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The Whole Song: SELECTED POEMS
by Kenneth Warren Fred Whitehead Vincent FerriniWith a voice emerging from class tensions, labor struggles, the Great Depression, and World War II, Vincent Ferrini lived as a people's poet crying out for an end to exploitation and organized greed. Radical Christian gnosis and the conviction that poetry should be more than a display of word-craft distinguished him from poets like T. S. Eliot, infusing his work with dynamic images of Christ as a fighter, a revolutionary, and a martyr in opposing the mighty for the sake of the poor.
The Wickedest
by Caleb FemiA New York Times Book Review Editors' Choice and one of The Guardian's Best Poetry Books of 2024"[The Wickedest is] alive in the way poetry must be." —Dwight Garner, The New York Times"Atmospheric and intoxicating, lyrical and inviting, The Wickedest is a heady night in the dance, and Caleb Femi is the life of the literary party." —Candice Carty-Williams, author of QueenieAn immersive epic taking place over one night at an underground London house party, conjured by a multi-hyphenate sensation.Welcome to the Wickedest, the longest running house party in the South London shoob scene, always held at an undisclosed inner-city spot. You better hope you have the address: this is for locals only.Sweaty and cinematic, pulsing with rhythm and heat, every moment here—from one-on-one intimacies to the swell of the party’s collective roar—is refracted in Caleb Femi’s writing. Ingeniously blending conversations, text messages, sonnets, vignettes, monologues, photos, and lyrics, The Wickedest is a modern epic, told as a minute-by-minute chronicle of an unforgettable night out.Femi, a multi-hyphenate sensation and the author of Poor, which was called “a landmark debut for British poetry” by The Guardian, is a generational storyteller and scene setter. But The Wickedest does more than tell the story of one party; Femi uses the experience of nightlife to document the broader contexts surrounding the shoobs—the marginalization of low-income communities of color, the red tape that bars those on the edges from already shrinking communal space. Still, the party goes on. The Wickedest is a respite and a reckoning, a community of desire, care, and resistance that carries on long past the night’s end.
The Widow's Crayon Box: Poems
by Molly PeacockA book-length sequence of poems that dares to affirm the vast variety of emotional colors in loss and rejuvenation. After her husband’s death, Molly Peacock realized she was not living the received idea of a widow’s mauve existence but instead was experiencing life in all colors. These gorgeous poems—joyful, furious, mournful, bewildered, sexy, devastated, whimsical and above all, moving—composed in sonnet sequences and in open forms, designed in four movements (After, Before, When, and Afterglow)—illuminate both the role of the caregiver and the crystalline emotions one can experience after the death of a cherished partner. With her characteristic virtuosity, her fearless willingness to confront even the most difficult emotions, and always with buoyancy and zest, Peacock charts widowhood in the twenty-first century. From “Touched:” After you died, I felt you next to me, and over months you entered gradually into that lake and disappeared. Not gone, but so internalized you’re not next to me.
The Widows' Handbook
by Jacqueline Lapidus Lise MennWidows convey their feelings and survival strategies in this compelling anthologyThe Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other. "The Widows' Handbook is a collection of poetry from 87 American women of all ages, legally married or not, straight and gay, whose partners or spouses have died. Some of the poets are already published widely--including more than a dozen prizewinners, four Pushcart nominees, and two regional poets laureate. Others are not as well known, and some appear in print for the first time here. With courage and wry humor, these women encounter insidious depression, poignant memories, bureaucratic nonsense, unfamiliar hardware, well-intentioned but thoughtless remarks, demanding work, spiritual revelation, and unexpected lust, navigating new relationships in the uncertain legacy of sexual liberation. They write frankly about being paralyzed and about going forward. Their poems are honest, beautiful, and accessible. Only poetry can speak such difficult truths and incite such intense empathy. While both men and women understand the bewilderment, solitude, and change of status thrust upon the widowed, women suffer a particular social demotion and isolation. Anyone who has lost a loved one or is involved in helping the bereaved will be able to relate to the experiences conveyed in The Widows' Handbook.
