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A Few Years In The Life of a Protest Poet
by Lori Crasnich'I began writing poetry/ditties shortly after moving down to Cornwall back in 1977. It's amazing how inspirational the lapping of the tidal waves can be. Whilst working on a building, I began writing poems about all the different workers on the toilet walls. These were humorous and inoffensive, and although I'd written about the gaffer, he must have liked them, as he never sacked me. 'The pandemic caused me to put my thoughts down on paper, ranging from what we've done to this planet and its wildlife, to how the Government has dealt with each situation, good or bad.' Lori Crasnich
Fictions of Witness in the Confessio Amantis (The New Middle Ages)
by Joel FredellFictions of Witness in the Confessio Amantis details the first years of the Confessio’s material history and offers a major revision to a century’s old narrative of political revision and conversion around the trauma of 1400. Joel Fredell argues for “late stage” revisions by Gower to his great poem in Middle English from the late 1390s up to Gower’s death in 1408. This approach, new to scholarship for Ricardian and Lancastrian literature, demands profound re-evaluation of Gower's poetic persona and its entanglement in the opening and closing books of the Confessio. It offers a reassessment of the political and literary relationships between versions dedicated to Richard II and Henry IV. It repositions Gower's laureate status in a London world of deluxe book production that created a canon of Ricardian poets linked to their fifteenth-century inheritors. Finally, it identifies for the first time how late medieval authors designed their poetry as fictional artifacts that witness history from quasi-chronicles like Maidstone’s Concordia or Richard the Redeless, quasi-petitions like the Lollard “Petition to the King and Parliament,” quasi-epistles that begin so many texts, quasi-transcripts such as the Record and Process of the Deposition of Richard II, and so on.
The Fiddler Of Driskill Hill: Poems
by David MiddletonDavid Middleton's The Fiddler of Driskill Hill celebrates a particular place and the universal human experience. While evoking distinctive landscapes, both north and south, these poems address the great philosophical and theological questions of the ages. A mysterious fiddler climbs Driskill Hill -- the highest point of elevation in Louisiana -- under the cover of darkness to practice his craft.
The Fiddler of Driskill Hill: Poems
by David MiddletonDeeply rooted in personal and regional history, David Middleton's The Fiddler of Driskill Hill celebrates a particular place and the universal human experience. While evoking distinctive Louisiana landscapes, both north and south, these poems address the great philosophical and theological questions of the ages. In the title poem, a mysterious fiddler climbs Driskill Hill -- the highest point of elevation in Louisiana -- under the cover of darkness to practice his craft: "I sing what is and ought to be / And will until I die: // For that's what bow and strings are for, / To raise things up in song / Between The Fall and Paradise / And urge the world along."Other poems contemplate loneliness and loss -- a father mourning the death of his ten-year-old daughter, a soldier's recollections of war, and a woman who, in bidding farewell to the only home she and her husband ever owned, says that she "Must walk one final time these rooms I share / With ghosts that speak and breathe in memory's breathless air." This collection reflects on the agrarian way of life, southern historical events, family, racial reconciliation, the relation between language and things, becoming and being a poet, and the experience of tragedy, death, and love.
Fidget
by Kenneth GoldsmithThe follow-up to the critically acclaimed No. 111, Fidget ruthlessly documents every movement made by Goldsmith's body on Bloomsday (June 16) 1997 from 10 am to 11 pm. Literary critic Marjorie Perloff compares Fidget to 'a Beckett prose text.'
Una fiebre de ti mismo. Poesía del romanticismo inglés
by Varios AutoresUna antología que reúne los grandes nombres del romanticismo inglés. «El soplo de la más humilde de las flores puede ofrecer pensamientos que a menudo encuentro demasiado profundos para desgarrarlos.» Wordsworth, Coleridge, Lord Byron, Shelley y Keats constituyen una secuencia que bajo el nombre de poesía romántica inglesa puede citarse al lado del teatro griego o de la novela rusa como una de las cimas indiscutibles del espíritu humano, y del que ningún lector inquieto debería privarse. Escritos en la encrucijada de un absolutismo que se resiste a desvanecerse y una revolución liberal que no termina de cuajar, y con un ánimo incapaz de confiar en promesas divinas pero que no puede dejar de ver un halo de trascendencia en la naturaleza, estos poemas son ejemplos de tensión humana y de indagación expresiva. Las sensuales meditaciones de Wordsworth sobre la caducidad y el tiempo, los paisajes helados y mágicos de Coleridge, la altivez revolucionaria -en la política y en el corazón- de Byron, las prodigiosas y exquisitas odas de Keats y los desvíos visionarios de Shelley, de quien recogemos por primera vez en castellano su obra maestra, El triunfo de la vida, concurren en las luminosas páginas de un libro que sirve en nuevas traducciones de Gonzalo Torné un conjunto de poemas sin los que la humanidad no sería la misma.
