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What We Are When We Are: Kaj smo, ko sm (Mingling Voices)
by Tom Priestly Cvetka LipušWorking within a postmodern style, this rhythmic and melodious collection of poems originally written in Slovenian by Cvetka Lipuš and translated here by Tom Priestly, blends the real with the surreal, dull urban lives with dreams. Lipuš, known for the lexical beauty of her work, dwells on topics of time and space which she handles in an almost revolving, irreverent manner. Priestly captures the maze-like characteristic of her verse and carefully reconstructs the sonoric beauty of the work in its original language.
What We Buried
by Caitlyn SiehlThis book is a cemetery of truths buried alive. The light draws you in where you will find Caitlyn there digging. When you get close enough, she'll lean in and whisper, Baby, buried things will surface no matter what, get to them before they get to you first. Her unbounded love will propel you to pick up a shovel & help- even though the only thing you want to do is kiss her lips, kiss her hands, kiss every one of her stretch marks and the fire that is raging in pit of her stomach. She'll see your eyes made of devour and sadness, she'll hug you and say, Baby, if you eat me alive, I will cut my way out of your stomach. Don't let this be your funeral. Teach yourself to navigate the wound.
What We Carry (American Poets Continuum #Vol. 28)
by Dorianne LauxFinalist, 1994 National Book Critics Circle Award for Poetry. Dorianne Laux's poetry is a poetry of risk; it goes to the very edge of extinction to find the hard facts that need to be sung. What We Carry includes poems of survival, poems of healing, poems of affirmation and poems of celebration.
What We Carry
by Dorianne LauxFinalist, 1994 National Book Critics Circle Award for Poetry. Dorianne Laux's poetry is a poetry of risk; it goes to the very edge of extinction to find the hard facts that need to be sung. What We Carry includes poems of survival, poems of healing, poems of affirmation and poems of celebration.
What We Live For, What We Die For: Selected Poems (The Margellos World Republic Of Letters)
by Serhiy Zhadan Virlana Tkacz Wanda Phipps Bob HolmanAn introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation "Everyone can find something, if they only look carefully," reads one of the memorable lines from this first collection of poems in English by the world‑renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where "every year there's less and less air." Yet despite the grimness of these portraits, Zhadan's poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people "will never let it be / like it was before."
What Will People Say: Poems
by Taniya GuptaI had to fight for my existence before I was even out of my mother&’s womb. If I didn&’t stop fighting then, why would I stop now?What Will People Say follows a South Asian woman&’s journey through being a daughter, and later a daughter-in-law, within the strict confines of her patriarchal family. Readers watch as the narrator navigates life, trying to find a safe place for herself, until she finally becomes her own hero. Grappling with the subjects of sexual and psychological trauma, as well as mental health, this collection of poetry carves a path beyond the guilt of wondering: &“What will people say?&”
What Work Is
by Philip Levine"This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin's First-Rate Plumbing and Plating. Only Studs Terkel's Working approaches the pathos and beauty of this book. But Levine's characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living 'at the borders of dreams.' One reads The Tempest 'slowly to himself'; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of 'the dark from the dark.' What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language." --Daniel L. Guillory, Library Journal<P><P> Winner of the National Book Award in 1991
What You Need to Be Warm
by Yuliya Gwilym Nadine Kaadan Pam Smy Daniel Egnéus Neil GaimanDuring the coldest season, when the world feels scary—what do you remember about being warm? Baked potatoes. Trust. A kettle on the stove. Blankets. A smile. And, most of all, the reassurance that you belong. <p><p>In his powerful and moving poem, featuring illustrations from thirteen extraordinary artists, bestselling author and UNHCR Goodwill Ambassador Neil Gaiman draws together many different memories to answer the question, what do you need to be warm? <P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i> <p> <b>New York Times Bestseller</b>
What You Want: Poems
by Maureen N. McLaneNational Book Award finalist Maureen N. McLane stuns with a precise, perceptive book of poetic meditations.In her first book of poems since the scintillating More Anon: Selected Poems, Maureen N. McLane offers a bravura, trenchant sounding out of inner and outer weathers. What You Want is a book of core landscapes, mindscapes, and shifting moods. Meditative, lyrical, alert to seasons and pressures on our shared life, McLane registers and shapes an ambient unease. Whether skying with John Constable or walking on wintry paths in our precarious republic, the poet channels what Wordsworth called “moods of my own mind” while she scans for our common horizon. Here are poems filled with gulls and harbors, blinking red lights and empty lobster traps, beach roses and rumored sharks, eels and crows, wind turbines and superhighways. From Sappho to the Luminist painter Fitz Henry Lane, from constellations to microplastics, What You Want is a book alive to the cosmos as well as to our moment, with its many vexations and intermittent illuminations. In poems of powerful command and delicate invitation, moving from swift notations to sustained sequences, this collection sees McLane testing what (if anything) might “outlast the coming heat.” And meanwhile, “There’s no end / to beauty and shit.”
