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Visiting Hours at the Color Line: Poems (National Poetry Ser.)

by Dan Beachy-Quick Ed Pavlic

Often the most recognized, even brutal, events in American history are assigned a bifurcated public narrative. We divide historical and cultural life into two camps, often segregated by a politicized, racially divided "Color Line." But how do we privately experience the most troubling features of American civilization? Where is the Color Line in the mind, in the body, between bodies, between human beings? Ed Pavlic's Visiting Hours at the Color Line, a 2012 National Poetry Series winner, attempts to complicate this black-and-white, straight-line feature of our collective imagination, and to map its nonlinear, deeply colored timbres and hues. From the daring prose poem to the powerful free verse, Pavlic's lines are musically infused, bearing tones of soul, R&B, and jazz. Meanwhile, joining the influence of James Baldwin with a postmodern consciousness the likes of Samuel Beckett, Pavlic tracks the experiences of American characters through situations both mundane and momentous, and exposes the many textures of this social, historical world as it seeps into the private dimensions of our lives. The resulting poems are intense-at times even violent-ambitious, and psychological, making Visiting Hours at the Color Line a poetic tour de force, by one of the century's most acclaimed American poets.

Visiting Picasso

by Jim Barnes

Detective Sergeant John Niven believed that he had adjusted to being adopted long ago. But a personal crisis makes him wonder about his origins, his career, and his future with his girlfriend Gill. Simultaneously, he is hunting a killer who might well be a fellow policeman, and when Gill becomes inexplicably entangled, Niven sinks deeper into the case. When he identifies a break in the investigation it helps him unravel the killer’s purpose and, he believes, the killer’s identity. In a final confrontation, it appears the fates have been cruelly mocking him and it seems he really is an orphan of chance.

Visits from the Seventh

by Sarah Arvio

Visits from the Seventh is a highly original debut. Arvio's wry, uncanny poems take the form of conversations between a woman and a throng on invisible presences--visitors, as she calls them--who counsel, challenge, cajole and comfort her. Together they murmur about destiny, the moon, a walk on Park Avenue, sex, ambition, dreams."Poets," writes Richard Howard, "find remarkable ways to talk to themselves, to divide and triumph, to split the speech-atom--'the journal of my other self,' Rilke called it. For women poets, (Christina Rossetti, say, or Virginia Woolf) voices from 'outside' are minatory; for men they are merely the Muse. Arvio has listened hard and heedfully to these hauntings of hers, certainly the most 'convincing' visitations since Merrill's Ouija-board transcriptions, and has arranged her overhearing in the readiest manner for her own listeners: the careful, shapely stanzas; the clear conundrum of spirit possession, which is Arvio's poetic incarnation. The whole series is an articulation of what we used to call 'the inner life': one woman's passionate questioning of her sources, and their equally passionate (if often derisive) answers. She has forged her own dialogue of the dead, somehow managing to be funny and erotic at once, pursued and in possession. I love hearing her persuasive voices; they are the woman herself."From the Hardcover edition.

Vistas in Reading Literature (Gold Level)

by Jacqueline L. Chaparro Judith L. Joyce Rena Moran Mary Ann Trost

Vistas in Reading Literature, Gold Level will introduce you to a wide variety of literature. You will read stories, poems, plays, and works of nonfiction in their original forms. These works have been written by world-famous authors such as Lewis Carroll, Joan Aiken, Isaac Asimov, Jean Craighead, Langston Hughes, Yoshiko Uchida, Lloyd Alexander, and Nikki Giovanni. Some of the works may make you laugh and others may make you cry. All of them should make you think.

Vistas in Reading Literature (Green Level)

by Jacqueline L. Chaparro Mary Ann Trost

Reading Literature will introduce you to a wide variety of literature. You will read stories, poems, plays, and works of nonfiction in their original forms. These works have been written by world-famous authors such as Anton Chekhov, Joan Aiken, Isaac Asimov, A. A. Milne, Langston Hughes, Rosemary Sutcliff, Carl Sandburg, and Alice Walker. Some of the works may make you laugh and others may make you cry. All of them should make you think.

