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The Wherewithal: A Novel in Verse
by Philip Schultz"One of the strongest literary renditions of the Shoah I know."--Saul Friedlander, Pulitzer Prize-winning author of The Years of Extermination I, one Henryk Stanislaw Wyrzykowski, Head Clerk of Closed Files, a department of one, work... in a forgotten well of ghostly sighs This astonishing novel in verse tells the story of Henryk Wyrzykowski, a drifting, haunted young man hiding from the Vietnam War in the basement of a San Francisco welfare building and translating his mother's diaries. The diaries concern the Jedwabne massacre, an event that took place in German-occupied Poland in 1941. Wildly inventive, dark, beautiful, and unrelenting, The Wherewithal is a meditation on the nature of evil and the destruction of war.
Whetstone
by Lorna CrozierNational-award-winning poet Lorna Crozier's new collection of poems are peopled by the seasons and their elements, her beloved prairies, sorrow, joy, and the dead. Central to their themes are revisitations of family and marriage, and the land-death that is drought. Universal, deeply moving, crowded with breathtaking imagery, these are darkly resonant poems of middle age: alert to the beauty in loss, cherishing the humanity that is whetted on that stone. This is Lorna Crozier, one of Canada's most highly celebrated poets, at the top of her form.From the Trade Paperback edition.
Which Seeds Will Grow?: Poems
by Andrew CalisA new collection of poems by Palestinian-American Catholic poet Andrew Calis, Which Seeds Will Grow? finds hope in the Holy Land. Grappling with his identity as a Christian Palestinian American, Andrew Calis recalls his father who saw Israeli jets swoop over his house in Jerusalem and a military helicopter fire bullets into his front yard. The same father who wouldn't teach his children Arabic, for fear that they would have accented English, who kept his past close to his chest—unknown to his son. He recounts the death of his grandfather, a grandfather who would beat his father, and for whom he could not fully mourn because Arab men don't cry. Andrew Calis digs through the pain of his family and of his homeland to find the fragile seed of contained life and delicate hope for the Holy Land—and reflects on how tenderly that seed must be nurtured. Steeped in wonder, Which Seeds Will Grow? explores the past and the present, from ancient Jerusalem to Baltimore's gardens and alleys through the lens of a Palestinian American. The poems are patient, waiting for seasons to end, waiting for space to expand outward, and waiting for light to touch the earth. Despite the difficulty of waiting, readers will find hope in hopelessness and comfort in the contemplation of the world and its sacred mysteries. From Which Seeds Will Grow? Planting a Garden Stealing clippings from neighbors' yards And smiling as they grew their own blooms In the safe and hidden rooms where we Keep watch on them like they are our children. *** Nothing grew. We knew this was A possibility, had read It sometimes takes two years, And we hoped in spite of only dirt For the green that could be anything. Perhaps we dug too shallow or too close To the shade, or stepped where we had already planted, Either crushing roots or breaking their curled First shoots before they broke the surface. *** So when one survived, wove a green line Of its own, thinly sprouting something unknowable, I ran Inside and for a moment felt What John must have felt Leaving Peter, old and unsteadily running, And running breathlessly To tell everyone — Everyone What had happened And how you wouldn't believe your eyes.
Which Way to the Dragon! Poems for the Coming-On-Strong
by Sara Holbrook34 poems about topics important to young children like playing soccer, going to the porta-potty, moving, annoying things about going to the zoo, different kinds of love, wanting to be a dancer, silly babies, and hard things about saying good-bye. Most of the poems are short and many rhyme. They are great for young readers to read to themselves or to be read aloud to and discussed with children at home or at school. They are the right length for children to memorize. Children might also enjoy acting them out. They are silly and lovely, happy and sad. They are a friendly, uncomplicated, collection to introduce children to the pleasure of poetry.
