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Enter the Raccoon
by Beatriz HausnerEnter the Raccoon documents a love affair between a woman and a raccoon. They are a couple that loves without preconceptions, whose being together eschews all limits until their beliefs in the self are put to the test. Their story unfolds each time one surrenders to the other in a sometimes melancholic and cruel, other times joyful, even ecstatic embrace.
Enter the Water
by Jack Wiltshire'A dark-light beauty' Ali Smith'Totally compelling, Enter The Water pulls you along like a current. Gentle, deft, spacious yet searingly vivid, it wanders like our narrator and shows us both nature and the city through new eyes . . . This book will sneak up on you and leave its music long ringing in your ears' Cecilia Knapp'Enter the Water is both visceral and perceptive, a discomfort formulated in great tenderness and pain' Bhanu Kapil 'Enter the Water has horizons and wit and allusion and rhyme and disenchanted politics and birds, and lines that hit the reader right in the heart . . . The writing is original and perfectly pitched . . . A significant debut' Ian Pattersoni sat in a chapel the other night in my big gay coat talking to a god whose answer is only sometimes no no that was a lie the house of god was closed the night i needed him i sat outside on the granite steps of a fountain happily pouring itself an eternal supplyENTER THE WATER follows a young man who becomes homeless when he is evicted from his flat in Cambridge during the turbulent early months of 2022. As the wind stirs, our narrator embarks on a journey from his park bench out towards the coast, wrapped in his 'big gay coat', accompanied by his pigeons, a blackbird and Storm Eunice - 'Nature' in colourfully alive and playful forms. Along the way he searches for a beauty inherent to all of us, and then calls us to reclaim it. ENTER THE WATER is a story invested in care - care towards the environment; towards the political realities of recession and the war in Ukraine; towards the dynamic self, the human whose love for swimming becomes synonymous with self-acceptance and survival; and to everyone, managing to manage. Walking along the edges of our troubled current affairs, animated by a spirit of cheerful protest, this book is an offering and an urgent invitation to exit and re-enter our world - and to celebrate our capacity for courage in times of suffering.
Entering Another Country
by Toni OrtnerReview by Helen Cooper in Motheroot Journal The title poem, "Entering Another Country", is dedicated to a male friend who has died. There are exuberant, rich landscapes of imagined travel, journeys into the visual worlds of Grandma Moses and Rousseau, and the painful realization that what the poet means by travel is change and growth, the raw experience of self-birthing, a process into a place as unknown as the death place of her friend. Here Ortner connects with her female heritage. It is a courageous poem of breaking out, and the unfamiliar terrain into which this takes her almost robs the poet of speech.
Entering History: Poems
by Mary Stewart HammondLyrical narratives that chronicle a long marriage, rich with wit, dark irony, and poignancy. In her long-awaited second volume, Mary Stewart Hammond chronicles a long marriage with sharp wit, dark irony, and poignancy. As James Merrill says of Hammond’s poems, they “brim with what the whole world knows.” Entering History opens on a middle-aged couple, modern-day travelers in an ancient setting. The collection follows their relationship through time and place, combining the personal and the historical in stories of the family—siblings, a daughter, and the very different marriage of the poet’s parents. The marriage poems share the intimacy, erotic playfulness, irritations, worries, and angers that are part of an enduring love and a long marriage. In “Portrait of My Husband Reading Henry James,” the poet paints her husband using syntax and language that evoke James’s. In “Venasque,” the wintry village, perched on the edge of a cliff, serves as a metaphor for the existential crisis facing the couple. “Lines composed at Beaufort, South Carolina, a few miles above Parris Island,” about the poet’s brother, moves back and forth between the Civil War and the preparations of troops for today’s wars. In “Jacob and Esau with Sister,” two brothers, in a transaction as old as oral history, highlight its consequences in the twenty-first century. “Anniversary” is a heartbreaking elegy for a third brother who kills himself. Hammond reaches into the past and present of the American family, closing Entering History where it began, with the couple in bed, now older, harkening back to the bed they shared when they were newlyweds. These powerful, beautifully crafted, lyrical narratives give depth to an examination of life—its joys, sorrows, laughter, and tragedies.
Entrapment and Other Writings
by Nelson Algren Dan Simon Brooke HorvathNelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the whores and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one: all of them admirable in Algren's eyes for their vitality and no-bullshit forthrightness, their insistence on living and their ability to find a laugh and a dream in the unlikeliest places. In Entrapment and Other Writings--containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays--Algren speaks to our time as few of his fellow great American writers of the 1940s and '50s do, in part because he hasn't yet been accepted and assimilated into the American literary canon despite that he is held up as a talismanic figure. "You should not read [Algren] if you can't take a punch," Ernest Hemingway declared. "Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful."
Entre La Chair et L'Ame
by Huguette BertrandExcerpt<P> d'un passé arrimé<P> aux départs fragiles<P> que viennent agiter<P> les bruits<P> des pas sourds<P> de l'ennui<P> livré au hasard<P> d'un horizon docile<P> muet<P> 15 nov. 97
Entries
by Wendell BerryIn these poems, Wendell Berry combines plainspoken elegance with deeply felt emotion—this is work of both remembrance and regeneration. Whether writing as son of a dying father or as father of a daughter about to be wed, Berry plumbs the complexities of conflict, grief, loss, and love. He celebrates life from the domestic to the eternal, finding in the everyday that which is everlasting.
