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The View We're Granted (Johns Hopkins: Poetry and Fiction)
by Peter FilkinsThese poems consider large events, such as 9/11 and the Holocaust, as well as everyday concerns like quilting, ice skating, or the beauty of a stand of sugar maples in winter.Co-Winner of the Sheila Motton Book Award of the New England Poetry ClubIn the pivotal poem "Marking Time," which appears almost exactly halfway through Peter Filkins’s fourth collection of poetry, the speaker reflects on the death of a sibling and how time is marked by our memories. These memories, these moments—whether spent contemplating a painting by Vermeer or the simple toss of a bean bag—ultimately shape who we are. "Yet you are with me here, with me here again, / where neither that moon nor you exist, but live / tethered to this memory composed of words." These are poems unafraid to be graceful and engaging. They attain an assurance and stability rare in contemporary poetry, while their careful balance of sadness and joy reminds the reader of the difficult negotiations we make in life.
View with a Grain of Sand
by Wislawa SzymborskaFrom one of Europe's most prominent and celebrated poets, a collection remarkable for its graceful lyricism. With acute irony tempered by a generous curiosity, Szymborska documents life's improbability as well as its transient beauty to capture the wonder of existence. Preface by Mark Strand. Translated by Stanislaw Baranczak and Clare Cavanagh, winners of the PEN Translation Prize.
Vikram Seth’s Poetics of Pastiche
by Mélanie HeydariVikram Seth is a critical enigma. He is recognized as one of the most important Indian Anglophone authors of his generation; his individual works have been widely reviewed, yet his work has rarely been approached as a whole and remains surprisingly understudied. Perhaps the chief reason for the paucity of critical response to the full compass of Seth’s work is his disregard for intellectual fashion. Indeed, Seth is at once very popular and deliberately unfashionable. His literary affiliations are conservative; seemingly uninterested in any revisionary narrative, he is equally unconcerned by the interpenetration of cultures in our globalized world, representing assimilation rather than cultural difference. He defies the expectations of both postcolonial and world literature; therefore, to discuss his critical neglect is to shed light on the limitations of these labels. As the most thorough attempt to map a general poetics in Seth’s work, this study – the first of its kind on this writer– develops a new critical methodology to capture the nuances of Seth’s literary strategies. It provides scholars and students insight into the key features of Seth’s work and uncovers a consistent authorial strategy running through his seemingly disconnected body of work, namely a systematic use of intertextual practices.
Village Prodigies
by Rodney Jones“A novel in language as dense and lush and beautiful as poetry . . . [or] a book of poetry with the vivid characters and the narrative force of a novel? Whatever you care to call it, it’s a remarkable achievement.” — Richard Russo, Pulitzer Prize–winning author of Empire Falls Village Prodigies imagines the town of Cold Springs, Alabama, from 1950 to 2015 and unfurls its narrative reach as six boys—prodigies and swains—grow up and leave the familiarity of home and the rural South. Yet all prodigies, all memories, all stories inevitably loop back. Through a multiplicity of points of view and innovative forms, Rodney Jones plays with the contradictions in our experience of time, creating portals through which we travel between moments and characters, from the interior mind to the most exterior speech, from delusions to rational thought. We experience Alzheimer’s and its effect on family, listen to family lore and read family Facebook posts, relive war, and revive half-forgotten folktales and video games. In this deep examination of personal and communal memory, Jones blurs the lines between analog and digital, poetry and prose.
Vinculum: Poems
by Alice FrimanAlice Friman's latest collection, Vinculum, roots for deep connections between people, nature, retrospection, and the inevitable biological destiny of the body. Friman's work branches out from the core poem, "The Mythological Cod," to form a trellis of revelations on religion, sex, humor, science, and history.Her poems embrace the painful uncertainty of existence and relationships with clear-cut precision. The defiance and directness of Vinculum is matched by its musicality, creating a rich but fragile weave of human attachment.
Vinegar Hill: Poems
by Colm TóibínFrom the New York Times best-selling author of Brooklyn, Colm Tóibín&’s first collection of poetry explores sexuality, religion, and belonging through a modern lens.Fans of Colm Tóibín&’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality. The poems reflect a life well-traveled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin, and crossing the bridges of Venice to visiting the White House, readers will travel through familiar locations and new destinations through Tóibín&’s unique lens.Within this rich collection of poems written over the course of several decades, shot through with keen observation, emotion, and humor, Tóibín offers us lines and verses to provoke, ponder, and cherish.
The Vintage Book of Contemporary American Poetry
by J. D. McClatchyDazzling in its range, exhilarating in its immediacy and grace, this collection gathers together, from every region of the country and from the past forty years, the poems that continue to shape our imaginations. From Robert Lowell and Elizabeth Bishop, John Ashbery and Adrienne Rich, to Robert Haas and Louise Gluck, this anthology takes the full measure of our poetry's daring energies and its tender understandings.
