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What the Soul Doesn't Want
by Lorna CrozierIn her newest collection, Lorna Crozier describes the passage of time in the way that only she can. Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world: the vision of a fly, the naming of an eggplant, and a woman who — not unhappily — finds that cockroaches are drawn to her. “God draws a life. And then rubs it out / with the eraser on his pencil.” Lorna Crozier draws a world in What the Soul Doesn’t Want, and then beckons us in. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.
What the Thunder Said: How The Waste Land Made Poetry Modern
by Jed RasulaOn the 100th anniversary of T. S. Eliot’s modernist masterpiece, a rich cultural history of The Waste Land’s creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. “But,” as Jed Rasula writes, “The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern.” In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, “April is the cruellest month, breeding / Lilacs out of the dead land,” to its closing Sanskrit mantra, “Shantih shantih shantih,” The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound’s injunction to “make it new.” What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot’s storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the “men of 1914.”Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century’s most influential poem.
What Thou Lovest Well, Remains American: Poems
by Richard HugoHere is a collection of poems by a writer whom the poet Carolyn Kizer calls "one of the most passionate, energetic, and honest poets living." Hugo's most important subject is the American West. In the present volume, people, places, dreams, and memories are explored again--always in search of the poet's self.
What Thou Lovest Well, Remains American
by Richard HugoHugo's most important subject is the American West; as William Stafford said of The Lady in Kicking Horse Reservoir, "A part of the West belongs to Hugo. By telling over and over again its places and people he reclaims it from the very bleakness he confronts; and it all begins to loom as a great intense abode that we can't neglect, that we can't bear to let go." In the present volume, people, places, dreams, memories are explored again-always in search of the poet's self. Hugo for many years directed the creative writing program at the University of Montana. He died in 1982.
What Though the Field Be Lost: Poems
by Christopher KempfBased on two years living and researching in Gettysburg, Pennsylvania, What Though the Field Be Lost uses the battlefield there as a way to engage ongoing issues involving race, regional identity, and the ethics of memory.With empathy and humility, Kempf reveals the overlapping planes of historical past and public present, integrating archival material—language from monuments, soldiers' letters, eyewitness accounts of the battle—with reflection on present-day social and political unrest. Here monument protests, police shootings, and heated battle reenactments expose the ambivalences and evasions involved in the consolidation of national (and nationalist) identity. In What Though the Field Be Lost, Kempf shows that, though the Civil War may be over, the field at Gettysburg and all that it stands for remain sharply contested. Shuttling between past and present, the personal and the public, What Though the Field Be Lost examines the many pasts that inhere, now and forever, in the places we occupy.
What to Count (Made in Michigan Writers Series)
by Alise AlousiWith heart and insight, the poems in Alise Alousi’s What to Count speak to what it means to come of age as an Iraqi American during the first Gulf War and its continuing aftermath, but also to the joy and complexity of motherhood, daughterhood, and what it means to live a creative life. More than a description of the world, Alousi’s poetry actively lives in and of the world. These poems explore the nuances of memory through the changes wrought by time, conflict, and distance. In "The Ocularist" and "Art," and others, Alousi’s extraordinary verbal deftness precisely locates the still-tender pains and triumphs of collective being while trying to be an individual in the world. What to Count is a remarkable collection of contemporary poetry—both a lyrical splendor and a contemplative account of lineage, silenced history, and identity.
What To Do With a Box
by Jane YolenIf you give a child a box, who can tell what will happen next? It may become a library or a boat. It could set the scene for a fairy tale or a wild expedition. The most wonderful thing is its seemingly endless capacity for magical adventure, a feature imaginatively captured in cardboardesque art by Chris Sheban and rhythmically celebrated in this poetic tribute by renowned children's author Jane Yolen.
What to Miss When: Poems
by Leigh SteinPoems about pop culture, mortality, and the internet, written during the Coronavirus pandemic—for readers who are more likely to double-tap Instapoems than put their phone down long enough to read The Decameron.Catalyzed by sheltering in place and by a personal challenge to give up alcohol for thirty days, Leigh Stein, the poet laureate of The Bachelor, has written a twenty-first-century Decameron to frame modern fables. What to Miss When makes mischief of reality TV and wellness influencers, juicy thoughtcrimes and love languages, and the mixed messages of contemporary feminism. &“Think Starlight,&” the first poem in this collection, written before any self-quarantine orders, imagined the likelihood that the United States would follow in Italy&’s footsteps in terms of caseload and hospital overwhelm. By March 17, 2020, the imagined was the real: New York City had closed schools, bars, and restaurants—with the rest of the country close behind. With nihilist humor and controlled despair, What to Miss When explores fears of death and grocery shopping, stress cleaning and drinking, celebrities behaving badly, everything we took for granted, and life mediated by screens—with dissociation-via-internet, and looking for mirrors in a fourteenth-century pandemic text, a kind of survival response to living casually through catastrophe.
