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Wisdom of the Body
by Judith RocheWisdom of the Body is a meditation in poetry on the "bodiness,"the physicality of all things: our bodies and how they change, the salmon and their life cycle, trees, flowers, the earth, everything caught in the mystery of time. The book contains a series of poems on the life cycle of Pacific Northwest salmon that was a City of Seattle public arts project, and poems from the libretto of a musical piece by noted composer Janice Gitech, "Navigating the Light."
The Wisdom of Trees: How Trees Work Together to Form a Natural Kingdom
by Lita JudgeWith lush illustrations, poems, and accessible scientific information, The Wisdom of Trees by Lita Judge is a fascinating exploration of the hidden communities trees create to strengthen themselves and others.We clean the air and seed the clouds, we drench the thirsty land with rain. We are like wizards.The story of a tree is a story of community, communication, and cooperation. Although trees may seem like silent, independent organisms, they form a network buzzing with life: they talk, share food, raise their young, and offer protection. Trees thrive on diversity, learn from their ancestors, and give back to their communities. Trees not only sustain life on our planet—they can also teach us important lessons about patience, survival, and teamwork.A New York Public Library Best Book of 2021A New York Public Library Top Ten Book for KidsGreen Earth Book Award LonglistAn ALA SustainRT Top 10 Sustainability-Themed Children’s Books 2022
Wisdom Teeth (Busboys and Poets)
by Derrick Weston BrownThis debut poetry collection reveals the ongoing internal and external reconstruction of an artist's life and environment, as told through a litany of forms and myriad voices. The poems represent the quintessence of urban DC life and redefine personal relationships, masculinity, race, and history. A readjustment of bite, humor, and perspective, this work channels everything from hip-hop and Toni Morrison to Snagglepuss and red giants to make way for a poetic eruption of wisdom.
The Wish Book: Poems
by Alex Lemon"To read this book is to meet a man who would climb the sky." —BOB HICOKIn his follow-up to Fancy Beasts, a book that &“slice[d] straight through nerve and marrow on its way to the heart and mind of the matter&” (Tracy K. Smith), Alex Lemon dazzles with his exuberance and candor. Whether in unrestrained descriptions of sensory overload or tender meditations on fatherhood and mortality, Lemon blurs the nebulous line between the personal and the pop-cultural. These poems are full of frenetic energy and images pleasantly, strangely colliding: jigsaws and bathtubs and kung-fu and X-rays. A carnival barker calls. A jellyfish celebrates a shaky adulthood. A sliding door shatters with the passing through of a body. And a heart is &“ecstatically / Torn apart like Twizzlers.&”Lean and muscular, The Wish Book is a collection of fireworks and wild emotion, defined by Lemon&’s distinct brand of poetic edginess.
The Wit In The Dungeon: The Life of Leigh Hunt
by Anthony HoldenHe was born in the year Dr Johnson died, and died in the year A.E. Houseman and Conan Doyle were born. The 75 years of Leigh Hunt's life uniquely span two distinct eras of English life and literature. A major player in the Romantic movement, the intimate and first publisher of Keats and Shelley, friend of Byron, Hazlitt and Lamb, Hunt lived on to become an elder statesman of Victorianism, the friend and chamption of Tennyson and Dickens, awarded a sate pension by Queen Victoria. Jailed in his twenties for insulting the Prince of Wales, Hunt ended his long, productive life vainly seeking the Poet Laureatship with fawning poems to Victoria. A tirelessly prolific poet, essayist, editor and critic, he has been described as having no rival in the history of English criticism. Yet Hunt's remarkable life story has never been fully told.Anthony Holden's deeply researched and vibrantly written biography gives full due to this minor poet - but major influence on his great Romantic contempories.
