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Wallace Stevens and the Aesthetics of Abstraction
by Edward RaggEdward Ragg's study is the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.
Wallace Stevens and the Contemporary Irish Novel: Order, Form, and Creative Un-Doing (Routledge Studies in Irish Literature)
by Ian TanWallace Stevens and the Contemporary Irish Novel is a major contribution to the study of the literary influence of the American modernist poet Wallace Stevens. Stevens’s lifelong poetic quest for order and the championing of the creative affordances of the imagination finds compelling articulation in the positioning of the Irish novel as a response to larger legacies of Anglo-American modernism, and how aesthetic re-imagining can be possible in the aftermath of the destruction of certainties and literary tradition heralded by postmodern practice and metatextual consciousness. It is this book’s argument that intertextual influences flowing from Stevens’s poetry towards the vitality of the novelistic imagination enact robust dialectical exchanges between existential chaos and artistic order, contemporary form and poetic precursors. Through readings of novels by important contemporary Irish novelists John Banville, Colum McCann, Ed O’Loughlin, Iris Murdoch, and Emma Donoghue, this book contemporizes Stevens’s literary influence with refence to novelistic style, themes, and thematic preoccupations that stake the claim for the international status of the contemporary Irish novel as it shapes a new understanding of “world literature” as exchange between national languages, cultures, and alternative formulations of aesthetic modernity as continuing project.
Wallace Stevens and the Realities of Poetic Language (Studies in Major Literary Authors)
by Stefan HolanderThis study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Wallace Stevens, New York, and Modernism: Wallace Stevens, New York, And Modernism (Routledge Studies in Twentieth-Century Literature #24)
by Bart Eeckhout Lisa GoldfarbThis unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens’ life, both at a biographical and poetic level.
Walt Whitman: The Measure of His Song
by Ed Folsom Dan Campion Jim PerlmanFirst published to wide critical acclaim in 1981, this revised and expanded monumental anthology charts the ongoing American and international response to the legacy of the seminal poet Walt Whitman (1819-1892). <P> Beginning with Ralph Waldo Emerson's famous 1855 letter ("I greet you at the beginning of a great career..."), this new edition contains responses from Thoreau, Pound, Lawrence, Neruda, Borges, Ginsberg, Jordan, Duncan, Le Sueur, Rich, Snyder and Alexie, among many others. "I know of no more convincing proof of Walt Whitman's impact upon the poetic mind (both at home and abroad) than this collection of tributes by poets -- in prose and verse" -- Gay Wilson Allen, The Solitary Singer.Includes 17 black & white photos.
Walt Whitman: A Life
by Justin Kaplan“Whitman emerges from this biography alive and kicking—hugely human, enormously attractive.” —NewsweekA moving, penetrating, sharply focused portrait of America’s greatest poet—his genius, his passions, his androgynous sensibility—an exuberant life entwined with the turbulent history of mid-nineteenth century America. In vivid detail, Justin Kaplan, winner of the Pulitzer Prize and the National Book Award, examines the mysterious selves of this enigmatic man whose bold voice of joy and sexual liberation embraced a growing nation…and exposes the quintessential Whitman, that perfect poet whose astonishing verse made “words sing, dance, kiss, copulate” for an entire world to hear.
Walt Whitman: A Literary Life (Literary Lives)
by Linda Wagner-MartinWalt Whitman: A Literary Life highlights two major influences on Whitman’s poetry and life: the American Civil War and his economic condition. Linda Wagner-Martin performs a close reading of many of Whitman’s poems, particularly his Civil War work (in Drum-Taps) and those poems written during the last twenty years of his life. Wagner-Martin’s study also emphasizes the near-poverty that Whitman experienced. Starting with his early career as a printer and journalist, the book moves to the publication of Leaves of Grass, and his cultivation of the persona of the “working-class” writer. In addition to establishing Whitman’s attention to the Civil War through journalism and memoirs, the book takes the approach of following Whitman’s life through his poems. Utilizing contemporary perspectives on class, Wagner-Martin provides a new reading of Whitman’s economic situation. This is an accessibly written synthesis of Whitman’s publication history bringing attention to under-studied aspects of his writing.
Walt Whitman: The Complete Poems
by Walt WhitmanIn 1855 Walt Whitman published Leaves of Grass, the work that defined him as one of America's most influential voices and that he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful "Song of Myself" and "I Sing the Body Electric" to the elegiac "When Lilacs Last in the Dooryard Bloom'd," Whitman's art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman's known poetic work, this edition reprints the final, or "deathbed," edition of Leaves of Grass (1891-92). Earlier versions of many poems are also given, including the 1855 "Song of Myself." Features a completely new--and fuller--introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibility Includes chronology, updated suggestions for further reading, and extensive notes. Edited, with an introduction and notes by Francis Murphy.
