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The Wheels on the Bus at Halloween

by Sarah Kieley

The favorite children's song "The Wheels on the Bus" gets a Halloween twist!Let's ride the bus on Halloween! Who will we find inside? Grab a ticket and hop aboard for a trick-or-treat bus ride! Families will love creating a new Halloween tradition as they sing along to this joyful, boisterous version of the classic song "The Wheels on the Bus." With a gaggle of adorable Halloween passengers—including pumpkins, witches, cats, and candy—this bright and festive book is sure to have children eager to read it (and sing it!) again and again. Peek-through "windows" in the front cover give kids a glimpse of the characters they'll find inside.And don't miss its companion book, The Wheels on the Bus at Christmas.

The Wheels on the Bus: A baby sing-along book (Peek and Play Rhymes #1)

by Pat-a-Cake

The Wheels on the Bus combines lively pictures with a classic rhyme that's easy for parents and carers to recognise and recite. Young children will adore singing along as the big bright bus trundles along. The spotting game at the end is a great incentive to go through the pages once again until each tiny thing is found! Nursery Rhymes are important stepping stones to language development. The rhymes usually tell a story, too, with a beginning, a middle and an end. This teaches children that events happen in sequence, and they begin to follow along. Nursery rhymes are also full of repetition making them easy to remember, and often become some of a child's first sentences. Also available: Hey Diddle Diddle, Twinkle Twinkle Little Star, Old Macdonald had a Farm

The Wherewithal: A Novel in Verse

by Philip Schultz

"One of the strongest literary renditions of the Shoah I know."--Saul Friedlander, Pulitzer Prize-winning author of The Years of Extermination I, one Henryk Stanislaw Wyrzykowski, Head Clerk of Closed Files, a department of one, work... in a forgotten well of ghostly sighs This astonishing novel in verse tells the story of Henryk Wyrzykowski, a drifting, haunted young man hiding from the Vietnam War in the basement of a San Francisco welfare building and translating his mother's diaries. The diaries concern the Jedwabne massacre, an event that took place in German-occupied Poland in 1941. Wildly inventive, dark, beautiful, and unrelenting, The Wherewithal is a meditation on the nature of evil and the destruction of war.

The Whiskey of Our Discontent: Gwendolyn Brooks as Conscience and Change Agent

by Quraysh Ali Lansana and Georgia A. Popoff

“[A] superb tribute . . . [an] essential collection” of essays analyzing the works of the preeminent twentieth-century poet and voice of social justice (Booklist).Winner of the Central New York Book Award for NonfictionFinalist for the Chicago Review of Books AwardPoet, educator, and social activist Gwendolyn Brooks was a singular force in American culture.The first black woman to be named United States poet laureate, Brook’s poetry, fiction, and social commentary shed light on the beauty of humanity, the distinct qualities of black life and community, and the destructive effects of racism, sexism, and class inequality.A collection of thirty essays combining critical analysis and personal reflection, The Whiskey of Our Discontent, presents essential elements of Brooks’ oeuvre—on race, gender, class, community, and poetic craft, while also examining her life as poet, reporter, mentor, sage, activist, and educator.“Gwendolyn Brooks wrote and performed her magnificent poetry for and about the Black people of Chicago, and yet it was also read with anguish, delight, and awe by white people, successive waves of immigrants, and ultimately the world.” —Bill Ayers, from the Introduction

The Whispering Gallery

by William Logan

The poems here delve into what William Logan calls the “ill-lit kingdom of the past. ” The book is haunted by the dead but equally penitent toward the rich insinuations of the living: the lost floral paradise of the Florida outlands, the steamy Gatsby summers of a Long Island childhood, the frozen stones of a colonial burying ground. This new collection of seventy-two poems will allow readers to delight in the richness of Logan’s language and the boldness of his vision. .

The White Bees

by Henry Van Dyke

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The White Calf Kicks

by Deborah Slicer

Poems on nature. The poet lives near Missoula, Montana.

The White Cat and the Monk: A Retelling of the Poem “Pangur Bán”

by Jo Ellen Bogart

A monk leads a simple life. He studies his books late into the evening and searches for truth in their pages. His cat, Pangur, leads a simple life, too, chasing prey in the darkness. As night turns to dawn, Pangur leads his companion to the truth he has been seeking.The White Cat and the Monk is a retelling of the classic Old Irish poem “Pangur Bán.” With Jo Ellen Bogart’s simple and elegant narration and Sydney Smith’s classically inspired images, this contemplative story pays tribute to the wisdom of animals and the wonders of the natural world.

The White Envelope (Sada Kham)

by Suchandra Chakraborty Moti Nandi

This is an English translation of the Sahitya Academy award-winning Bengali novel: Sada Kham, translated by Suchandra Chakraborty.

