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The Trouble with Poetry: And Other Poems
by Billy CollinsPlayfulness, spare elegance, and wit epitomize the poetry of Billy Collins. With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed. Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise. " Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet. " In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.
The Trouble with Poetry: And Other Poems
by Billy CollinsPlayfulness, spare elegance, and wit epitomize the poetry of Billy Collins. With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed. Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise." Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet." In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.From the Hardcover edition.
Truant Pastures: The Complete Poems of Harry C. Staley (Excelsior Editions)
by Harry C. StaleyCawI try to hold my sleep against the dawnI sleep against the outside light where crows(nuns and Sergeants priests and colonels)conspire in the brightening yardcalling me from play calling me from flightback through the pillow calling me from flightbeyond Saigon,beyond Hanoi, and Seoulcalling me from flightI fly high beyond the callcursing God for every shattered wallI sleep against the clarifying day against a plebisciteof murdered selves forgotten relatives and meanauthorities bleeding friends parents and parishionersconspiring with a squad of crowsto call me back again to call me downto call me back to call and call and call"There is nothing uncertain about the art of Harry Staley. Technically, his work is masterful. Yet technique, no matter how superb, is not enough. Ultimately, it is vision and commitment to it that separates pretenders from legitimate heirs. If this volume of collected poems is daunting in its iconography, its historicity, and its Joycean wordplay, its rewards for the persistent reader are clear: a deep compassion heightened into grace through the powerful medium of a pesky art called poetry." — From the Introduction, "The Pesky Art of Harry Staley," by George Drew"The portrait of the speaker in the majority of these poems is one of a man conflicted in his religious faith, in his faith in his fellow human community, in the wars that religion has persuaded his fellow humans to take part in, and which he is not only witness to but a participant in—although in an ironic fashion that plagues him. These poems subtly and quietly promote a way of seeing and participating in the world. Offered in the context of Roman Catholicism and war, Staley demonstrates an understanding that is deeply spiritual, yet does not yield to easy, forgiving answers. His poems do not obfuscate or push the reader away through elliptical flurries of thought or unfamiliar—although the language-play is a real pleasure, not only sending us into flights of linguistic fancy but ruminative space for pondering the conundrums of existence in wartime." — Todd Davis
Truckery Rhymes
by Jon ScieszkaFeaturing ALL of the classic rhymes EVERY Truck will know, like . . . LITTLE DAN DUMPER, PETER PETER PAYLOAD EATER, THREE LOUD TRUCKS, THE WHEELS ON THE TRUCK, ROCK-A-BYE-MIXER, RUMBLE, RUMBLE, MONSTER MAX, SWING AROUND WITH ROSIE, . . . and many, many more! You can sing these songs along to your already favorite rhymes (The Wheels on the Truck is The Wheels on the Bus, Peter Peter Payload Eater is Peter Peter Pumpkin Eater, etc.)
The True Account of Myself as a Bird (Penguin Poets)
by Robert WrigleyFrom an award-winning poet, a new collection that endeavors to pass along what the things of the earth are telling usOver the course of his career Robert Wrigley has won acclaim for the emotional toughness, sonic richness, and lucid style of his poems, and for his ability to fuse narrative and lyrical impulses. In his new collection, Wrigley means to use poetry to capture the primal conversation between human beings and the perilously threatened planet on which they love and live, proceeding from a line from Auden: &“All we are not stares back at what we are.&” In language that is both elegiac and playful, declarative and yet ringingly musical; in traditional sonnets, quatrains, and free verse, Wrigley transcribes the consciousness and significance of every singing thing—in order to sing back.
The True Book of Animal Homes
by Allison TitusAllison Titus reveals the animal in the human, and the human in the animal. Allison Titus’s newest poetry collection, The True Book of Animal Homes, is obsessed with animal and human alike, and how each one of us makes our home in the stations we hold—from the wilds of southern brambles to a desk in an office cubicle. This book ponders the question: how much wildness are we allowed in this life, and how do we claim that wildness? The poems of The True Book of Animal Homes leap and scurry after the truth on all fours, devouring us with sharp language and brave new forms.
True Faith (American Poets Continuum)
by Ira Sadoff"Nowhere else in American poetry do I come across a passion, a cunning, and a joy greater than his. And a deadly accuracy. I see him as one of the supreme poets of his generation."-Gerald SternThe poems in True Faith are earthy, lyrical, honest, and empathic in a style that is both gritty and urbane. With wry humor, Ira Sadoff's latest collection addresses family, faith, and the quiet joys of aging.Ira Sadoff currently teaches in the MFA program at Drew University and serves as the Arthur Jeremiah Roberts professor of English at Colby College in Maine.