Entries
by Wendell BerryIn this gathering of work from the past fifteen years, Wendell Berry offers poems of remembrance and regeneration, celebrating life's complexities from the domestic to the eternal.
Envelope Poems
by Emily Dickinson Jen Bervin Marta WernerAnother gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes). This fixed-layout ebook is an exact replica of the print edition, and requires a color screen to properly display the high-resolution images it contains. For this reason, Envelope Poems is not available on devices with e-ink screens, such as Kindle Paperwhite. We apologize for any inconvenience.
An Envelope Waiting
by Lisa RoullardPoems in this book by Lisa Roullard explore the world of mail: sometimes the poet escapes into it, sometimes the mailman from it. Themes of waiting and dating also surface and postage stamps capture first dates in Washington State. In 2013 poems from this collection placed first in the Utah Original Writing Competition.
Environmental Humanities and Theologies: Ecoculture, Literature and the Bible (Routledge Environmental Humanities)
by Rod GiblettMany ways of thinking about and living with ‘the environment’ have their roots in the Bible and the Christian cultural tradition. Environmental Humanities and Theologies shows that some of these ways are problematic. It also provides alternative ways that value both materiality and spirituality. Beginning with an environmentally friendly reading of the biblical story of creation, Environmental Humanities and Theologies goes on to discuss in succeeding chapters the environmental theology of wetlands, dragons and watery monsters (including crocodiles and alligators) in the Bible and literature. It then gives a critical reading of the environmental theology of the biblical book of Psalms. Theological concepts are found in the works of English writers of detective and devotional stories and novels, American nature writers and European Jewish writers (as succeeding chapters show). Environmental Humanities and Theologies concludes with an appreciation for Australian Aboriginal spirituality in the swamp serpent. It argues for the sacrality of marsh monsters and swamp serpents as figures of reverence and respect for living bio- and psycho-symbiotic livelihoods in bioregions of the living earth in the Symbiocene. This is the hoped-for age superseding the Anthropocene. Environmental Humanities and Theologies is aimed at those who have little or no knowledge of how theology underlies much thinking and writing about ‘the environment’ and who are looking for ways of thinking about, being and living with the earth that respect and value both spirituality and materiality. It is a new text nurturing sacrality for the Symbiocene.
The Environmental Imaginary In Brazilian Poetry And Art
by Malcolm K. McneeThis study contributes to ongoing discussions on the connections between the environmental imaginary and issues of identity, place and nation. Utilizing a delimited ecocritical approach, McNee puts Brazilian culture, through the work of contemporary poets and visual artists, into a broader, transnational dialogue.
Eon: Poems (Southern Messenger Poets)
by Terry HummerA poetic study of the eternal, T. R. Hummer’s new collection Eon, as with the other volumes in this trilogy—Ephemeron and Skandalon—offers meditations on the brief arc of our existence, death, and beyond. With vivid, corporeal imagery and metaphysical flourishes, the poet explores how the dead influence the ways we understand ourselves. Anchored with a series of poems that can be read as extended epitaphs, the collection closes with a gesture toward the redemptive power of love. In the tradition of Rainer Maria Rilke, Emily Dickinson, and Philip Levine, Eon shows us the power of being “simple expressions of our earth. It imagined us, / And was imagined by something nameless in return.”
Ephemeron: Poems (Southern Messenger Poets)
by T. R. HummerT. R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephemera." In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.Hummer's work is existential and atemporal. The scope of the poems gradually broadens from the opening section, also called "Ephemeron," through "Either/Or," which is a fulcrum, on to plural "Ephemera." The vision that emerges is haunting, evoking the aftermath of a physical, psychological, and spiritual apocalypse.Relentless in its stalking of the boundary between being and nonbeing, Ephemeron becomes a tour-de-force that shines a spotlight into dark corners of Being, revealing yet more darkness.
Epic: Britain's Heroic Muse 1790-1910
by Herbert F. TuckerThis book is the first to provide a connected history of epic poetry in Britain between the French Revolution and the First World War. Although epic is widely held to have been shouldered aside by the novel, if not invalidated in advance by modernity, in fact the genre was practiced without interruption across the long nineteenth century by nearly every prominent Romantic and Victorian poet. Poets kept the epic alive by revising its conventions to meet an overlapping series of changing realities: insurgent democracy, Napoleonic war, the rise of class consciousness and repeated reform of the franchise, challenges posed by scientific advance to religious belief and cherished notions of the human, the evolution of a postnationalist and eventually imperialist identity for Britain as the world's superpower. Each of these developments called on nineteenth-century epic to do what the genre had always done: affirm the unity of its sponsoring culture through a large utterance that both acknowledged the distinctive flowering of the modern and affirmed its rootedness in tradition. The best writers answered this call, Herbert Tucker argues, by figuring Britain's self-renewal and the genre's as versions of one another. In passing, he notices scores of mediocre congeners (and worse), so as to show where the challenge of a given decade fell and suggest what lay at stake. The background these lesser works provide throws into relief what the book stresses in extended discussions of several dozen major works: an unbroken history of experimentation in which circumspect, inventive, worried epoists engaged because the genre and the age alike demanded it.