Witches (Abradale Bks.)
by Erica JongThe New York Times–bestselling author of Fear of Flying celebrates witches in a gorgeously illustrated brew of witchcraft lore, potions, secrets, and myth. With a mix of genuine fascination, passionate enthusiasm, and keen feminist insight, Erica Jong wades through a bog of myths, misinformation, historical hysteria, and contemporary Halloween costumes to offer a generous exploration and celebration of witches. From their origins as descendants of ancient goddesses to contemporary practitioners of the craft, the evolution of the concept of &“witch&” has been as changeable as the centuries themselves. From evil crone to sexual seductress, they are the embodiment of both light and dark, fertility and death, divinity and paganism, baleful curses and healing cures. They have been scapegoated as the object of men&’s worst fears and embraced as heroines of female empowerment. As muses, they have influenced popular culture from Shakespeare and Yeats to Anne Sexton and Ken Russell. With reverence and a hint of mischief, Jong reveals witches&’ rites, rituals, and magical recipes, including authentic spells and incantations. &“A steaming cauldron of beautifully illustrated prose, poetry, love potions and flying lotions&” (Glamour) from the renowned author of Fanny, Witches is &“nothing less than a complete transformation of our concept of witches . . . accomplishe[d] with panache in this sumptuously and provocatively illustrated book" (Publishers Weekly). This ebook features an illustrated biography of Erica Jong, including rare photos and never-before-seen documents from the author&’s personal collection.
With a Moon in Transit (Grove Press Poetry Series)
by Jacqueline Osherow“A collection that is down-to-earth and sparkling in its self-deprecating wit . . . Osherow’s poems cast a magical light on whatever she beholds.” —Library JournalIn With a Moon in Transit, Jacqueline Osherow has given us her most accomplished poetry to date. Integrating the strengths of her earlier work—humor, honesty, artifice, testimony—into compelling poems of great vigor and charm, she combines the often antithetical impulses of lyric and narrative verse. The result is an aesthetic largely her own, one that permits Osherow to treat emotionally charged events and elaborate ideas with remarkable control.Osherow’s observations are by turns gossipy, grand, sober, and hilarious. She sustains a disarming tone and manages to assimilate elements of both high and popular culture without apparent strain. While firmly rooted in the Hebrew Bible, her verse is also informed by authors as various as Dante and Dickinson. Yet for all that these poems are alive to the literary past, they remain sensitive to the rhythms of conversation and the tones of everyday speech. Osherow’s poems are composed with great clarity and rigor, but they never cease to sound casually spoken.“Marked by an inimitable anecdotal expansiveness and uncompromising control, Jacqueline Osherow’s poems are among the most ambitious being written.” —Mark Strand, Pulitzer Prize–winning poet“Abundant in whimsy, philosophical speculation, and earthly affections, Jacqueline Osherow’s poems inhabit their forms with insouciance and wit . . . Whether in mourning or celebration, hers is a voice of dazzling confidence, and humane and generous wisdom.” —Rosanna Warren, author of So Forth: Poems
With a Star in My Hand: Rubén Darío, Poetry Hero
by Margarita EngleFrom acclaimed author Margarita Engle comes a gorgeous new novel in verse about Rubén Darío, the Nicaraguan poet and folk hero who initiated the literary movement of Modernismo.As a little boy, Rubén Darío loved to listen to his great uncle, a man who told tall tales in a booming, larger-than-life voice. Rubén quickly learned the magic of storytelling, and discovered the rapture and beauty of verse. A restless and romantic soul, Rubén traveled across Central and South America seeking adventure and connection. As he discovered new places and new loves, he wrote poems to express his wild storm of feelings. But the traditional forms felt too restrictive. He began to improvise his own poetic forms so he could capture the entire world in his words. At the age of twenty-one, he published his first book Azul, which heralded a vibrant new literary movement called Modernismo that blended poetry and prose into something magical. In gorgeous poems of her own, Margarita Engle tells the story of this passionate young man who revolutionized world literature.
With My Back to the World: Poems
by null Victoria ChangWinner of the Forward Prize for Best CollectionFinalist for the Kingsley Tufts Poetry AwardNamed a Best Book of the Year by NPRNamed One of the Best Poetry Collections of the Year by The Guardian, Literary Hub, and Electric Literature A new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit. Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang’s new collection is a book that speaks to how we see and are seen.