True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell Under the Sign of Eliot and Pound
by Christopher RicksTrue Friendship looks closely at three outstanding poets of the past half-century--Geoffrey Hill, Anthony Hecht, and Robert Lowell--through the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself reciprocated, with Eliot and Pound being in their turn contemplated anew through the lenses of their successors. Hill, Hecht, and Lowell are among the most generously alert and discriminating readers, as is borne out not only by their critical prose but (best of all) by their acts of new creation, those poems of theirs that are thanks to Eliot and Pound. "Opposition is true Friendship." So William Blake believed, or at any rate hoped. Hill, Hecht, and Lowell demonstrate many kinds of friendship with Eliot and Pound: adversarial, artistic, personal. In their creative assent and dissent, the imaginative literary allusions--like other, wider forms of influence--are shown to constitute the most magnanimous of welcomes and of tributes.
True Life: Poems
by Adam ZagajewskiA stunning, intimate collection by the late, great Polish poet Adam Zagajewski.. . . I think I sought wisdom(without resignation) in poemsand also a certain calm madness.I found, much later, a moment’s joyand melancholy’s dark contentment.In True Life, the Polish writer Adam Zagajewski, one of the world’s most admired and beloved poets, turns his gaze to the past with piercing clarity and a tone of wry, lyrical melancholy. He captures the rhythms of a city street on the page and the steady beat of the passage of time against it (“Roads cannot be destroyed // Even if peonies cover them / smelling like eternity”) and writes of the endless struggle between stasis and change, between movement and stillness (“We knew / it would be the same / as always // It would all go back to normal”). Mary Oliver called Zagajewski “the most pertinent, impressive, meaningful poet of our time,” and Philip Boehm wrote in The New York Times Book Review that his poems “pull us from whatever routine threatens to dull our senses, from whatever might lull us into mere existence.” True Life, first published in Polish in 2019 and translated with genius by Clare Cavanagh, reveals the astonishing, immortal depths of Zagajewski’s insight and artistry
The True Names of Birds
by Sue GoyetteNominated for the 1999 Governor General's Award for Poetry, the 1999 Pat Lowther Award and the 1999 Gerald Lampert Award and Globe 100 book for 1999 The True Names of Birds is the first book-length collection from a voice that has captured the attention of Canadian poetry readers for the last half-dozen years. Deeply centred in domestic life, Goyette's work is informed by a muscular lyricism. These are poems that push the limits, always true to their roots.
Trumbull Ave. (Made in Michigan Writers Series)
by Michael LauchlanThe well-crafted lines in Michael Lauchlan's Trumbull Ave. are peopled by welders, bricklayers, gas meter readers, nurses, teachers, cement masons, and street kids. Taken together, they evoke a place--Detroit--in its bustling working-class past and changeable present moment. Lauchlan works in the narrative tradition of Robert Frost and Edwin Arlington Robinson but takes more recent influence from Philip Levine, Thomas Lux, and Ellen Voigt in presenting first- and third-person meditations on work, mortality, romance, childish exuberance, and the realities of time. Lauchlan presents snapshots from the past--a widowed mother bakes bread during the Depression, a welder sends his son to war in the 1940s, a bounding dog runs into a chaotic street in 1981, and a narrator visits a decaying Victorian house in 1993--with an impressive raw simplicity of language and a regular, unrhymed meter. Lauchlan pays close attention to work in many settings, including his own classroom, a plumber's damp cellar, a nurse's hospital ward, and a waitress's Chinese restaurant dining room. He also astutely observes the natural world alongside the built environment, bringing city pheasants, elm trees, buzzing cicadas, starry skies, and long grass into conversation with his narrators' interior and exterior landscapes. Lauchlan's poems reveal the layered complexity of human experiences in vivid, relatable characters and recurrent themes that feel both familiar and serious. All readers of poetry will enjoy the musical and vivid verse in Trumbull Ave.
Trumpty Dumpty Wanted a Crown: Verses for a Despotic Age
by John LithgowFollowing the success of his New York Times bestseller Dumpty, award-winning actor, author, and illustrator John Lithgow presents a brand-new collection of satirical poems chronicling the despotic age of Donald Trump.Trumpty Dumpty Wanted a Crown is darker and more hard-hitting than ever. Lithgow writes and draws with wit and fury as he takes readers through another year of the shocking events involving Trump and his administration. His uproarious poems and illustrations encompass Trump's impeachment, the COVID-19 pandemic, the Black Lives Matter protests, and much more. Lithgow targets Mitch McConnell, Mike Pompeo, Bill Barr, Jared Kushner, Elaine Chao, and many others, but also includes a few heroes of the moment, including Anthony Fauci, Nancy Pelosi, Adam Schiff, and even Barack Obama.The book arrives at a time when it's needed most. With all-new poems and never-before-seen line drawings, Lithgow will once again make readers laugh and pause to remember some of the most defining moments in recent history—skewering the reign of King Dumpty one stanza at a time.Digital audio edition read by the author.