The Epic Beautiful: An English Verse Rendering of the Sundara Kanda of the Ramayana of Valmiki
by K. R. Srinivasa IyengarThe 'Sundara Kanda'--the seed-book or bija-kanda as it has been called, of the Ramayana of Valmiki--is here presented as an autonomous epic by itself, arranged under Seven Books. The verse form used is a 4-line unit in lieu of the Sanskrit anushtup sloka. I have attempted, however, neither a word-for-word translation, nor always a sloka-stanza correspondence. The span of thought often overflows the quatrain mould, thereby softening the metrical monotony.
Epic Continent: Adventures in the Great Stories of Europe
by Nicholas JubberThese are the stories that made Europe.Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycle emerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today.Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.
Epic Continent: Adventures in the Great Stories of Europe
by Nicholas JubberShortlisted for the Stanford Dolman Travel Book of the Year 2020Award-winning travel writer Nicholas Jubber journeys across Europe exploring Europe's epic poems, from the Odyssey to Beowulf, the Song of Roland to the Nibelungenlied, and their impact on European identity in these turbulent times. These are the stories that made Europe.Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycle emerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today.Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.(P)2019 Hodder & Stoughton Limited
The Epic Gaze: Vision, Gender and Narrative in Ancient Epic
by Helen LovattThe epic genre has at its heart a fascination with the horror of viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating, ambitious study investigates the theme of vision in Greek and Latin epic from Homer to Nonnus, bringing the edges of epic into dialogue with celebrated moments (the visual confrontation of Hector and Achilles, the failure of Turnus' gaze), revealing epic as massive assertion of authority and fractured representation. Helen Lovatt demonstrates the complexity of epic constructions of gender: from Apollonius' Medea toppling Talos with her eyes to Parthenopaeus as object of desire. She discusses mortals appropriating the divine gaze, prophets as both penetrative viewers and rape victims, explores the divine authority of epic ecphrasis, and exposes the way that heroic bodies are fragmented and fetishized.
Epic Lives and Monasticism in the Middle Ages, 800-1050
by Anna Lisa TaylorThis is the first book to focus on Latin epic verse saints' lives in their medieval historical contexts. Anna Taylor examines how these works promoted bonds of friendship and expressed rivalries among writers, monasteries, saints, earthly patrons, teachers and students in Western Europe in the central Middle Ages. Using philological, codicological and microhistorical approaches, Professor Taylor reveals new insights that will reshape our understanding of monasticism, patronage and education. These texts give historians an unprecedented glimpse inside the early medieval classroom, provide a nuanced view of the complicated synthesis of the Christian and Classical heritages, and show the cultural importance and varied functions of poetic composition in the ninth, tenth and eleventh centuries.
The Epic of Gilgamesh
by Anonymous AnonymousThe ancient Sumerian poem The Epic of Gilgamesh is one of the oldest written stories in existence, translated with an introduction by Andrew George in Penguin Classics.Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world's oldest epic, predating Homer by many centuries. The story tells of Gilgamesh's adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, The Epic of Gilgamesh is, above all, about mankind's eternal struggle with the fear of death.The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian. Andrew George's gripping translation brilliantly combines these into a fluid narrative and will long rank as the definitive English Gilgamesh. If you enjoyed The Epic of Gilgamesh, you might like Homer's Iliad, also available in Penguin Classics.'A masterly new verse translation'The Times'Andrew George has skilfully bridged the gap between a scholarly re-edition and a popular work'London Review of Books
The Epic of Gilgamesh: A New Translation Analogues Criticism (First Edition) (Norton Critical Edition)
by Benjamin R. FosterThis four-thousand-year-old tale of love, death, and adventure is the world's oldest epic masterpiece. Over a millennium before the Iliad and the Odyssey, Mesopotamian poets wrote of Gilgamesh, hero-king of the Sumerian city of Uruk. The story has four main sections: first, Gilgamesh's abuse of his subjects, the creation of his rival--the wild man Enkidu--and their eventual friendship; second, the pair's heroic quest to the forest of cedars to slay a monster and bring back a gigantic tree, thus winning immortal fame for Gilgamesh; third, the death of Enkidu, which leaves Gilgamesh terrified at the prospect of his own death; and finally, Gilgamesh's arduous search for the secret of eternal life.
The Epic of Gilgamesh
by Andrew GeorgeEver since the first modern translations were published more than one hundred years ago, the Gilgamesh epic has been recognized as one of the great masterpieces of world literature.
The Epic of Gilgamesh: An English Version with an Introduction
by N. K. SandarsA great king Enkidu is created by the gods to challenge the arrogant King Gilgamesh. But both become friends to slay the evil monster Humbaba. When Enkidu is killed, his death haunts and breaks the mighty Gilgamesh who resolves to find the secret of eternal life.