The Widows' Handbook
by Jacqueline Lapidus Lise MennWidows convey their feelings and survival strategies in this compelling anthologyThe Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other. "The Widows' Handbook is a collection of poetry from 87 American women of all ages, legally married or not, straight and gay, whose partners or spouses have died. Some of the poets are already published widely--including more than a dozen prizewinners, four Pushcart nominees, and two regional poets laureate. Others are not as well known, and some appear in print for the first time here. With courage and wry humor, these women encounter insidious depression, poignant memories, bureaucratic nonsense, unfamiliar hardware, well-intentioned but thoughtless remarks, demanding work, spiritual revelation, and unexpected lust, navigating new relationships in the uncertain legacy of sexual liberation. They write frankly about being paralyzed and about going forward. Their poems are honest, beautiful, and accessible. Only poetry can speak such difficult truths and incite such intense empathy. While both men and women understand the bewilderment, solitude, and change of status thrust upon the widowed, women suffer a particular social demotion and isolation. Anyone who has lost a loved one or is involved in helping the bereaved will be able to relate to the experiences conveyed in The Widows' Handbook.
The Wife of Bath
by Geoffrey ChaucerThe Wyves Tale of Bathe and prologue are among the best-known of Geoffrey Chaucer's Canterbury Tales. They give insight into the role of women in the Late Middle Ages and are probably of interest to Chaucer himself, for the character is one of his most developed ones, with her prologue twice as long as her tale.
The Wife of Willesden
by Zadie SmithZadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath&“Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes . . .&” In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer&’s classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden shows why Zadie Smith is one of the sharpest and most versatile writers working today.
The Wife of Willesden
by Zadie SmithZadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic "The Wife of Bath"&“Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes...&” In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer&’s classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden exemplifies why Zadie Smith is one of the sharpest and most versatile writers working today.
The Wild Book
by Margarita EngleFefa struggles with words. She has word blindness, or dyslexia, and the doctor says she will never read or write. Every time she tries, the letters jumble and spill off the page, leaping and hopping away like bullfrogs. How will she ever understand them? But her mother has an idea. She gives Fefa a blank book filled with clean white pages. "Think of it as a garden," she says. Soon Fefa starts to sprinkle words across the pages of her wild book. She lets her words sprout like seedlings, shaky at first, then growing stronger and surer with each new day. And when her family is threatened, it is what Fefa has learned from her wild book that saves them.
The Wild Fox of Yemen: Poems
by Threa AlmontaserLonglisted for the National Book Award for PoetryWinner of the Walt Whitman Award of the Academy of American Poets, selected by Harryette MullenBy turns aggressively reckless and fiercely protective, always guided by faith and ancestry, Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.
The Wild God of the World: An Anthology of Robinson Jeffers
by Robinson Jeffers&“The forgotten giant of American poetry . . . For those who would discover Jeffers . . . this is the place to start—and a place to return again and again.&” —Tim Hunt, Washington State University Robinson Jeffers (1887-1962) is not only the greatest poet that the American West has produced but also a major poet of the twentieth century in the tradition of American prophetic poetry. This anthology serves as an introduction to Jeffers&’s work for the general reader and for students in courses on American poetry. Jeffers composed each volume of his verse around one or two long narrative or dramatic poems. The Wild God of the World follows this practice: in it, Cawdor, one of Jeffers&’s most powerful narratives, is surrounded by a representative selection of shorter poems. At the end of the book, the editor has provided revealing statements about Jeffers&’s poetry and poetics, and about his philosophy of nature and human nature. &“Of all the poets of his generation, [Robinson Jeffers] made our relation to this earth and sea and sky and wheeling seasons and the evolutionary processes that made trees and salmon runs and hunting hawks, his subject. As that relation grows more troubled, his words become more necessary. To have this beautifully edited and freshly seen anthology is a gift.&” —Robert Hass, University of California, Berkeley
The Wild Iris
by Louise GluckThis collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive.
The Wild Iris
by Louise GlückThis collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive. <P><P> Pulitzer Prize Winner
The Wild Knight and Other Poems
by G. K. ChestertonBorn in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as "The Christian ideal has not been tried and found wanting; it has been found difficult and left untried," stood 6'4" and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying, "Am at Market Harborough. Where ought I to be?" His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.
