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The Trojan Epic: Posthomerica (Johns Hopkins New Translations from Antiquity)
by Quintus of SmyrnaComposed in the third century A.D., the Trojan Epic is the earliest surviving literary evidence for many of the traditions of the Trojan War passed down from ancient Greece. Also known as the Posthomerica, or "sequel to Homer," the Trojan Epic chronicles the course of the war after the burial of Troy's greatest hero, Hektor.Quintus, believed to have been an educated Greek living in Roman Asia Minor, included some of the war's most legendary events: the death of Achilles, the Trojan Horse, and the destruction of Troy. But because Quintus deliberately imitated Homer's language and style, his work has been dismissed by many scholars as pastiche. A vivid and entertaining story in its own right, the Trojan Epic is also particularly significant for what it reveals about its sources—the much older, now lost Greek epics about the Trojan War known collectively as the Epic Cycle. Written in the Homeric era, these poems recounted events not included in the Iliad or the Odyssey. As Alan James makes clear in this vibrant and faithful new translation, Quintus's work deserves attention for its literary-historical importance and its narrative power. James's line-by-line verse translation in English reveals the original as an exciting and eloquent tale of gods and heroes, bravery and cunning, hubris and brutality. James includes a substantial introduction which places the work in its literary and historical context, a detailed and annotated book-by-book summary of the epic, a commentary dealing mainly with sources, and an explanatory index of proper names. Brilliantly revitalized by James, the Trojan Epic will appeal to a wide range of readers interested in Greek mythology and the legend of Troy.
The Trojan Women: A Comic
by Anne Carson EuripidesA fantastic comic-book collaboration between the artist Rosanna Bruno and the poet Anne Carson, based on Euripides’s famous tragedy A NEW YORK TIMES BEST GRAPHIC NOVEL OF 2021 Here is a new comic-book version of Euripides’s classic The Trojan Women, which follows the fates of Hekabe, Andromache, and Kassandra after Troy has been sacked and all its men killed. This collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson attempts to give a genuine representation of how human beings are affected by warfare. Therefore, all the characters take the form of animals (except Kassandra, whose mind is in another world).
The Troll That Was Misunderstood
by Melanie SmithThis book encourages readers to embrace their differences and understand that there’s no need to hide or change just to fit in with what others consider normal. Told in playful verse, the story is designed to delight little ears and invite them to join in with the tale. It teaches young readers an important lesson: everyone needs a friend, and sometimes, a kind word or a bit of encouragement is all it takes to include someone who may feel left out. In this charming story, the creatures of the village learn that just because someone looks a little different or lives in an unusual place, it doesn’t mean they aren’t a good person. You’ll discover how a lonely troll’s life is transformed by a simple act of kindness. I hope you enjoy reading this story as much as I enjoyed creating it.
The Trouble Ball: Poems
by Martín Espada"[An] important work . . . inspiring its readers to greater human connection and to keep fighting the good fight."--The Rumpus In this new collection of poems, Martín Espada crosses the borderlands of epiphany and blasphemy: from a pilgrimage to the tomb of Frederick Douglass to an encounter with the swimming pool at a center of torture and execution in Chile, from the adolescent discovery of poet Omar Khayyám to the death of an "illegal" Mexican immigrant. from "The Trouble Ball" On my father's island, there were hurricanes and tuberculosis, dissidents in jail and baseball. The loudspeakers boomed: Satchel Paige pitching for the Brujos of Guayama. From the Negro Leagues he brought the gifts of Baltasar the King; from a bench on the plaza he told the secrets of a thousand pitches: The Trouble Ball, The Triple Curve, The Bat Dodger, The Midnight Creeper, The Slow Gin Fizz, The Thoughtful Stuff. Pancho Coímbre hit rainmakers for the Leones of Ponce; Satchel sat the outfielders in the grass to play poker, windmilled three pitches to the plate, and Pancho spun around three times. He couldn't hit The Trouble Ball.
The Trouble with Poetry: And Other Poems
by Billy CollinsPlayfulness, spare elegance, and wit epitomize the poetry of Billy Collins. With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed. Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise. " Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet. " In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.
The Trouble with Poetry: And Other Poems
by Billy CollinsPlayfulness, spare elegance, and wit epitomize the poetry of Billy Collins. With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed. Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise." Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet." In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.From the Hardcover edition.
The True Account of Myself as a Bird (Penguin Poets)
by Robert WrigleyFrom an award-winning poet, a new collection that endeavors to pass along what the things of the earth are telling usOver the course of his career Robert Wrigley has won acclaim for the emotional toughness, sonic richness, and lucid style of his poems, and for his ability to fuse narrative and lyrical impulses. In his new collection, Wrigley means to use poetry to capture the primal conversation between human beings and the perilously threatened planet on which they love and live, proceeding from a line from Auden: &“All we are not stares back at what we are.&” In language that is both elegiac and playful, declarative and yet ringingly musical; in traditional sonnets, quatrains, and free verse, Wrigley transcribes the consciousness and significance of every singing thing—in order to sing back.
