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War Is Kind and Other Poems (Dover Thrift Editions: Poetry Ser.)
by Stephen CraneA unique stylist and one of the most innovative and talented writers of his generation, Stephen Crane (1871-1900) won lasting fame as a novelist (The Red Badge of Courage, Maggie: A Girl of the Streets) and short story writer. Described by William Dean Howells as a writer whose genius seemed to "spring to life fully armed," Crane also produced impressive free-form verse. This excellent anthology contains nearly all of Crane's verse, including two complete books of poems: The Black Riders and Other Lines, which garnered immediate praise; and War Is Kind, ablaze with vivid imagery. Here, too, are rewarding selections from his uncollected poetic works. Thought by some critics to anticipate the Imagist movement of the twentieth century, Crane's poems are usually brief, cadenced, and rhymeless, rich in drama and symbolism, and spiritually penetrating.
The War Makes Everyone Lonely (Phoenix Poets)
by Graham BarnhartIn his first collection of poems, many of which were written during his years as a US Army Special Forces medic, Graham Barnhart explores themes of memory, trauma, and isolation. Ranging from conventional lyrics and narrative verse to prose poems and expressionist forms, the poems here display a strange, quiet power as Barnhart engages in the pursuit and recognition of wonder, even while concerned with whether it is right to do so in the fraught space of the war zone. We follow the speaker as he treads the line between duty and the horrors of war, honor and compassion for the victims of violence, and the struggle to return to the daily life of family and society after years of trauma. Evoking the landscapes and surroundings of war, as well as its effects on both US military service members and civilians in war-stricken countries, The War Makes Everyone Lonely is a challenging, nuanced look at the ways American violence is exported, enacted, and obscured by a writer poised to take his place in the long tradition of warrior-poets.
The War Makes Everyone Lonely (Phoenix Poets)
by Graham BarnhartIn his first collection of poems, many of which were written during his years as a US Army Special Forces medic, Graham Barnhart explores themes of memory, trauma, and isolation. Ranging from conventional lyrics and narrative verse to prose poems and expressionist forms, the poems here display a strange, quiet power as Barnhart engages in the pursuit and recognition of wonder, even while concerned with whether it is right to do so in the fraught space of the war zone. We follow the speaker as he treads the line between duty and the horrors of war, honor and compassion for the victims of violence, and the struggle to return to the daily life of family and society after years of trauma. Evoking the landscapes and surroundings of war, as well as its effects on both US military service members and civilians in war-stricken countries, The War Makes Everyone Lonely is a challenging, nuanced look at the ways American violence is exported, enacted, and obscured by a writer poised to take his place in the long tradition of warrior-poets.
War Music: An Account of Books 1-4 and 16-19 of Homer's Iliad
by Christopher LogueLogue retells some of the most evocative episodes of the Iliad, including the death of Patroclus and Achille's return to battle, that sealed the doom of Troy.
War Music: An Account of Homer's Iliad
by Christopher LogueA remarkable hybrid of translation, adaptation, and inventionPicture the east Aegean sea by night,And on a beach aslant its shimmering Upwards of 50,000 menAsleep like spoons beside their lethal Fleet. “Your life at every instant up for— / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books). Logue’s account of Homer’s Iliad is a radical reimagining and reconfiguration of Homer’s tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and “possessed of a very terrible beauty” (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes War Music, Kings, The Husbands, All Day Permanent Red, and Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result, War Music, comes as near as possible to representing the poet’s complete vision and confirms what his admirers have long known: that “Logue’s Homer is likely to endure as one of the great long poems of the twentieth century” (The Times Literary Supplement).
