: Poems

by Ron Houchin

Wolves howl in the hollow of night, cats yowl from crags and forests, but people describe sunsets, address their dead, pray to what they feel may lie beyond the stars, and perhaps even take note of mysterious figures lurking in alleys. In Talking to Shadows, his latest collection of poems, Ron Houchin replies with sensitivity and wit to things noticed or sensed, offering a celebration of sights, sounds, and objects that elicit responses through the phenomena of their being. Whether evoking the presage of a coming ice age, a photo of an unknown ancestor in a family album, or the presence of nature during a lone walk across a night field, Houchin’s poems converse with the shadows of existence that permeate a world filled with beauty and mystery.

Talking to the Gods: Occultism in the Work of W. B. Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune (SUNY series in Western Esoteric Traditions)

by Susan Johnston Graf

Talking to the Gods explores the linkages between the imaginative literature and the occult beliefs and practices of four writers who were members of the Hermetic Order of the Golden Dawn. William Butler Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune were all members of the occult organization for various periods from 1890 to 1930. Yeats, of course, is both a canonical and well-loved poet. Machen is revered as a master of the weird tale. Blackwood's work dealing with the supernatural was popular during the first half of the twentieth century and has been influential in the development of the fantasy genre. Fortune's books are acknowledged as harbingers of trends in second-wave feminist spirituality. Susan Johnston Graf examines practices, beliefs, and ideas engendered within the Hermetic Order of the Golden Dawn and demonstrates how these are manifest in each author's work, including Yeats's major theoretical work, A Vision.

Talking Turkeys

by Benjamin Zephaniah

A reissue of TALKING TURKEYS by street poet Benjamin Zephaniah. Talking Turkeys is an unconventional collection of straight-talking poems about heroes, revolutions, racism, love and animal rights, among other subjects, that will entice many new readers to poetry. It is his very first ground-breaking children's poetry collection - playful, clever and provocative - this is performance poetry on the page at its very best.Benjamin Zephaniah was born in Birmingham and then spent some of his early years in Jamaica. He came to London when he was 22 and his first book of poetry for adults was published soon after. He appears regularly on radio and TV including a Desert Island Discs appearance, literary festivals, and has also taken part in plays and films. He is most well-known for his performance poetry with a political edge for both children and adults and gritty teenage fiction. His collections Talking Turkeys, Wicked World and Funky Chickens broke new ground in children's poetry. He is the only Rastafarian poet to be short-listed for the Chairs of Poetry for both Oxford and Cambridge University and has been listed in The Times' list of 50 greatest postwar writers. Benjamin now lives in Lincolnshire.

Tamalitos

by Jorge Argueta Domi Elisa Amado

In his fourth cooking poem for young children, Jorge Argueta encourages more creativity and fun in the kitchen as he describes how to make tamalitos from corn masa and cheese, wrapped in cornhusks. In simple, poetic language, Argueta shows young cooks how to mix and knead the dough before dropping a spoonful into a cornhusk, wrapping it up and then steaming the little package. He once again makes cooking a full sensory experience, beating on a pot like a drum, dancing the corn dance, delighting in the smell of corn . . . And at the end, he suggests inviting the whole family to come and enjoy the delicious tamalitos "made of corn with love. " Domi's vivid paintings, featuring a sister and her little brother making tamalitos together, are a perfect accompaniment to the colorful text.

Tamil Love Poetry: The Five Hundred Short Poems of the Ainkurunuru (Translations from the Asian Classics)

by Martha Selby

Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the world's earliest anthology of classical Tamil love poetry. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology illustrates the five landscapes of reciprocal love: jealous quarreling, anxious waiting and lamentation, clandestine love before marriage, elopement and love in separation, and patient waiting after marriage. Despite its centrality to literary and intellectual traditions, the Ainkurunuru remains relatively unknown beyond specialists. Martha Ann Selby, well-known translator of classical Indian poetry and literature, takes the bold step of opening this anthology to all readers, presenting crystalline translations of 500 poems dense with natural imagery and early examples of South Indian culture. Because of their form's short length, the anthology's five authors rely on double entendre and sophisticated techniques of suggestion, giving their poems an almost haikulike feel. Groups of verse center on one unique figure, in some cases an object or an animal, in others a line of direct address or a specific conversation or situation. Selby introduces each section with a biographical sketch of the poet and the conventions at work within the landscape. She then incorporates notes explaining shifting contexts. Excerpt:He has gone off all by himselfbeyond the wasteswhere tigers used to prowland the toothbrush trees grow tall,their trunks parched,on the flinty mountains, while the lovely folds of your loins, wide as a chariot's seat, vanish as your circlet worked from gold grows far too large for you.

