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Bright Star
by John KeatsJOHN KEATS edited with an introduction by Miriam Chalk This book gathers the most potent passages from Keats together, including the famous 'Odes', the sonnets, the luxuriously sensuous 'Eve of St Agnes', the mysterious and atmospheric 'La Belle Dame Sans Merci', and extracts from 'Lamia', Endymion and Hyperion. British Poets Series. Bibliography and notes. John Keats is one of the few British poets who is truly ecstatic and wild. Despite the overly-ornate language, the often awkward phrases ('made sweet moan' in 'La Belle Dame Sans Merci'), despite the Romantic indulgences and the sometimes sexist views, the often over-simplification of natural and human processes and experiences, and despite the tendency to gush and exaggerate, Keats is one of the few poets who write in English who is truly wild and shamanic. He is the British poet closest to the pure intoxication of Arthur Rimbaud. Keats reaches the pinnacle of British poetry, as W. Jackson Bate, typical among critics, says: 'the language of his greatest poetry has always held an attraction; for there we reach, if only for a brief while, a high plateau where in mastery of phrase he has few equals in English poetry, and only one obvious superior. '
Bright Stranger: Poems
by Katherine SoniatIn her beguiling new collection, Bright Stranger, Katherine Soniat invites the reader to celebrate the unfinished and unsure. The poems in this volume do not demand or offer certainty, existing instead in the spaces between the real and the imagined, between past and present and future. They explore the human connection to nature, contemplating loss in the erosion of rock spires and rebirth in the blossoming of an amaranth. Visually playful lines recall the poems' existence in the physical world, even as Soniat's words transport the reader from the rugged isolation of the Grand Canyon, to the elements within the periodic table, and on to "the unwinding spool of grey" in the mythic underworld of Hades. Bright Stranger offers a soaring vision of the world in all its chaos, bewilderment, and joy.
Brightness Falls from the Air
by James Tiptree Jr.Thousands of years in the future, a group of people assemble to witness the spectacular passing of the fiery front-wave caused by the nova of the Murdered Star.
Brilliance Is the Clothing I Wear (New Writing from InkWell Workshops #4)
by InkWell WorkshopsA diverse anthology of poetry, fiction, and creative non-fiction compiled from writers in the mental health and addiction communities.The latest in InkWell Workshops’ groundbreaking anthology series, this volume features poetry, fiction, and creative non-fiction from twenty-eight talented writers who are participants in the workshops. Led by accomplished professional writers with “unruly minds,” InkWell is a liberatory project that offers free creative opportunities to people with mental health and addiction issues. With themes of nourishment and desire, madness and connection, grief and hunger for a new world, these are fierce writings from the margins: honest, defiant, funny, and wise.
The Brimstone Journals
by Ron KoertgeIn a series of short interconnected poems, students at a high school nicknamed Brimstone reveal the violence existing and growing in their lives.
Bring Me The Rhinoceros: And Other Zen Koans That Will Save Your Life
by John TarrantBring Me the Rhinoceros is an unusual guide to happiness and a can opener for your thinking. For fifteen hundred years, Zen koans have been passed down through generations of masters, usually in private encounters between teacher and student. This book deftly retells more than a dozen traditional koans, which are partly paradoxical questions dangerous to your beliefs and partly treasure boxes of ancient wisdom. Koans show that you don't have to impress people or change into an improved, more polished version of yourself. Instead you can find happiness by unbuilding, unmaking, throwing overboard, and generally subverting unhappiness. John Tarrant brings the heart of the koan tradition out into the open, reminding us that the old wisdom remains as vital as ever, a deep resource available to anyone in any place or time.
Bring on the Birds
by Susan StockdaleBrightly colored, richly textured illustrations and an energetic rhyming text introduce young readers to birds and their unique qualities. Birds come in all sorts of interesting shapes, sizes, and colors—and many of them can do amazing things as well. From the Blue-footed Booby to the Red-billed Oxpecker, the breadth of bird life depicted in this stunning book will captivate young ornithologists. Susan Stockdale's bold colors and crisp, clean lines capture the reader's attention and introduce us to a remarkable world filled with distinctive creatures. An afterword identifies each animal and tells a little bit about it and where it lives.
Bringing Together: Uncollected Early Poems 1958-1989
by Maxine Kumin"The power that Kumin draws from and brings to literature is potent and seemingly inexhaustible."--Booklist Collected here for the first time, these early poems inhabit Kumin's own "sneakstorm time," a space one step to the side, where quiet introspection examines the pain of loss, the idealism of youth, and the endurance of the natural world. Her characteristic earthy wisdom snaps with intensity, offering a refreshing perspective on everyday experiences. "New England farm life, modern American history, Jewish identity and a quietly vibrant feminist consciousness provide themes for this gathering from a long and distinguished career."--Publishers Weekly.