War of the Foxes
by Richard Siken"His territory is [where] passion and eloquence collide and fuse.'--The New York Times"Richard Siken writes about love, desire, violence, and eroticism with a cinematic brilliance and urgency."--Huffington PostRichard Siken's debut, Crush, won the Yale Younger Poets' Prize, sold over 20,000 copies, and earned him a devoted fan-base. In this much-anticipated second book, Richard Siken seeks definite answers to indefinite questions: what it means to be called to make--whether it is a self, love, war, or art--and what it means to answer that call. In poems equal parts contradiction and clarity, logic and dream, Siken tells the modern world an unforgettable fable about itself.The MuseumTwo lovers went to the museum and wandered the rooms.He saw a painting and stood in front of itfor too long. It was a few minutes before sherealized he had gotten stuck. He was stuck lookingat a painting. She stood next to him, looking at hisface and then the face in the painting. What do yousee? she asked. I don't know, he said. He didn'tknow. She was disappointed, then bored. He waslooking at a face and she was looking at her watch.This is where everything changed . . . Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.
The War Poems (The World At War)
by Siegfried SassoonSiegfried Loraine Sassoon, CBE, MC (8 September 1886 – 1 September 1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches, and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his "Soldier's Declaration" of 1917, culminating in his admission to a military psychiatric hospital. (Excerpt from Wikipedia)
War Poems (Dover Thrift Editions)
by Siegfried SassoonAt the dawn of World War I, Siegfried Sassoon exchanged his pursuits of cricket, fox-hunting, and romantic verse for army life amid the muddy trenches of France. The first English soldier-poet to achieve notoriety as an opponent of the war, he ranks among the conflict's most critical poetic voices. This collection of his epigrammatic and satirical poetry conveys the shocking brutality and pointlessness of the Great War. <P><P> Many of these poems were written in the hospital while Sassoon recovered from wounds he received in battle. Their violence and graphic detail shocked readers, impressing upon them the horrors of trench warfare and the foot soldier's weariness of the never-ending struggle. "The dynamic quality of his war poems," observed the Times Literary Supplement, "was due to the intensity of feeling which underlay their cynicism." More than 80 of Sassoon's moving works are featured in this volume, including "Counter-Attack," "They," "The General," and "Base Details."
War Poems of Siegfried Sassoon (Faber Pocket Poetry Ser.)
by Siegfried SassoonAt the dawn of World War I, poet Sassoon exchanged his pastoral pursuits of cricket, fox-hunting, and romantic verse for army life amid the muddy trenches of France. This collection of his epigrammatic and satirical poetry conveys the shocking brutality and pointlessness of the Great War and includes "Counter-Attack," "'They," "The General," and "Base Details."
The War Poems Of Wilfred Owen
by Wilfred Owen'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited and introduced here by Professor Jon Stallworthy. This special edition is published to commemorate the end of the hellish war that Owen, though the hard-won truth and terrible beauty of his poetry, has taught us never to forget.
The War Prayer
by Mark TwainWritten by Mark Twain during the Philippine-American War in the first decade of the twentieth century, The War Prayer tells of a patriotic church service held to send the town's young men off to war. During the service, a stranger enters and addresses the gathering. He tells the patriotic crowd that their prayers for victory are double-edged-by praying for victory they are also praying for the destruction of the enemy. . . for the destruction of human life. Originally rejected for publication in 1905 as "not quite suited to a woman's magazine," this antiwar parable remained unpublished until 1923, when Twain's literary executor collected it in the volume Europe and Elsewhere. Handsomely illustrated by the artist and war correspondent Philip Groth, The War Prayer remains a relevant classic by an American icon.
War Primer
by Bertolt Brecht John WillettA terrifying series of short poems by one of the world’s leading playwrights, set to images of World War IIIn this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield — all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.
War Songs (Library of Arabic Literature #41)
by ?Antarah ibn Shaddad James E Montgomery Richard Sieburth Peter ColePoems of love and battle by Arabia’s legendary warrior From the sixth-century highlands of Najd in the Arabian peninsula, on the eve of the advent of Islam, come the strident cries of a legendary warrior and poet. The black outcast son of an Arab father and an Ethiopian slave mother, 'Antarah ibn Shaddad struggled to win the recognition of his father and tribe. He defied social norms and, despite his outcast status, loyally defended his people. 'Antarah captured his tumultuous life in uncompromising poetry that combines flashes of tenderness with blood-curdling violence. His war songs are testaments to his life-long battle to win the recognition of his people and the hand of 'Ablah, the free-born woman he loved but who was denied him by her family. War Songs presents the poetry attributed to 'Antarah and includes a selection of poems taken from the later Epic of 'Antar, a popular story-cycle that continues to captivate and charm Arab audiences to this day with tales of its hero’s titanic feats of strength and endurance. 'Antarah’s voice resonates here, for the first time in vibrant, contemporary English, intoning its eternal truths: commitment to one’s beliefs, loyalty to kith and kin, and fidelity in love.An English-only edition.