The Wild Party: The Lost Classic
by Joseph Moncure March"The Wild Party" is a raw, funny, tragic narrative poem about a couple working in Vaudeville, Queenie and Burrs, who decide to throw a party in their New York apartment in the 1920's. She is a beautiful dancer who has known many men; he, a successful clown who has charmed many women but who is also violent and mean. Their relationship is volatile, passionate and dangerous to them both. The poem introduces us to many characters, some innocent but looking for action, some jaded, some brutal. Queenie decides to use one guest, the handsome newcomer Black, to make Burrs jealous, albeit Black arrived with Queenie's friend Kate. As the party becomes progressively more chaotic and orgiastic, the love triangle intensifies beyond Queenie's own expectation, until tragedy occurs.
The Wild Swans at Coole: A Facsimile Edition (Yeats Facsimile Edition)
by George Bornstein William Butler YeatsA stunning facsimile of the 1919 first edition of William Butler Yeats’s The Wild Swans at Coole: an elegant volume showcasing these poems as they would have first been read and a complement to facsimile editions The Winding Stair and The Tower.Published in 1919 during W.B. Yeats’s “middle stage” and composed of poems written during World War I, The Wild Swans at Coole is contemplative and elegiac. This collection captures Yeats at a time when he was looking back on his life, coming to terms with the realities of modern war, reflecting on lost love, and defining his place in the world as a poet. It features forty poems, among them “The Fisherman,” “In Memory of Major Robert Gregory,” “The Wild Swans at Coole,” and “On Being Asked for a War Poem.” This facsimile of the original 1919 edition presents the reader with the work in its original form, with handsome old fashioned type, how readers and Yeats himself would have seen it in the early twentieth century. A great gift book and collector’s item, The Wild Swans at Coole also includes an Introduction and notes by esteemed Yeats scholar George Bornstein.
The Wild in You
by Lorna Crozier Ian McallisterA testament to the miraculous beings that share our planet and the places that they live, The Wild in You is a deeply-felt creative collaboration between one of our time's best nature photographers and a very talented and creative poet. Inspired by the majestic and savage beauty of Ian McAllister's photographs, Lorna Crozier translates the wild emotion of these images into the language of the human heart: poetry. Featuring over 30 beautiful full-size photographs of wolves, bears, sea lions, jellyfish, and other wild creatures paired with 30 original poems, The Wild in You challenges the reader to a deeper understanding of the connection between humans, animals, and our shared earth.
The Wilderness: Poems
by Sandra LimFrom the winner of the 2013 Barnard Women Poets Prize, chosen by Louise Glück, a daring and exuberant new collection. Moving through myths of the American landscape, the fatalism of American Puritanism, family history, New England winters, aesthetic theory, and the suavities and anxieties of contemporary life, the poems in this astonishing collection ultimately speak about the individual soul's struggle with its own meaning. "In its stern and quiet way Sandra Lim's The Wilderness is one of the most thrilling books of poetry I have read in many years" (Louise Glück). From "Aubade" From the last stars to sunrise the world is dark and enduring and emptiness has its place. Then, to wake each day to the world's unwavering limits, you have to think about passion differently, again.
The Wildness Pleases (Routledge Revivals): The Origins of Romanticism
by Christopher ThackerFirst published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
The Wilds of Poetry: Adventures in Mind and Landscape
by David HintonAn exploration of the emerging Western consciousness of how deeply we belong to the wild Cosmos, as seen through the lineage of modern America's great avant-garde poets --a thrilling journey with today's premier translator of the Chinese classics.Henry David Thoreau, in The Maine Woods, describes a moment on Mount Ktaadin when all explanations and assumptions fell away for him and he was confronted with the wonderful, inexplicable thusness of things. David Hinton takes that moment as the starting point for his account of a rewilding of consciousness in the West: a dawning awareness of our essential oneness with the world around us. Because there was no Western vocabulary for this perception, it fell to poets to make the first efforts at articulation, and those efforts were largely driven by Taoist and Ch’an (Zen) Buddhist ideas imported from ancient China. Hinton chronicles this rewilding through the lineage of avant-garde poetry in twentieth-century America—from Walt Whitman, Ezra Pound and Robinson Jeffers to Gary Snyder, W. S. Merwin, and beyond—including generous selections of poems that together form a compelling anthology of ecopoetry. In his much-admired translations, Hinton has re-created ancient Chinese rivers-and-mountains poetry as modern American poetry; here, he reenvisions modern American poetry as an extension of that ancient Chinese tradition: an ecopoetry that weaves consciousness into the Cosmos in radical and fundamental ways.
