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The Waste Land and Other Writings
by T. S. EliotFirst published in 1922, "The Waste Land" is T. S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression. " As influential as his verse, T. S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition ofThe Waste Land and Other Writingsincludes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.
The Waste Land (Liveright Classics)
by Paul Muldoon T. S. EliotThe first edition of T. S. Eliot's masterpiece reappears with a major introduction by Pulitzer Prize-winner Paul Muldoon. The Waste Land is arguably the most important poem of the twentieth century. First published in the United States by Boni & Liveright in 1922, this landmark reissue of the first edition, now back with its original publisher, includes a new introduction by Paul Muldoon, showcasing the poem's searing power and strange, jarring beauty. With a modernist design that matches the original, this edition allows contemporary readers to experience the poem the way readers would have seen it for the first time. As Muldoon writes, "It's almost impossible to think of a world in which The Waste Land did not exist. So profound has its influence been not only on twentieth-century poetry but on how we've come to view the century as a whole, the poem itself risks being taken for granted." Famously elliptical, wildly allusive, at once transcendent and bleak, The Waste Land defined modernity after the First World War, forever transforming our understanding of ourselves, the broken world we live in, and the literature that was meant to make sense of it. In a voice that is arch, ironic, almost ebullient, and yet world-weary and tragic, T. S. Eliot mixes and remixes, drawing on a cast of ghosts to create a new literature for a new world. In the words of Edmund Wilson, "Eliot...is one of our only authentic poets...[The Waste Land is] one triumph after another."
The Waste Land, Prufrock and Other Poems: Poems (Dover Thrift Editions)
by T. S. EliotIn the masterly cadences of T. S. Eliot's verse, the 20th century found its definitive poetic voice, an incredible "image of its accelerated grimace," in the words of Eliot's friend and mentor, Erza Pound. This volume is a rich collection of much of Eliot's greatest work.The title poem, The Waste Land (1922), ranks among the most influential poetic works of the century. An exploration of the psychic stages of a despairing soul caught in a struggle for redemption, the poem contrasts the spiritual stagnation of the modern world with the ennobling myths of the past. Other selections include the complete contents of Prufrock (1971), including "The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Rhapsody on a Windy Night," "Mr. Apollinax," and "Morning at the Window." From Poems (1920) there are "Gerontion," "The Hippopotamus," "Mr. Eliot's Sunday Morning Service," "Sweeney Among the Nightingales," and more.An indispensable resource for all poetry lovers, this modestly priced edition is also an ideal text for English literature courses from high school to college. Includes "The Love Song of J. Alfred Prufrock" from the Common Core.
The Waste Land, Prufrock, The Hollow Men and Other Poems (Dover Thrift Editions: Poetry)
by T. S. EliotThis superb collection of 26 works features the poet's masterpiece "The Waste Land"; the complete Prufrock and Other Observations, “The Hollow Men,” and the collection Poems.
Watch Me!
by Margaret MahyLike its companion volumes WONDERFUL ME! And WAIT FOR ME!, these stories and poems are alive with the sort of magic and fun that children's dreams are made of. In these pages you will meet Aunt Nasty the witch, the boy who bounced, a few magicians, a ghostly girl, a princess who marries a clown and endless other surprises. Originally published as The Third Margaret Mahy Storybook, and newly illustrated by Peter Bailey, these tales remain as well-loved now as ever.
Watch Me Do Yoga
by Bobby ClennellWatch Me Do Yoga is narrated by a child's voice as she goes through a series of yoga poses. We see her practicing with her dad, her mom, or the family dog, and sometimes alone on her mat. We see her in the garden, on the patio, in her bedroom, even sitting on a gigantic lotus. But no matter what the setting, she relates her yoga to the natural world. She stands like a tree or a mountain and imitates the actions of animals -- a fish, a dog, a lion, and a tortoise. She celebrates her connection with the life around her and wants just a bit of attention in return. The upbeat text and appealing illustrations should encourage young children to practice yoga and their parents to practice with them.