What You Want
by Constantine PhippsPatrick is still in love with his separated wife. Returning with their son after a trip to an amusement park, he begs, one last time, to reconcile with her. When she refuses, he is driven to thoughtless desperation: a bottle of sleeping pills, a bottle of whisky. And in his dying dream, he revisits that theme park of childish desire. There he finds the landscape - still garish and indulgent - has evolved. The attractions are religion, money and sex. The characters - costumed and acted - are transformed into Jefferson, Xunzi, Aristotle. And their purpose is to instruct Patrick in the pursuit of happiness throughout human history. But Patrick can only answer with his own story. He remembers falling in love with Louise. Recalls the enlightenment of their youth and the banality of their family life. He tells of their marriage, how it came under strain after the birth of his son; how he cheated; the unravelling of all his joy. Yet still his love persists. Beginning with the first line of Dante's Divine Comedy and taking in Disneyworld, the Declaration of Independence and the canon of philosophy in its stride, What You Want is a literary feat: a novel written entirely in verse, depicting life in all its ordinariness. It gives voice to a new Everyman and brings forth an unparallelled modern epic.
What's in a Name
by Ana Luísa AmaralPoems of effervescent grace from one of the best-known and best-loved poets of Portugal With the elliptical looping of a butterfly alighting on one’s sleeve, the poems of Ana Lui´sa Amaral arrive as small hypnotic miracles. Spare and beautiful in a way reminiscent both of Szymborska and of Emily Dickinson (it comes as no surprise that Amaral is the leading Portuguese translator of Dickinson), these poems—in Margaret Jull Costa’s gorgeous English versions—seamlessly interweave the everyday with the dreamlike and ask “What’s in a name?” “How solid is a name if answered to,” Amaral answers, but “like the Rose—no, like its perfume: ungovernable. Free.” There is much freedom within Amaral’s poetry, room for mysteries to multiply, and yet her beautiful lines are as clear as water: And that time of smiles Which does, incidentally, really exist, I swear, as does the fire And the invisible sea, which with nothing will agree
What's the Import?
by Kerry McsweeneyKerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.
What's the Import?: Nineteenth-Century Poems and Contemporary Critical Practice
by Kerry McSweeneyKerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.
What's the Weather Inside?
by Barry Blitt Karma WilsonHere are more than 120 hysterical, philosophical, rhetorical, and commonsensical poems and pictures that explore the perfectly not-so-perfect world of picky kids, Miss Muffet's revenge, magic homework wands, yellow snow, and Sunday's sundaes! New York Times bestselling author Karma Wilson and renowned New Yorker cartoonist Barry Blitt have created a brilliantly entertaining poetry collection sure to be a source of pleasure and inspiration to kids everywhere.
What's Under the Bed? (Bilingual)
by Joe FentonWhen Fred lays down his head, he imagines there is something monstrous under his bed. (bilingual English/Spanish)
Wheel With a Single Spoke: and Other Poems
by Nichita Stanescu Sean CotterWinner of the Herder Prize, Nichita St?nescu was one of Romania's most celebrated contemporary poets. This dazzling collection of poems - the most extensive collection of his work to date - reveals a world in which heavenly and mysterious forces converse with the everyday and earthbound, where love and a quest for truth are central, and urgent questions flow. His startling images stretch the boundaries ofthought. His poems, at once surreal and corporeal, lead us into new metaphysical and linguistic terrain.
Wheeling Motel
by Franz WrightIn his tenth collection of poetry, Franz Wright gives us an exquisite book of reconciliation with the past and acceptance of what may come in the future. From his earliest years, he writes in "Will," he had "the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love." This rage comes coupled with the poet's own brand of love, what he calls "one / strange alone / heart's wish / to help all / hearts." Poetry is indeed Wright's help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where "Tammy Wynette's on the marquee" and he is visited by the figure of Walt Whitman, "examining the tear on a dead face."Here, in Wheeling Motel, Wright's poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.From the Hardcover edition.
