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Figure Studies: Poems (Southern Messenger Poets)
by Claudia EmersonPoet Claudia Emerson begins Figure Studies with a twenty-five-poem lyric sequence called "All Girls School," offering intricate views of a richly imagined boarding school for girls. Whether focused on a lesson, a teacher, or the girls themselves as they collectively "school" -- or refuse to -- the poems explore ways girls are "trained" in the broadest sense of the word."Gossips," the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In "Early Lessons," the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below,punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained,back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.
Figurehead: Other Poems
by John HollanderIn a major review in The New Republic of John Hollander's two earlier books, Tesserae and Selected Poetry (both 1993), Vernon Shetley said, "John Hollander's poetry has shown a visionary power just often enough to secure him a place as one of the major figures of our moment." Figurehead, a lively, varied, and technically dazzling book, confirms the statement made by Henry Taylor in the Washington Times: "John Hollander revels in technical challenges of unusual severity and complexity, yet most of his poems also have the emotional heft of something worth pausing over and remembering." One of the most gifted of W. H. Auden's choices for the Yale Series of Younger Poets, Hollander has pursued the wide range and metrical brilliance of Auden's own poetry, so that this new book exhibits both a large compass of subject matter (from philosophical matters to personal narrative) and, as usual, some astonishing meditations on paintings--here, by Charles Sheeler, Rene Magritte, and Edward Hopper. By turns witty, touching, profound, mocking, ingenious, and always clever, Hollander's poems are a joy for the reader. He is a modern master.
Figures of Time: Disjunctions in Modernist Poetry (SUNY series, Literature . . . in Theory)
by David Ben-MerreFigures of Time proposes radically new ideas about the very poetic ground of culture. Presenting unique close readings of six modern poets—Wallace Stevens, W. B. Yeats, H. D. (Hilda Doolittle), Ezra Pound, Langston Hughes, and T. S. Eliot—David Ben-Merre brings recent theoretical questions about the rhetoric of modernism and poetic figuration into current discussions in critical theory. He argues that poetic spaces, often disjunctions of sound and sense, disrupt our culturally inherited notions of time, reimagining with an often irrational and anachronistic backward glance what we take to be historical chronologies, psychological perceptions of time, and collective scripts about causality.
Final Matters: Selected Poems, 2004-2010 (Lockert Library of Poetry in Translation #130)
by Estate Szilárd BorbélyAn award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetrySzilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”
Find Me as the Creature I Am: Poems
by Emily Jungmin YoonFrom one of the sharpest up-and-coming voices in contemporary poetry, a stunning collection that explores our most fundamental instincts, capacity for affection, and the ways in which we resemble the wildFind Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales to meditations on the body to animals&’ display of love and grief alike, Emily Jungmin Yoon holds up a mirror to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.&“And when I say we are beasts, / is that a metaphor?&” Yoon asks, exploring how we—like language, like any creature—stem from our surroundings. Braiding together reflections about the natural world, family heritage, and adoration, Yoon shows that what passes between us—body to body, generation to generation—is what defines a life. Deeply felt and beautifully crafted, Find Me as the Creature I Am is a rapturous collection by a rising star in the poetry landscape.
Finding God In The Midst of Depression
by Hannah FastHave you ever felt so low and had no one to turn to? Or felt like this was the end but were still so afraid? Do not fear, because there is someone who is always listening... GOD. Whether you believe or not, trust in Him and He can help you. The poems in this collection were inspired and written through me by God. My story tells of how I became a Christian, enjoyed the highs and survived some very dark times. All thanks to God. Asking for help, He healed me whilst I was in the midst of depression. He can heal you too.
Finding My Elegy: New and Selected Poems
by Ursula K. Le Guin"[Le Guin] never loses touch with her reverence for the immense what is." — Margaret AtwoodThough internationally known and honored for her imaginative fiction, Ursula K. Le Guin started out as a poet, and since 1959 has never ceased to publish poems. Finding My Elegy distills her life's work, offering a selection of the best from her six earlier volumes of poetry and introducing a powerful group of poems, at once earthy and transcendent, written in the first decade of the twenty-first century.The fruit of over a half century of writing, the seventy selected and seventy-seven new poems consider war and creativity, motherhood and the natural world, and glint with humor and vivid beauty. These moving works of art are a reckoning with a whole life.
