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Chinese Rhyme-Prose

Selected as one of the sixty-five masterpieces for the UNESCO Collection of Representative WorksThe fu, or rhyme-prose, is a major poetic form in Chinese literature, most popular between the 2nd century b.c. and 6th century a.d. Unlike what is usually considered Chinese poetry, it is a hybrid of prose and rhymed verse, more expansive than the condensed lyrics, verging on what might be called Whitmanesque. The thirteen long poems included here are descriptions of and meditations on such subjects as mountains and abandoned cities, the sea and the wind, owls and goddesses, partings and the idle life.Burton Watson is universally considered the foremost English-language translator of classical Chinese and Japanese literature for the past five decades. Gary Snyder calls him a "great and graceful scholar," and Robert Aitken has written that "Burton Watson is a superb translator because he knows what literature is." Here his seemingly effortless translations are accompanied by a comprehensive introduction to the development and characteristics of the fu form, as well as excerpts from contemporary commentary on the genre. A path-breaking study of pre-modern Chinese literature and an essential volume for poetry readers, the book has been out of print for decades. For this edition, Lucas Klein has provided a preface that considers both the fu form and Watson's extraordinary work as a whole.

Chinese Whispers: Poems

John Ashbery&’s restless, witty meditation on aging and the music of change: A must-read collection from America&’s greatest modern poetThe child&’s game Chinese Whispers, known in America as Telephone, is an exercise in transforming the recognizable into something beautifully strange. John Ashbery&’s twenty-fourth collection of poems, Chinese Whispers, re-creates in every line the accidentally transformative logic of the language game for which the book is named. In sixty-three charged and often very funny poems, Ashbery confronts the relentlessness of age and time while demonstrating, in his unmistakable, self-reflexive style, the process by which a single thought unravels, multiplies, distends, travels, and finally arrives, changed and unfamiliar. First published in 2002, shortly after Ashbery&’s seventy-fifth birthday, Chinese Whispers is a collection in which fairy tales, mysteries, and magic dollhouses interleave effortlessly with the everyday of pancakes and popular culture. Ashbery&’s language is absolutely recognizable from modern life as it is experienced, but at the same time is as dreamlike and disquieting as intercepted transmissions from another world.

The Chinese Written Character as a Medium for Poetry: A Critical Edition

First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

Chlorine Sky

A novel-in-verse about a young girl coming-of-age and stepping out of the shadow of her former best friend. Perfect for readers of Elizabeth Acevedo and Nikki Grimes."Mahogany L. Browne's debut YA ia an absolute masterpiece. It will leave you breathless." -Elizabeth Acevedo, New York Times bestselling author of The Poet XShe looks me hard in my eyes& my knees lock into tree trunksMy eyes don't dance like my heartbeat racingThey stare straight back hot daggers.I remember things will never be the same.I remember things.With gritty and heartbreaking honesty, Mahogany L. Browne delivers a novel-in-verse about broken promises, fast rumors, and when growing up means growing apart from your best friend.

Chocolate Pie: The Special Issue on Food

Chocolate PiePoetry by Michael Chitwood "The woman who made ithadn't been to churchin years . . ."This article appears in the Summer 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.

The Choice of Achilles

This book examines the ways that Classical and Renaissance epic poems often work against their expressed moral and political values. It combines a formal and tropological analysis that stresses difference and disjunction with a political analysis of the epic's figurative economy. It offers an interpretation of three epic poems - Homer's Iliad, Virgil's Aeneid, and Spencer's Faerie Queene - that focuses on the way these texts make apparent the aesthetic, moral, and political difference that constitutes them, and sketches, in conclusion, two alternative resolutions of such division in Milton's Paradise Lost and Cervantes' Don Quixote, an 'epic' in prose. The book outlines a theory of how and why epic narrative may be said to subvert certain of its constitutive claims while articulating a cultural argument of which it becomes the contradictory paradigm. The author focuses on the aesthetic and ideological work accomplished by poetic figure in these narratives, and understands ideology as a figurative, substitutive system that resembles and uses the system of tropes. She defines the ideological function of tropes in narrative and the often contradictory way in which narratives acknowledge and seek to efface the transformative functions of ideology. Beginning with what it describes as a dual tendency within the epic simile (toward metaphor in the transformations of ideology; toward metonymy as it maintains a structure of difference), the book defines the politics of the simile in epic narrative and identifies metalepsis as the defining trope of ideology. It demonstrates the political and poetic costs of the structural reliance of allegorical narrative on catachresis and shows how the narrator's use of prosopopoeia to assert political authority reshapes the figurative economy of the epic. The book is particularly innovative in being the first to apply to the epic the set of questions posed by the linking of the theory of rhetoric and the theory of ideology. It argues that historical pressures on a text are often best seen as a dialectic in which ideology shapes poetic process while poetry counters, resists, figures, or generates the tropes of ideology itself.