The True Book of Animal Homes
by Allison TitusAllison Titus reveals the animal in the human, and the human in the animal. Allison Titus’s newest poetry collection, The True Book of Animal Homes, is obsessed with animal and human alike, and how each one of us makes our home in the stations we hold—from the wilds of southern brambles to a desk in an office cubicle. This book ponders the question: how much wildness are we allowed in this life, and how do we claim that wildness? The poems of The True Book of Animal Homes leap and scurry after the truth on all fours, devouring us with sharp language and brave new forms.
The True Names of Birds
by Sue GoyetteNominated for the 1999 Governor General's Award for Poetry, the 1999 Pat Lowther Award and the 1999 Gerald Lampert Award and Globe 100 book for 1999 The True Names of Birds is the first book-length collection from a voice that has captured the attention of Canadian poetry readers for the last half-dozen years. Deeply centred in domestic life, Goyette's work is informed by a muscular lyricism. These are poems that push the limits, always true to their roots.
The Truro Bear and Other Adventures: Poems and Essays
by Mary OliverThe Truro Bear and Other Adventures, a companion volume to Owls and Other Fantasies and Blue Iris, brings together ten new poems, thirty-five of Oliver's classic poems, and two essays all about mammals, insects, and reptiles. The award-winning poet considers beasts of all kinds: bears, snakes, spiders, porcupines, humpback whales, hermit crabs, and, of course, her beloved but disobedient little dog, Percy.
The Truth Is Told Better This Way
by Liz WorthPulling from raw themes of grief and death, regret and discomfort, sadness and failure, Worth wears these poems down to their bones. Straddling dreamy, ethereal images and brutal honesty, The Truth is Told Better This Way unravels its secrets one line at a time. The result is oracular and surreal, as each piece could be read as a magic spell that mesmerizes as much as a poem that tantalizes the senses.
The Truth about Romanticism
by Tim MilnesHow have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative, and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and J8rgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.
The Truth of Houses
by Ann ScowcroftWinner of the 2011 Concordia University First Book Prize, Quebec Writers' Federation Literary Awards Poems exploring the idea of home and the difficulties of a deeply ambiguous relationship to that word. At once wise and achingly at a loss, Ann Scowcroft's The Truth of Houses is an elegant debut collection. While very intimate -- even startlingly intimate at times -- the voices of these poems are constantly taking a step backward, wrestling for a measure of distance and perspective. Reading them, we eavesdrop on the uncovering of a personal vernacular that might allow the present to be better lived; we have the sense of overhearing a particular yet eerily familiar inner struggle -- a struggle for insight, for an equanimity with which both narrator and fortunate reader might re-enter life anew.
The Truth of Poetry: Tensions in Modern Poetry from Baudelaire to the 1960s (Routledge Revivals)
by Michael HamburgerFirst published in 1982, The Truth of Poetry attempts to answer a seemingly simple question: What kind of truth does poetry offer in modern times? Michael Hamburger’s answer to this question ranges over the last century of European and American poetry, and the result is a phenomenology of modern poetry rather than a history of appreciations of individual poets. Stressing the tensions and conflicts in and behind the work of every major poet of the period, he considers the many different possibilities open to poets since Baudelaire. This expansive work of analysis will be of interest to students of English literature, poetry enthusiasts and literary historians.
The Tulip-Flame
by Chloe HonumTHE TULIP-FLAME traces an identity forming within radically divergent but interlocking systems: a family traumatized by the mother's suicide, a failed relationship, the practice of ballet, a garden.
The Turning of the Year
by Billy MartinSledding, splashing, catching fireflies, picking pumpkins--there's always something fun to do outdoors.
The Twelve Elves of Christmas
by Evie DayOn the first day of Christmas Santa asked, "Who's helping me?"I told him . . . "Leave everything to me and Elfie!"Count and sing along as more and more elves join in helping Santa with his festive jobs over the twelve days of Christmas! From three selfie-elfies snapping photos in Santa's grotto to five twinkling elves hanging lights to nine elves brushing the reindeer... and Santa's beard! An elf-filled twist on the infamous 'Twelve Days of Christmas' carol, this hilarious festive romp is the perfect book to share and read together.
The Twelve Trucks of Christmas
by Evie DayOn the first day of Christmas, Santa said: "I need . . . To build a land so very-merryyyy!"Count and sing along as all of Santa's trucks get to work to help build a very merry winter wonderland, just in time for Christmas! Hop on for this festive adventure and spot magic-mixers, jingle-scoopers and more . . . A twist on the infamous 'Twelve Days of Christmas' carol with TRUCKloads of fun, this hilarious festive romp will have little ones laughing and singing along in no time!
The Two Sillies
by Mary Anne Hoberman Lynne CravathTold in rhyme, the story is of two silly people and the way in which they help each other get a pet cat and get rid of mice.