Vita Nova

by Louise Gluck

Winner of the Nobel Prize in LiteratureIn Vita Nova, Pulitzer-Prize winning poet Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart itSince Ararat in 1990, Louise Glück has been exploring a form that is, according to the poet, Robert Hass, her invention. Vita Nova--like its immediate predecessors, a booklength sequence--combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring: a book of deaths and beginnings, resignation and hope; brutal, luminous, and far-seeing.Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, Glück compasses the essential human paradox. In Vita Nova, Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that thwart and shape it.

Vita Nuova

by Dante Alighieri

A unique treatise by a poet, written for poets, on the art of poetry, LA VITA NUOVA is elaborately and symbolically patterned, consisting of a selection of Dante's early poems, interspersed with his own prose commentary. The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of 'screen-loves', to his overwhelming grief ather death, ending with the transformative vision of her in heaven. These are some of the richest love poems in literature and the movement from self-pitying lament to praise for the beloved's beauty and virtue, illustrate the elevating power of love.

ViVa

by E. E. Cummings

Fresh and candid, but turns earthy, defiant, and romantic, E. E. Cummings' poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love. First published in 1931, ViVa contains four of E. E. Cummings' most experimental poems as well as some of his most memorable. The volume includes such no-famous celebrations as "i sing of Olaf glad and big" and "if there are any heavens my mother will (all be herself) have," along with such favorites as "Space being (don't forget to remember) Curved," "a clown's smirk in the skull of a baboon," and "somewhere I have never traveled, gladly beyond."

Vivas to Those Who Have Failed: Poems

by Martín Espada

Award-winning poet Martín Espada gives voice to the spirit of endurance in the face of loss. In this powerful new collection of poems, Martín Espada articulates the transcendent vision of another, possible world. He invokes the words of Whitman in “Vivas to Those Who Have Failed,” a cycle of sonnets about the Paterson Silk Strike and the immigrant laborers who envisioned an eight-hour workday. At the heart of this volume is a series of ten poems about the death of the poet’s father. “El Moriviví” uses the metaphor of a plant that grows in Puerto Rico to celebrate the many lives of Frank Espada, community organizer, civil rights activist, and documentary photographer, from a jailhouse in Mississippi to the streets of Brooklyn. The son lyrically imagines his father’s return to a bay in Puerto Rico: “May the water glow blue as a hyacinth in your hands.” Other poems confront collective grief in the wake of the killings at the Sandy Hook Elementary School and police violence against people of color: “Heal the Cracks in the Bell of the World” urges us to “melt the bullets into bells.” Yet the poet also revels in the absurd, recalling his dubious career as a Shakespearean “actor,” finding madness and tenderness in the crowd at Fenway Park. In exquisitely wrought images, Espada’s poems show us the faces of Whitman’s “numberless unknown heroes.”

Vivid: Poems & Notes About Color

by Julie Paschkis

Playful poems and facts celebrate the colors of the rainbow in this beautiful nonfiction picture book. Orange you sweet? Orange you plump and juicy? Orange you my favorite fruit?Hey - you’re a tangerine!B-lime-y.With information about the science of sight and perception, pigment origins in art and textiles, colloquial expressions and word associations, there's so much to see in each vivid spread—a wonderfully sensory read.- GODWIN BOOKS -

Vivir poco y llorando

by Rafael Alberti

La colección «Poesía portátil» nos trae Vivir poco y llorando, antología que permite explorar el mundo lírico de Rafael Alberti, uno de los poetas más representativos de la Generación del 27. Una reflexión de una intensidad extraordinaria sobre el amor, la nostalgia y el exilio. Esta selección recoge algunos de los poemas de un autor que ha llenado con sus versos las páginas más importantes de la poesía contemporánea, configurando una obra vasta y poderosa, comprometida con la lengua y la colectividad. Rafael Alberti (1902-1999) nació en Puerto de Santa María y en 1917 se trasladó con su familia a Madrid. Abandonó los estudios y se dedicó a la pintura. Sin embargo, a partir de 1921 consolidó su vocación poética y en los años siguientes frecuentó la Residencia de Estudiantes, donde conoció a Lorca, Dalí, Buñuel y otros artistas de la Generación del 27. En 1925 obtuvo el Premio Nacional de Literatura con Marinero en tierra. Tras la Guerra Civil, empezó un largo exilio que le llevó primero a París, donde trabó amistad con Neruda y Picasso, y luego a Argentina y Roma. Finalmente, el 27 de abril de 1977, treinta y ocho años más tarde, regresó a España. Personaje singular de nuestra historia reciente, su vida está ligada durante casi un siglo a los acontecimientos culturales, políticos y sociales más destacados de nuestro país. -------«A través de los siglos,por la nada del mundo,yo, sin sueño, buscándote.»-------