The Taming of the Demons: From the Epic of Gesar

by Jane Hawes David Shapiro Lama Chonam H.H. the Fourteenth Dalai Lama Dudjom Sangye Pema Shepa

A newly translated volume of the centuries-old spiritual epic of King Gesar.For centuries, the epic tale of Gesar of Ling has been told across Asia. This epic is a living oral tradition, performed widely by singers and bards and beloved especially in Tibet. Considered the longest single piece of literature in the world canon, the epic of Gesar chronicles the legend of King Gesar of Ling, a heroic figure known for his fearless leadership. The epic encompasses some 120 volumes and nearly 20 million words, and there are numerous versions across cultures.This book is the first English translation of the fourth volume of this sweeping literary work, with stories from after Gesar's coronation to the throne of Ling. This volume focuses on battles won and strategies applied, as the warrior-king Gesar fended off demons and liberated his foes. Though largely a violent account focused on his superhuman prowess in battle, this volume is rich with ethical proverbs that inform Tibetan culture to this day. A significant work of legend, the epic of Gesar is also a vital part of Tibetan Buddhism, as Gesar is said to have been chosen by celestial beings to restore order and destroy anti-Buddhist forces.The epic of Gesar is the cultural touchstone of Tibet, analogous to the Iliad or the Odyssey. While Book One covers Gesar's birth, youth, and rise to power, this volume recounts the martial victories and magical feats that made him a legendary figure to so many.

Tamizhachiyin katthi

by Puratchikavignar Bharathidasan

In this tragic story, the villain, attracted by the beauty of a village woman cleverly separated her from her husband. On realizing the assault on her chastity the heroine stabbed the villain with a knife.

Tamsen Donner

by Ruth Whitman

Ruth Whitman has recreated the journal that Tamsen Donner lost on her nightmarish journey to California in 1846. With a grant from the National Endowment, Whitman traveled along the route of the Donner party, keeping her own diary and watching the American landscape unfold as it did to the eyes of a ninteenth-century New Englander. The journal, transforming historical fact into poetic insight, is a testimony to the optimism, dogged survival, integrity and courage of a woman pioneer. --Janet Falon, The Boston Globe

Tang Shi San Bai Shou (Three Hundred Tang Poems) in the English-Speaking World

by Hu Xiaoying

This book examines six English translations of Tang Shi San Bai Shou (Three Hundred Tang Poems), the renowned anthology of Tang poetry, and explores the challenges and strategies involved in conveying the essence of classical Chinese poetry to an English-speaking audience.As a classic anthology, Tang Shi San Bai Shou captures the linguistic features, unique expressions and traditional culture of ancient Chinese verse. Since its publication in the Qing dynasty, it has circulated widely in China and extended its influence to the English-speaking world, with a rich history of translation and dissemination. This book unravels the complexities of translating classical Chinese poetry and highlights the different approaches taken by translators of different periods and backgrounds by comparing six complete translations. The book discusses the linguistic, cultural and artistic characteristics of Tang poetry, and readers can see how these challenges and the gaps between ancient Chinese poetry and modern English audiences are bridged by the ongoing efforts of translators.Scholars and students of classical Chinese literature and translation studies, as well as Chinese-English translators and Chinese poetry enthusiasts, will find this book a useful reference. Readers interested in Chinese culture will be led into the poetic world of ancient China.

The Tantramar Re-Vision (Hugh MacLennan Poetry Series #62)

by Kevin Irie

I've lived the way a field is sometimes / a shelter for mice / or sometimes a source of game / for a hawkInspired by the literary landscape of the late poet John Thompson, Kevin Irie's The Tantramar Re-Vision presents a portrait of nature where the benign and the bedevilled coexist, collude, or collide.The Tantramar Re-Vision charts routes of discovery as it follows trails, waterways, flights, and fears, be it through the woods, the wilds, the page, or the mind where "it's hard to admit / you are not to your taste." It questions an existence in which the inhuman thrives, ignorant of divinity, while the human psyche continues to search for answers as "life takes directions / away from" it. The Tantramar Marsh setting of John Thompson's Stilt Jack resonates with Irie's landscapes of birds, fish, plants, and wildlife, all still within reach yet part of a world where "wind carries sounds / it cannot hear."Insightful and meditative, The Tantramar Re-Vision is poetry of the inner self and the outside observer, a poetic testament to the ways literature creates its own landmarks and nature survives without knowing a word.