Watch Me Do Yoga
by Bobby ClennellWatch Me Do Yoga is narrated by a child's voice as she goes through a series of yoga poses. We see her practicing with her dad, her mom, or the family dog, and sometimes alone on her mat. We see her in the garden, on the patio, in her bedroom, even sitting on a gigantic lotus. But no matter what the setting, she relates her yoga to the natural world. She stands like a tree or a mountain and imitates the actions of animals -- a fish, a dog, a lion, and a tortoise. She celebrates her connection with the life around her and wants just a bit of attention in return. The upbeat text and appealing illustrations should encourage young children to practice yoga and their parents to practice with them.
Watch Your Language: Visual and Literary Reflections on a Century of American Poetry
by Terrance HayesFrom the National Book Award–winning author of Lighthead, Terrance Hayes, a fascinating collection of graphic reviews and illustrated prose addressing the last century of American poetry—to be published simultaneously with his latest poetry collection, So to SpeakCanonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. "If you don't see suffering's potential as art, will it remain suffering?" he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes's astonishing drawings and essays literally and figuratively map the acclaimed poet's routes, roots, and wanderings through the landscape of contemporary poetry.
watching for life (Hugh MacLennan Poetry Series)
by David Zierothwe climb down the manhole / where history waits, and we can read / its layers or at least imagine themFrom a balcony overlooking an urban back lane, a poet watches those walking below – their identities unknown and yet grasped through real and imagined evidence of foibles and personal inclinations, details of habit that reflect the strangers’ inner selves, humanity in all its weaknesses, illnesses, and propensities. In watching for life David Zieroth ponders questions about how to live and how to continue. The poems reach out in imagining the lives of others, and the poet himself is watched in turn. Zieroth conjures the history of his environment and the people who pass through it, reminding us of “the place we occupy / unfinished within ourselves” and our hunger to locate ourselves in the strangers we encounter. Intimate and observant, watching for life features poetic reflections on men, women, children, crows and gulls, pigeons, rain and snow, patched pavement, delivery trucks, night, and time.
Watching the Perseids: The Backwaters Press Twentieth Anniversary Anthology
by Cat Dixon Michael CatherwoodWatching the Perseids: The Backwaters Press Twentieth Anniversary Anthology features poems from authors from the past 20 years. This anthology commemorates The Backwaters Press’s 20 years as a nonprofit literary publisher located in Omaha, Nebraska. Virtually every poet published by the press in its first two decades is represented here with two new, previously unpublished poems selected specifically for this volume.
Watching the Spring Festival
by Frank BidartThis is Bidart's first book of lyrics not dominated by long poems. Less embattled than earlier work, these new poems have, by conceding times finalities and triumphs, acquired a dark radiance unlike anything seen before in Bidart's long career.
Watchwords: Romanticism and the Poetics of Attention
by Lily Gurton-WachterThis book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for--or commanding--attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.
Water
by Jesús María Flores LunaIt is a collection of poems about water. From its appearance and the first contact of man with him, after his daily use of survival for the world, until the flow and the race below the cities and their current contamination. Translation of Agustina Jazmín Lombardo
The Water Bearer
by Tracy RyanWater is contained in these poems in many different ways: from the water filling a second-hand cooler in an old farmhouse to ocean riptides and impassive dams; from swimming lessons to paddocks layered with water after rain. From scheme water, pipelines and a countryside in the grip of drought – the water in this collection is a many-sided metaphor. Tracy Ryan's latest collection of poems is full of intimate intensity and clear vision, each poem wrought with consummate skill by "one of Australia's most gifted poets" (Marion May Campbell).
Water / Music (Johns Hopkins: Poetry and Fiction)
by Peter FilkinsA diverse display of formal dexterity, narrative power, and lyrical resonance, Peter Filkins's latest collection of poems explores the fraught relationship between the natural world and the human.Exploring the space between nature and culture, the poems of Water / Music anchor themselves in the timely and the timeless. Rich and diverse in their formal intricacy, they move with ease from narrative to meditation, from close physical observation to the haunts of memory, and from lyric sorrow to the pleasure of living in the world. Water / Music embraces and celebrates life's mystery and the soul's repose amid "talismans at twilight, the whir of birds."