With My Back to the World
by Victoria Chang'Chang has liberated the Ekphrastic form to new lyric heights and depths. Inventive, meditative, audacious, strange and soulful. A marvel of a collection that engages the eye and mind as much as the ear and heart' Raymond AntrobusYesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.WITH MY BACK TO THE WORLD engages with the paintings and writings of Agnes Martin, the celebrated abstract modern artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.
With My Five Senses I've Fallen
by Antonio Jofre“With All My Five Sense I’ve Fallen” is a book where Angentine Antonio Jofré immerses us in an oasis of feelings through his poetry, in which the inspiration that love gives him overturns in each one. Through poetry that explores love in all its facets, the author takes us to a world where being in love is the only way of living.
With My Hands: Poems About Making Things
by Amy Ludwig VanDerwater&“From birdhouses to shadow puppets, the variety of projects included are delightful . . . An effective medley of concept, poetry, and artwork.&”—School Library Journal For young makers and artists, brief, lively poems illustrated by a New York Times bestselling duo celebrate the pleasures of working with your hands. Building, baking, folding, drawing, shaping . . . making something with your own hands is a special, personal experience. Taking an idea from your imagination and turning it into something real is satisfying and makes the maker proud. With My Hands is an inspiring invitation to tap into creativity and enjoy the hands-on energy that comes from making things. &“Poetry sparks an irresistible, primal urge to twist, cut, paint, draw, glue, carve, whittle, daub, tie, hammer, to simply make.&”—Kirkus Reviews &“A cheery reminder of the pride of creating something and the many forms art can take.&”—Publishers Weekly &“Whether invoking cooking, sewing, tying knots, or other undertakings, this provides an enjoyable springboard for aspiring makers.&”—Booklist
With My Shadow: The Poems of Hilde Domin, A Bilingual Selection
by Hilde Domin“These translations and poems are full of the refugee’s loss and longing, made infinitely richer by Kafatou’s love for the poet and poems. This is a deeply loving, compassionate collection of poems, remaining anchored, ultimately, in the exile’s intertwined desire and nostalgia for home.” —The Massachusetts Review Not to tire / but to hold out your hand / gently / as to a bird / to the miracle This bilingual edition of the poems of Hilde Domin, an outstanding lyric poet of exile and return, brings her work to English-speaking readers for the first time. Hilde Domin fled Nazi Germany when, as a Jew, she was no longer safe there. For many years she lived in Italy and the Dominican Republic, where she encountered modernist currents in Italian and Spanish poetry. Returning permanently to Germany in the mid-1950s, she quickly found recognition as a poet of memory and reconciliation. For the rest of her long life she wrote and spoke in a tone poised between vulnerability and trust, on behalf of moral and civic values worth living for. <p><p>As Sarah Kafatou writes in her Introduction, Domin “is always frugal: she reworks and transforms her repertoire of metaphors, images, themes, and ideas again and again, extending and refining, never explaining too much. Her lyric sensibility is concise, her syntax and vocabulary are simple and apt, her short lines break on the phrase, and she has an uncanny ability to hit the right note at exactly the right moment, according to the rhythm of the breath.” Domin writes of “people like us we among them,” providing a voice for victims of persecution everywhere. Today, with refugee populations on the move throughout the world and with rising intolerance and polarization, these poems of conscience, and courage discovered in desperation, will speak directly to every reader.
with their eyes: September 11th
by Annie ThomsA deeply moving play remembering September 11, 2001, written by high school students who witnessed the tragedy unfold.A New York Public Library Book for the Teen Age“Profound.” —Booklist“Moving.” —Publishers Weekly“Rings with authenticity and resonates with power.” —School Library JournalTuesday, September 11, started off like any other day at Stuyvesant High School, located only a few blocks away from the World Trade Center.The semester was just beginning, and the students, faculty, and staff were ready to start a new year. But within a few hours on that Tuesday morning, they would share an experience that would transform their lives—and the lives of all Americans.This powerful play by the students of Stuyvesant High School remember those who were lost and those who were forced to witness this tragedy. Here, in their own words, are the firsthand stories of a day we will never forget. This collection helped shape the HBO documentary In the Shadow of the Towers: Stuyvesant High on 9/11.For dramatic rights, please visit http://permissions.harpercollins.com/.