The Vintage Book of Contemporary World Poetry
by J. D. McClatchyThis groundbreaking volume may well be the poetry anthology for the global village. As selected by J. D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W. S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A. K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott--and more.
Vinyl Moon
by Mahogany L. BrowneA teen girl hiding the scars of a past relationship finds home and healing in the words of strong Black writers. A beautiful sophomore novel from a critically acclaimed author and poet that explores how words have the power to shape and uplift our world even in the midst of pain."A true embodiment of the term Black Girl Magic.&” –Booklist When Darius told Angel he loved her, she believed him. But five weeks after the incident, Angel finds herself in Brooklyn, far from her family, from him, and from the California life she has known. Angel feels out of sync with her new neighborhood. At school, she can&’t shake the feeling everyone knows what happened—and that it was her fault. The only place that makes sense is Ms. G&’s class. There, Angel&’s classmates share their own stories of pain, joy, and fortitude. And as Angel becomes immersed in her revolutionary literature course, the words from Black writers like Toni Morrison, James Baldwin, and Zora NEale Hurston speak to her and begin to heal the wounds of her past.This stunning novel weaves together prose, poems, and vignettes to tell the story of Angel, a young woman whose past was shaped by domestic violence but whose love of language and music and the gift of community grant her the chance to find herself again.
The Violence of Modernity: Baudelaire, Irony, and the Politics of Form (Parallax: Re-visions of Culture and Society)
by Debarati SanyalThe Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France.Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
Violet Bent Backwards Over the Grass
by Lana Del ReyTHE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS 'Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I&’m proud of them, especially because the spirit in which they were written was very authentic. Lana Del Rey Lana&’s breathtaking first book solidifies her further as 'the essential writer of her times' (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum and many more. This beautiful hardcover edition showcases Lana&’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.
Violet Bent Backwards Over the Grass
by Lana Del ReyTHE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS &“Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I&’m proud of them, especially because the spirit in which they were written was very authentic.&”—Lana Del Rey Lana&’s breathtaking first book solidifies her further as &“the essential writer of her times&” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana&’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.
Violet Bent Backwards Over the Grass
by Lana Del ReyThe New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass.&“Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I&’m proud of them, especially because the spirit in which they were written was very authentic.&” —Lana Del Rey Lana&’s breathtaking first book solidifies her further as &“the essential writer of her times&” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana&’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award–winning musician Jack Antonoff.
Violets: A Collection Of Inspirational Poems By The Women Of Delta Sigma Theta Sorority Incorporated
by Shahari MooreViolets is a collection of poems by the women of Delta Sigma Theta Sorority Incorporated, the largest African American Sorority in the world. The 22 contributing poets bring range, color, complexity and inspiration to the page.
Virgil in the Renaissance
by David Scott Wilson-OkamuraThe disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. What became of Virgil in this period - how he was understood and how his poems were recycled - is an example of something that occurs to every classic when it outlives it original context: the words remain but their meaning becomes unsponsored. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry.
Virgil's Double Cross: Design and Meaning in the Aeneid
by David QuintThe message of Virgil's Aeneid once seemed straightforward enough: the epic poem returned to Aeneas and the mythical beginnings of Rome in order to celebrate the city's present world power and to praise its new master, Augustus Caesar. Things changed when late twentieth-century readers saw the ancient poem expressing their own misgivings about empire and one-man rule. In this timely book, David Quint depicts a Virgil who consciously builds contradiction into the Aeneid. The literary trope of chiasmus, reversing and collapsing distinctions, returns as an organizing signature in Virgil's writing: a double cross for the reader inside the Aeneid's story of nation, empire, and Caesarism. Uncovering verbal designs and allusions, layers of artfulness and connections to Roman history, Quint's accessible readings of the poem's famous episodes--the fall of Troy, the story of Dido, the trip to the Underworld, and the troubling killing of Turnus—disclose unsustainable distinctions between foreign war/civil war, Greek/Roman, enemy/lover, nature/culture, and victor/victim. The poem's form, Quint shows, imparts meanings it will not say directly. The Aeneid's life-and-death issues—about how power represents itself in grand narratives, about the experience of the defeated and displaced, and about the ironies and revenges of history—resonate deeply in the twenty-first century.This new account of Virgil's masterpiece reveals how the Aeneid conveys an ambivalence and complexity that speak to past and present.
Virgil’s Eclogues and the Art of Fiction
by Raymond KaniaMany scholars have seen ancient bucolic poetry as a venue for thinking about texts and textuality. This book reassesses Virgil's Eclogues and their genre, arguing that they are better read as fiction - that is, as a work that refers not merely to itself or to other texts but to a world of its own making. This makes for a rich work of art and an object of legitimate aesthetic and imaginative engagement. Increased attention to the fictionality of Virgilian poetry also complicates and enriches the Eclogues' social and political dimensions. The book offers new interpretations of poems like Eclogues 5 and 9, which, according to traditional allegorical readings, concern Julius Caesar and the confiscation of lands under Octavian, respectively. It shows how the Eclogue world stands in a less stable relation to reality; these poems challenge readers at every turn to reimagine the relationship between fiction and the real.