Trunk-or-Treat
by Chris Ayala-KronosA festive Halloween picture book inspired by the abundantly decorated cars and trucks, snazzy costumes, and sweet treats of community-centric Trunk-or-Treat events!Snazzy costumes, spooky decorations, and sticky candy…all on WHEELS! This rhyming Halloween picture book appeals to car and vehicle lovers with an ode to the growing Trunk-or-Treat trend. Trunk-or-Treats have been gaining in popularity the last few years as a safer alternative or addition to classic door-to-door trick-or-treating. Follow a family as they attend a community Trunk-or-Treat during the Halloween season!
The Truro Bear and Other Adventures
by Mary OliverThe Truro Bear and Other Adventures, a companion volume to Owls and Other Fantasies and Blue Iris, brings together ten new poems, thirty-five of Oliver's classic poems, and two essays all about mammals, insects, and reptiles. The award-winning poet considers beasts of all kinds: bears, snakes, spiders, porcupines, humpback whales, hermit crabs, and, of course, her beloved but disobedient little dog, Percy.
Trust in Mind
by Jan Chozen Bays Mu Soeng"The Great Way is not difficult / for those who have no preferences. / When love and hate are both absent / everything becomes clear and undisguised. / Make the smallest distinction, however / and heaven and earth are set infinitely apart." So begins "Trust in Mind," the beloved poem that has again and again welcomed generations to their practice of Zen Buddhism. Traditionally attributed to the third Chinese ancestor of Zen (Sengcan, d. 606), it is often considered the first historical "Zen" document and remains an anchor of Zen Buddhist practice to this day. Here, scholar and commentator Mu Soeng explores the poem's importance and impact in three sections: The Dharma of Trust in Mind, The Tao of Trust in Mind, and The Chan of Trust in Mind. Finally, a brilliant line-by-line commentary brings the elements of this ancient work completely to life for the modern reader. Trust in Mind is the first book of its kind, looking at this very important Zen text from historical and cultural contexts, as well as from the practitioner's point of view. It is sure to interest readers of Mu Soeng and his fellow Buddhist contemporaries, as well as those with an interest in meditation and Eastern religions--most especially Zen practitioners, academics, philosophers, and scholars of Mind.
The Truth about Romanticism
by Tim MilnesHow have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative, and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and J8rgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.
The Truth Is Told Better This Way
by Liz WorthPulling from raw themes of grief and death, regret and discomfort, sadness and failure, Worth wears these poems down to their bones. Straddling dreamy, ethereal images and brutal honesty, The Truth is Told Better This Way unravels its secrets one line at a time. The result is oracular and surreal, as each piece could be read as a magic spell that mesmerizes as much as a poem that tantalizes the senses.
The Truth of Houses
by Ann ScowcroftWinner of the 2011 Concordia University First Book Prize, Quebec Writers' Federation Literary Awards Poems exploring the idea of home and the difficulties of a deeply ambiguous relationship to that word. At once wise and achingly at a loss, Ann Scowcroft's The Truth of Houses is an elegant debut collection. While very intimate -- even startlingly intimate at times -- the voices of these poems are constantly taking a step backward, wrestling for a measure of distance and perspective. Reading them, we eavesdrop on the uncovering of a personal vernacular that might allow the present to be better lived; we have the sense of overhearing a particular yet eerily familiar inner struggle -- a struggle for insight, for an equanimity with which both narrator and fortunate reader might re-enter life anew.
The Truth of Poetry: Tensions in Modern Poetry from Baudelaire to the 1960s (Routledge Revivals)
by Michael HamburgerFirst published in 1982, The Truth of Poetry attempts to answer a seemingly simple question: What kind of truth does poetry offer in modern times? Michael Hamburger’s answer to this question ranges over the last century of European and American poetry, and the result is a phenomenology of modern poetry rather than a history of appreciations of individual poets. Stressing the tensions and conflicts in and behind the work of every major poet of the period, he considers the many different possibilities open to poets since Baudelaire. This expansive work of analysis will be of interest to students of English literature, poetry enthusiasts and literary historians.
