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We are Starved (Mountain West Poetry Series)
by Joshua Kryah"Joshua Kryah is redefining what it means to write spiritual poetry. This is not another book about longings for the spiritual; this is a book of offerings to the spiritual. These poems answer the plea of Yeats's spirits ('We are starved') and give them what they crave, depicting the particulars of human appetite and the way each 'peculiar and appalling hunger' unfolds. The scope of these poems is dizzying; they echo and glitter and sear as they, against all odds, give us a'world [that] is/suddener than any idea about the world.' We Are Starved is unabashed and unflinching, and it is deeply, exquisitely satisfying." -Mary Szybist, author of Granted Mountain West Poetry Series Published by the Center for Literary Publishing at Colorado State University
We Are Starved
by Joshua KryahWe Are Starved introduces an important poetic vision, a surprising and exciting voice.
We Are Twins (Penguin Young Readers, Level 1)
by Laura DriscollWith twins, a lot is the same--but a lot is not! These little twin girls have the same hair and the same nose, but their eyes are different colors and they have different hobbies, too. This rhyming Level 1 reader celebrates twins but also individuality.
We Begin in Gladness: How Poets Progress
by Craig Morgan TeicherOne of our most perceptive critics on the ways that poets develop poems, a career, and a lifeThough it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction“The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.
We Belong
by Cookie Hiponia EvermanAn extraordinarily beautiful novel-in-verse, this important debut weaves a dramatic immigrant story together with Pilipino mythology to create something wholly new. <P><P>Stella and Luna know that their mama, Elsie, came from the Philippines when she was a child, but they don't know much else. So one night they ask her to tell them her story. As they get ready for bed, their mama spins two tales: that of her youth as a strong-willed middle child and immigrant; and that of the young life of Mayari, the mythical daughter of a god. Both are tales of sisterhood and motherhood, and of the difficult experience of trying to fit into a new culture, and having to fight for a home and acceptance. Glorious and layered, this is a portrait of family and strength for the ages.
We Came to America
by Faith RinggoldA timely and beautiful look at America&’s rich history of diversity, from Faith Ringgold, the Coretta Scott King and Caldecot Honor winning creator of Tar Beach From the Native Americans who first called this land their home, to the millions of people who have flocked to its shores ever since, America is a country rich in diversity. Some of our ancestors were driven by dreams and hope. Others came in chains, or were escaping poverty or persecution. No matter what brought them here, each person embodied a unique gift—their art and music, their determination and grit, their stories and their culture. And together they forever shaped the country we all call home. Vividly expressed in Faith Ringgold&’s sumptuous colors and patterns, We Came to America is an ode to every American who came before us, and a tribute to each child who will carry its proud message of diversity into our nation&’s future. PRAISE FOR WE CAME TO AMERICA: &“As Americans wrestle with the moral and legal aspects of immigration, Ringgold offers a reminder of the country&’s multifaceted lineage—and of the beauty to be discovered at cultural crossroads…. The simplicity of Ringgold&’s text, combined with the captivating designs, makes this a compelling, must-have narrative for a wide audience.&” –School Library Journal, starred review &“Using a broad brush and folk style familiar from her story quilts, Ringgold pictures families of diverse heritage… her powerful voice emphasizes unity and mutual appreciation.&” –Publishers Weekly &“[A] timely look at the diverse makeup and backgrounds of the American people.&” –Booklist
We Come Apart
by Sarah Crossan Brian ConaghanA poetic, gifty offering that combines first love, friendship, and persistant courage in this lyrical immigration story told in verse. Award-winning authors Brian Conaghan and Sarah Crossan tell a thought-provoking dual-narrated tale about two troubled teens, one immigrating to a new home and the other facing domestic violence, whose paths cross in the unlikeliest of places. <p><p> Nicu has emigrated from Romania and is struggling to find his place in his new home. Meanwhile, Jess's home life is overshadowed by violence. When Nicu and Jess meet, what starts out as friendship slowly blossoms into romance as the two bond over their painful pasts and their hope and dreams of a better future. But will they be able to save each other, let alone themselves? <p> This illuminating story told in dual points of view through vibrant verse will stay with readers long after they've finished.