Virgil's Gaze: Nation and Poetry in the Aeneid
by J. D. ReedVirgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
Virgil's Homeric Lens (Routledge Monographs in Classical Studies)
by Edan DekelVirgil’s Homeric Lens reevaluates the traditional view of the Aeneid’s relationship to Homer’s Iliad and Odyssey. Almost since the death of Virgil, there has been an assumption that the Aeneid breaks into two discrete halves: Virgil’s Odyssey, and Virgil’s Iliad. Although modified in various ways over the centuries, this neat dichotomy has generally diminished the complexity and resonance of the connection between the two canonical epic poets. This work offers an alternate approach in which Virgil uses the transformative power of the Odyssey as a precise filter through which to read the Iliadic experience. By examining the ways in which Virgil bases his own epic project on the dynamic interaction between the two Homeric poems themselves, Edan Dekel proposes a system in which the Aeneid uses the Odyssey both as a conceptual model for writing an intertextual epic and as a powerful refracting lens for the specific interpretation of the Iliad and its consequences. The traditional view of the Homeric poems as static sources for the construction of distinct "Odyssean" and "Iliadic" halves of the Aeneid is supplanted by an analysis which emphasizes the active and persistent influence of the Odyssey as a guide to processing the major thematic concerns of the Iliad and exploring the multiple aftermaths of the Trojan war.
Virtualis: Topologies of the Unreal
by David Dowker Christine StewartVirtualis: Topologies of the Unreal is a poetic investigation of melancholia and the baroque. As a collaborative reading of writers such as Walter Benjamin, Christine Buci-Glucksmann, Giorgio Agamben, Gilles Deleuze, Charles Baudelaire and Arthur Rimbaud, David Dowker and Christine Stewart have created a series of linguistic interjections that run from the allegorical barricades of the baroque to the topological confound of the modern, incorporating (for example) Medusa and the Sphinx, aestivating snails and the alchemy of bees. Lush and extravagant, this is writing tuned in to the terrestrial spectacle.
The Virtues of Poetry
by James LongenbachAn illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe)"This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's prefaceThe Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
Vise and Shadow: Essays on the Lyric Imagination, Poetry, Art, and Culture
by Peter BalakianPeter Balakian is a renowned poet, scholar, and memoirist; but his work as an essayist often prefigures and illuminates all three. "I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination," he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, "as in grabbing and holding with pressure," but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure "as carbon might be put under pressure to create a diamond. " And shadow, the second half of the title: both as noun, "the shaded or darker portion of the picture or view or perspective," "partial illumination and partial darkness"; and as verb, to shadow, "to trail secretly as an inseparable companion" or a "force that follows something with fidelity; to cast a dark light on something--a person, an event, an object, a form in nature. " Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, "shadows history," and "casts its own type of illumination," creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory.
Vise and Shadow: Essays on the Lyric Imagination, Poetry, Art, and Culture
by Peter BalakianPeter Balakian is a renowned poet, scholar, and memoirist; but his work as an essayist often prefigures and illuminates all three. "I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination," he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, "as in grabbing and holding with pressure," but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure "as carbon might be put under pressure to create a diamond." And shadow, the second half of the title: both as noun, "the shaded or darker portion of the picture or view or perspective," "partial illumination and partial darkness"; and as verb, to shadow, "to trail secretly as an inseparable companion" or a "force that follows something with fidelity; to cast a dark light on something—a person, an event, an object, a form in nature."Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, "shadows history," and "casts its own type of illumination," creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory.
The Visible: Poems
by Bruce BondIn The Visible, we enter into a surreal landscape "where it is neither day nor night / but both at once," where light becomes an imaginative force that both illuminates and obscures. The illegible draws us closer to the page-the visible revealed, paradoxically, by what we cannot see.Though these formally restrained poems possess an abstract and introspective intensity, Bond grounds them in the everyday. Both vivid and speculative, the chiseled lyrics breathe. In "My Mother's Closet," the pages of medical books become holy and horrendous, "soiled at the corners, the mind's / terrific passages shocked with highlight, / glossed with scratches in a mother's hand."
Visible Signs
by Lawrence RaabA poem by Lawrence Raab is a carefully chosen and precisely rendered moment—a poised and elegant meditation on the nature of memory. This new collection includes a selection from each of Raab's five previous books of poetry, as well as twenty-one new poems. Readers will delight in their wide-ranging subjects, from "Miles Davis on Art" to "Saint Augustine's Dog," from the inventions of Rube Goldberg to the recklessness of dreams. .