The Tao and Mother Goose

by Robert Carter

Compare nursery rhymes with Chinese aphorisms. Illustrated.

The Tao and Mother Goose

by Robert Carter

Art instrutor Rober Carter's illustrated book is both enjoyable and informative, written in an engaging style. Rhymes of Mother Goose he suggests, frequently are spiritual parables. He compares many of the famous aphorisms from Lao Tsu's Tao The Ching, noting simitarities of viewpoints. Carter feels that teaching of the Chinese philosopher and even Mother Goose nursery rhymes are addresses to some deeper level within each one of us. Consequently, a simple word, phrase, or idea in this meditative picture book might spark something deep within the reader.

The Tao Of Now

by Daniel Skach-Mills

This avatar of the Tao Te Ching comes to us as a contemporary, familiar creature, an incarnation both timeless and timely. In The Tao of Now, Daniel Skach-Mills gives us wisdom as refreshing and new as this moment's wind in the trees, wisdom as secure in tradition as the cardinal directions with which we name any wind's path.--Paulann Petersen, author of A Bride of Narrow Escape, The Wild Awake, and other books of poetry The Tao of Now shows us ourselves in eighty-one poems that, like the ancient Tao Te Ching, offer no answers. But they do challenge us to go beyond the intellect and reconnect with wisdom in a time of desperate need. As the author writes, The contemporary urgency for a consciousness and heart revolution is no longer an option if the planet, and humanity as a species, are to survive. His poems are here to help us make that shift. Aimed not at the thinking mind but at that part of our being which already knows the truth of what is here, Daniel Skach-Mills' poems are more like a remembering than a teaching. Each one calls us back to another voice but leaves us right where it finds us. These writings stand as a contemporary witness that the eternal Tao is alive and well, if people would only unplug, unwind, and take the time to listen with their whole Being. Daniel Skach-Mills is an award-winning poet whose poems have appeared in a variety of publications and anthologies, including The Christian Science Monitor, The Christian Century, Sojourners, Open Spaces, and Prayers To Protest: Poems That Center And Bless Us (Pudding House Publications, 1998). His chapbook, Gold: Daniel Skach-Mills's Greatest Hits, 1990-2000, appeared in 2001 from Pudding House. He and his partnerlive in Portland, Oregon.

Tao Te Ching: A New English Version (Perennial Classics Ser.)

by Stephen Mitchell

Lao-tzu's Tao Te Ching, or Book of the Way, is the classic manual on the art of living and one of the wonders of the world. In eighty-one brief chapters, the Tao Te Ching llods at the basic predicatment of being alive and gives advice that imparts balance and perspective, a serene and generous spirit. This book is about wisdom in action. It teaches how wo work for the good with the efforless skill that comes from being in accord with the Tao (the basic principle of the universe) and applies equally to good government and sexual love, to childrearing, business, and ecology.The Tao Te Ching is the most widely traslated book in world literature, after the Bible. Yet the gemlike lucidity of the original has eluded most previous translations, and they have obscured some of its central ideas. Now the Tao Te ching has been rendered into English by the eminent scholar and traslator Stephen Mitchell. Mr. Mitchell's Dropping Ashes on the Buddha is a modern Zen classic, and his translations of Rilke and of the Book of Job have already been called definitive for our time.

Tao Te Ching

by Lao Tzu D. C. Lau

In eighty-one brief chapters, Lao-tzu's Tao Te Ching, or Book of the Way, provides advice that imparts balance and perspective, a serene and generous spirit, and teaches us how to work for the good with the effortless skill that comes from being in accord with the Tao-- the basic principle of the universe.