A Choice of Shakespeare's Verse

Shakespeare's best as chosen by the Ted Hughes. According to most anthologies, Shakespeare wrote only sonnets and songs for his plays. The reason for this is the reluctance of anthologists to break into the sacred precincts of his drama and start looting portable chunks ... Yet when the great speeches of his plays are taken out of context they are no more difficult to understand and appropriate than those by other great poets. This clear, compact, inviting selection of Shakespeare's verse opens the door to new readers of our greatest writer and deepens lifelong readers' understanding of his work. Ted Hughes spent his life considering Shakespeare's works and drawing on them for his own poetry; his book-length account of Shakespeare's development, Shakespeare and the Goddess of Complete Being, was one of the most distinctive works of literary criticism of recent years. For this selection, Hughes deliberately took strong, relatively self-contained passages of Shakespeare's verse out of the plays and arranged them in a pattern, like beads on a string, including the best-known songs and sonnets. The result is at once a revealing sequence of Shakespeare's verse and an anthology of his greatest bits.

Chord: Poems

The poems of Chord are without flash or gimmick, and though they accurately reflect our moment, they would have been recognized as superb poetry in any time or place. In this his third book, Rick Barot solidifies and extends his reputation as a meticulous, elegant, musical contemporary American poet.

Chorus

CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the "speak-up" spirit of the moment, the confidence propagated through hip-hop, and the defiant "WTF?" of the now. It is the voice that comes after the rebellious voice that once cried, "I want my MTV!" branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.

Christ Our Saviour

Christ Our Saviour by Gary May. A collection of poetry.

Christian and Lyric Tradition in Victorian Women's Poetry (Routledge Studies in Nineteenth Century Literature)

Women in the Victorian period were acknowledged to be the "religious sex," but their relationship to the doctrines, practices, and hierarchies of Christianity was both highly circumscribed, which has been well documented, and complexly creative, which has not. Gray visits the importance of the literature of Christian devotion to women's creative lives through an examination of the varied ways in which Victorian women reproduced and recreated traditional Christian texts in their own poetic texts. Investigating how women poets redeployed the discourse of Christianity to uncover the multiple voices of the scriptures, to expand identity and gender constructions, and to question traditional narratives and processes of authorization, Gray contends that women found in religious poetry unexpected, liberating possibilities. Taking into account multiple voices, from the best-known female poets of the day to some of the most obscure, this study provides a comprehensive account of Victorian women's religious poetic creativity, and argues that this body of work helped shape the development of the lyric in the Victorian period.

Christian Poetry in America Since 1940: An Anthology

"A compilation of important Christian poetry of the last eighty years"-- Provided by publisher.

Christian Poetry in America Since 1940: An Anthology

Winner of the 2023 Christianity Book Award — Culture & The Arts!"One of the best, and least expected, anthologies in decades." —Joseph Bottum, Poetry editor, New York SunShowcasing thirty-five American poets born in or after 1940, this anthology confirms that one of the most vibrant developments in contemporary verse has been a renewed engagement with the Christian faith. Across a full spectrum of Christian belief, including the struggle to believe at all, these poets bring the power of their art to bear on serious questions: how to understand the goodness of God in a fallen and tragic world, how to reconcile universal truths with the particularities of human experience, how to render familiar events of salvation history in new language that generates its own epiphanies. As Christian engagement assumes a multiplicity of modes and voices, so does contemporary poetry in America. This volume, then, selective yet representative, features the work of early-, mid-, and late-career poets, formalists, free-verse poets, and experimenters in prosody. This anthology bears witness to the poetic mind as it seeks that which is above.