War Songs (Library of Arabic Literature #11)
by ʿAntarah Ibn ShaddādPoems of love and battle by Arabia’s legendary warrior From the sixth-century highlands of Najd in the Arabian peninsula, on the eve of the advent of Islam, come the strident cries of a legendary warrior and poet. The black outcast son of an Arab father and an Ethiopian slave mother, 'Antarah ibn Shaddad struggled to win the recognition of his father and tribe. He defied social norms and, despite his outcast status, loyally defended his people. 'Antarah captured his tumultuous life in uncompromising poetry that combines flashes of tenderness with blood-curdling violence. His war songs are testaments to his life-long battle to win the recognition of his people and the hand of 'Ablah, the free-born woman he loved but who was denied him by her family. War Songs presents the poetry attributed to 'Antarah and includes a selection of poems taken from the later Epic of 'Antar, a popular story-cycle that continues to captivate and charm Arab audiences to this day with tales of its hero’s titanic feats of strength and endurance. 'Antarah’s voice resonates here, for the first time in vibrant, contemporary English, intoning its eternal truths: commitment to one’s beliefs, loyalty to kith and kin, and fidelity in love.A bilingual Arabic-English edition.
The War Trumpet: Iberian Epic Poetry, 1543–1639 (Toronto Iberic)
by Emiro Martínez-Osorio Mercedes BlancoThe epic poems written during the rise of Portugal and Spain on the global stage often dealt with topics quite unimaginable to the likes of Virgil or Homer. These poems reveal the astounding opportunities for upward social mobility and self-promotion afforded by broader access to print and the vast amount of knowledge and material wealth accrued through maritime exploration. Iberian poets of the period were quite cognizant of their ventures into uncharted territory, and that awareness informed their literary journeys. The War Trumpet features nine substantial essays that expand our understanding of Iberian Renaissance epic poetry by posing questions seldom raised in relation to poems such as La Araucana, Os Lusíadas, Carlo famoso, El Bernardo, Arauco Domado, Espejo de paciencia, and Felicissima Victoria, among others. Particularly compelling are questions concerned with early modern understandings of the natural world, the practice of poetic imitation, the discipline of cartography, or the reception of Petrarchism in the newly established viceroyalties of the New World. Fostering a greater appreciation of the intersection between poetry, war, and exploration, The War Trumpet sheds light on the transformative changes that took place during the period of Iberian expansion.
War With Hannibal: Authentic Latin Prose for the Beginning Student
by Brian BeyerThis edition of Book III of Eutropius's Breviarium ab urbe condita is designed to be a student's first encounter with authentic, unabridged Latin prose. Written in a simple and direct style, the Breviarium covers the period of Roman history that students find the most interesting—the Second Punic War fought against Carthage—and the original Latin text is supplemented with considerable learning support. Full annotations on every page, detailed commentary on grammar and syntax, and a glossary designed specifically for the text allow students to build both their confidence and their reading skills. <p><p>The commentary in the back of the book is cross-referenced to the following commonly used textbooks: <p>• Wheelock's Latin, 6th Edition <p>• Latin: An Intensive Course by Moreland and Fleischer <p>• Ecce Romani II, 3rd Edition - Latin for Americans, Level 2 <p>• Jenney's Second Year Latin <p>• Allen and Greenough's New Latin Grammar <p><p>Macrons have been added to the entire text in accordance with the vowel quantities used in the Oxford Latin Dictionary. Additional resources include an unannotated version of the text for classroom use, supplementary passages in English from other ancient authors, and appendixes with a timeline of events and maps and battle plans. <p><p>The text may be used in secondary schools and colleges as early as the first year of study. The copious translation help, notes, and cross-references also make it ideal for independent learners.