Finding Oz: How L. Frank Baum Discovered the Great American Story
by Evan I. SchwartzA groundbreaking new look at an American icon, The Wizard of Oz. Finding Oz tells the remarkable tale behind one of the world’s most enduring and best loved stories. Offering profound new insights into the true origins and meaning of L. Frank Baum’s 1900 masterwork, it delves into the personal turmoil and spiritual transformation that fueled Baum’s fantastical parable of the American Dream. Prior to becoming an impresario of children’s adventure tales—the J. K. Rowling of his age—Baum failed at a series of careers and nearly lost his soul before setting out on a journey of discovery that would lead to the Land of Oz. Drawing on original research, Evan Schwartz debunks popular misconceptions and shows how the people, places, and events in Baum’s life gave birth to his unforgettable images and characters. The Yellow Brick Road was real, the Emerald City evoked the Chicago World’s Fair of 1893, and Baum’s mother-in-law, the radical women’s rights leader Matilda Joslyn Gage, inspired his dual view of witches—as good and wicked. A narrative that sweeps across late nineteenth-century America, Finding Oz ultimately reveals how failure and heartbreak can sometimes lead to redemption and bliss, and how one individual can ignite the imagination of the entire world.
Finding Strength Through the Lord: How Faith and Poetry Can Help Overcome Devastating Grief
by Gladys ReeveThis book is filled with poems of various emotions, which I encountered while in depression, during healing, and after being healed. It also details my journey with God during this difficult time. In the depth of my depression when I didn’t care if I lived, God answered my prayer in a most unusual way – by giving me the desire to begin attending church. Not only did God heal me from depression by writing poetry, he healed me from the fear of being with strangers so I could eventually become an entertainer. I found strength, courage, and beauty while God was healing me, and the best part - He inspired me to be able to write all this in the form of poetry. He also taught me the power of prayer by bringing my husband back to life after his heart stopped beating for 2 minutes. The poems in this book range from desperation to humor. It is an inspirational journey of what God can do.
Finding Them Gone: Visiting China's Poets of the Past
by Red Pine"A travel writer with a cult following."-The New York Times "There are very few westerners who could successfully cover so much territory in China, but Porter pulls it off. Finding Them Gone uniquely draws upon his parallel careers as a translator and a travel writer in ways that his previous books have not. A lifetime devoted to understanding Chinese culture and spirituality blossoms within its pages to create something truly rare."-The Los Angeles Book ReviewTo pay homage to China's greatest poets, renowned translator Bill Porter-who is also known by his Chinese name "Red Pine"-traveled throughout China visiting dozens of poets' graves and performing idiosyncratic rituals that featured Kentucky bourbon and reading poems aloud to the spirits.Combining travelogue, translations, history, and personal stories, this intimate and fast-paced tour of modern China celebrates inspirational landscapes and presents translations of classical poems, many of which have never before been translated into English.Porter is a former radio commentator based in Hong Kong who specialized in travelogues. As such, he is an entertaining storyteller who is deeply knowledgeable about Chinese culture, both ancient and modern, who brings readers into the journey-from standing at the edge of the trash pit that used to be Tu Mu's grave to sitting in Han Shan's cave where the Buddhist hermit "Butterfly Woman" serves him tea.Illustrated with over one hundred photographs and two hundred poems, Finding Them Gone combines the love of travel with an irrepressible exuberance for poetry. As Porter writes: "The graves of the poets I'd been visiting were so different. Some were simple, some palatial, some had been plowed under by farmers, and others had been reduced to trash pits. Their poems, though, had survived... Poetry is transcendent. We carry it in our hearts and find it there when we have forgotten everything else."In praise of Bill Porter/Red Pine:"In the travel writing that has made him so popular in China, Porter's tone is not reverential but explanatory, and filled with luminous asides... His goal is to tell interested foreigners about revealing byways of Chinese culture."