Field Guide for Accidents: Poems (National Poetry Series #9)
by Albert AbonadoSELECTED BY MAHOGANY L. BROWNE FOR THE NATIONAL POETRY SERIESAn irreverent poetry collection that wrestles with questions of family, mortality, cultural history, and identity from the Filipinx-American experience "you showed him your teeth, you dared him to look into your mouth to see the metal bands straightening your jaw into an American smile."—from Field Guide for AccidentsBorn in the United States to Filipino immigrants, poet Albert Abonado is no stranger to the language of periphery. Neither wholly &“American&” nor Filipino, Field Guide for Accidents&’s speakers are defined by what they are not: not white enough to be born in America, not Asian enough to feel at home in the Philippines. Abonado&’s poetry illuminates the strange and surreal in domestic routine, suturing wounds of love, grief, and the contradiction of being Filipinx-American, two identities bound with a hyphen that resists negation. What results is a growing exposure to a world mired in paradox.The poems in Field Guide for Accidents experiment with the constraints of the poetic line, shaping forms that exhume what tend to haunt us in the silence. In Field Guide for Accidents, memory becomes augmented with the imaginary; suspicion collides with superstition, while spirituality crosses paths with scientific fact. A mother returns to her son as a boat. A stew is prepared with blood yet masked as chocolate. The living eat with the dead in memories built like houses. Mythic, bloodthirsty creatures in Pinoy folklore prey on an exhausted poet. Research conducted in hindsight provides new avenues to explore regret.For many third-culture kids of the Asian-American diaspora, there is no such thing as a success story for &“fitting in.&” What matters more is finding where you belong. Spooning images from hand to mouth, the poems in Field Guide for Accidents struggle with what it means to consume and be consumed by American culture.
Field Guide to the Lost Flower of Crete (Hugh MacLennan Poetry Series #58)
by Eleonore SchönmaierThyme clings, high / and away from the grazing and scents / the air.Island reality is interconnected with live-retrieved memories in which a nurse follows a violent patient into the northern Canadian bush, a migrant mother faces her new job as the village butcher, an Ojibway man is forced to walk a dangerous route home alone, teenagers loot the local dump to build their mother's wheelchair, and an electrician watches a woman play a grand piano on a ballfield.A (re)creation of the surreality and altered time within deep states of grieving, Field Guide to the Lost Flower of Crete juxtaposes sorrow with fragmentary unapologetic joy. Eleonore Schönmaier forges compelling symphonic resonances between European musical encounters and a northern working-class childhood. By centring her experiential empathy on a history of racism and poverty, she guides us into better ways of being. Intimate reflections are contrasted with geopolitical and environmental concerns as Schönmaier's fierce intelligence focuses on what is most essential in our lives.The arc of this collection offers a rejuvenating meditation on the meaning of loss and love, highlighted by the lyric beauty of the writing.
Field Music: Poems
by Alexandria HallA collection of poetry from the 2019 winner of the National Poetry Series, selected by Rosanna Warren In her remarkable and assured debut, Alexandria Hall explores the boundaries and limits of language, place, and the self, as well as the complicated space between safety and danger, intimacy and isolation, playfulness and seriousness, home and away. With a keen eye for the importance of place, Hall shows us daily life in rural Vermont, illuminating the beauty and difficulty inherent in the dichotomies of human language and experience.Incisive and tender, Field Music is a thoughtful and alert collection from a major emerging voice.
Field Notes from the Flood Zone (American Poets Continuum Series #192)
by Heather SellersFrom the frontlines of climate catastrophe, a poet watches the sea approach her doorstep. Born and raised in Florida, Heather Sellers grew up in an extraordinarily difficult home. The natural world provided a life-giving respite from domestic violence. She found, in the tropical flora and fauna, great beauty and meaningful connection. She made her way by trying to learn the name of every flower, every insect, every fish and shell and tree she encountered. That world no longer exists. In this collection of poems, Sellers laments its loss, while observing, over the course of a year, daily life of the people and other animals around her, on her street, and in her low-lying coastal town, where new high rises soar into the sky as the storm clouds gather with increasing intensity and the future of the community—and seemingly life as we know it—becomes more and more uncertain. Sprung from her daily observation journals, haunted by ghosts from the past, Field Notes from the Flood Zone is a double love letter: to a beautiful and fragile landscape, and to the vulnerable young girl who grew up in that world. It is an elegy for the two great shaping forces in a life, heartbreaking family struggle and a collective lost treasure, our stunning, singular, desecrated Florida, and all its remnant beauty.