The War Works Hard
by Saadi S. Simawe Elizabeth Winslow Dunya MikhailMikhail’s poetic vision transcends cultural and linguistic boundaries with liberating compassion. Revolutionary poetry by an exiled Iraqi woman. Winner of a 2004 PEN Translation Fund Award. "Yesterday I lost a country," Dunya Mikhail writes in The War Works Hard, a revolutionary work by an exiled Iraqi poether first to appear in English. Amidst the ongoing atrocities in Iraq, here is an important new voice that rescues the human spirit from the ruins, unmasking the official glorification of war with telegraphic lexical austerity. Embracing literary traditions from ancient Mesopotamian mythology to Biblical and Qur'anic parables to Western modernism, Mikhail's poetic vision transcends cultural and linguistic boundaries with liberating compassion.
Warning: When I am an old woman I shall wear purple
by Jenny JosephIn this charming poem, a repectible middle-aged woman imagines what it would be like to by a crabby, dotty, old woman doing what she pleases.
Warren, Jarrell, and Lowell: Collaboration in the Reshaping of American Poetry
by Joan Romano ShifflettRobert Penn Warren, Randall Jarrell, and Robert Lowell maintained lifelong, well-documented friendships with one another, often discussing each other’s work in private correspondence and published reviews. Joan Romano Shifflett’s Warren, Jarrell, and Lowell: Collaboration in the Reshaping of American Poetry traces the artistic and personal connections between the three writers. Her study uncovers the significance of their parallel literary development and reevaluates dominant views of how American poetry evolved during the mid-twentieth century. Familiar accounts of literary history, most prominently the celebration of Lowell’s Life Studies as a revolutionary breakthrough into confessional poetry, have obscured the significance of the deep connections that Lowell shared with Warren and Jarrell. They all became quite close in the 1930s, with the content and style of their early poetry revealing the impact of their mentors John Crowe Ransom and Allen Tate, whose aesthetics the three would ultimately modify and transform. The three poets achieved professional maturity and success in the 1940s, during which time they relied on one another’s honest critiques as they experimented with changes in subject matter and modes of expression. Shifflett shows that their works of the late 1940s were heavily influenced by Robert Frost. This period found Warren, Jarrell, and Lowell infusing ostensibly simple verse with multifaceted layers of meaning, capturing the language of speech in diction and rhythm, and striving to raise human experience to a universal level. During the 1950s, the three poets became public figures, producing major works that addressed the nation’s postwar need to reconnect with humanity. Warren, Jarrell, and Lowell continued to respond in interlocking ways throughout the 1960s, with each writer using innovative stylistic techniques to create a colloquy with readers that directed attention away from superficial matters and toward the important work of self-reflection. Drawing from biographical materials and correspondence, along with detailed readings of many poems, Warren, Jarrell, and Lowell offers a compelling new perspective on the shaping of twentieth-century American poetry.
The Warrior
by Frances RicheyA "heart-rending"(Anna Quindlen, Newsweek) memoir-in-verse that speaks to a mother's love for her son When Frances Richey's only child, Ben, a graduate of the United States Military Academy at West Point and a Green Beret, went on the first of his two deployments to Iraq, she began to write the twenty-eight unflinching poems that make up The Warrior. This urgent and intensely personal collection describes the world of those who wait while their loved ones are in combat or perilous situations; it is universal in its expression of the longing, anguish, love, and hope that constitute close relationships.