-New York Review of Books"Porter is an amiable and knowledgeable guide. The daily entries themselves fit squarely in the travelogue genre, seamlessly combining the details of his routes and encounters with the poets' biographies, Chinese histories, and a generous helping of the poetry itself. Porter's knowledge of the subject and his curation of the poems make this book well worth reading for travelers and poetry readers alike. It's like a survey course in Chinese poetry-but one in which the readings are excellent, the professor doesn't take himself too seriously, and the field trips involve sharing Stagg bourbon with the deceased."-Publishers Weekly"Red Pine's out-of-the-mainstream work is canny and clearheaded, and it has immeasurably enhanced Zen/Taoist literature and practice."-Kyoto Journal"Bill Porter has been one of the most prolific translators of Chinese texts, while also developing into a travel writer with a cult following."-The New York Times"Red Pine's succinct and informative notes for each poem are core samples of the cultural, political, and literary history of China." -Asian ReporterPoets' graves visited (partial list): Li Pai, Tu Fu, Wang Wei, Su Tung-p'o, Hsueh T'ao, Chia Tao, Wei Ying-wu, Shih-wu (Stonehouse), Han-shan (Cold Mountain).Bill Porter (a.k.a. "Red Pine") is widely recognized as one of the world's finest translators of Chinese religious and poetic texts. His best-selling books include Lao-tzu's Taoteching and The Collected Songs of Cold Mountain. He lives near Seattle.
Finding Treasure: A Collection of Collections
by Michelle SchaubClever poems tell the story of one inquisitive child's quest to start just the right collection to share at school.While everyone else is excited about presenting their treasures, one creative elementary schooler is stressed about her class's show-and-tell assignment. How is she supposed to share her collection if she doesn't collect anything? Polling her parents, visiting with Granny and Grandpa, and searching for the secret behind her siblings' obsession with baseball cards, she discovers she does, in fact, have something to share: a collection of stories and poems!
Finding What You Didn't Lose: Expressing Your Truth and Creativity through Poem-Making
by John FoxPoetry discovers and speaks a truth ordinary language cannot express. And the passionate message in Finding What You Didn't Lose is that we're all poets--capable of giving voice to such truth. <P><P>Poet-teacher John Fox reveals how imagery, sound, metaphor, rhythm, and other poetic elements can he us tell our inner story, heal psychological wounds, discover spiritual connection, and develop the rich creative imagination that lies within us all. <P><P>Transcending the traditional academic approach to poetry writing, Finding What You Didn't Lose deals with craft but, more importantly, guides readers to explore their deepest feelings and express their own unique insights through the incomparable language of poetry. <P><P>Through an intermingling of inventive exercises and illustrative poems--ranging from Nobel Prize winners to first-time poets--readers are inspired to add their own distinct voice to a world fellowship of poets. For those who already write poetry, and the many more who want to, this book is the key to finding what you never lose: your natural inclination to express who you are through the making of poems.
Finding Wonders: Three Girls Who Changed Science (Girls Who Love Science)
by Jeannine AtkinsThis &“evocative and beautiful&” (School Library Journal) novel &“vividly imagines the lives of three girls&” (Booklist, starred review) in three different time periods as they grow up to become groundbreaking scientists.Maria Merian was sure that caterpillars were not wicked things born from mud, as most people of her time believed. Through careful observation she discovered the truth about metamorphosis and documented her findings in gorgeous paintings of the life cycles of insects. More than a century later, Mary Anning helped her father collect stone sea creatures from the cliffs in southwest England. To him they were merely a source of income, but to Mary they held a stronger fascination. Intrepid and patient, she eventually discovered fossils that would change people&’s vision of the past. Across the ocean, Maria Mitchell helped her mapmaker father in the whaling village of Nantucket. At night they explored the starry sky through his telescope. Maria longed to discover a new comet—and after years of studying the night sky, she finally did. Told in vibrant, evocative poems, this stunning novel celebrates the joy of discovery and finding wonder in the world around us.