Walt Whitman and British Socialism: ‘The Love of Comrades’ (Routledge Studies in Nineteenth Century Literature)
by Kirsten HarrisThis is the first sustained examination of Walt Whitman’s influence on British socialism. Harris combines a contextual historical study of Whitman’s reception with focused close readings of a variety of poems, books, articles, letters and speeches. She calls attention to Whitman’s own demand for the reader to ‘himself or herself construct indeed the poem, argument, history, metaphysical essay’, linking Whitman’s general comments about active reading to specific cases of his fin de siècle British socialist readership. These include the editorial aims behind the Whitman selections published by William Michael Rossetti, Ernest Rhys, and W. T. Stead and the ways that Whitman was interpreted and appropriated in a wide range of grassroots texts produced by individuals or groups who responded to Whitman and his poetry publicly in socialist circles. Harris makes full use of material from the C. F. Sixsmith and J. W. Wallace and the Bolton Whitman Fellowship collections at John Rylands, the Edward Carpenter collection in the Sheffield Archives, and the Archives of Swan Sonnenschein & Co. at the University of Reading. Much of this archive material – little of which is currently available in digital form – is discussed here in full for the first time. Accordingly, this study will appeal to those with interest in the archival history of nineteenth-century literary culture, as well as the connections to be made between literary and political culture of this era more generally.
Walt Whitman and the Civil War: America's Poet During the Lost Years of 1860-1862
by Ted GenowaysTed Genoways reconstructs those forgotten years--locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published.
Walt Whitman and the Culture of American Celebrity
by David Haven BlakeThis book tells the story of how an obscure Brooklyn poet, better known for his political journalism than verse, immersed himself in the culture of celebrity that was then emerging in the United States. Hoping to redress the mounting divisions in his country, he declared that the poet would become the center of American civic life, that he would command more power and sway than the political representatives he expected to supersede. As Whitman imagined it, the story of celebrity would be the story of democracy. He hoped that the nation's narrow political institutions would undergo an extraordinary transformation once they encountered the populist power embodied in the poet's fame.
Walt Whitman's America: A Cultural Biography
by David S. ReynoldsEmphasizes how his times (1820s through 1890s) influenced his poetry and how he sought to influence a nation through his writing.
Walter Ralegh: Everyman's Poetry
by Walter Ralegh Martin DodsworthA selection of Sir Walter Ralegh's poetry, edited by Martin Dodsworth
Walter Ralegh: Everyman Poetry
by Sir Walter RaleghA selection of Sir Walter Ralegh's poetry, edited by Martin Dodsworth
Waltharius and Ruodlieb (Routledge Revivals #Vol. Mla13)
by Dennis M. KratzPublished in 1984: The Waltharius and Ruodlieb are considered by many scholars to be among the finest works of medieval Latin literature. Both the Waltharius, composed by an anonymous eleventh-century poet from Southern Germany, are heroic narratives that provide examples of the creative transformation of the Latin epic tradition into a vehicle for expression of Christian values.
The Wanderer: Elegies, Epics, Riddles (Legends from the Ancient North)
by Petra BornerPart of a new series Legends from the Ancient North, The Wanderer tells the classic tales that influenced JRR Tolkien's The Hobbit and The Lord of the Rings'So the company of men led a careless life,All was well with them: until One beganTo encompass evil, an enemy from hell.Grendel they called this cruel spirit...'J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales.Legends from the Ancient North brings together from Penguin Classics five of the key works behind Tolkien's fiction.They are startling, brutal, strange pieces of writing, with an elemental power brilliantly preserved in these translations.They plunge the reader into a world of treachery, quests, chivalry, trials of strength.They are the most ancient narratives that exist from northern Europe and bring us as near as we will ever get to the origins of the magical landscape of Middle-earth (Midgard) which Tolkien remade in the 20th century.
The Wanderer King
by Theodore Deppe"In these elegant and searing poems, Theodore Deppe gives voice to the full complexity of human character, creating a world that is charged and expansive. With cinematic vividness and stunning eloquence, these poems examine the tensions between hope and despair, responsibility and mystery - as if a sacred universe we were in danger of losing had been stayed at the moment of vanishing. The dramatic monologues are a triumph of the imagination." --Betsy Sholl
The Wanderer's Havamal
by Jackson CrawfordThe Wanderer&’s Hávamál features Jackson Crawford&’s complete, carefully revised English translation of the Old Norse poem Hávamál, newly annotated for this volume, together with the original Old Norse text sourced directly from the Codex Regius manuscript. Crawford&’s classic Cowboy Hávamál, and translations of other related texts central to understanding the character, wisdom, and mysteries of Óðinn (Odin), round out the volume. Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.