Vivir poco y llorando (Flash Poesía #Volumen)

by Rafael Alberti

La colección «Poesía portátil» nos trae Vivir poco y llorando, antología que permite explorar el mundo lírico de Rafael Alberti, uno de los poetas más representativos de la Generación del 27. Una reflexión de una intensidad extraordinaria sobre el amor, la nostalgia y el exilio. Esta selección recoge algunos de los poemas de un autor que ha llenado con sus versos las páginas más importantes de la poesía contemporánea, configurando una obra vasta y poderosa, comprometida con la lengua y la colectividad. Rafael Alberti (1902-1999) nació en Puerto de Santa María y en 1917 se trasladó con su familia a Madrid. Abandonó los estudios y se dedicó a la pintura. Sin embargo, a partir de 1921 consolidó su vocación poética y en los años siguientes frecuentó la Residencia de Estudiantes, donde conoció a Lorca, Dalí, Buñuel y otros artistas de la Generación del 27. En 1925 obtuvo el Premio Nacional de Literatura con Marinero en tierra. Tras la Guerra Civil, empezó un largo exilio que le llevó primero a París, donde trabó amistad con Neruda y Picasso, y luego a Argentina y Roma. Finalmente, el 27 de abril de 1977, treinta y ocho años más tarde, regresó a España. Personaje singular de nuestra historia reciente, su vida está ligada durante casi un siglo a los acontecimientos culturales, políticos y sociales más destacados de nuestro país. -------«A través de los siglos,por la nada del mundo,yo, sin sueño, buscándote.»-------

Vixen

by Sandra Ridley

Griffin Poetry Prize finalist Sandra Ridley offers a breathtaking, harrowing immersion in cruelty behind different veils: the medieval hunt, ecological collapse, and intimate partner violence. Sparked by a haunting chance encounter with a fox, and told in six chapters of varying form, Vixen is as visceral as it is mysterious, sensuous as it is terrifying. "Thicket" introduces us to stalking being akin to hunting; the similar threat of terror and—too often—a violent end. "Twitchcraft" locates the hunt in the home, the wild in the domestic, while "Season of the Haunt" explores the unrelenting nature of hunting. "Stricken" asks common questions that often implicitly justify such violence: Is the harassment ‘bad enough’ to allow us to label it criminal? Has all control been taken? Is the fear reasonable? Vixen propels us to examine the nature of empathy, what it means to be a compassionate witness —and what happens when brutality is so ever-present that we become numb. This is a beautiful, difficult, wild tapestry of defiance and survival.

Vladimir Nabokov

by Paul D. Morris

Vladimir Nabokov (1899-1977), the eminent Russian-American writer and intellectual, is best known for his novels, though he was also the author of plays, poems, and short stories. In this important new work, Paul D. Morris offers a comprehensive reading of Nabokov's Russian and English poetry, until now a neglected facet of his oeuvre. Morris' unique and insightful study re-evaluates Nabokov's poetry and demonstrates that poetry was in fact central to his identity as an author and was the source of his distinctive authorial - lyric - voice.After offering a critical overview of the multi-staged history of the reception of Nabokov's poetry and an extensive analysis of his poetic writing, Morris argues that Nabokov's poetry has largely been misinterpreted and its place in his oeuvre misunderstood. Through a detailed examination of the form and content of Nabokov's writings, Morris demonstrates that Nabokov's innovations in the realms of drama, the short story, and the novel were profoundly shaped by his lyric sensibility.

