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Found at Sea
by Andrew GreigThe acclaimed Scottish writer reflects on a small boat excursion through the Orkney Islands in this poetry collection of &“touching lyrical sensitivity&” (The Times Literary Supplement, UK). Andrew Greig has won much acclaim and numerous awards for his novels, poetry, and nonfiction evoking the natural beauty of rural Scotland or chronicling his far-flung adventures. In this volume, his love for his home and his passion for travel come together. One summer evening, Greig embarked upon a micro-odyssey from his home in Stromness to the island of Cava, and Found at Sea recounts in poetic sequence the tale of his open dinghy voyage. Written in six weeks, this is a &“very wee epic&” about sailing, male friendship, and a voyage. In sailing small boats in scary open waters, Andrew Greig has found a new activity and a new metaphor for life.
Found: Poems
by Souvankham ThammavongsaA beautiful re-issued edition of poetry from the Scotiabank Giller Prize–winning author of How To Pronounce Knife FEATURING A NEW INTRODUCTION BY THE AUTHOR&“In 1978, my parents lived in building #48. Nong Khai, Thailand, a Lao refugee camp. My father kept a scrapbook filled with doodles, addresses, postage stamps, maps, measurements. He threw it out and when he did, I took it and found this.&”Built out of doodles, diagrams, and drawings, this is a work characterized by the elegance and power of its bareness. These poems use blank spaces and small print. Their language is exquisitely precise in detail, and every letter, gesture, break, line, and shape becomes a place of real meaning. Here, the intention is to let us see, as well as to hold back much of what we see.First published in 2007, Souvankham Thammavongsa's remarkable second collection was acclaimed for its originality and cemented her reputation as a poet with a rare, astonishing gift.
Four Arthurian Romances: Cliges
by Chretien DetroysIt tells the story of the knight Cligès and his love for his uncle's wife, Fenice. Because of the story's de-romanticized depiction of adultery, it has been called a criticism or parody of the Tristan and Isolde romances. Cligès scholar Lucie Polak not only verifies the Tristan and Isolde reworking found in the text, but also suggests that Cligès may be modeled after Ovid's character Narcissus.
Four Arthurian Romances: Complete
by Chretien DetroysChrétien's works include five major poems in rhyming eight-syllable couplets. Four of these are complete; Erec and Enide (c. 1170); Cligès (c. 1176), and Yvain, the Knight of the Lion and Lancelot, the Knight of the Cart, both written simultaneously between 1177 and 1181. Chrétien's final romance was Perceval, the Story of the Grail, written between 1181 and 1190, but left unfinished, though some scholars have disputed this.
Four Arthurian Romances: Eric Et Enide
by Chretien DetroysErec et Enide features many of the common elements of Arthurian romance, such as Arthurian characters, the knightly quest, and women or love as a catalyst to action. While it is not the first story to use conventions of the Arthurian characters and setting, Chrétien de Troyes is credited with the invention of the Arthurian romance genre by establishing expectation with his contemporary audience based on its prior knowledge of the subjects.
Four Arthurian Romances: Lancelot
by Chretien DetroysThe action centers on Lancelot's rescue of the queen after she has been abducted by Meleagant, the son of Bademagu. The Abduction of Guinevere is one of the oldest motifs in Arthurian legend, appearing also in Caradoc of Llancarfan's Life of Gildas and carved on the archivolt in Modena Cathedral.
Four Arthurian Romances: Yvain
by Chretien DetroysIn the poem, Yvain seeks to avenge his cousin Calogrenant who had been defeated by an otherworldly knight Esclados beside a magical storm-making stone in the forest of Brocéliande. Yvain defeats Esclados and falls in love with his widow Laudine.
Four Birds of Noah's Ark: A Prayer Book from the Time of Shakespeare
by Thomas DekkerA timeless, little-known literary classic to engage a new generation of readers As the Black Death ravaged London in 1608, in the midst of societal chaos and tragedy, playwright Thomas Dekker wrote Four Birds of Noah&’s Ark, a book containing fifty-six prayers for the people of London and all of England. The prayers in this book bear witness to Dekker&’s deep faith with a power and poignancy that few written prayers in English literature achieve. Bringing Dekker&’s devotional classic back into print for the first time since 1924, editor Robert Hudson has annotated the prayers and modernized their language without sacrificing their enchanting beauty and simplicity. Hudson&’s substantive and illuminating introduction is a gem in itself.