The Christian Year

Christina Rossetti: The Complete Poems (Penguin Classics)

Rossetti is unique among Victorian poets for the sheer range of her subject matter and the variety of her verse form. This collection brings together fantasy poems, such as Goblin Market, and terrifyingly vivid verses for children, love lyrics and sonnets, and the vast body of her devotional poetry. Rossetti's poems weave connections between love and death, triumph and loss, heavenly joys and earthly pleasures. The directness and clarity of her lyrics still have the power to startle us with their truth and beauty. Text edited by R. W. Crump, with notes and introduction by Betty S. Flowers

The Christmas Angels

Hush now, can you hear the angels singing? Sweetest songs of peace from heaven above, Christmas songs of hope and joy and wonder, Filling every happy heart with love. It's Christmas! As we count the days until that happy celebration, the angels share our special times of gladness, from blessing the falling snow to lighting up the starry sky.

Christmas at The New Yorker: Stories, Poems, Humor, and Art

From the pages of America's most influential magazine come eight decades of holiday cheer-plus the occasional comical coal in the stocking-in one incomparable collection. Sublime and ridiculous, sentimental and searing, Christmas at The New Yorker is a gift of great writing and drawing by literary legends and laugh-out-loud cartoonists. Here are seasonal stories, poems, memoirs. and more, from a stellar roster of writers, including John Cheever, James Dickey, Richard Ford, Ken Kesey, Alice Munro, Vladimir Nabokov, S. J. Perelman, Adrienne Rich, and James Thurber. And it wouldn't be Christmas-or The New Yorker-without dozens of covers and cartoons by Addams, Arno, Chast, and others, or the mischievous verse of Roger Angell, Calvin Trillin, and Ogden Nash ("Do you know Mrs. Millard Fillmore Revere? / On her calendar, Christmas comes three hundred and sixty-five times a year.") From Jazz Age to New Age, E. B. White to Garrison Keillor, these works represent eighty years of wonderful keepsakes for Christmas, from The New Yorker to you.

The Christmas Bears

Santa Bear's seven cubs watch as their father loads the sleigh with toys to deliver on Christmas Eve.

Christmas Carols: Complete Verses (Dover Thrift Editions: Poetry Ser.)

Carolers, choral groups and sing-along enthusiasts will welcome this convenient collection of over 50 of the most popular Christmas carols. Compact, inexpensive and printed in easy-to-read type, this handy volume is the perfect companion to pass around and take along on informal singing events throughout the holiday season. With this book, you don't have to worry about remembering every word of every carol-the complete lyrics are right at your fingertips. The carols in this volume include: Away in a Manger, Coventry Carol, Deck the Halls, The First Nowell, God Rest You Merry, Gentlemen, Good King Wenceslas, Hark! The Herald Angels Sing, I Heard the Bells on Christmas Day, I Saw Three Ships, It Came upon the Midnight Clear, Jingle Bells, Joy to the World, O Christmas Tree, O Come, All Ye Faithful, O Holy Night, O Little Town of Bethlehem, Silent Night, The Twelve Days of Christmas, We Three Kings of Orient Are, and We Wish You a Merry Christmas.

Christmas Customs Around the World

[from the back cover] "STUDY, DEVOTION, AND INSPIRATION Sure to fascinate everyone who celebrates Christmas and to give extra pleasure to readers with special interest in folkways." The author has gathered meticulously from many sources, including records of missionaries, a remarkable variety of Christmas miscellanea intended to 'supplement rather than duplicate' other books on Christmas customs. Divided geographically by continent and by country, this book discusses the Christmas celebration, with special emphasis on geographical and cultural influences. Vernacular terminology with English equivalents adds reality and interest. A selection of Christmas recipes and suggestions for a Christmas program based on world-wide customs complement the text which describes both secular and religious Christmas observances. Recipes, a bibliography and indices are included.