Vlarf (Hugh MacLennan Poetry Series #66)

by Jason Camlot

Holmes entered the cabinet / of the respectable reverend / (who was in fact a closet naturalist) / and found so many Victorian things.In the early 2000s flarf poetry emerged as an avant-garde movement that generated disturbing and amusing texts from the results of odd internet searches. In Vlarf Jason Camlot plumbs the canon of Victorian literature, as one would search the internet, to fashion strange, sad, and funny forms and feelings in poetry.Vlarf pursues expressions of sentiment that may have become unfamiliar, unacceptable, or uncool since the advent of modernism by mining Victorian texts and generic forms with odd inclinations, using techniques that include erasure, bout-rimé, emulation, adaptation, reboot, mimicry, abhorrence, cringe, and love. Erasures of massive volumes of prose by John Stuart Mill and John Ruskin become concise poems of condensed sadness; a reboot of Christina Rossetti’s “Goblin Market” is told from the perspective of a ten-year-old boy with an imaginary albatross pal; recovered fragments from an apocryphal book of Victorian nonsense verse are pieced together; a Leonard Cohen song about Queen Victoria is offered in a steampunk rendering; and a meditative guinea pig delivers a dramatic monologue in the vein of Robert Browning.Camlot moves through Victorian literature as a collector in a curiosity shop, seeking the oddest forms of feeling in language to shape them into peculiarly affective poems.

Vocabulary, Spelling, Poetry

by James A. Chapman Ed. D.

Stimulate your child's analytical and memorization skills with Vocabulary, Spelling, Poetry V. This text puts an emphasis on the origin of vocabulary words; word analysis through the study of prefixes, roots, and suffixes; word analogies; synonyms and antonyms; and classic poetry. <p><p>This text is broken down into 12 units; each unit includes 12 vocabulary words, 2 sets of 15 spelling words, a list of prefixes, roots, and suffixes; and 5 word exercises to help implement new concepts. Nine well-known poems are also included for recitation and memorization to enhance the appreciation of poetry.

Vocabulary, Spelling, Poetry III Quizzes

by Sarah Eshleman Calyn Ohman

Perceptions are important. When we misspell or misuse a word, others perceive us as being careless or lacking education. Give your homeschooler the reinforcement he needs to represent both his training and his Savior well with these prepared spelling and vocabulary quizzes. The quiz book is correlated with the text Vocabulary, Spelling, Poetry III, 5th ed., and the Homeschool English 9 Parent Guide/Student Daily Lessons, which calls for spelling and vocabulary study for seven of the nine weeks of each quarter. Answers and grading instructions are sold separately in the Vocabulary, Spelling, Poetry III Quiz Key. Grade 9. <p><p> Product Features<p> · Both spelling and vocabulary words are quizzed in a variety of ways such as dictation, recognition of misspelled words, application of spelling rules, and choosing the correct vocabulary word for the definition or context. The variety of formats both within quizzes and from quiz to quiz allows you to evaluate whether your teen truly has an understanding of the words.<br> · The 28 weekly quizzes include additional review words from the previous two lessons to give extra reinforcement to your teen’s learning.<br> · The 4 quarterly review quizzes are cumulative over the entire quarter or semester. This continued exposure to the words builds your ninth grader’s comfort and confidence in spelling the words, applying spelling rules to other words he encounters, and using the vocabulary words in his own speech and writing.

Vociferate

by Emily Sun

The poems in Emily Sun's debut poetry collection Vociferate were inspired by diasporic-Asian feminist writers. Like these writers, Emily resists both Eurocentric and patriarchal tropes as she explores the complexities of national and transnational identities, reflects upon the concept of belonging, and questions what it means to be Asian-Australian.

Voice and Context in Eighteenth-Century Verse: Order in Variety

by Allan Ingram Joanna Fowler

This collection of essays reassesses the importance of verse as a medium in the long eighteenth century, and as an invitation for readers to explore many of the less familiar figures dealt with, alongside the received names of the standard criticism of the period.