Four Birds of Noah's Ark: A Prayer Book from the Time of Shakespeare
by Thomas DekkerA timeless, little-known literary classic to engage a new generation of readers As the Black Death ravaged London in 1608, in the midst of societal chaos and tragedy, playwright Thomas Dekker wrote Four Birds of Noah&’s Ark, a book containing fifty-six prayers for the people of London and all of England. The prayers in this book bear witness to Dekker&’s deep faith with a power and poignancy that few written prayers in English literature achieve. Bringing Dekker&’s devotional classic back into print for the first time since 1924, editor Robert Hudson has annotated the prayers and modernized their language without sacrificing their enchanting beauty and simplicity. Hudson&’s substantive and illuminating introduction is a gem in itself.
Four Letter Words
by Tran TruongPoetry. Asian American Studies. "The word 'in' appears in this book 186 times. Around this word, as if on its own defiant, self-defining margin, exists a kindred lexicon: intention, indignation, innocence, intact, incomplete, inclusion, invite, incite. Truong Tran, a poet of probing inventiveness, plumbs the possibilities of confessional poetry as no one else can. In this book, he shows identity's 'cruel complexity melting on my tongue.' In his own, inimitable tongue he speaks his grief, outrage, and faithfulness. Troung takes the reader on a journey to the interior: in response, in exile, in the word"--Elizabeth Robinson. Truong Tran is the author of WITHIN THE MARGIN, DUST & CONSCIENCE, and PLACING THE ACCENTS.
Four Middle English Romances: Sir Isumbras, Octavian, Sir Eglamour Of Artois, Sir Tryamour (Teams Middle English Texts Series)
by Harriet HudsonSir Isumbras, Octavian, Sir Eglamour of Artois, and Sir Tryamour are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. <P><P> These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. <P><P>The tale the romances tell-of exiled queens, orphaned children, and penitent fathers-was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.
Four Quartets: A Poem
by T. S. EliotThe last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in "The Waste Land." Here, in four linked poems ("Burnt Norton," "East Coker," "The Dry Salvages," and "Little Gidding"), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Four Reincarnations
by Max RitvoReverent and profane, entertaining and bruising, Four Reincarnations is a debut collection of poems that introduces an exciting new voice in American letters.When Max Ritvo was diagnosed with cancer at age sixteen, he became the chief war correspondent for his body. The poems of Four Reincarnations are dispatches from chemotherapy beds and hospitals and the loneliest spaces in the home. They are relentlessly embodied, communicating pain, violence, and loss. And yet they are also erotically, electrically attuned to possibility and desire, to &“everything living / that won&’t come with me / into this sunny afternoon.&” Ritvo explores the prospect of death with singular sensitivity, but he is also a poet of life and of love—a cool-eyed assessor of mortality and a fervent champion for his body and its pleasures.Ritvo writes to his wife, ex-lovers, therapists, fathers, and one mother. He finds something to love and something to lose in everything: Listerine PocketPak breath strips, Indian mythology, wool hats. But in these poems—from the humans that animate him to the inanimate hospital machines that remind him of death—it&’s Ritvo&’s vulnerable, aching pitch of intimacy that establishes him as one of our finest young poets.
Four in Hand (American Poets Continuum Series #198)
by Alicia MountainComprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures.As in all lived experiences, treacheries and triumphs fade in and out of focus and intimacy, heartbreak, travel, eroticism, joy, and quotidian happenings offer character and momentum across non-linear narrative arcs. Through enthralling images, gripping storytelling, and world-building, Four in Hand carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.
Four-Legged Girl: Poems
by Diane Seuss"Diane Seuss writes with the intensity of a soothsayer." —Laura KasischkeFor, having imagined your body one way I found it to be another way, it was yielding, but only as the Destroying Angel mushroom yields, its softness allied with its poison, and your legs were not petals or tendrils as I'd believed, but brazen, the deviant tentacles beneath the underskirt of a secret queen —from "Oh four-legged girl, it's either you or the ossuary"In Diane Seuss's Four-Legged Girl, her audacious, hothouse language swerves into pain and rapture, as she recounts a life lived at the edges of containment. Ghostly, sexy, and plaintive, these poems skip to the tune of a jump rope, fill a wishing well with desire and other trinkets, and they remember past lush lives in New York City, in rural Michigan, and in love. In the final poem, she sings of the four-legged girl, the body made strange to itself and to others. This collection establishes Seuss's poetic voice, as rich and emotional as any in contemporary poetry.