Water Quality (Hugh MacLennan Poetry Series #85)
by Cynthia Woodman KerkhamI find my bearings by clouds of moon jellies / afloat beneath my anchored boat, / pulsing the sea’s bright night, / their milky way, unfurling.In these lush and vivid poems water gloves a swimmer’s body, is “satin, yes, viscous. Albumen, vernix, newborn slick.” It “rinses gai lan – bright green in a silver bowl” in Hong Kong or hibernates in the Pacific Northwest “under a silky pelt / of rain. People-less. Days, months of this / hiss, softness breaking cliffs.”Cynthia Woodman Kerkham ponders the urgent question, What does water want? Whether as the body of a beloved lake, where people wrestle with the concerns of stewardship, or as the sea in which to sail and drift, or as a gene pool simmering through a family’s veins, water is the main character here. It can be turbid, the amniotic colour of spittle, or, in a time of drought, “brilliant beads.” As “a stream flushed over granite,” water seems to want “so little it shares another’s colour,” yet here, it gets our full and necessary attention.Rich with vibrant language and intensity, these poems sizzle in lyric form, monologues, elegy, and haibun. Water Quality calls on us to consider that our very survival is at stake unless we make a vow to this vital element to cherish it as we would a partner.
Water Rolls, Water Rises / El agua rueda, el agua sube: El Agua Rueda, El Agua Sube
by Pat MoraNow in paperback: In a series of poetic verses in both English and Spanish, readers learn about the movement and moods of water around the world and the ways in which water affects different landscapes and cultures.Water rolls/El agua rueda onto the shore/hacia la orilla under the sun, under the moon./bajo el sol, bajo la luna. Here is an ode to the beauty of the natural world as expressed by the movement and moods of water. With every evocative verse, we visit one of fourteen different water landscapes and cultural areas around the world. Each is stunningly illustrated with a breathtaking view of the drama, joy, power, serenity, grandeur, or peacefulness of water. From the Grand Canal of Venice to Qutang Gorge in China, from the Sahara in Morocco to the Andes of Chile, we learn about the world through the lens of water, our most precious, life-giving resource.
Water Sings Blue: Ocean Poems
by Kate Coombs Meilo SoCome down to the shore with this rich and vivid celebration of the ocean! With watercolors gorgeous enough to wade in by award-winning artist Meilo So and playful, moving poems by Kate Coombs, Water Sings Blue evokes the beauty and power, the depth and mystery, and the endless resonance of the sea.
Water Street Days: Poems and Stories
by David DonnellPoems and stories in which Donnell examines his past and his childhood; the poems are narrative confessions.
Water the Rocks Make (The Alaska Literary Series)
by David McElroyThe poems of Water the Rocks Make commit into words the turbulence of emotion and thought stirred up by life’s events: family trauma, psychiatric instability, the legal system, the death of a loved one, identity, cultural displacement, work, loss, creativity, and through everything, love. Set primarily in Alaska, where author David McElroy has lived most of his life, the real action in these poems is in thought—the mind coming to terms (words) with consciousness, the mixing and rendering of reality and imagination. McElroy delves down the many rapid turns toward meaning through these contemplations on personification of a long-tailed boat in Asia; Adam tasked with naming the creatures; synthesizing the agony of accident, disease, and death; Descartes musing about an oilfield bridge; the excitement of sensual love; or the history and creativity emerging from a landfill. There is sadness here, but through the rigorous manipulation of imagery, rhythm, and sound, Water the Rocks Make strives to “…contribute their daily/ details in our remarkable trick of happiness…to rise from the mulch/ of dreams like seedling teak goofy with life/ and floppy leaves.”