Which Way Was North: Poems
by Anne Pierson WieseIn Which Way Was North, Anne Pierson Wiese juxtaposes poems from her years living in New York City with work written after her relocation to South Dakota. By exploring local, historical, and personal sources, she invites readers to see an unmapped territory of the mind informed by these distinct regions of the United States.Suggesting that mundane physical places and daily routines can possess significance beyond the immediate, Which Way Was North offers elements such as wild grapevines and country cemeteries, along with subway preachers and weeds emerging from sidewalk cracks, as vital starting points for reflection. Fundamentally, Wiese’s poems show that our individual powers of observation remain the most life-affirming response to the existential questions posed by our surroundings, regardless of where we happen to call home.
A Whiff of Pine, A Hint of Skunk: A Forest of Poems
by Deborah Ruddell Joan E. RankinIn a watery mirror the rugged raccoon admires his face by the light of the moon: the mysterious mask, the whiskers beneath, the sliver of cricket still stuck in his teeth. Take a lighthearted romp through four seasons in the forest with these whimsical poems. Marvel at the overachieving beaver, applaud the race-winning snail and its perfect trail of slime, or head off to be pampered at a squirrel spa. Warning: Deborah Ruddell's quirky cast of animal characters and Joan Rankin's deliciously daffy pictures will cause giggles. The woods have never been so much fun! Image descriptions present.
While the Earth Sleeps We Travel: Stories, Poetry, and Art from Young Refugees Around the World
by Ahmed M. BadrBeginning in 2018, Ahmed M. Badr—an Iraqi-American poet and former refugee—traveled to Greece, Trinidad & Tobago, and Syracuse, New York, holding storytelling workshops with hundreds of displaced youth: those living in and outside of camps, as well as those adjusting to life after resettlement.Combining Badr&’s own poetry with the personal narratives and creative contributions of dozens of young refugees, While the Earth Sleeps We Travel seeks to center and amplify the often unheard perspectives of those navigating through and beyond the complexities of displacement. The result is a diverse and moving collection—a meditation on the concept of "home" and a testament to the power of storytelling.
While We've Still Got Feet
by David BudbillFamiliar to listeners of National Public Radio, David Budbill is beloved by legions for straightforward poems dispatched from his hermitage on Judevine Mountain. Inspired by classical Chinese hermit poets, he follows tradition but cannot escape the complications and struggles of a modern solitary existence. Loneliness, aging and political outrage are addressed in poems that value honesty and simplicity and deplore pretension.For more than three decades, David Budbill has lived on a remote mountain in northern Vermont writing poems, reading Chinese classics, tending to his garden and, of course, working on his website. Budbill has been featured more than any other author on Garrison Keillor's The Writer's Almanac.
Whiny Baby (Hugh MacLennan Poetry Series)
by Julie PaulChomping / champing / championing / churlish / … / There’s a wolf at the door / that looks exactly like meWho is the “whiny baby” in this book? Rather than calling names or hurling insults, the candid poems in this collection most often implicate the poet herself.Expansive in form and voice, the poems in Julie Paul’s second collection offer both love letters and laments. They take us to construction sites, meadows, waiting rooms, beaches, alleys, gardens, and frozen rivers, from Montreal to Hornby Island. They ask us to live in the moment, despite the moment. Including a spirited long poem that riffs on the fairy tale “Three Billy Goats Gruff,” these poems are like old friends that at once console and confess. They blow kisses, they remember, and they celebrate the broken and the lost alongside the beautiful.At turns frank, peevish, introspective, and mischievous, the poems share sincere and intimate perspectives on the changing female body, our natural and built landscapes, and the idiosyncrasies of modern life. Whiny Baby calls on us to simultaneously examine and exult in our brief time on earth.