Fine Frenzy: Enduring Themes in Poetry (2nd edition)
by Robert Baylor Brenda StokesThis book contains twelve thematic sections arranged alphabetically to give a random mix of traditional, modern, and contemporary poems which reveal the continuity between one generation and the next and most of the new poems are by contemporary or modern poets.
Fine Lines Journal: Autumn 2012 (Volume 21, Issue #3)
by David MartinThis Autumn 2012 Edition is a collection of essays and poetry from writers of all ages.
Finger Exercises for Poets
by Dorianne LauxAn illuminating book of concise craft essays and exercises for poets, from Pulitzer Prize finalist and The Poet’s Companion coauthor Dorianne Laux. From “a poet of immense insight and masterful craft” (Kwame Dawes), Finger Exercises for Poets is an engaging and inspiriting invitation to practice poetry alongside one of its masters. With wide-ranging examples from classic and contemporary poets, Dorianne Laux demystifies the magic of language that makes great poetry and offers generative exercises to harness that magic. She explores the syllable and the line, the use of form, poetic responses to contemporary events and personal experiences, the imaginative leap, and the power of a distinct voice. As she writes in the introduction, “My instrument is the immensity of language.… There are eighty-eight keys on a piano, six hundred thousand words in the English language. The patterns, sequences, and permutations of both are endless. For me, language is another kind of music.… I practice poetry. This book invites you to practice along with me.” Throughout, Laux reminds us that poetry is a practice as much as an art and that poets must hone their language as a musician practicing an instrument.
Finjamos que soy feliz
by Juana Inés de la CruzUna selección de la mejor sor Juana Inés de la Cruz a cargo de Luna Miguel. Pero valor, corazón: porque en tan dulce tormento, en medio de cualquier suerte no dejar de amar protesto. Sor Juana Inés de la Cruz es una de las poetas más importantes de la lengua española. Cerró con broche de oro el Barroco hispánico y es, además, una figura muy seductora: mujer, monja, sabia, defensora de la capacidad intelectual de las mujeres. Sin embargo, como toda autora célebre, Sor Juana ha sido víctima de su fama: todo el mundo la conoce, pero muy pocos la leen. Esta selección a cargo de la también poeta Luna Miguel pone al alcance de todos los lectores la brillantez de los mejores poemas de aquella que fue perseguida por dedicarse en cuerpo y alma no a la religión, sino a la intelectualidad y la escritura. El lector actual descubrirá en estos versos la perspicacia y el desafío que su poesía imperecedera alberga.
Finna: Poems
by Nate MarshallSharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacyDefinition of finna, created by the author: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of &“fixing to&” (3) Black possibility; Black futurity; Blackness as tomorrowThese poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America&’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:nothing about our people is romantic& it shouldn&’t be. our people deservepoetry without meter. we deserve ourown jagged rhythm & our own unevenwalk towards sun. you make happening happen.we happen to love. this is our greatestaction.
Finnegan Fox
by Katie GilstrapA heartwarming story that offers reassurance to anyone who is hesitant to try new things, giving them permission to take the time they need to feel readyTonight&’s the night! It&’s the very first time that Finnegan Fox and his brothers and sisters are allowed to venture out of their den. Everyone is bursting with excitement—except for Finnegan, who feels safer staying inside with Mama. Finnegan can hear his siblings having a great time playing outside, but no matter how much they want him to join them, their invitations fall on too-anxious ears. Then a gust of wind carries in a smell that just might be too delicious to resist. Will Finnegan be able to work up the courage to follow it?