Christmas Day

For most of us Christmas is the season of huge helpings of good food, good drink, and with luck, good cheer, as the rituals of cracker-pulling, present-giving and happy or sulphurous family reunions fizzle and bang through the long afternoon. For anyone who has ever had too much of it, or felt out of it, or wanted to be out of it, or even succeeded in being out of it then been unexpectedly rescued by a good friend, this book-length poem contains a lifeline of humour and sanity in a world run seasonally mad. It is a funny, subversive, melancholy, self-mocking conversation between two men - Paul and Frank - in the top storey flat of a Dublin apartment block; a Stations of Christmas under the influence of "woman-hunger". Once read, Christmas Day itself will never be the same again.The volume also contains a second new work, "A Goose in the Frost", a tribute to Seamus Heaney on winning the Nobel Prize for Literature.

A Christmas Garland

This enchanting Christmas gift book features stories and poems by St. Luke, William Blake, Alfred Lord Tennyson, William Wordsworth, Hans Christian Andersen, Christina Rossetti, and other literary luminaries. Charming color illustrations complement the brief tales and verses of this holiday treasury — an ideal read-aloud resource for children and families.

Christmas, Here I Come! (Here I Come!)

Celebrate Christmas with a collection of funny and festive poems from the author of the hugely popular Kindergarten, Here I Come!It's the most wonderful time of the year, and everyone is getting into the Christmas spirit! From writing letters to Santa to picking the perfect tree, these heartwarming poems -- plus a page of stickers! -- from author D. J. Steinberg are sure to delight even the most sullen Scrooge.

Christmas is Coming: A treasury of simple ways to celebrate festive days

Every page holds a treat to unwrap in this gorgeous advent calendar of a book.From Equinox to Solstice, Diwali to Epiphany - countdown to Christmas with poems, inspirations and little moments of comfort and joy.Dip into the pages of this little treasury and you'll find plenty to inspire you: from the festivals that sprinkle the days of October and November, to a daily delight for Advent and the Twelve Days of Christmas. Full of traditions, poems, stories and ideas for things to make and do, it's a celebration of all that we share across time, cultures and continents. A beautifully wise and calm companion to your festive season. Perhaps you'll have a go at making sloe gin when the berries are ripe in the hedgerows, or make popcorn on Walt Disney's birthday, or settle down with a hot chocolate to read 'Twas the Night Before Christmas. You might be tempted to peel a satsuma whilst discovering a little bit more about this festive fruit, or learn how many cultures hold ancient festivals of light. Or you might decide to simply take a moment to pause and enjoy a little page of peace in the whirl of counting down the sleeps. Let Auriol Bishop guide you through this most magical time of year . . .

Christmas Is Coming!: Celebrate the Holiday with Art, Stories, Poems, Songs, and Recipes

“This nostalgic volume of Christmas stories, poems, carols, recipes, and memorabilia celebrates the holiday’s most deeply held traditions.” —Publishers WeeklyIt’s the most wonderful time of the year, and this richly illustrated treasury celebrates everything there is to love about the holiday season! It’s filled with favorite Christmas stories, such as “’Twas the Night Before Christmas” and “Little Women, A Merry Christmas,” and songs as well as original poems from Lee Bennett Hopkins, Naomi Shihab Nye, and others; original recipes from Erin Gleeson, Yvette van Boven, and Yotam Ottolenghi; and other holiday trappings. All the artwork is from the Metropolitan Museum of Art’s collection, ranging from religious paintings depicting the Nativity, to 20th-century illustrations showing Santa Claus, to wintry scenes of snowy landscapes and ice skaters. With beautiful art and joyful text, this is a wonderful book for the entire family to share.“An ideal single source book of traditional Christmas songs and stories, illustrated with attractive imagery from artists celebrating the holiday across the centuries. It also includes new poems commissioned for the book and holiday recipes created by the chefs from the restaurant at The Met.” —borg