What W. H. Auden Can Do for You (Writers on Writers #5)
by Alexander McCall SmithBestselling novelist Alexander McCall Smith's charming account of how the poet W. H. Auden has helped guide his life—and how he might guide yours, tooWhen facing a moral dilemma, Isabel Dalhousie—Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith—often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live. In this book, McCall Smith has written a charming personal account about what Auden has done for him—and what he just might do for you.Part self-portrait, part literary appreciation, the book tells how McCall Smith first came across the poet's work in the 1970s, while teaching law in Belfast, a violently divided city where Auden's "September 1, 1939," a poem about the outbreak of World War II, strongly resonated. McCall Smith goes on to reveal how his life has related to and been inspired by other Auden poems ever since. For example, he describes how he has found an invaluable reflection on life's transience in "As I Walked Out One Evening," while "The More Loving One" has provided an instructive meditation on unrequited love. McCall Smith shows how Auden can speak to us throughout life, suggesting how, despite difficulties and change, we can celebrate understanding, acceptance, and love for others.An enchanting story about how art can help us live, this book will appeal to McCall Smith's fans and anyone curious about Auden.
What We Are When We Are: Kaj smo, ko sm (Mingling Voices)
by Tom Priestly Cvetka LipušWorking within a postmodern style, this rhythmic and melodious collection of poems originally written in Slovenian by Cvetka Lipuš and translated here by Tom Priestly, blends the real with the surreal, dull urban lives with dreams. Lipuš, known for the lexical beauty of her work, dwells on topics of time and space which she handles in an almost revolving, irreverent manner. Priestly captures the maze-like characteristic of her verse and carefully reconstructs the sonoric beauty of the work in its original language.
What We Buried
by Caitlyn SiehlThis book is a cemetery of truths buried alive. The light draws you in where you will find Caitlyn there digging. When you get close enough, she'll lean in and whisper, Baby, buried things will surface no matter what, get to them before they get to you first. Her unbounded love will propel you to pick up a shovel & help- even though the only thing you want to do is kiss her lips, kiss her hands, kiss every one of her stretch marks and the fire that is raging in pit of her stomach. She'll see your eyes made of devour and sadness, she'll hug you and say, Baby, if you eat me alive, I will cut my way out of your stomach. Don't let this be your funeral. Teach yourself to navigate the wound.
What We Carry (American Poets Continuum #Vol. 28)
by Dorianne LauxFinalist, 1994 National Book Critics Circle Award for Poetry. Dorianne Laux's poetry is a poetry of risk; it goes to the very edge of extinction to find the hard facts that need to be sung. What We Carry includes poems of survival, poems of healing, poems of affirmation and poems of celebration.
What We Carry
by Dorianne LauxFinalist, 1994 National Book Critics Circle Award for Poetry. Dorianne Laux's poetry is a poetry of risk; it goes to the very edge of extinction to find the hard facts that need to be sung. What We Carry includes poems of survival, poems of healing, poems of affirmation and poems of celebration.
What We Live For, What We Die For: Selected Poems (The Margellos World Republic Of Letters)
by Serhiy Zhadan Virlana Tkacz Wanda Phipps Bob HolmanAn introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation "Everyone can find something, if they only look carefully," reads one of the memorable lines from this first collection of poems in English by the world‑renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where "every year there's less and less air." Yet despite the grimness of these portraits, Zhadan's poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people "will never let it be / like it was before."