Fire Cider Rain
by Rhiannon Ng Cheng HinPoetry that navigates the science of cold waterways to consider the warmth of the poet’s Chinese-Mauritian family ties Fire Cider Rain is about the limits to which shared cultural and geographic histories can hold a family together. It follows the lives of three Chinese-Mauritian women on the course of dispersing, settling, and rooting over northern landscapes, and the brittle family bonds that tie them to one another and to their home country. Told from the perspective of the youngest of the three women, Fire Cider Rain follows the events leading up to and following the death of her grandmother, an ex-lighthouse keeper and matriarch whose fractured relationship with her own daughter haunts the narrator’s life in soft, painful aftershocks. As she navigates the cold cities and waterways of Southern Ontario, our narrator struggles with conflicting desires to run toward and flee from her island identity, which grows ever distant, ever more difficult to find her way back to. At its core, Fire Cider Rain is a book about parent-child relationships as vessels for cultural identity, and the ways in which expressions of love and non-love within those relationships can rupture sense of place, self, and at times, a collective diaspora. Throughout the book, Ng Cheng Hin explores the geopolitics of island nations, the dilution of family histories over time, and the experience of water as a medium for the cyclical movement of island bodies, stories, and cultures. The Mauritian landscape and waterways of southern Ontario recur through the book as convergence points for its many themes. "In this stunning debut, Rhiannon Ng Cheng Hin weaves wondrous verse across geological spaces that extend from Mauritius to Canada. In this poetry, the Indian Ocean converses with northern landscapes to give voice to the (un)settling of diasporic women in search of rootedness. Water becomes a medium, a metaphor, a rhythm, a motif, and a metamorphosing figure through which memory, loss and mourning become bodies. Rhiannon Ng Cheng Hin's sweeping poetry is infused with dexterous and lavish verse that makes the reader want to live within the nuances of each line. Fire Cider Rain is a dazzling debut!" – Kama La Mackarel, author of ZOM-FAM “Mauritian waters of memory migrate through ‘imperial decay’ and ‘calcic dust’ to the cold northern continent where Rhiannon Ng Cheng Hin’s lustrous poetic telemetry manifests a lexical biogeography of uprootedness—her lyrical ‘I’ the connecting thread between past and future, between mother and moth, grandmother and cyclone, selia lover and terra nullius. Fire Cider Rain erupts as ebb and swell, distilling belonging and meaning in postcolonial drift, filling absence with terraqueous inquiry and salvaged wake.” – Jeffrey Yang, author of Line and Light "In reading Rhiannon Ng Cheng Hin’s poetry, I became immersed within a deep sense memory of why I came to love poetry in the first place. Her attunement to language and cadence vibrates, or as she writes 'love – or recognition, catches in my throat and stings.' Hers is a voice that can make nerve endings sing and one that speaks with such artful earnestness to the difficulties there are in a personal history. Ng Cheng Hin’s poetry is cousin to the spider's web, which belies a kind of vulnerability through its delicate beauty, yet each of its strands contains an exceptional tensile strength." – Liz Howard, author of Letters in a Bruised Cosmos
Fire! Fire! Said Mrs. Mcguire
by Bill Martin Jr.Smoke is rising in the city, but help is on the way. Join the rescue brigade on a wild adventure at the scene of a most unexpected fire! A lively rhyming text, hilarious illustrations, and an outrageous cast of funny females will keep children laughing all the way to the surprise ending.
Fire-Rimmed Eden: Selected Poems (Sapphic Classic)
by Lynn LonidierFire-Rimmed Eden: Selected Poems gathers poems from Lynn Lonidier' s rich and varied collections. Lonidier published five poetry collections Po Tree (1967), The Female Freeway (1970), A Lesbian Estate (1977), Woman Explorer (1979), Clitoris Lost: A Woman' s Version of the Creation Myth (1989), and a posthumous book, The Rhyme of the Ag-ed Mariness (2001). Her poetry links multiple poetic constellations of the 1970s and 1980s demonstrating linguistic innovations and radical reconfigurations sexuality and gender.The poems of Fire-Rimmed Eden are in conversation with narrative impulses from the feminist and lesbian poetry movements of the 1970s and 1980s, including work by Judy Grahn, Audre Lorde, Adrienne Rich, and others, as well as experimental poetic impulse from the same period found in work by Robert Duncan (Duncan' s partner Jess gave the cover art for A Lesbian Estate), Lyn Hejinian, Carla Harryman, and Etel Adnan. Some of Lonidier' s work is concrete in the spirit of May Swenson' s Iconographs while other poems are performative like Bay area poets Pat Parker and Jerome Rothenberg.Previously completely out of print, Lonidier' s poetry is ripe for a new generation of readers. Fire-Rimmed Eden assembles a robust selection of Lonidier' s work introduced by Sinister Wisdom editor and publisher Julie R. Enszer. Rich and diverse, visually and aurally exciting, boldly experimental and intellectually provocative, Lonidier' s poetry is imbued with wit, humor, originality, and play.