Fourteen On Form: Conversations With Poets
by Martha H. Swain William BaerFourteen on Form: Conversations with Poets by William Baer. Interviews with Willis Barnstone, Robert Conquest, Wendy Cope, Douglas Dunn, Anthony Hecht, John Hollander, Donald Justice, X. J. Kennedy, Maxine Kumin, Frederick Morgan, John Frederick Nims, W. D. Snodgrass, Derek Walcott, and Richard Wilbur. When free verse and its many movements seemed to dominate poetry, other writers worked steadfastly, insistently, and majestically in traditional forms of rhyme and meter. Such poets as Anthony Hecht, Donald Justice, Derek Walcott, and Richard Wilbur utilized sonnets, villanelles, blank verse, and many other forms to create dazzling, lasting work. Their writing posed a counterpoint to free verse, sustained a tradition in English language verse, and eventually inspired the movement called New Formalism. Fourteen on Form: Conversations with Poets collects interviews with some of the most influential poets of the last fifty years. William Baer, editor of The Formalist, asks incisive questions that allow writers to discuss in detail a wide range of topics related to their work, methods of composition, and the contemporary poetry scene. Maxine Kumin reflects on being a woman poet during a period in which women were not encouraged to submit to journals. With clarity and passion, Walcott remembers the impetus of his famous "Eulogy to W. H. Auden." British poet Wendy Cope talks about the differences between how her barbed poems are received in England and abroad. The conversations return continually to the serious matter of poetic craft, especially the potential power of form in poetry. These well-paced conversations showcase poets discussing their creative lives with insight and candor. The sum total of their forthright opinions in Fourteen on Form not only elucidates the current situation of the art form, but it also serves as a primer for understanding the fundamental craft of poetics. William Baer is a professor of English at the University of Evansville and the editor of The Formalist. He edited Elia Kazan: Interviews and Conversations with Derek Walcott, both published by University Press of Mississippi.
Fourth of July Fun! (Little Golden Book)
by Deb AdamsonAdd storytime to your July 4th celebration and enjoy this rhyming Little Golden Book about a family having fun doing lots of Independence Day activities.Dress up in red, white, and blue and read this fun rhyming story about a young family celebrating the Fourth of July. They watch a parade, bake a pie, play backyard games, spend time with friends and neighbors, watch fireworks, and more! Preschoolers will want to read this Little Golden Book again and again, no matter what day it is!
Fourth of July Mice!
by Bethany RobertsFrom the book jacket: There's so much for four little mice to see and do: a costume parade, a mouse-size picnic, and even a refreshing dip in the pond. And no Independence Day would be complete without a fireworks show! So grab your flag, put on your finest red, white, and blue, and join in the celebration of a very special holiday-our country's birthday. From the publisher: It's the most patriotic of all holidays-Independence Day! The Holiday Mice take part in all the activities that make the Fourth of July fun: a parade, a picnic, a baseball game and sack race, and a refreshing dip in the stream. Even Mr. Mouse, the littlest mouse's special toy, joins in the festivities. The best part of all comes at the end of the day: a spectacular fireworks show! Packed with plenty of red, white, and blue and featuring the four Holiday Mice at their most adorable, this story about our nation's birthday will delight readers young and old alike.
Fox: Poems 1998-2000
by Adrienne Rich"A challenging collection that should more than satisfy [Rich's] large and loyal following."--Washington Post Book World In this volume, Adrienne Rich pursues her signature themes and takes them further: the discourse between poetry and history, interlocutions within and across gender, dialogues between poets and visual artists, human damages and dignity, and the persistence of utopian visions. Here Rich continues taking the temperature of mind and body in her time in an intimate and yet commanding voice that resonates long after an initial reading. Fox is formidable and moving, fierce and passionate, and one of Rich's most powerful works to date. "Justly celebrated....Rich has long wanted to set her readers' minds blazing...she succeeds."--Publishers Weekly starred review "Intimate, explorative, these are poems with a millennial feel, at once retrospective and forward-looking."--Washington Post Book World
Foxglovewise: Poems
by Ange MlinkoAnge Mlinko, whose poetry is “irresistible” (Los Angeles Review of Books), opens our perception of other lives, or lives unlived.Foxglovewise is, at its core, a response to the singular experience of the loss of one’s parents. It begins at an Eastern Orthodox Epiphany ritual in Florida and ends in a cemetery in Los Angeles. Yet, as with Ange Mlinko’s other books of poetry, the collection uses geography as a trope for the ways in which we try to map out our lives and make them legible, even as poetry, music, and paintings suggest that much of what happens, or matters, to us is “not on the maps” (not to mention “the apps”). Whether it’s Europa borne over the waves, or gravestones bearing aliases rather than birth names, or books bequeathed to us by relatives in languages we can’t read, we live “up in the air” or “on the wing” and not in fixed coordinates.Mlinko's poetry is suffused with wit, erudition, beauty, and boundless energy. As Declan Ryan wrote of her work in The Times Literary Supplement, “A reader could be merely dazzled by all this surface stylishness . . . but then they would miss the heart beneath it all.” Foxglovewise is a direct line to the author’s heart.