Brink Road: Poems
by A. R. Ammons"No contemporary poet, in America, is likelier to become a classic than A. R. Ammons."—Harold Bloom With characteristic economy, A. R. Ammons writes that "Brink Road lies off NY 96 between Candor and Catatonk." The very name suggests that we are ever in transition from one state of mind to another always on the edge of revelation. The more than 150 poems in Brink Road date from 1973 to the present, dealing with Ammons's concerns with language, mortality, and the forces underlying the natural world. With elegance, wit, and ruminative gravity, Brink Road is an important addition to one of the most enduring bodies of poetry of our time.
British Literature: Romantic Era to the Twentieth Century and Beyond
by B J RobinsonThis open anthology of British Literature encompasses the following eras: Romantic, Victorian, and Twentieth Century and Beyond. The selections represent the literature developed and developing within and through their respective eras. Considering the limitations that the very act of anthologizing imposes, not all that could be representative is included. But what is included, hopefully, is literature that was shaped by its era and that helped shape the literature that followed. This anthology includes contextualizing Introductions to each era, Biographies of each author, and Reading and Review Questions on each author's included works. This material offers basic signposts toward critical interpretation and understanding of the selections. But they do not impose or intend to shape that understanding so students can instead hone their critical thinking skills and synthesize historical, cultural, and aesthetic concepts. With this open anthology, students can compare the selections both within and across historical eras to analyze shared themes. The theme of personal identity as inherent or as socially constructed opens a constellation of related themes, many of which students may take for granted or have not critically examined. Students can understand the revolutionary aspects of the Romantic era by considering how static and determined class distinctions of the eighteenth century became more fluid and conditional in the nineteenth century. They can understand how the Romantics, seeing past sources of identity within a stable class system catastrophically disrupted by revolutionary forces across Europe and ultimately within England, considered universal elements of individuality that were shared across all classes and that demonstrated fundamental equality among humans. Imagination became a touchstone of such shared humanity. Considering the theme of Imagination opens related themes of dream and nightmare, happiness and terror, truth and doubt (or self-truths and self-doubts). Categories of identity constructs--such as hero and monster--similarly become conditional or conditioned, for example, upon self-realization and social limitations. Students can consider how one era's literature influenced the next. Victorian poetry can suggest how revelation of self could be made objective and impersonal through dramatized monologues. A speaker's point of view can reveal truths about humanity--such as jealousy, control, hatred, and greed--that evoke both sympathy and rejection. Impersonality can then lead to the shifting impersonations of Modern literature. Ego and egotism can be deplored by Victorian writers but desired by the Moderns. The horrors of the twentieth century can subvert the heroics of the nineteenth. And the realization of these horrors can grow out of the very sense of individual rights that the Romantics expressed--rights shared across gender, race, and class. This anthology hopefully will open students (and readers) to the conversation that literature has held with readers in the past and is holding with us now.
British Poets and Secret Societies (Routledge Revivals)
by Marie Mulvey-RobertsA surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.
British Prose Poetry: The Poems Without Lines
by Jane MonsonThis book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. British Prose Poetry moves from a contextual overview of the genre’s early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance.
British Women's Writing from Brontë to Bloomsbury, Volume 1: 1840s and 1850s (British Women’s Writing from Brontë to Bloomsbury, 1840-1940 #1)
by Adrienne E. Gavin Carolyn W. de la L. OultonThis five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.