Firebird
by Zuzanna GinczankaEnergetic, formally audacious poems by a recently rediscovered Polish writer, shining examples of art as resistance.Zuzanna Ginczanka&’s last poem, &“Non omnis moriar..." (&“Not all of me shall die&”), written shortly before her execution by the Nazis in the last months of World War II, is one of the most famous and unsettling texts in modern East European literature: a fiercely ironic last will and testament that names the person who betrayed her to the occupying authorities as a Jew, it exposes the hypocrisy at the heart of Polish nationalist myths.Ginczanka&’s linguistic exuberance and invention—reminiscent now of Marina Tsvetaeva, now of Marianne Moore or Mina Loy—are as exhilarating as the passionate fusion of the physical world and the world of ideas she advocated in her work. Firebird brings together many of Ginczanka&’s uncollected poems and presents On Centaurs, her sole published book, in its entirety.
Firebreaks: Poems
by John KinsellaA follow-up to the critically acclaimed Jam Tree Gully, Firebreaks records life and ecology in Western Australia. Known for a poetry both experimental, “activist,” and lyrical that reinvents the pastoral, John Kinsella considers his and his family’s life at Jam Tree Gully, in the Western Australian wheatbelt, and his deeply felt ecological concerns in this new cycle of poems about place, landscape, home, and absence. Part One, “Internal Exile,” explores issues of departure and return as well as alienation in Jam Tree Gully. Part Two, “Inside Out,” reevaluates how Kinsella and his family deal with ideas of “space” and proximity while also looking out into the wider world. How do we read an ecology as refuge? What lines of communication with the outside world need to be kept open? As Paul Kane observed in World Literature Today, “In Kinsella’s poetry . . . are lands marked by isolation and mundane violence and by a terrible transcendent beauty.”
Firefly in a Box: An Anthology of Soviet Kid Lit (Cultures of Childhood)
by Anna Krushelnitskaya Dmitri ManinContributions by Marina Balina, Sibelan Forrester, Anna Krushelnitskaya, Dmitri Manin, Svetlana Maslinskaya, Ainsley Morse, and Serguei Alex. OushakineIn Firefly in a Box: An Anthology of Soviet Kid Lit, translators Anna Krushelnitskaya and Dmitri Manin present a hybrid scholarly and literary volume of popular Russian-language Soviet children’s texts alongside essays that outline the significance and meanings behind these popular texts. The selection features both poetry and short prose, all of which are instantly recognizable to a Soviet native, and all of which hold cultural currency, potency, and valence similar to popular children’s literature in the United States, such as Green Eggs and Ham, Curious George, or Make Way for Ducklings. These texts have either never been translated into English before or appear in all-new translations, literary rather than literal; the featured original Soviet illustrations are reprinted for the English-reading market for the first time. Alongside the translations themselves is a scholarly component that guides Anglophone readers to experience mainstays of Soviet children’s writing. Essayists investigate literary material and perspectives using a broad range of approaches and methodologies applied to Soviet children’s literature. Topics include the Soviet literary canon, the beginning and evolution of Soviet children’s literature in the 1920s and 1930s, interactions between literary texts for children and folklore, and the interplay between Soviet and British children’s poetry.