The Whiskey of Our Discontent: Gwendolyn Brooks as Conscience and Change Agent
by Quraysh Ali Lansana and Georgia A. Popoff“[A] superb tribute . . . [an] essential collection” of essays analyzing the works of the preeminent twentieth-century poet and voice of social justice (Booklist).Winner of the Central New York Book Award for NonfictionFinalist for the Chicago Review of Books AwardPoet, educator, and social activist Gwendolyn Brooks was a singular force in American culture.The first black woman to be named United States poet laureate, Brook’s poetry, fiction, and social commentary shed light on the beauty of humanity, the distinct qualities of black life and community, and the destructive effects of racism, sexism, and class inequality.A collection of thirty essays combining critical analysis and personal reflection, The Whiskey of Our Discontent, presents essential elements of Brooks’ oeuvre—on race, gender, class, community, and poetic craft, while also examining her life as poet, reporter, mentor, sage, activist, and educator.“Gwendolyn Brooks wrote and performed her magnificent poetry for and about the Black people of Chicago, and yet it was also read with anguish, delight, and awe by white people, successive waves of immigrants, and ultimately the world.” —Bill Ayers, from the Introduction
Whiskey Words And A Shovel I
by R. H. Sin<P>Whiskey, Words, and a Shovel, Vol. 1, is about reclaiming your power on the path to a healthy relationship.<P> It is a testament to choosing to love yourself, even if it means heartbreak.<P> Originally released in 2015, this re-rerelease packs the same punch as the first version, but makes an even greater connection with the soul of the reader.<P> Each piece has been re-seen and revamped to reflect the author's continuing journey with his partner, Samantha King, without whom this book would not exist.<P> Samantha is the muse, the "she" the writer speaks of; she is every woman who has felt like she wasn't good enough, and every woman who struggles to find love.
The Whispering Gallery
by William LoganThe poems here delve into what William Logan calls the “ill-lit kingdom of the past. ” The book is haunted by the dead but equally penitent toward the rich insinuations of the living: the lost floral paradise of the Florida outlands, the steamy Gatsby summers of a Long Island childhood, the frozen stones of a colonial burying ground. This new collection of seventy-two poems will allow readers to delight in the richness of Logan’s language and the boldness of his vision. .
White Apples and the Taste of Stone: Selected Poems 1946-2006
by Donald HallThroughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall's celebrated career, and includes poems recently published in The New Yorker, the American Poetry Review, and the New York Times. It is Hall's first selected volume in fifteen years, and the first to include poems from his seminal bestseller Without. Those who have come to love Donald Hall's poetry will welcome this vital and important addition to his body of work. For the uninitiated it is a spectacular introduction to this critically acclaimed and admired poet.
The White Cat and the Monk: A Retelling of the Poem “Pangur Bán”
by Jo Ellen BogartA monk leads a simple life. He studies his books late into the evening and searches for truth in their pages. His cat, Pangur, leads a simple life, too, chasing prey in the darkness. As night turns to dawn, Pangur leads his companion to the truth he has been seeking.The White Cat and the Monk is a retelling of the classic Old Irish poem “Pangur Bán.” With Jo Ellen Bogart’s simple and elegant narration and Sydney Smith’s classically inspired images, this contemplative story pays tribute to the wisdom of animals and the wonders of the natural world.
White Center: Poems
by Richard HugoRichard Hugo has been described by Carolyn Kizer as "one of the most passionate, energetic, and honest poets now living." Nowhere has that passion, energy, and honesty been more evident than in ?White Center, his newest volume of poems. "That Richard Hugo's poetry creates in his readers an almost indistinguishable desire for more," writes the critic and poet Dave Smith, "is the mark of his ability to reach those deep pools in us where we wait for passionate engagement. What Hugo gives us is the chance to begin again and a world where that beginning is ever possible." Here, for his ever-growing body of readers, are more of those opportunities.
The White Envelope (Sada Kham)
by Suchandra Chakraborty Moti NandiThis is an English translation of the Sahitya Academy award-winning Bengali novel: Sada Kham, translated by Suchandra Chakraborty.