The White Eyelash: Poems (Books That Changed the World)

by Susan Kinsolving

A poetry collection of &“peculiar grace&” from the National Book Critics Circle Award finalist author of Dailies & Rushes (Brian Phillips, Poetry Magazine). Susan Kinsolving&’s first poetry collection, Dailies & Rushes, was hailed as a &“brilliant debut&” by the New York Times, and &“grand and almost terrifying&” by the New Yorker. In her new work, The White Eyelash, she turns the extremes of her recent experiences—especially those with her ageing, mentally ill mother—into poems of harsh factuality. This dark narrative sequence is highly contrasted by the humor presented in a section called &“Light Fare & Oddballs.&” Once again, Kinsolving exhibits a daunting range with signature style and substance. &“[The White Eyelash] finds the poet remembering her trouble mother, concentrating on visual detail or pursuing light-verse forms and verbal games with a demotically highbrow, casual grace. . . . Often organized around colors . . . these poems show a love for beauty and a casual line reminiscent of Eamon Grennan&’s.&” —Publishers Weekly

The White Goddess

by Robert Graves

A history of poetic myth of the White Goddess as maid, nymph and crone in many lands and many times.

The White Savannahs: The First Study of Canadian Poetry from a Contemporary Viewpoint

by Germaine Warkentin Douglas Lochhead W. E. Collin

The White Savannahs, originally published in 1936, is the first study of Canadian poetry from a modern point of view. It contains essays on Archibald Lampman, Marjorie Pickthall, E.J. Pratt, Leo Kennedy, A.M. Klein, A.J.M. Smith, F.R. Scott, Marie Le Franc, and Dorothy Livesay. The contributions are based on a series of analytical essays originally published in the Canadian Forum and in the University of Toronto Quarterly. Professor Collin's work added much to the establishment of a new climate of opinion among readers and publishers of poetry in Canada.

The White Stones

by Peter Gizzi J. H. Prynne

J. H. Prynne is Britain's leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne's career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.

The Whole Elephant

by Marlene Cookshaw

Shortlisted for the 1990 Dorothy Livesay Award for Poetry (BC Book Prizes) Marlene Cookshaw is a Cheshire cat of a poet whose naturally realized details illuminate a shifting wholeness on the "singing edge" between dream and waking. Hers is a quilted language at once covering and revealing our fascinating ordinariness. The long poem "In The Swim" subtly captures the desperate and humourous beauty of a seemingly plain life closely observed. Other poems leap with deftness and daring across the open plain of our lives, leaving images so strong, so strange, they verge on myth.

The Whole Motion: Collected Poems, 1945–1992 (Wesleyan Poetry Series)

by James Dickey

For over three decades, James Dickey has been one of the nation's most important poets and a prominent man of letters. The Whole Motion collects his poetic oeuvre into a single volume: 235 poems from his first book, Into the Stone (1960), to The Eagle's Mile (1990), along with previously uncollected poems and unpublished "apprentice" works.

The Whole Song: SELECTED POEMS

by Kenneth Warren Fred Whitehead Vincent Ferrini

With a voice emerging from class tensions, labor struggles, the Great Depression, and World War II, Vincent Ferrini lived as a people's poet crying out for an end to exploitation and organized greed. Radical Christian gnosis and the conviction that poetry should be more than a display of word-craft distinguished him from poets like T. S. Eliot, infusing his work with dynamic images of Christ as a fighter, a revolutionary, and a martyr in opposing the mighty for the sake of the poor.

The Wickedest

by Caleb Femi

A New York Times Book Review Editors' Choice and one of The Guardian's Best Poetry Books of 2024"[The Wickedest is] alive in the way poetry must be." —Dwight Garner, The New York Times"Atmospheric and intoxicating, lyrical and inviting, The Wickedest is a heady night in the dance, and Caleb Femi is the life of the literary party." —Candice Carty-Williams, author of QueenieAn immersive epic taking place over one night at an underground London house party, conjured by a multi-hyphenate sensation.Welcome to the Wickedest, the longest running house party in the South London shoob scene, always held at an undisclosed inner-city spot. You better hope you have the address: this is for locals only.Sweaty and cinematic, pulsing with rhythm and heat, every moment here—from one-on-one intimacies to the swell of the party’s collective roar—is refracted in Caleb Femi’s writing. Ingeniously blending conversations, text messages, sonnets, vignettes, monologues, photos, and lyrics, The Wickedest is a modern epic, told as a minute-by-minute chronicle of an unforgettable night out.Femi, a multi-hyphenate sensation and the author of Poor, which was called “a landmark debut for British poetry” by The Guardian, is a generational storyteller and scene setter. But The Wickedest does more than tell the story of one party; Femi uses the experience of nightlife to document the broader contexts surrounding the shoobs—the marginalization of low-income communities of color, the red tape that bars those on the edges from already shrinking communal space. Still, the party goes on. The Wickedest is a respite and a reckoning, a community of desire, care, and resistance that carries on long past the night’s end.