Tap Out: Poems

by Edgar Kunz

"Charts the gritty, physical terrain of blue-collar masculinity."―New York Times New & Noteworthy &“Kunz arrives with real poetic talent.&”—The Millions, &“Must Read Poetry&” "[A] gritty, insightful debut." —Washington PostWinner of the 2019 Julia Ward Howe Award for Poetry Approach these poems as short stories, plainspoken lyric essays, controlled arcs of a bildungsroman, then again as narrative verse. Tap Out, Edgar Kunz&’s debut collection, reckons with his working‑poor heritage. Within are poignant, troubling portraits of blue‑collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words―violent, or simply absent. Yet Kunz&’s verses are unsentimental, visceral, sprawling between oxys and Bitcoin, crossing the country restlessly. They grapple with the shame and guilt of choosing to leave the culture Kunz was born and raised in, the identity crises caused by class mobility. They pull the reader close, alternating fierce whispers and proud shouts about what working hands are capable of and the different ways a mind and body can leave a life they can no longer endure. This hungry new voice asks: after you make the choice to leave, what is left behind, what can you make of it, and at what cost?

Tape for the Turn of the Year

by A. R. Ammons

“This is the most surprising formal invention of a major innovator, is the fullest vision Ammons gives us of his enormous creative enterprise. Among the major descendents of Whitman’s Song of Myself, Tape occupies an essential imaginative space, showing us much about what is essential in the American poetic imagination.” —Harold Bloom In the form of a journal covering the period December 6, 1963, through January 10, 1964, A. R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.

Tardes de otoño y café | Desperté en tu piel

by Montserrat García Pino

El otoño es época de nostalgia, siéntelo en tu piel. El amor es un tren de doble vía, en una tarde de otoño. Comienza el frío y la lluvia moja tu alma. Siéntate frente a una roca junto al mar y lee... <P><P>Disfruta del dolor, del placer, de la suavidad de las palabras, con las que la poetisa Montserrat García, relata esos pequeños fragmentos impregnados de historias reales. <P>Historias que creerás haber vivido en determinados momentos y de otras que sentirás que te quedan aún por vivir. Ponte por un momento en su piel y siente el escalofrío que producen sus palabras y que seguro no te dejarán indiferente. <P>Tardes de otoño y café, es un poemario escrito desde el alma de una mujer, que contiene una segunda parte, Desperté en tu piel, donde adopta el rol de un hombre enamorado, escribiendo hacia el sueño de una mujer.

Tarta Americana (Penguin Poets)

by J. Michael Martinez

A suite of poems that channels the legendary singer-songwriter Ritchie Valens to examine and question mid-twentieth-century conceptions of race and art, identity and desireRagged and raging across the spectrums of cognition, race, and gender, Tarta Americana lyrically envisions forms of survival outside neuronormative perceptions and histories. Against the recent tide of white nationalism in the United States, Tarta Americana finds a rhinestone in Ritchie Valens, the rock and roll legend, surfacing across time and bodies, genders and sounds, displacing the linear unfolding of desire and biography. Valens, the embodiment of corporeal transcendence, guides Martinez as he expresses his own neurodiversity, his struggles and triumphs, interrogating memory, gender, and race, traversing pain in search of compassion and joy. Tarta Americana, tarred and glittering, melodic in its screams, overdrives text and space in chase of American politics that could, at last, harmonize love with redemption.

The Task and Other Poems

by William Cowper

INTRODUCTION THE TASK THE DIVERTING HISTORY OF JOHN GILPIN. AN EPISTLE TO JOSEPH HILL, ESQ. TO MARY.

The Tatters (Wesleyan Poetry Series)

by Brenda Coultas

In this nuanced and moving new collection of poems, Brenda Coultas weaves a meditation on contemporary life and our place in it. Coultas, who is known for her investigative documentary approach, turns her attention to landfills and the odd histories embedded in the materials found there. The poems make their home among urban and rural detritus, waste, trinkets, and found objects. The title poem, for example, takes its cue from the random, often perfect, pigeon feathers found on city streets. In a seamless weave of poetic sentences, The Tatters explores how our human processes of examination are often bound up with destruction. These poems enable us to be present with the sorrow and horror of our destructive nature, and to honor the natural world while acknowledging that this world no longer exists in any pure form, calling to us instead from cracks in the sidewalk, trash heaps, and old objects. Check for the online reader's companion at tatters.site.wesleyan.edu.

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