The White Eyelash: Poems (Books That Changed the World)
by Susan KinsolvingA poetry collection of &“peculiar grace&” from the National Book Critics Circle Award finalist author of Dailies & Rushes (Brian Phillips, Poetry Magazine). Susan Kinsolving&’s first poetry collection, Dailies & Rushes, was hailed as a &“brilliant debut&” by the New York Times, and &“grand and almost terrifying&” by the New Yorker. In her new work, The White Eyelash, she turns the extremes of her recent experiences—especially those with her ageing, mentally ill mother—into poems of harsh factuality. This dark narrative sequence is highly contrasted by the humor presented in a section called &“Light Fare & Oddballs.&” Once again, Kinsolving exhibits a daunting range with signature style and substance. &“[The White Eyelash] finds the poet remembering her trouble mother, concentrating on visual detail or pursuing light-verse forms and verbal games with a demotically highbrow, casual grace. . . . Often organized around colors . . . these poems show a love for beauty and a casual line reminiscent of Eamon Grennan&’s.&” —Publishers Weekly
The White Goddess
by Robert GravesA history of poetic myth of the White Goddess as maid, nymph and crone in many lands and many times.
White Light: The Poetry of Alberto Blanco (Bucknell Studies in Latin American Literature and Theory)
by Ronald J. FriisWhite Light: The Poetry of Alberto Blanco examines the interplay of complementary images and concepts in the award-winning Mexican writer's cycle of poems from 1979 to 2018. Blanco’s poetic trilogy A la luz de siempre is characterized by its broad range of form and subject and by the poet's own eclectic background as a chemist, maker of collages, and musician. Blanco speaks the language of the visual arts, science, mathematics, music, and philosophy, and creates work with deep interdisciplinary roots. This book explores how polarities such as space and place, reading and writing, sound and silence, visual and verbal representation, and faith and doubt are woven through A la luz de siempre. These complements reveal how Blanco’s poetry, like the phenomenon of white light, embraces paradox and transforms into something more than the sum of its disparate and polychromatic parts.
White Papers (Pitt Poetry)
by Martha CollinsThis book contains a series of untitled poems that deal with issues of race from a number of personal, historical, and cultural perspectives. Expanding the territory of the author’s 2006 book Blue Front, which focused on a lynching her father witnessed as a child, this book turns, among other things, to the author's childhood. Throughout, it explores questions about what it means to be white, not only in the poetÆs life, but also in our culture and history, even our pre-history. The styles and forms are varied, as are the approaches; some of the poems address race only implicitly, and the book, like Blue Front, includes some documentary and \u201cfound\u201d material. But the focus is always on getting at what it has meant and what it means to be white―to have a race and racial history, much of which one would prefer to forget, if one is white, but all of which is essential to remember and to acknowledge in a multi-racial society that continues to live under the influence of its deeply racist past.
White Piano
by Nicole Brossard Robert Majzels Erin MoureBetween the verbs quivering and streaming, White Piano unfolds its variations like musical scores. A play of resonance between pronouns and persons, freely percussive between prose and poetry, and narrating a constellation of questions, White Piano offers readers a 'language that cultivates its own craters of ?re and savoir-vie.'
White Pine: Poems and Prose Poems
by Mary OliverFrom the National Book Award and Pulitzer Prize winning poet Mary Oliver, a collection of evocative and haunting poetry and prose“Oliver’s poems are...as genuine, moving and implausible as the first caressing breeze of spring.” —New York TimesIn her first collection since winning the National Book Award, Mary Oliver writes of the silky bonds between every person and the natural world, of the delight of writing, of the value of silence. The collection features the fourteen-part poem “In the Blackwater Woods,” as well as “At the Lake” and the prose poem “Snail.”
The White Savannahs: The First Study of Canadian Poetry from a Contemporary Viewpoint
by Douglas Lochhead Germaine Warkentin W. E. CollinThe White Savannahs, originally published in 1936, is the first study of Canadian poetry from a modern point of view. It contains essays on Archibald Lampman, Marjorie Pickthall, E.J. Pratt, Leo Kennedy, A.M. Klein, A.J.M. Smith, F.R. Scott, Marie Le Franc, and Dorothy Livesay. The contributions are based on a series of analytical essays originally published in the Canadian Forum and in the University of Toronto Quarterly. Professor Collin's work added much to the establishment of a new climate of opinion among readers and publishers of poetry in Canada.