The Voice at 3: Selected Late & New Poems

by Charles Simic

From the Library of Congress web site: Charles Simic was born in Yugoslavia on May 9, 1938. His childhood was complicated by the events of World War II. He moved to Paris with his mother when he was 15; a year later, they joined his father in New York and then moved to Oak Park, a suburb of Chicago, where he graduated from the same high school as Ernest Hemingway. Simic attended the University of Chicago, working nights in an office at the Chicago Sun Times, but was drafted into the U.S. Army in 1961 and served until 1963. He earned his bachelor's degree from New York University in 1966. From 1966 to 1974 he wrote and translated poetry, and he also worked as an editorial assistant for Aperture, a photography magazine. He married fashion designer Helen Dubin in 1964. They have two children. He has been a U.S. citizen for 36 years and lives in Strafford, N.H. Simic is the author of 18 books of poetry. He is also an essayist, translator, editor and professor emeritus of creative writing and literature at the University of New Hampshire, where he has taught for 34 years. He won the Pulitzer Prize for Poetry in 1990 for his book of prose poems The World Doesn't End (1989). His 1996 collection, Walking the Black Cat, was a finalist for the National Book Award for Poetry. In 2005 he won the Griffin Prize for Selected Poems: 1963-2003. Simic will publish a new book of poetry, That Little Something, in February 2008. His most recent poetry volume is My Noiseless Entourage (2005). Simic held a MacArthur Fellowship from 1984-1989, and has also held fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He has received the Edgar Allan Poe Award, the PEN Translation Prize and awards from the American Academy of Arts and Letters and the National Institute of Arts and Letters. He was elected a Chancellor of the Academy of American Poets in 2000. On August 2, 2007, the same day he was appointed Poet Laureate, Simic received the $100,000 Wallace Stevens Award from the Academy of American Poets for "outstanding and proven mastery in the art of poetry."

The Voice at 3:00 A.M.

by Charles Simic

Charles Simic has been widely celebrated for his brilliant poetic imagery; his social, political, and moral alertness; his uncanny ability to make the ordinary extraordinary; and not least, the sardonic humor all his own. Gathering much of his material from the seemingly mundane minutiae of contemporary American culture, Simic matches meditations on spiritual concerns and the weight of history with a nimble wit, shifting effortlessly to moments of clear vision and intense poetic revelation. Chosen as one of the New York Library's 25 Books to Remember for 2003, The Voice at 3:00 A. M. was also nominated for a National Book Award. The recipient of many prizes, Simic most recently received Canada's Griffin Prize. The poems in this collection--spanning two decades of his work--present a rich and varied survey of a remarkable lyrical journey.In the StreetBeauty, dark goddess,We met and partedAs though we parted not.Like two stopped watchesIn a dusty store window,One golden morning of time.

The Voice in the Headphones

by David Grubbs

The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that “studio is the absence of pushback”—now that no audience is assembled—The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot.

Voice Over: a nomadic conversation with Mahmoud Darwish

by Breyten Breytenbach

Mahmoud Darwish, the Palestinian poet (1941 - 9 August 2008), was a friend. I was on Gorée Island when I learned of his death during the course of an open-heart intervention in Houston, America. We had been together a few weeks earlier in Arles, the south of France. Even at noon the foyer of the hotel where we stayed was as if drained of light by dusk. He knew how serious his condition was - it was either the very risky operation or the possibility of dying at any moment from an exploding aorta - and with an ironic smile he speculated about his chances of survival. That night, as the sun was setting in a yellow flood over the ancient open air Roman theater and as birds began singing the accumulated sweetness of a summer's day, he publicly read one last time from his work. The poems were shot through by an ongoing conversation with death. Immediately after his passing, I started writing the above series as fragments of a continuing dialogue. In West Africa it was then the onset of the rainy season moving north, the 'petit hivernage,' when black-blue clouds would skitter and close the skies. . . .The journey continues and the conversation will carry on, in the attempt to look for Mahmoud Darwish among the words.Breyten BreytenbachNew York, December 2008

The Voice Over: Poems and Essays (Russian Library)

by Maria Stepanova

Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war.The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.

The Voice That Is Great within Us: American Poetry of the Twentieth Century

by Hayden Carruth

This famous anthology includes the works of more than 130 major American poets of the modern period--Robert Frost, Paul Goodman, Carl Sandburg and Gwendolyn Brooks among them--along with short biographies of each.

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