Tryst
by Angie EstesAngie Estes' Tryst was named one of two finalists for the 2010 Pulitzer Prize in Poetry. The citation called it "a collection of poems remarkable for its variety of subjects, array of genres and nimble use of language. "
Tsim Tsum
by Sabrina Orah MarkSabrina Orah Mark follows up her critically acclaimed debut, The Babies, winner of the Saturnalia Books Poetry Prize in 2004 chosen by Jane Miller, with a second collection of prose, Tsim Tsum, centered on two characters, Walter B. and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging. "Sabrina Orah Mark's Tsim Tsum is like a collection of episodes from a lost, slightly sinister children's book on the nature of love and time, in which wry parables move us further and further down unknown hallways, beyond instruction, into corridors of dream-sense, far into the strange, cool territory of the fabulous."--Mark Doty "You'll remember what Mark has done with the prose poem: you'll wonder how on Earth she does it, too."--Stephen Burt
Tsima ra Vutlhokovetseri: UEB uncontracted
by Dr Baloyi M. J. Chauke H. T. Khosa M. A. Mahuntsi M. T. Makhubele H. G. Mhinga M. E. Ngobeni K. J. Phakula N. W.Vutlhokovetseri exikarhi ka rixaka ra Vatsonga a hi mhaka leyintshwa. Vutlhokovetseri byi sungurile ku va kona hi xivumbeko xa tinsimu leti ni Vatsonga va davukeke va ri na tona hi ku hambanahambana ka swiyimo evuton'wini. Ku hambananyana lo ku nga kona mayelana ni vutlhokovetseri exikarhi ka Vatsonga i ku xaxamerisa vutlhokovetseri byo karhi ku ya hi tinxaka ta kona. Swin'wana swa swidyondzeki swa laha kaya swi seswi vile ni matshalatshala ya ku longoloxa switlhokovetselo swa rixaka ra ka vona ku ya hi tinxaka to karhi hi ku kuceteriwa hi matshulelo ya vatlhokovetseri na swidyondzeki swa le Yuropa. Tanihi matshalatshala ya muxaka lowu, ni buku leyi yi kongomisa eka ku vumba nkoxometo mayelana ni swihlawulekisi swa vutlhokovetseri hi ndlela leyi havaxerisaka vadyondzi ku kota ku: • paluxa no hluvukisa matitwelo yo karhi eka matirhiselo ya ririmi hi ndlela leyi nyanyulaka no koka rinoko ra vaamukeri; • va hlohletela ku valanga, va hlavutela no twisisa matirhiselo ya ririmi hi ndlela ya ku ehleketelela kunene; • khomanisa timhaka to ehleketelela kunene ni mahanyelo ya ntiyiso lama tokotiwaka masiku hinkwawo; • kombisa ntsakelo na rirhandzu eka xitlhokovetselo hinkwaxo kutani va paluxa leswi mutlhokovetseri a vulavulaka haswona; • tokotisisa vuxaka lebyi vumbiwaka exikarhi ka nhlamuselonene na nhlamuselo yo gega ya marito lama tirhisiweke hi mutlhokovetseri ku humelerisa nkongomelo wa xitlhokovetselo; • va vatshuri va vutlhokovetseri bya matimba na nsusumeto.
Tu ausencia que no se apaga
by EstévezVersos escritos con la soledad, sangrando en la punta de los dedos. Libro de poemas de amor y desamor.
Tu lado del sofá
by Patricia BenitoDespués del éxito de Primero de poeta, Patricia Benito vuelve con su segundo poemario. Un canto a la magia de lo cotidiano, al pequeño lugar que ocupamos en el mundo. Tu lado del sofá es una despedida. Son los pedazos que no me atreví a rescatar del naufragio. Es un duelo a vida contra el espejo. Un sentirme nosotras. Es ser casa, canción de domingo y paz. Es un cuarto creciente a medio tempo. Es aprender a echar de menos sin que duela. Son todas esas veces que dejé de hacer por miedo a perder. Tu lado del sofá es recuperar -por fin- el metro sesenta desde el que partí.
Tu lado del sofá
by Patricia BenitoDespués del éxito de Primero de poeta, Patricia Benito vuelve con su segundo poemario. Un canto a la magia de lo cotidiano, al pequeño lugar que ocupamos en el mundo. Tu lado del sofá es una despedida. Son los pedazos que no me atreví a rescatar del naufragio. Es un duelo a vida contra el espejo. Un sentirme nosotras. Es ser casa, canción de domingo y paz. Es un cuarto creciente a medio tempo. Es aprender a echar de menos sin que duela. Son todas esas veces que dejé de hacer por miedo a perder. Tu lado del sofá es recuperar -por fin- el metro sesenta desde el que partí.