The Will to Change: Poems 1968-1970
by Adrienne Rich"The Will to Change is an extraordinary book of poems...It has the urgency of a prisoner's journal: patient, laconic, eloquent, as if determined thoughts were set down in stolen moments." --David Kalstone in The New York Times Book Review "The Will to Change must be read whole: for its tough distrust of completion and for its cool declaratives which fix us with a stare more unsettling than the most hysterical questions...It includes moments when poverty and heroism explode grammer with their own dignified unsyntactical demands...The poems are about departures, about the pain of breaking away from lovers and from an old sense of self. They discover the point where loneliness and politics touch, where the exercise of the radical courage takes its inevitable toll."--David Kalstone in The New York Times Book Review
The Willow Grove
by Laurie SheckLaurie Sheck interweaves the contemporary with the mythic, creating a realm in which such things as radios, skyscrapers, expressways, and mannequins are at once familiar and strange; immediate, yet tinged with the light of distance and myth. It is a realm where faces on a television newscast disappear "into the undertow / of hunger for the next thing and the next," and mannequins "stand in their angelic armor."Placed at intervals throughout these pages is a series of poems entitled "From The Book of Persephone," poems that explore the underworld through a fractured contemporary lens, depicting it as a psychological landscape of isolation and desire.As Mona Van Duyn said of Laurie Sheck's previous book, Io at Night, "When her sensibility and the reverberating myth are in perfect conjunction, the extraordinary happens: the mythical figure enters the poet's imagination so consumingly that it is impossible to tell whose life, whose feelings fill the form on the page."From the Hardcover edition.
The Wind Blew (Rise and Shine)
by Pat HutchinsA rhymed tale describing the antics of a capricious wind. <P><P>The wind blew, and blew, and blew! It blew so hard, it took everything with it: Mr. White’s umbrella, Priscilla’s balloon, the twins’ scarves, even the wig on the judge’s head. But just when the wind was about to carry everything out to sea, it changed its mind! <P><P>With rhyming verse and colorful illustrations, Pat Hutchins takes us on a merry chase that is well worth the effort. <P><P>Lexile Measure: AD520L
The Wind Blows Through the Doors of My Heart: Poems
by Deborah DiggesThis breathtaking collection of poems by Deborah Digges, published posthumously, brings us rich stories of family life, nature's bounty, love, and loss--the overflowing of a heart burdened by grief and moved by beauty.When Deborah Digges died in the spring of 2009, at the age of fifty-nine, she left this gathering of poems that returns to and expands the creative terrain we recognize as hers. Here are poems that bring to life her rural Missouri childhood in a family with ten children ("Oh what a wedding train / of vagabonds we were who fell asleep just where we lay"); the love between men and women as well as the devastation of widowhood ("love's house she goes dancing her grief-stricken dance / for his unpacked suitcases, . . . / . . . / his closets of clothes where I crouch like a thief"); and the moods of nature, which schooled her ("A tree will take you in, flush riot of needles light burst, the white pine / grown through sycamore"). Throughout, touching all subjects, either implicitly or explicitly, is the call to poetry itself.The final work from one of our finest poets, The Wind Blows Through the Doors of My Heart is a uniquely intimate collection, a sustaining pleasure that will stand to remind us of Digges's gift in decades to come.From the Hardcover edition.
The Wind Knocks and Other Poems
by Mohammad Alvi Baider Bakht Marie-Anne ErkiSelected poems of Mohammad Alvi in English translation from the Urdu by Baidar Bakht and Marie-Anne Erki. Introduction by Gopi Chand Narang, poems selected by Baidar Bakht. The very first poem, 'Empty House,' foreshadows the themes in the collection.