The Widow's Crayon Box: Poems

by Molly Peacock

A book-length sequence of poems that dares to affirm the vast variety of emotional colors in loss and rejuvenation. After her husband’s death, Molly Peacock realized she was not living the received idea of a widow’s mauve existence but instead was experiencing life in all colors. These gorgeous poems—joyful, furious, mournful, bewildered, sexy, devastated, whimsical and above all, moving—composed in sonnet sequences and in open forms, designed in four movements (After, Before, When, and Afterglow)—illuminate both the role of the caregiver and the crystalline emotions one can experience after the death of a cherished partner. With her characteristic virtuosity, her fearless willingness to confront even the most difficult emotions, and always with buoyancy and zest, Peacock charts widowhood in the twenty-first century. From “Touched:” After you died, I felt you next to me, and over months you entered gradually into that lake and disappeared. Not gone, but so internalized you’re not next to me.

The Widows' Handbook

by Jacqueline Lapidus Lise Menn

Widows convey their feelings and survival strategies in this compelling anthologyThe Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other. "The Widows' Handbook is a collection of poetry from 87 American women of all ages, legally married or not, straight and gay, whose partners or spouses have died. Some of the poets are already published widely--including more than a dozen prizewinners, four Pushcart nominees, and two regional poets laureate. Others are not as well known, and some appear in print for the first time here. With courage and wry humor, these women encounter insidious depression, poignant memories, bureaucratic nonsense, unfamiliar hardware, well-intentioned but thoughtless remarks, demanding work, spiritual revelation, and unexpected lust, navigating new relationships in the uncertain legacy of sexual liberation. They write frankly about being paralyzed and about going forward. Their poems are honest, beautiful, and accessible. Only poetry can speak such difficult truths and incite such intense empathy. While both men and women understand the bewilderment, solitude, and change of status thrust upon the widowed, women suffer a particular social demotion and isolation. Anyone who has lost a loved one or is involved in helping the bereaved will be able to relate to the experiences conveyed in The Widows' Handbook.

The Widows' Handbook

by Jacqueline Lapidus Lise Menn

Widows convey their feelings and survival strategies in this compelling anthologyThe Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other. "The Widows' Handbook is a collection of poetry from 87 American women of all ages, legally married or not, straight and gay, whose partners or spouses have died. Some of the poets are already published widely--including more than a dozen prizewinners, four Pushcart nominees, and two regional poets laureate. Others are not as well known, and some appear in print for the first time here. With courage and wry humor, these women encounter insidious depression, poignant memories, bureaucratic nonsense, unfamiliar hardware, well-intentioned but thoughtless remarks, demanding work, spiritual revelation, and unexpected lust, navigating new relationships in the uncertain legacy of sexual liberation. They write frankly about being paralyzed and about going forward. Their poems are honest, beautiful, and accessible. Only poetry can speak such difficult truths and incite such intense empathy. While both men and women understand the bewilderment, solitude, and change of status thrust upon the widowed, women suffer a particular social demotion and isolation. Anyone who has lost a loved one or is involved in helping the bereaved will be able to relate to the experiences conveyed in The Widows' Handbook.

The Wife of Bath

by Geoffrey Chaucer

The Wyves Tale of Bathe and prologue are among the best-known of Geoffrey Chaucer's Canterbury Tales. They give insight into the role of women in the Late Middle Ages and are probably of interest to Chaucer himself, for the character is one of his most developed ones, with her prologue twice as long as her tale.

The Wife of Willesden

by Zadie Smith

Zadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath&“Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes . . .&” In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer&’s classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden shows why Zadie Smith is one of the sharpest and most versatile writers working today.

The Wife of Willesden

by Zadie Smith

Zadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic "The Wife of Bath"&“Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes...&” In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer&’s classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden exemplifies why Zadie Smith is one of the sharpest and most versatile writers working today.

The Wild Book

by Margarita Engle

Fefa struggles with words. She has word blindness, or dyslexia, and the doctor says she will never read or write. Every time she tries, the letters jumble and spill off the page, leaping and hopping away like bullfrogs. How will she ever understand them? But her mother has an idea. She gives Fefa a blank book filled with clean white pages. "Think of it as a garden," she says. Soon Fefa starts to sprinkle words across the pages of her wild book. She lets her words sprout like seedlings, shaky at first, then growing stronger and surer with each new day. And when her family is threatened, it is what Fefa has learned from her wild book that saves them.

The Wild Fox of Yemen: Poems

by Threa Almontaser

Longlisted for the National Book Award for PoetryWinner of the Walt Whitman Award of the Academy of American Poets, selected by Harryette MullenBy turns aggressively reckless and fiercely protective, always guided by faith and ancestry, Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.

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