Warrior Girl
by Carmen TafollaAn insightful novel in verse about the joys and struggles of a Chicana girl who is a warrior for her name, her history, and her right to choose what she celebrates in life.Celina and her family are bilingual and follow both Mexican and American traditions. Celina revels in her Mexican heritage, but once she starts school it feels like the world wants her to erase that part of her identity. Fortunately, she&’s got an army of family and three fabulous new friends behind her to fight the ignorance. But it&’s her Gramma who&’s her biggest inspiration, encouraging Celina to build a shield of joy around herself. Because when you&’re celebrating, when you find a reason to sing or dance or paint or play or laugh or write, they haven&’t taken everything away from you. Of course, it&’s not possible to stay in celebration mode when things get dire--like when her dad&’s deported and a pandemic hits--but if there is anything Celina&’s sure of, it&’s that she&’ll always live up to her last name: Guerrera--woman warrior--and that she will use her voice and writing talents to make the world a more beautiful place where all cultures are celebrated.
Warriors of Love: Rumi's Odes to Shams of Tabriz
by Mevlana Rumi James CowanIn 1244 a man wrapped in a coarse black coat entered Konya and so into the life of Islam’s most celebrated poet and mystic: Mevlana Jalaluddin Rumi. A wanderer and spiritual vagabond, Shams of Tabriz proceeded to wrestle with Rumi’s soul. What he wanted from his protégé was for him to embody a wilder, more robust spirituality that would enable him to embrace life’s rawness more completely than any saint had done in the past.Warriors of Love is a fresh interpretation of a selection of 49 poems which were written by Rumi as metaphors for his love for God as well as for his friend Shams, the Wild One. In a long introduction on the life and times of Rumi and his friendship with Shams James Cowan also explores the historical facts of their encounter, Sufism, the Mevlevi Order of Dervishes, the new dimension that Shams brought to Islamic spirituality and the importance of friendship as a true path to God.
The Warrior's Stance
by Laura MorefieldA collection of poems, which includes: I Invented Body Surfing, I Am Not My Cancer, Another Day, Waiting, Gift From A Long Dead Brother, And I Thank You For The Grace, and more. An inspiring, short collection.
Was It for This: Poems
by Hannah SullivanA hybrid new collection from the author of Three Poems—about London, terror, new motherhood, the Grenfell Tower fire, and how we live now.Hannah Sullivan’s first collection, Three Poems, won the T. S. Eliot Prize and the inaugural John Pollard International Poetry Prize. Was It for This continues that book’s project, offering a trenchant exploration of the ways in which we attempt to map our lives in space and time.But there is also the wider, collective experience to contend with, the upheaval of historic event and present disaster. “Tenants,” the first poem, is an elegy for Grenfell, written from the uneasy perspective of a new mother living a few streets away. Elsewhere, from the terraces and precincts of seventies and eighties London to the late-at-night decks of American suburbs, intimately inhabited geographies provide reference points and sites for revisiting.Nothing is too small or unlovely to be transfixed by the poet’s attention, from the thin concrete pillars of a flyover to an elderly peacock’s broken train. There is a memorializing strain in the forensic accumulation of detail, but there is also celebration, a keen sense of holding on to and cherishing what we can.
Washes, Prays
by Noor NagaRBC Bronwen Wallace Award winner Noor Naga's bracing debut, a novel-in-verse about a young woman's romantic relationship with a married man and her ensuing crisis of faith.2021 Arab American Book Award - George Ellenbogen Poetry Award, WinnerPat Lowther Memorial Award, WinnerGerald Lampert Memorial Award, LonglistFred Cogswell Award For Excellence In Poetry, Second Place WinnerCBC Best Canadian Poetry of 2020Coocoo is a young immigrant woman in Toronto. Her faith is worn threadbare after years of bargaining with God to end her loneliness and receiving no answer. Then she meets her mirror-image; Muhammad is a professor and father of two. He's also married. Heartbreaking and hilarious, this verse-novel chronicles Coocoo's spiraling descent: the transformation of her love into something at first desperate and obsessive, then finally cringing and animal, utterly without grace. Her best friend, Nouf, remains by her side throughout, and together they face the growing contradictions of Coocoo's life. What does it mean to pray while giving your body to a man who cannot keep it? How long can a homeless love survive on the streets? These are some of the questions this verse-novel swishes around in its mouth.