What Will People Say: Poems
by Taniya GuptaI had to fight for my existence before I was even out of my mother&’s womb. If I didn&’t stop fighting then, why would I stop now?What Will People Say follows a South Asian woman&’s journey through being a daughter, and later a daughter-in-law, within the strict confines of her patriarchal family. Readers watch as the narrator navigates life, trying to find a safe place for herself, until she finally becomes her own hero. Grappling with the subjects of sexual and psychological trauma, as well as mental health, this collection of poetry carves a path beyond the guilt of wondering: &“What will people say?&”
What Work Is
by Philip Levine"This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin's First-Rate Plumbing and Plating. Only Studs Terkel's Working approaches the pathos and beauty of this book. But Levine's characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living 'at the borders of dreams.' One reads The Tempest 'slowly to himself'; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of 'the dark from the dark.' What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language." --Daniel L. Guillory, Library Journal<P><P> Winner of the National Book Award in 1991
What You Need to Be Warm
by Yuliya Gwilym Nadine Kaadan Pam Smy Daniel Egnéus Neil GaimanDuring the coldest season, when the world feels scary—what do you remember about being warm? Baked potatoes. Trust. A kettle on the stove. Blankets. A smile. And, most of all, the reassurance that you belong. <p><p>In his powerful and moving poem, featuring illustrations from thirteen extraordinary artists, bestselling author and UNHCR Goodwill Ambassador Neil Gaiman draws together many different memories to answer the question, what do you need to be warm? <P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i> <p> <b>New York Times Bestseller</b>
What You Want: Poems
by Maureen N. McLaneNational Book Award finalist Maureen N. McLane stuns with a precise, perceptive book of poetic meditations.In her first book of poems since the scintillating More Anon: Selected Poems, Maureen N. McLane offers a bravura, trenchant sounding out of inner and outer weathers. What You Want is a book of core landscapes, mindscapes, and shifting moods. Meditative, lyrical, alert to seasons and pressures on our shared life, McLane registers and shapes an ambient unease. Whether skying with John Constable or walking on wintry paths in our precarious republic, the poet channels what Wordsworth called “moods of my own mind” while she scans for our common horizon. Here are poems filled with gulls and harbors, blinking red lights and empty lobster traps, beach roses and rumored sharks, eels and crows, wind turbines and superhighways. From Sappho to the Luminist painter Fitz Henry Lane, from constellations to microplastics, What You Want is a book alive to the cosmos as well as to our moment, with its many vexations and intermittent illuminations. In poems of powerful command and delicate invitation, moving from swift notations to sustained sequences, this collection sees McLane testing what (if anything) might “outlast the coming heat.” And meanwhile, “There’s no end / to beauty and shit.”
What You Want
by Constantine PhippsPatrick is still in love with his separated wife. Returning with their son after a trip to an amusement park, he begs, one last time, to reconcile with her. When she refuses, he is driven to thoughtless desperation: a bottle of sleeping pills, a bottle of whisky. And in his dying dream, he revisits that theme park of childish desire. There he finds the landscape - still garish and indulgent - has evolved. The attractions are religion, money and sex. The characters - costumed and acted - are transformed into Jefferson, Xunzi, Aristotle. And their purpose is to instruct Patrick in the pursuit of happiness throughout human history. But Patrick can only answer with his own story. He remembers falling in love with Louise. Recalls the enlightenment of their youth and the banality of their family life. He tells of their marriage, how it came under strain after the birth of his son; how he cheated; the unravelling of all his joy. Yet still his love persists. Beginning with the first line of Dante's Divine Comedy and taking in Disneyworld, the Declaration of Independence and the canon of philosophy in its stride, What You Want is a literary feat: a novel written entirely in verse, depicting life in all its ordinariness. It gives voice to a new Everyman and brings forth an unparallelled modern epic.
What's in a Name
by Ana Luísa AmaralPoems of effervescent grace from one of the best-known and best-loved poets of Portugal With the elliptical looping of a butterfly alighting on one’s sleeve, the poems of Ana Lui´sa Amaral arrive as small hypnotic miracles. Spare and beautiful in a way reminiscent both of Szymborska and of Emily Dickinson (it comes as no surprise that Amaral is the leading Portuguese translator of Dickinson), these poems—in Margaret Jull Costa’s gorgeous English versions—seamlessly interweave the everyday with the dreamlike and ask “What’s in a name?” “How solid is a name if answered to,” Amaral answers, but “like the Rose—no, like its perfume: ungovernable. Free.” There is much freedom within Amaral’s poetry, room for mysteries to multiply, and yet her beautiful lines are as clear as water: And that time of smiles Which does, incidentally, really exist, I swear, as does the fire And the invisible sea, which with nothing will agree
What's the Import?
by Kerry McsweeneyKerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.
What's the Import?: Nineteenth-Century Poems and Contemporary Critical Practice
by Kerry McSweeneyKerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.
What's the Weather Inside?
by Barry Blitt Karma WilsonHere are more than 120 hysterical, philosophical, rhetorical, and commonsensical poems and pictures that explore the perfectly not-so-perfect world of picky kids, Miss Muffet's revenge, magic homework wands, yellow snow, and Sunday's sundaes! New York Times bestselling author Karma Wilson and renowned New Yorker cartoonist Barry Blitt have created a brilliantly entertaining poetry collection sure to be a source of pleasure and inspiration to kids everywhere.
What's Under the Bed? (Bilingual)
by Joe FentonWhen Fred lays down his head, he imagines there is something monstrous under his bed. (bilingual English/Spanish)
Wheel With a Single Spoke: and Other Poems
by Nichita Stanescu Sean CotterWinner of the Herder Prize, Nichita St?nescu was one of Romania's most celebrated contemporary poets. This dazzling collection of poems - the most extensive collection of his work to date - reveals a world in which heavenly and mysterious forces converse with the everyday and earthbound, where love and a quest for truth are central, and urgent questions flow. His startling images stretch the boundaries ofthought. His poems, at once surreal and corporeal, lead us into new metaphysical and linguistic terrain.