We Inherit What the Fires Left: Poems
by William EvansWilliam Evans, the award-winning poet and cofounder of the popular culture website Black Nerd Problems, offers an emotionally vulnerable poetry collection exploring the themes of inheritances, dreams, and injuries that are passed down from one generation to the next and delving into the lived experience of a black man in the American suburbs today.In We Inherit What the Fires Left, award-winning poet William Evans embarks on a powerful new collection that explores the lived experience of race in the American suburbs and what dreams and injuries are passed from generation to generation. Fall under the spell of Evans&’s boldly intimate, wise, and emotionally candid voice in these urgent, electrifying poems. This eloquent collection explores not only what these inheritances are composed of, but what price the bearer must pay for such legacies, and the costly tolls exacted on both body and spirit. Evans writes searingly from the perspective of the marginalized, delivering an unflinching examination of what it is like to be a black man raising a daughter in predominantly white spaces, and the struggle to build a home and a future while carrying the weight of the past. However, in beautiful and quiet scenes of domesticity with his daughter or in thoughtful reflection within himself, Evans offers words of hope to readers, proving that resilience can ultimately bloom even in the face of prejudice. Readers of Ta-Nehisi Coates and Hanif Abdurraqib will find a brilliant, fresh new talent to add to their lists in William Evans.
We Live in Bodies
by Ellen Doré Watson"You will close this book exhilarated by its quirky, passionate poems and grateful for its huge heart fired and fed by a prodigious imagination. This is brilliant, urgent work."--Thomas Lux
We Love Bugs: 31 Classic Insect Poems for Kids (We Love Poetry)
by Emily DickinsonIt seems that every kid goes through a “bug” phase. When your child or classroom can’t resist collecting caterpillars, ladybugs, and crickets, this collection of poems makes a fun and educational companion. This book contains 31 poems and nursery rhymes that are perfect for budding entomologists and those who haven’t outgrown their sense of wonder when seeing a spider’s silken web. Familiar favorites like “The Ants go Marching” and “Itsy Bitsy Spider” are joined by poems from English literature’s finest like Emily Dickinson, John Donne, Christina Rosetti, William Wordsworth and more. This book features a fully-linked table of contents and a sprinkling of whimsical insect illustrations.
We Need Silence to Find Out What We Think: Selected Essays
by Shirley Hazzard Brigitta OlubasThese nonfiction works span from the 1960s to the 2000s and were produced by one of the great fiction writers of the period. They add critical depth to Shirley Hazzard's creative world and encapsulate her extensive and informed thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They also offer greater access to her brilliant craftsmanship and the multiple registers in which her writings operate. Hazzard writes about the manifold failings of the United Nations, where she worked in the early 1950s. She shares her personal experience with the aftermath of the Hiroshima bombings and the nature of life in late-1940s Hong Kong. She presents her thoughts on the decline of the hero as a public figure in Western literature. These works contribute to a keener understanding of postwar letters, thought, and politics, supported by an introduction that situates Hazzard's writing within its historical context and emphasizes her influence on world literature. This collection confirms Hazzard's place within a network of writers, artists, and intellectuals who believe in the ongoing power of literature to console, inspire, and direct human life, despite-or maybe because of-the world's disheartening realities.
We Never Speak of It
by Jana HarrisThis series of interconnected dramatic monologues illustrates the true stories of frontier women and children who were stranded on and settled along the trails to the West. Spanning the school year 1889-90, we follow the intimate day-to-day lives of a school teacher, her students, and their parents in the mythical town of Cottonwood.
We Rise, We Resist, We Raise Our Voices
by Wade Hudson Cheryl Willis HudsonFifty of the foremost diverse children's authors and illustrators--including Jason Reynolds, Jacqueline Woodson, and Kwame Alexander--share answers to the question, "In this divisive world, what shall we tell our children?" in this beautiful, full-color keepsake collection, published in partnership with Just Us Books.What do we tell our children when the world seems bleak, and prejudice and racism run rampant? With 96 lavishly designed pages of original art and prose, fifty diverse creators lend voice to young activists.Featuring poems, letters, personal essays, art, and other works from such industry leaders as Jacqueline Woodson (Brown Girl Dreaming), Jason Reynolds (All American Boys), Kwame Alexander (The Crossover), Andrea Pippins (I Love My Hair), Sharon Draper (Out of My Mind), Rita Williams-Garcia (One Crazy Summer), Ellen Oh (cofounder of We Need Diverse Books), and artists Ekua Holmes, Rafael Lopez, James Ransome, Javaka Steptoe, and more, this anthology empowers the nation's youth to listen, learn, and build a better tomorrow.