The Wheeling Year: A Poet's Field Book
by Ted KooserTed Kooser sees a writer’s workbooks as the stepping-stones on which a poet makes his way across the stream of experience toward a poem. Because those wobbly stones are only inches above the quotidian rush, what’s jotted there has an immediacy that is intimate and close to life. Kooser, winner of the Pulitzer Prize and a former U.S. poet laureate, has filled scores of workbooks. The Wheeling Year offers a sequence of contemplative prose observations about nature, place, and time arranged according to the calendar year. Written by one of America’s most beloved poets, this book is published in the year in which Kooser turns seventy-five, with sixty years of workbooks stretching behind him.
The Wheels on the Bus: A baby sing-along book (Peek and Play Rhymes #1)
by Pat-a-CakeThe Wheels on the Bus combines lively pictures with a classic rhyme that's easy for parents and carers to recognise and recite. Young children will adore singing along as the big bright bus trundles along. The spotting game at the end is a great incentive to go through the pages once again until each tiny thing is found! Nursery Rhymes are important stepping stones to language development. The rhymes usually tell a story, too, with a beginning, a middle and an end. This teaches children that events happen in sequence, and they begin to follow along. Nursery rhymes are also full of repetition making them easy to remember, and often become some of a child's first sentences. Also available: Hey Diddle Diddle, Twinkle Twinkle Little Star, Old Macdonald had a Farm
The Wheels on the Bus at Christmas
by Sarah KieleyThe favorite children's song "The Wheels on the Bus" gets a Christmas twist!Let's ride the bus on Christmas Eve! Who will we find inside? Grab a ticket and hop aboard the most Christmas-y bus ride ever! Families will love creating a new Christmas tradition as they sing along to this joyful, boistrous, holiday version of the classic song "The Wheels on the Bus". With a gaggle of adorable Christmas passengers, including reindeer, elves, snowmen, Christmas cookies, and of course Santa himself as the bus driver, this bright and festive book is sure to have children eager to read it (and sing it!) again and again. Peek-through "windows" in the front cover give kids a sneak glimpse of the characters they'll find inside.And don't miss the companion book The Wheels on the Bus at Halloween!
The Wheels on the Bus at Halloween
by Sarah KieleyThe favorite children's song "The Wheels on the Bus" gets a Halloween twist!Let's ride the bus on Halloween! Who will we find inside? Grab a ticket and hop aboard for a trick-or-treat bus ride! Families will love creating a new Halloween tradition as they sing along to this joyful, boisterous version of the classic song "The Wheels on the Bus." With a gaggle of adorable Halloween passengers—including pumpkins, witches, cats, and candy—this bright and festive book is sure to have children eager to read it (and sing it!) again and again. Peek-through "windows" in the front cover give kids a glimpse of the characters they'll find inside.And don't miss its companion book, The Wheels on the Bus at Christmas.
When a Woman Loves a Man
by David LehmanThese poems capture the romance, irony, and pathos of love; they movingly chronicle days in post-9/11 New York and bring a fresh perspective to an array of subjects -- from the Brooklyn Bridge to Gertrude Stein to Buddhism. When a Woman Loves a Man is playful, inventive, and as amusing as it is clever; it is the work of a poet at the height of his lyrical and reflective powers.
When Blackness Rhymes with Blackness
by Rowan Ricardo PhillipsIn When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling "our desire to think of African American poetry as African American poetry." Phillips reads African American poetry as inherently allegorical and thus "a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems." Arguing in favor of the "counterintuitive imagination," Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, "where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition." From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance ("at a concert"), or in that performance's retrospection ("in a cafe´"), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley's visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley.
When Blackness Rhymes with Blackness
by Rowan Ricardo PhillipsIn When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling "our desire to think of African American poetry as African American poetry." Phillips reads African American poetry as inherently allegorical and thus "a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems." Arguing in favor of the "counterintuitive imagination," Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, "where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition." From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance ("at a concert"), or in that performance's retrospection ("in a cafe´"), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley's visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley.
When Charlie McButton Lost Power
by Suzanne Collins Mike LesterAn electifying picture book from the author of The Hunger Games. Charlie McButton likes computer games so much, he never plays with anything else. When a thunderstorm knocks out the electricity, his tech empire comes tumbling down, and his whole world loses power. He needs batteries--FAST. But the only triple A's he can find are in his little sister's talking doll. Will he resort to desperate measures and cause his little sister to have a meltdown of her own? Or will be snap out of his computer craze long enough to realize he can have fun with her, even without batteries? Suzanne Collins, author of the bestselling Hunger Games trilogy, and award-winning illustrator Mike Lester team up for a hilarious and timely tale that will crack up young computer addicts and those who love them.