Water, Water: Poems
by Billy CollinsFrom the former Poet Laureate of the United States and New York Times bestselling author of Aimless Love comes a wondrous new collection of poems focused on the joys and mysteries of daily life.&“Among the best poems that [Billy] Collins has ever written.&”—Maureen Corrigan, NPR&“Witty, wry and tender when it hurts, Water, Water is a pleasure to read and easy to give.&”—The Washington Post&“Collins remains the most companionable of poetic companions.&”—The New York TimesIn this collection of sixty new poems, Billy Collins writes about the beauties and ironies of everyday experience. A poem is best, he feels, when it begins in clarity but ends with a whiff of mystery. In Water, Water, Collins combines his vigilant attention and respect for the peripheral to create moments of delight. Common and uncommon events are captured here with equal fascination, be it a cat leaning to drink from a swimming pool, a nurse calling a name in a waiting room, or an astronaut reciting Emily Dickinson from outer space. With his trademark lyrical informality, Collins asks us to slow down and glimpse the elevated in the ordinary, the odd in the familiar. It&’s no surprise that The New York Times and The Wall Street Journal both call Collins one of America&’s favorite poets.The Monet ConundrumIs every one of these poemsdifferent from the othershe asked himself,as the rain quieted down,or are they all the same poem,haystack after haystackat different times of day,different shadows and shades of hay?
Waterborne
by Linda GregersonA stirring, brilliantly crafted collection, Linda Gregerson's third volume of poetry examines mortality in all its beauty and horror. Fluently rendered in Gregerson's distinctive three-line stanzas, these poems explore subjects from autism to genealogy to ecology. Their occasions are diverse -- a barn fire, a wounded deer, a child's determined struggle with a bicycle -- but their instinct is always to wrest from the impure world a vernacular of praise.
Waterlines: Poems
by Alison PelegrinIn Waterlines, Louisiana native Alison Pelegrin gives us poems that describe the terrible power of nature even as they underscore the state’s beauty. The poet moves from the familiar gaudy delights of life in New Orleans to immerse the reader in the vastly different experience of living north of Lake Pontchartrain. In this fractured world, the Bogue Falaya River becomes a highway paved with benedictions, psalms, and praise for ordinary things, as Pelegrin searches the unfamiliar for an incarnation of home. Water—the threat of hurricanes and floods, as well as the tangled geographies and histories of the rivers and lakes themselves—sustains the poet as she settles into the casual beauty of “the daily route,” finding spiritual depth and delight in both human and natural wonders. “It’s said that figures as different as Jefferson and Goethe were comfortable in the world because they were at home at Monticello and Weimar respectively, and the same is true of Alison Pelegrin. Waterlines starts locally and then radiates outward, not geographically so much as emotionally and spiritually. There are poems about faith, poems of wry and even scary self-examination, poems that combine these themes and more. Pelegrin stays close to her roots yet journeys out and back, ranging widely and then coming home to tap strength and sustenance.
Waterloo Express (A List)
by Paulette JilesThe remarkable debut poetry collection from renowned bestselling novelist and Award–winning poet Paulette Jiles, reissued in a handsome A List edition.Originally published in 1973, Paulette Jiles’s first collection amazed audiences with its rare depth of texture and verbal dexterity. Her work moves through landscapes that range from Africa to Mexico to Toronto with the ease of a travelling magician. Her swift, intricate metaphors leave the reader breathless, but her work also manages to be straight, earthy, vernacular, and disturbingly perceptive.
A Wave: Poems
by John AshberyOne of Ashbery&’s most acclaimed and beloved collections since Self-Portrait in a Convex Mirror, filled with his signature wit and generous intelligenceThe poems in John Ashbery&’s award-winning 1984 collection A Wave address the impermanence of language, the nature of mortality, and the fluidity of consciousness—matters of life and death that in other hands might run the risk of sentimentality. For John Ashbery, however, these considerations provide an opportunity to display his prodigious poetic gifts: the unerring ear for our evolving modern language and its ever-expanding universe of meanings, the fierce eye trained on glimmers underwater, and the wry humor that runs through observations both surprising and familiar. As the poem &“The Path to the White Moon&” has it, &“We know what is coming, that we are moving / Dangerously and gracefully / Toward the resolution of time / Blurred but alive with many separate meanings / Inside this conversation.&” The long title poem of A Wave, which closes the book, is considered one of Ashbery&’s most distinguished works, praised by critic Helen Vendler for its &“genius for a free and accurate American rendition of very elusive inner feelings, and especially for transitive states between feelings.&” Winner of both the Lenore Marshall Poetry Prize and the Bollingen Prize, this book is one to be read, reread, and remembered.