We Sailed on the Lake
by Bill CartyWe Sailed on the Lake, Bill Carty’s second collection of poetry, consists of lyrics of spiraling awareness. As a signal lamp, unused, mirrors the sky, these poems reflect approaching storms, near-misses, and the violence inherent in nature, country, and economy.The poems in We Sailed on the Lake are closely observed, finding unexpected affinities within urban and natural environments alike. As one poem states, “to cross the lake / you’ve got to make each step / pertain to the water,” and these poems explore relationality in many forms, moving from gentrifying cities to coastal beaches, from the sculptures of antiquity to YouTube searches, cataloging passing days “of which light is the measure.”Alternating longer, occasionally narrative poems with short lyrics, this collection plays with time and ideas of promise, from youth to parenthood, noting how the self negotiates the artifices, be they technological or of self-design, that infringe upon reality and experience."
We Speak in Changing Languages: Indian Women Poets 1990-2007
by Anju Makhija E. V. RamakrishnanOne of the functions of an anthology is to bring together works of poets to a wider audience. Anthologies also identify changing trends and indicate shirts in sensibility. The poets assembled here do not belong to a single trend or a common sensibility but they do share concerns and attitudes that justify their inclusion in a single volume. An anthology is a place where poems and poets speak to one another and in the process discover new configurations of metaphors and meanings. That these poets cannot be reduced to any single trait or theme makes this volume all the more a document of contemporary creative expression.
We Speak Your Names: A Celebration
by Pearl Cleage Zaron W. Burnett Jr.For centuries, African American women have been remaking the world, giving testament to the power of hope, courage, and resilience. But it took the inspired generosity of Oprah Winfrey to honor fully the many gifts of sisterhood. For three amazing days-from May 13 to 15, 2005--a distinguished group of women was invited to celebrate the enduring achievements of twenty-five of their mentors and role models--and in the process pay tribute to the long, glorious tradition of African American accomplishment. The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage's poem "We Speak Your Names," written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders' strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: "My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on..." Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.
We the People
by Bobbi KatzA collection of sixty-five original poems that depict people and events throughout the history of the United States.
We Want Our Bodies Back: Poems
by Jessica Moore“moore provides a blueprint for how to veer outside of fixed expectations and still remain unflinching in her love for herself.” — The Mantle“We Want Our Bodies Back is a lyric encyclopedia, a psalm book, a conflagration of fire and fierce black joy. And jessica Care moore is the 21st Century poet warrior America desperately needs.” — Tracy K. Smith, U.S. Poet Laureate“Our plump, perfect, shea-buttered bodies. Our sun-scarred sinewy selves. Our stout tree-trunks, our walls. Our muscled forearms, our thick thighs, our phenomenal asses. Our weary hands. Forever, black women have shouldered the weight of the same world that denies their power and sway. The inimitable jessica Care moore—who has spent her life singing the most forceful notes of our soundtrack—is calling an end to that now. If We Want Our Bodies Back empowers you, it was meant to. If this book frightens you, it should.” — Patricia Smith, poet, playwright, author of Incendiary Art“jessica Care moore is my hero. Powerful, beautiful, excellent and unapologetically Black. She is who I want to be when I grow up. Her writing allows us to be seen for who we truly are.” — Talib Kweli, rapper, entrepreneur, and activist"There are many times that jessica Care moore's work has made me spend hours figuring out how much of her work would be socially acceptable to steal. I really wish she had put this out while I was writing my last album." — Boots Riley, director, emcee, Sorry to Bother You “Imbued with heartache, anger, celebration, and rejuvenation, the poems in We Want Our Bodies Back reflect the sui generis funktified flyness that jessica Care moore has exemplified as an independent artist, activist, publisher, and curator for nearly a quarter-century. Perhaps the premier resistance writer in America today, moore furnishes luminous poetic signposts for our treacherous journey through the gloomy landscapes of 21st century America.” — Tony Bolden, author of Afro-Blue: Improvisations in African American Poetry and Culture“We Want Our Bodies Back is a soaring resistance/upright bass/instrument of war. Here are poems that seek out my pain. A soldier allowed their childhood, a people returned to their Detroit. In a time of cobalt-imperialism, someone is still writing songs about God. Yes, revolution is exhausting, but we make countries; you and I.” — Tongo Eisen Martin, author, Heaven is All Goodbyes
The Wear of My Face
by Lizz MurphyThe sun is our closest star just average a middle-aged dwarf past its prime but still a few billion years to go and fierce is its heat It's domains: interior surface atmospheres inner corona outer corona Did someone say Corona? The Wear of My Face is an assemblage of passing lives and landscapes, fractured worlds and realities. There is splintered text and image, memory and dream, newscast and conversation. Women wicker first light, old men make things that glow, poets are standing stones, frontlines merge with tourist lines. Lizz Murphy weaves these elements into the strangeness of suburbia, the intensity of waiting rooms, bush stillness, and hopes for a leap of faith as at times she leaves a poem as fragmented as a hectic day or a bombed street. What may sometimes seem like misdemeanours of the mind, to Lizz they are simply the distractions and disturbances of daily life somewhere. There is a rehomed greyhound, a breezy scientist, ancient malleefowl, beige union reps and people in all their conundrums. You might travel on a seagull's wing or wing through the aerosphere.