The Broadview Anthology of American Literature: Volume A, Beginnings To 1820
by Rachel Greenwald Smith Michael Everton Christine Bold Derrick R. Spires Hsuan L. Hsu Laura L. Mielke Justine S. Murison Christina Roberts Joe Rezek Christopher Looby Rodrigo Lazo Alisha KnightCovering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. <p><p> Volume B, which covers 1820 to Reconstruction, is available separately or packaged together with Volume A; a concise volume covering Beginnings to Reconstruction is also available. Volumes covering Reconstruction to the Present are in development. <p><p> Highlights of Volume A: Beginnings to 1820 <p> <p>• Complete texts of Mary Rowlandson’s captivity narrative and Hannah Webster Foster’s The Coquette <p>• In-depth Contexts sections on such topics as “Slavery and Resistance,” “Rebellions and Revolutions,” and “Print Culture and Popular Literature” <p>• Broader and more extensive coverage of Indigenous oral and visual literature than in competing anthologies <p>• Full author sections in the anthology devoted not only to frequently anthologized figures but also to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, and many others <p>• Extensive online component offers well over a thousand pages of additional readings and other resources
The Broadview Anthology of American Literature Volume B: 1820 to Reconstruction
by Rachel Greenwald Smith Michael Everton Christine Bold Hsuan L. Hsu Laura L. Mielke Justine S. Murison Derrick R. Spires Christina Roberts Joe Rezek Christopher Looby Rodrigo Lazo Alisha KnightAbout the Anthology <p><p>Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. <p><p>Volume A, which covers Beginnings to 1820, is available separately or packaged together with Volume B; a concise volume covering Beginnings to Reconstruction is also available. Volumes covering Reconstruction to the Present are in development. <p><p>Highlights of Volume B: 1820 to Reconstruction <p><p>• Complete texts of Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno <p><p>• In-depth, Contexts sections on such topics as “Nature and the Environment,” “Expansion, Native American Expulsion, and Manifest Destiny,” “Gender and Sexuality,” and “Oratory” <p><p>• Broader and more extensive coverage of African American oral literature than in competing anthologies <p><p>• Full author sections in the anthology are devoted to authors such as George Moses Horton, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others <p><p>• Extensive online component offers well over a thousand pages of additional readings and other resources Read less
The Broadview Anthology of British Literature Volume 4: The Age of Romanticism
by Joseph BlackIn all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to matters such as race, gender, class, and sexual orientation. The full anthology comprises six bound volumes, together with an extensive website component; the latter is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. Volume 4: The Age of Romanticism offers expansive representation of the era’s poets from Samuel Taylor Coleridge, John Keats, and William Wordsworth to Anna Laetitia Barbauld, James Macpherson, and John Clare. The volume also features a broad sampling of important longer works including Songs of Innocence and of Experience, Castle Rackrent, Lady Susan, The History of Mary Prince, The Giaour, and Hyperion: A Fragment. Key currents in the literature and culture of the period are highlighted in “Contexts” sections addressing such topics as “The French Revolution,” “Gothic Literature,” “Reading, Writing, Publishing,” “The Natural and the Sublime,” and “Slavery and Its Abolition.”
The Broadview Anthology Of Medieval Arthurian Literature
by Kathy Cawsey Elizabeth EdwardsThis teaching anthology collects texts from the vast archive of medieval Arthurian literature. It includes selections from mainstream canonical authors, such as Geoffrey of Monmouth and Sir Thomas Malory, and more peripheral works, such as the Melech Artus (a twelfth-century Hebrew text) and the Dutch Morien (featuring a black knight). In this it differs from other anthologies of medieval Arthuriana: it is more inclusive and diverse than previous collections. Characters and authors showcase the diversity of race, religion, gender, and gender orientation of the Arthurian tradition. As well, this anthology and its accompanying website include a variety of genres, ranging from visual art to sculpture, from historical chronicles to romance and drama. Arthurian works, while concentrated in England, France, and Wales, are found across medieval Europe; this anthology therefore includes texts from Iceland to Greece. The Broadview Anthology of Medieval Arthurian Literature is ideally suited to teaching: it includes full texts, such as Chrétien de Troyes’s Knight of the Cart, Chaucer’s “Wife of Bath’s Tale,” and the anonymous Sir Gawain and the Green Knight, for classes that wish to study a whole work in depth; it also includes shorter excerpts of parallel incidents, such as the Uther and Igraine story, so that students can compare a story’s treatment by different authors. Marginal glosses assist students with the Middle English texts, while introductory notes and explanatory footnotes give students necessary background information.
Broadway for Paul: Poems
by Vincent KatzFriendship, love, and the potential energy of change animate these poems of walking through New York City.Broadway, the famous artery, both off the grid and definitive of Manhattan as it cuts its way downtown, is a metaphor for Katz's path through these poems: from Lincoln Plaza on the Upper West Side to the African Burial Ground and the courthouses downtown, Katz mines his native city for the deep humanity that undergirds its streets. His title, with its implication that one could give something as large and undefinable as Broadway to a single person, courts an impossibility that generates the possibility of friendship, as well as the largesse Katz wants to find in our civic discourse. In poems such as "Ivanka Skirting" and "This Beautiful Bubble" we encounter his reckoning with a divisive culture that can, he suggests, be healed through our daily acts--through a kind of alert graciousness that also defines his poetry. In this moving collection, we enter Katz's world, both public and private, and experience poetry as a way of seeing that can change hearts and minds.