The Wandering Radiance: Selected Poems of Hilde Domin
by Hilde DominHilde Domin was one of the most highly regarded German poets of the 20th century. Her work was deeply influenced by her time in exile and the loss of homeland. A poet of the Jewish faith, she fled political developments in Germany in 1932 and spent more than twenty years of her life in various countries including the Dominican Republic, which became her self-chosen namesake. After returning home to Germany from exile she became known as the "poet of return" and received numerous honors for her literary work, including the Carl Zuckmayer Medal, the Nelly Sachs Prize, and the Grand Federal Cross of Merit. The Wandering Radiance is a selection of poems that spans decades. Presented bilingually, many of these poems appear here for the first time in English, brilliantly translated by Mark S. Burrows.
Wannabe Farms
by Brian McCann"A hilarious book for animal lovers and risk takers everywhere! Brian McCann introduces us to Wannabe Farms, and we never want to leave." - Amy PoehlerFrom acclaimed comedy writer Brian McCann comes Wannabe Farms, the insanely funny, rhyming collection of stories that asks the question: What do farmyard animals really want to do with their lives?Welcome to Wannabe Farms, a farmyard where the animals like to wonder and dream, plot and scheme, and definitely not act how they're supposed to. In rhyming verse, Brian McCann (writer for Conan O'Brien) shows us what happens when cows want to drive, pigs dream of being sophisticates, and sheep take their hairstyles into their own hands (well, hooves). Together, what emerges is a delightful, hysterical romp through the farmyard, as animals discover the place where dreams meet their limits, and the power of adjusted expectations. With hilarious two-color illustrations on every spread, this collection of stories brings Shel Silverstein and Old MacDonald together in a way readers young and old have never seen before!
Wannabe Hoochie Mama Gallery of Realities' Red Dress Code: New and Selected Poems
by Thylias MossThis career-spanning volume by Thylias Moss, one of America's most revered literary innovators, conveys the dazzling spectrum of her hypnotic poetic output, written over the past thirty-five years and including selections from each previous book as well as previously unpublished new poems. A poet whose innovations have influenced generations of writers, Thylias Moss is a sort of taxonomist-preacher, whose profound meditation on American culture underlies and propels the dazzling lyrical and impassioned passages she writes in outraged response. This new volume gathers together substantial selections from her previous books and follows them with more than fifty pages of daring new work. Whether in early poems or more recent output, Moss make no promises of smooth sailing: even when they begin with beloved cultural icons (Robert Frost, Dr. Who, the Statue of Liberty), her poems spiral outward, insisting on new perspectives, truths, and realities--particularly of African American experience. For more than three decades, Moss has been a fearless re-inventor of poetry's possibilities. Her New & Selected is a momentous publication by "a visionary storyteller, a major figure in contemporary American poetry" (Charles Simic).
The Wanting Way: Poems
by Adam WolfondIn The Wanting Way, the second book in Multiverse—a literary series written and curated by the neurodivergent—Adam Wolfondproves more than willing to “extend the choreography.”In fact, his entire thrust is out and toward. Each poem moves out along its own underutilized pathway, awakening unseen dimensions for the reader like a wooded night walk suddenly lit by fireflies. And as each path elaborates itself, Wolfond’s guiding hand seems always to stay held out to the reader, inviting them further into a shared and unprecedented unfolding. The Wanting Way is actually a confluence of diverse ways—rallies, paths, waves, jams, streams, desire lines—that converge wherever the dry verbiage of the talking world requires hydration. Each poem is an invitation to bathe in the play of languaging. And each poem is an invitation to a dance that’s already happening, called into motion by the objects and atmospheres of a more-than-human world. Wolfond makes space for new poetics, new choreographies, and new possibilities toward forging a consensual—felt and feeling—world where we might find free disassembly and assembly together. There is a neurodivergent universe within this one, and Wolfond’s poems continuously pull back the unnecessary veil between human and nature.
War All the Time, 1981-1984: Poems, 1981-1984 (Poems 1981-1984 Ser.)
by Charles BukowskiWar All the Time is a selection of poetry from the early 1980s. Charles Bukowski shows that he is still as pure as ever but he has evolved into a slightly happier man that has found some fame and love. These poems show how he grapples with his past and future colliding.
War And Love, Love And War: New And Selected Poems
by Aharon Shabtai Peter ColeWar & Love, Love & War presents a poetic biography of one of Israel’s living literary masters, an artist whom the National Book Award–winner C. K. Williams has called “one of the most exciting poets writing anywhere, and certainly the most audacious.” The book moves from shockingly potent political poems to love lyrics that are as explosive and sometimes bawdy as they are tender; from early and stirring inventories of kibbutz life to a radically inventive midrash on (and paean to) the career and character of the Israeli right-wing leader Menachem Begin; from passion for justice to passion for a deeply mourned wife. At the end of it all is a prose ars poetica in which Shabtai discusses the method behind his marvelous madness. Peter Cole’s powerful translation displays the full and astonishing range of Aharon Shabtai’s oeuvre in a single volume for the first time in English.
War and the Illiad
by Simone Weil Rachel BespaloffFirst published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil's whose work similarly explored the complex relations between literature, religion, and philosophy. This edition brings together these two influential essays for the first time, accompanied by Benfey's scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.