The Two Standards
by Heather WintererHeather Winterer explores the intimate territory between desolation and consolation, offering a poetry that translates the distances between spiritual endings and beginnings, between an "after what it used to be" and "an arrival". The work enacts the model of St Ignatius Loyola, encouraging the collapse of lines between creation and creativity, time and space, the Christian and Christ, the self and the other. The voice of these poems moves exuberantly through various forms, resisting predication and celebrating its own multiplicity. With lyrical dexterity and humour, Winterer invites us into her world, a world of tangible absences and presences -- where the Mojave Desert and the city of Las Vegas become the unlikely sites of spiritual encounter. The god of this quirky world appears in cars, apartment buildings, and swimming pools and speaks to us through desert plants and birds. Everything from the outside -- natural and unnatural -- spills into the poems and they turn whatever they are given into movement away from darkness and loss, toward possibility, potency and grace.
The Two Standards (Mountain West Poetry Series)
by Heather WintererHeather Winterer explores the intimate territory between desolation and consolation, offering a poetry that translates the distances between spiritual endings and beginnings, between an "after what it used to be" and "an arrival." The work enacts the model of St. Ignatius Loyola, encouraging the collapse of lines between creation and creativity, time and space, the Christian and Christ, the self and the other. The voice of these poems moves exuberantly through various forms, resisting predication and celebrating its own multiplicity. With lyrical dexterity and humor, Winterer invites us into her world, a world of tangible absences and presences--where the Mojave Desert and the city of Las Vegas become the unlikely sites of spiritual encounter. The god of this quirky world appears in cars, apartment buildings, and swimming pools and speaks to us through desert plants and birds. Everything from the outside--natural and unnatural--spills into the poems and they turn whatever they are given into movement away from darkness and loss, toward possibility, potency and grace.
The Two Yvonnes: Poems (Princeton Series of Contemporary Poets #61)
by Jessica GreenbaumThis is the second collection from a Brooklyn poet whose work many readers will know from the New Yorker. Jessica Greenbaum's narrative poems, in which objects and metaphor share highest honors, attempt revelation through close observation of the everyday. Written in "plain American that cats and dogs can read," as Marianne Moore phrased it, these contemporary lyrics bring forward the challenges of Wisława Szymborska, the reportage of Yehuda Amichai, and the formal forays of Marilyn Hacker. The book asks at heart: how does life present itself to us, and how do we create value from our delights and losses? Riding on Kenneth Koch's instruction to "find one true feeling and hang on," The Two Yvonnes overtakes the present with candor, meditation, and the classic aspiration to shape lyric into a lasting force.Moving from 1960s Long Island, to 1980s Houston, to today's Brooklyn, the poems range in subject from the pages of the Talmud to a squirrel trapped in a kitchen. One tells the story of young lovers "warmed by the rays / Their pelvic bones sent over the horizon of their belts," while another describes the Bronx Zoo in winter, where the giraffes pad about "like nurses walking quietly / outside a sick room." Another poem defines the speaker via a "packing slip" of her parts--"brown eyes, brown hair, from hirsute tribes in Poland and Russia." The title poem, in which the speaker and friends stumble through a series of flawed memories about each other, unearths the human vulnerabilities that shape so much of the collection.From The Two Yvonnes:WHEN MY DAUGHTER GOT SICKHer cries impersonated all the world;The fountain's bubbling speech was just a trickBut still I turned and looked, as she implored,Or leaned toward muffled noises through the bricks:Just radio, whose waves might be her wav-ering, whose pitch might be her quavering,I turned toward, where, the sirens might be "SaveMe," "Help me," "Mommy, Mommy"—everythingShe, too, had said, since sloughing off the world.She took to bed, and now her voice stays fusedTo air like outlines of a bygone girl;The streets, the lake, the room—just places bruisedWithout her form, the way your sheets still holdRough echoes of the risen sleeper, cold.
The Type
by Sarah KaySarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices."Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.
The Táin: A New Translation of the Táin Bó Cúailnge
by Ciaran CarsonFor jealousy of her husband's prize bull, Medb, Queen of Connacht, takes her people to war to steal its match from Ulster -- the legendary Brown Bull of Cuailnge. With the Ulsterman stricken by a curse, only the youthful Cu Chulainn stands against Connacht's assembled armies, but in feats of supernatural strength and extravagant violence, he sets about bloodily disassembling them.<P> Full of black comedy and brutal action, The Tain is the great epic of Irish folk literature, and Ciaron Carson's translation perfectly captures its excitement, humour and earthiness.
The Ugly Pumpkin
by Dave HorowitzWith looks different than all the others in the pumpkin patch, Ugly Pumpkin is teased by his peers and never gets picked throughout the whole season, but after he leaves the patch and heads out on his own, Ugly Pumpkin discovers that he is special in his own way and ends up becoming the star of a wonderful Thanksgiving celebration!