Brocade River Poems: Selected Works of the Tang Dynasty Courtesan (The Lockert Library of Poetry in Translation #122)
by Xue TaoXue Tao (A.D. 768-831) was well known as a poet in an age when all men of learning were poets--and almost all women were illiterate. As an entertainer and official government hostess, she met, and impressed, many of the most talented and powerful figures of her day. As a maker of beautiful paper and a Taoist churchwoman, she maintained a life of independence and aesthetic sensibility. As a writer, she crrated a body of work that is by turns deeply moving, amusing, and thought-provoking. Drawing knowledgeably on a rich literary tradition, she created images that here live again for the contemporary reader of English. This bilingual edition contains about two-thirds of Xue Tao's extant poems. The translations are based on accurate readings of the originals and extensive research in both Chinese and Japanese materials. The notes at the end of the book explain allusions and place the poems in the context of medieval Chinese culture and its great literary heritage, while the opening essay introduces Xue Tao's work and describes her unusual life history.
Broetry: Poetry for Dudes
by Brian McgackinAs contemporary poets sing the glories of birds, birch trees, and menstruation, regular guys are left scratching their heads. Who can speak for Everyman? Who will articulate his love for Xbox 360, for Mama Celeste's frozen pizza, for the cinematic oeuvre of Bruce Willis? Enter Broetry--a stunning debut from a dazzling new literary voice. "Broet Laureate" Brian McGackin goes where no poet has gone before--to Star Wars conventions, to frat parties, to video game tournaments, and beyond. With poems like "Ode to That Girl I Dated for, Like, Two Months Sophomore Year" and "My Friends Who Don't Have Student Loans," we follow the Bro from his high school graduation and college experience through a "quarter-life crisis" and beyond.From the Hardcover edition.
A Broken Bowl
by Patrick FriesenShortlisted for the 1997 Governor General's Award for Poetry Set firmly at the end of the millennium, A Broken Bowl takes on the burden of history, with its heaped atrocities, its unimaginable sufferings. This long poem is an angry lament, a summoning of fragments, a meditation in the midst of an exhausted world. By turns lyric, satiric, elegiac and incantatory, A Broken Bowl is filled with passionate elemental writing in the tradition of Howl and Crow.
Broken Cup: Poems
by Margaret GibsonBroken Cup brings breathtaking eloquence to what Margaret Gibson describes as "traveling the Way of Alzheimer's" with her husband, poet David McKain. After his initial and tentative diagnosis, Gibson suspended her writing for two years; but then poetry returned, and the creative process became the lightning rod that grounded her and presented a path forward. The poems in Broken Cup bear witness to how Alzheimer's erodes memory and cognitive function, but they never forget to see what is present and to ask what may remain of the self. Moving and unflinchingly honest in the acknowledgment of pain, frustration, and grief, the poems uncover, time and time again, the grace of abiding love. Gibson gives heart as well as voice to an experience that is deeply personal, yet shared by all too many.
Broken English: Poetry and Partiality
by Heather Mchugh"When I call poetry a form of partiality," writes Heather McHugh, "I mean its economies operate by powers of intimation: glimmering and glints, rather than exhaustible sums. It is a broken language from the beginning, brimming with non-words: all that white welled up to keep the line from surrendering to the margin; all that quiet, to keep the musics marked." In Broken English, McHugh applies her poetic sensibility and formidable critical insight to topics ranging from the poetry of Valery and Rilke to ancient Greek drama and Yoruba folk songs, offering intense, passionate, highly personal readings that are informed and unified by her concern for the relationships among language, culture, and poetry. Ebook Edition Note: All images have been redacted.
Broken Glory: The Final Years of Robert F. Kennedy
by Ed Sanders Rick VeitchBobby Kennedy's last campaign-an homage to a leader who might have changed history and a reconstruction of the conspiracy to stop him, in a magisterial feat of epic investigative poetry. June 5, 2018, is the fiftieth anniversary of the assassination of Robert F. Kennedy, and there are still unanswered questions about whether his murder was the result of a conspiracy. Broken Glory is a graphic history told in epic verse of Bobby Kennedy's life and times leading up to the fateful 1968 election campaign, with 100 illustrations by artist Rick Veitch. It encompasses the story of his convicted killer, Sirhan Sirhan, as well as a large cast of characters that includes Lyndon Johnson, J. Edgar Hoover, Richard Nixon, and Eugene McCarthy, who was the first to challenge the sitting president of his own party in the 1968 election, and it recalls the major events that made 1968 a turning point in American history: the Tet offensive and battle of Hue, followed soon after by the My Lai massacre, the assassination of Martin Luther King, and the riots that ensued. The authors illuminate the evidence for a conspiracy, fostered perhaps by elements of the CIA, that fielded a second shooter and made of Sirhan Sirhan a patsy, mirroring the part played by Lee Harvey Oswald in the assassination of John F. Kennedy, an event that haunted JFK’s younger brother until his dying day.
Broken Ground: Poetry and the Demon of History
by William LoganIn Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury.Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.