The Weary Blues (Dover Thrift Editions: Black History)
by Langston HughesThe Weary Blues is Langston Hughes's first published collection of poems, immediately celebrated as a tour de force upon its release. Over ninety years after its publication, it remains a critically acclaimed literary work and still evokes a fresh, contemporary feeling and offers a powerful reflection of the Black experience. From the title poem "The Weary Blues," echoing the sounds of the blues, to "Dream Variation," ringing with joyfulness, to the "Epilogue" that mimics Walt Whitman in its opening line, "I, too, sing America," Hughes writes clearly and colorfully, and his words remain prophetic and relevant today.
The Weary Blues
by Langston HughesNearly ninety years after its first publication, this celebratory edition of The Weary Blues reminds us of the stunning achievement of Langston Hughes, who was just twenty-four at its first appearance. Beginning with the opening "Proem" (prologue poem)--"I am a Negro: / Black as the night is black, / Black like the depths of my Africa"--Hughes spoke directly, intimately, and powerfully of the experiences of African Americans at a time when their voices were newly being heard in our literature. As the legendary Carl Van Vechten wrote in a brief introduction to the original 1926 edition, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race . . . Always, however, his stanzas are subjective, personal," and, he concludes, they are the expression of "an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, with precocious confidence and clarity. In a new introduction to the work, the poet and editor Kevin Young suggests that Hughes from this very first moment is "celebrating, critiquing, and completing the American dream," and that he manages to take Walt Whitman's American "I" and write himself into it. We find here not only such classics as "The Negro Speaks of Rivers" and the great twentieth-century anthem that begins "I, too, sing America," but also the poet's shorter lyrics and fancies, which dream just as deeply. "Bring me all of your / Heart melodies," the young Hughes offers, "That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers / Of the world."From the Hardcover edition.
Weather: Poems for All Seasons (I Can Read! #Level 3)
by Lee Bennett HopkinsA collection of poems describing various weather conditions, by such authors as Christina G. Rossetti, Myra Cohn Livingston, and Aileen Fisher.
Weather Report
by Rhonda BatchelorLike the shifting and often turbulent skies of our own emotional meteorology, Rhonda Batchelor’s poems forecast the shifting patterns of a marriage from quiet moments of a graceful dawn to stormy seas of absence, from brilliant love-strewn sunshowers to dark moments of loss and bitter nights upon the shore. In three sections, "Backbone of the Moon", "Ghostly Dialogues" and "Still Breathing", Batchelor explores the fleeting forever trilogy of expectations, unions and releases that comprise the tidelike phases of a lover’s cycle. Dedicated to respected Canadian poet Charles Lillard, Batchelor’s late husband, this work keens to the notes of a personal lament but emerges triumphantly healed and ultimately blessed.
Weaving Sundown in a Scarlet Light: Fifty Poems For Fifty Years
by Joy HarjoA magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet. Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love. In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions).
The Wedding Dress: Meditations on Word and Life
by Fanny HoweThis selection of poetic essays constitutes an intellectual memoir by an award-winning poet and scholar. Howe meditates on the role of the artist, on her domestic and political life in Boston in the late 60s and 70s, and on the impact of theology and religion, particularly Catholicism, on her work and the work of others.