Without: Poems
by Donald HallYou might expect the fact of dying--the dying of a beloved wife and fellow poet--to make for a bleak and lonely tale. But Donald Hall's poignant and courageous poetry, facing that dread fact, involves us all: the magnificent, humorous, and gifted woman, Jane Kenyon, who suffered and died; the doctors and nurses who tried but failed to save her; the neighbors, friends, and relatives who grieved for her; the husband who sat by her while she lived and afterward sat in their house alone with his pain, self-pity, and fury; and those of us who till now had nothing to do with it. As Donald Hall writes, "Remembered happiness is agony; so is remembered agony." Without will touch every feeling reader, for everyone has suffered loss and requires the fellowship of elegy. In the earth's oldest poem, when Gilgamesh howls of the death of Enkidu, a grieving reader of our own time may feel a kinship, across the abyss of four thousand years, with a Sumerian king. In Without Donald Hall speaks to us all of grief, as a poet lamenting the death of a poet, as a husband mourning the loss of a wife. Without is Hall's greatest and most honorable achievement -- his give and testimony, his lament and his celebration of loss and of love.
Without: Poems
by Donald Hall"It is a remarkably beautiful and generous book, beautiful in all its terrible specifics of the daily ordeal of death, and generous to the memory of the force of life his wife possessed. These poems by Donald Hall are written to and for his wife, Jane Kenyon, who died in 1995. The first half sketches her illness and death; the second half addresses her in the ensuing year. Unlike Thomas Hardy's elegies to his wife, Emma, "they celebrate a marriage of deep intimacy and great happiness" (John Bayley). Hall speaks to us all of grief- as a husband and as a poet lamenting the death of a poet. Without is his greatest achievement.
Without a Claim: Poems
by Grace Schulman&“Without a Claim is a modern Book of Psalms. Indeed, the glory in these radiant sacred songs meld an art of high music with a nuanced love of the world unlike any we&’ve heard before. No matter your mood upon entering this world you&’ll soon be grateful, and enchanted. In any such house of praise, God herself must be grateful.&” —Philip Schultz, Pulitzer Prize–winning author of Failure and The God of Loneliness Grace Schulman, who has been called &“a vital and permanent poet&” (Harold Bloom), makes new the life she finds in other cultures and in the distant past. In Without a Claim, she masterfully encompasses music, faith, art, and history. The title poem alludes to the Montauk sachem who sold land without any concept of rights to property, and meditates on our own notion of ownership: &“No more than geese in flight, shadowing the lawn, / cries piercing wind, do we possess these fields, / given the title, never the dominion.&” She traces the illusion of rights, from land to objects, from our loves to our very selves. Alternatively, she finds permanence in art, whether in galleries or on cave walls, and in music, whether in the concert hall, on the streets of New York, or in the waves at sea.
Without Beginning or End (Hugh MacLennan Poetry Series #86)
by Jacqueline BourqueIn my palliative months / the cormorant leaves me / at peace, disintegrating / with the exhalation of a BuddhaWithout Beginning or End is Jacqueline Bourque’s final testament to a life well lived, written in the wake of a terminal cancer diagnosis.Deeply inspired by her Acadian upbringing along the ocean shores of New Brunswick, these are poems populated by aerialists, painters, and the spirit of Charles Baudelaire, who connects the poet to “the ligatures of life.” Those ligatures in turn connect her with family in the collection’s remarkable title suite, bringing new life to a past that continues to resonate in the present.Without Beginning or End is a book about love, friendship, art, and the human condition. Beautiful, and poignantly human, it is an emotionally charged parting gift to loved ones and readers alike.
Without Ceremony
by Angela CarrThe poems in Without Ceremony celebrate the fleeting everyday encounters of city life as well as the layers of history that are revealed when we attempt to hold on to those encounters. Embracing the present before it vanishes into history, Carr's new collection is a clarifying elixer for our time.