Foxlogic, Fireweed (The Backwaters Prize in Poetry)
by Jennifer K. SweeneyWinner of the Backwaters Prize in Poetry, Jennifer K. Sweeney&’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth&’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry&’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.
Fragen zum Lyrischen in Friederike Mayröckers Poesie (Abhandlungen zur Literaturwissenschaft)
by Inge Arteel Eleonore De FelipFriederike Mayröcker zählt zu den herausragenden lyrischen Stimmen der Gegenwart. Der vorliegende Band bietet Annäherungen an ihr lyrisches Werk. Entstanden im Laufe von mehr als 70 Schaffensjahren, spiegelt es die Entwicklung einer Einzelgängerin von ihren Anfängen in den letzten Kriegsjahren durch die Zeit der formalen Experimente in den 1960er und 1970er Jahren bis hin zu ihrem sogenannten Spätwerk. Mayröckers Poetik zeichnet sich durch ein komplexes System an intertextuellen und -medialen Bezügen, an Fremd- und Selbstzitaten, an motivischen Fortführungen und Variationen aus. Zugleich entziehen sich ihre Gedichte der interpretativen Entschlüsselung und Fixierung. - Durch innovative Perspektivierungen und neue Erkenntnisse kommen die hier versammelten Analysen der sprachlichen Kraft, formalen Kühnheit und emotionalen Tiefe von Mayröckers Gedichten auf die Spur. Die Beiträge widmen sich insbesondere Mayröckers jüngsten Bänden, ihrem Dialog mit Hölderlin sowie auch grundsätzlichen lyrikologischen Fragestellungen.
Fragments
by James Hillman Brooks Haxton HeraclitusIn the sixth century b.c.-twenty-five hundred years before Einstein-Heraclitus of Ephesus declared that energy is the essence of matter, that everything becomes energy in flux, in relativity. His great book, On Nature, the world's first coherent philosophical treatise and touchstone for Plato, Aristotle, and Marcus Aurelius, has long been lost to history-but its surviving fragments have for thousands of years tantalized our greatest thinkers, from Montaigne to Nietzsche, Heidegger to Jung. Now, acclaimed poet Brooks Haxton presents a powerful free-verse translation of all 130 surviving fragments of the teachings of Heraclitus, with the ancient Greek originals beautifully reproduced en face.
Fragments from the Fire: The Triangle Shirtwaist Company Fire of March 25, 1911
by Chris Llewellyn Michelle GaffeyThe Triangle Shirtwaist Company manufactured blouses for women and was located on the eighth, ninth, and tenth floors of the Asch Building, at the corner of Washington Place and Greene Street, in New York City's Washington Square.The company employed up to 900 workers at a time, but on March 25, 1911, only about 500 were present. These were immigrants, most of whom could not speak the English language. Nearly all were female, primarily Russian or Italian, although twelve nationalities were known to be ''on the books.'' At about 4:45 p.m., just after pay envelopes had been distributed, a fire broke out. Not everyone was able to reach the elevators and stairways. On the ninth floor, because the bosses had kept the doors locked to keep out union organizers, workers were forced to jump from windows. One hundred forty-six people, some as young as fourteen, perished. In 1987, Chris Llewellyn chronicled the Triangle Fire and its aftermath in her award-winning, polyvocal book of poems, Fragments from the Fire. Now, 105 years after the Fire, Fragments is in print once again. With poetic and documentary impulses, Fragments speaks to the deplorable working conditions that characterize the garment industry in this new millennium as it continues to commemorate the Triangle Fire of March 25, 1911. Winner of the Walt Whitman Award for 1986, this is a revised 30th anniversary edition of that book which was originally published by Viking Press in 1987 and again in "Steam Dummy & Fragments from the Fire" by Bottom Dog Press in 1993.