Without Ceremony
by Angela CarrCentred on the everyday, and crafted without preamble or pretension, the poems in Without Ceremony are a literary pastiche—a thematic mosaic not unlike tracks on an album. Amidst a timeless cast of characters from Lucretius and Eva Hesse, to Joan Mitchell and St. Augustine, Carr illuminates what it means to truly know something and questions how certain knowledge becomes valued over others. Without Ceremony spotlights the gendered division of ideas and the inherent strength of language to harm and oppress, as well as elevate. Within these pages, passing encounters become rare spectacles, and the ordinary, without ambitions of grandeur or ceremony, is celebrated, making Carr's new collection a clarifying elixir for our time.Praise for Angela Carr:“Angela Carr’s words in Without Ceremony point their arrows toward a ledge where communication knows “both failure and perfection at once.” Her poetry isn’t invested in naming things (perhaps this is what is unceremonious) because things, even thingness, and their energies change so rapidly. Carr creates a field of verb-rich arriving where confessional exasperations are tried and transformed in pleasurable abstraction. She summons other women poets and artists (Hesse, Dickinson, Mitchell) not to revere them but to create a queer chorus of those who can bring us to see that what seems holy is simply ordinary.” —Stacy Szymaszek, author of A Year From Today“Angela Carr’s poems spark a startling immediacy directly to the heart of everyday encounters and how poems form “under the moment of language.” Her work gives us the rare and complex gift of how to move out of the house of regret amidst the instability of the contemporary. Here in Without Ceremony are interior conversations with the likes of Lucretius, Dickinson, Moorman, that show how readers become writers and how words feel when put on us by others, which ones we choose to wear, which to strip off. Let Without Ceremony become one of those books “that are familiar as friends,” always present to puncture through the space of the day to the intimacy we need to construct joy, a holding area for the moving moment.” —Lee Ann Brown, author of Other Archer
Without End: New and Selected Poems
by Adam ZagajewskiThis book draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners-- and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."
Witness, I Am
by Gregory ScofieldWitness, I Am is divided into three gripping sections of new poetry from one of Canada's most recognized poets. The first part of the book, "Dangerous Sound," contains contemporary themed poems about identity and belonging, undone and rendered into modern sound poetry. "Muskrat Woman," the middle part of the book, is a breathtaking epic poem that considers the issue of missing and murdered indigenous women through the reimagining and retelling of a sacred Cree creation story. The final section of the book, "Ghost Dance," raids the autobiographical so often found in Scofield's poetry, weaving the personal and universal into a tapestry of sharp poetic luminosity. From "Killer," Scofield eerily slices the dreadful in with the exquisite: "I could, this day of proficient blooms, / take your fingers, / tie them down one by one. This one for the runaway, / this one for the joker, / this one for the sass-talker, / this one for the judge, / this one for the jury. / Oh, I could kill you."
The Witness Of Poetry (The Charles Eliot Norton Lectures #38)
by Czeslaw MiloszCzeslaw Milosz, winner of the 1980 Nobel Prize for Literature, reflects upon poetry's testimony to the events of our tumultuous time. From the special perspectives of "my corner of Europe," a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial. Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins. He examines the tendency of poets since Mallarmé to isolate themselves from society, and stresses the need for the poet to make himself part of the great human family. One chapter is devoted to the tension between classicism and realism; Milosz believes poetry should be "a passionate pursuit of the real." In "Ruins and Poetry" he looks at poems constructed from the wreckage of a civilization, specifically that of Poland after the horrors of World War II. Finally, he expresses optimism for the world, based on a hoped-for better understanding of the lessons of modern science, on the emerging recognition of humanity's oneness, and on mankind's growing awareness of its own history.
Wittgenstein and the Creativity of Language
by Sebastian Sunday Grève Jakub MáchaThis volume is the first to focus on a particular complex of questions that have troubled Wittgenstein scholarship since its very beginnings. The authors re-examine Wittgenstein’s fundamental insights into the workings of human linguistic behaviour, its creative extensions and its philosophical capabilities, as well as his creative use of language. It offers insight into a variety of topics including painting, politics, literature, poetry, literary theory, mathematics, philosophy of language, aesthetics and philosophical methodology.