Field of Light and Shadow: Selected and New Poems
by David YoungA career-spanning volume from one of our most valuable living American poets, offering poems that display an exquisite ear tuned to the natural world, to love and friendship, and to the continually renewable possibilities of language. David Young's settings are at once local and universal--an adolescence in Omaha, late summer on Lake Erie, a sleepless night in the backyard during a meteor shower. He moves with dazzling ease between culture and nature, between the literary and the philosophical, microcosm and macrocosm. Here are poems on Osip Mandelstam and Chairman Mao, the meaning of boxcars on the track, the beautiful names of the months, and a fox at the field's edge, charged in each case by Young's fierce intelligence and candor in the face of grief and loss."We float through space. Days pass," Young writes in "The Portable Earth-Lamp." "Sometimes we know we are part of a crystal / where light is sorted and stored." His metaphysical reach, balancing remarkable humility with penetrating vision, is one of the great gifts of this exemplary career in poetry.From the Hardcover edition.
Field Recordings (Made in Michigan Writers Series)
by Russell BrakefieldFirmly rooted in the dramatic landscapes and histories of Michigan, Field Recordings uses American folk music as a lens to investigate themes of personal origin, family, art, and masculinity. The speakers of these poems navigate Michigan’s folklore and folkways while exploring more personal connections to those landscapes and examining the timeless questions that occupy those songs and stories. With rich musicality and lyric precision, the poems in Field Recordings look squarely at what it means to be a son, a brother, an artist, a person. Inspired by the life and writings of famous ethnomusicologist Alan Lomax, Field Recordings is divided into three sections. It is anchored by a long poem that tracks Alan Lomax on his 1938 journey through Michigan collecting music for the Library of Congress. This poem speaks to the complex process of recording the voices and stories of working-class musicians in Michigan in the early part of the twentieth century. It is rich with the pleasures of music and storytelling and is steeped in history. Like the rest of the collection, it also speaks to the questions and anxieties that, like music, transcend time and technology. In poems alternately elegiac and rhapsodic, Field Recordings explores the way art is produced and translated, the line between innovation and appropriation, and the complex, beautiful stories that are passed between us. From poetry readers to poets, music fans to musicians, this collection will undoubtedly appeal to a wide audience.
Field Study
by Chet'la SebreeWinner of the 2020 James Laughlin Award from the Academy of American Poets"Layered, complex, and infinitely compelling, Chet’la Sebree’s Field Study is a daring exploration of the self and our interactions with others—a meditation on desire, race, loss and survival." --Natasha Trethewey, Pulitzer Prize-winning author of Memorial DriveChet’la Sebree’s Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poemI am society’s eraser shards—bits used to fix other people’s sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections.Seeking to understand the fallout of her relationship with a white man, the poet Chet’la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree’s control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp. Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers—Audre Lorde, Maya Angelou, Tressie McMillan Cottom—that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. “Even as I accrue these notes,” Sebree writes, “I’m still not sure I’ve found the pulse.”A poem of love, heartbreak, womanhood, art, sex, Blackness, and America—sometimes all at once—Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other.
Fierce Fairytales: Poems and Stories to Stir Your Soul
by Nikita GillPoet, writer, and Instagram sensation Nikita Gill returns with a collection of fairytales poetically retold for a new generation of women. Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.
Fierce Fairytales: & Other Stories to Stir Your Soul
by Nikita GillFor readers who enjoyed Goodnight Stories for Rebel Girls, this empowering collection of stories, poems and beautiful hand-drawn illustrations gives Once Upon a Time a much-needed modern makeover. Gone are the gender stereotypes of obliging lovers, violent men and girls that need rescuing. Instead, lines blur between heroes and villains and you'll meet brave princesses, a new kind of wolf lurking in the concrete jungle and a courageous Gretel who can bring down monsters on her own.
Fierce Fairytales: & Other Stories to Stir Your Soul
by Nikita GillTraditional fairytales are full of cliché and gender stereotypes. The silent Rapunzel, the beautiful sweet princesses, ugly jealous and bitter women, girls that need rescuing, men who take the glory and their new brides being forever grateful and subservient. Good mothers, obliging lovers and pretty objects. Nikita Gill's new prose and poetry collection rewrites the fairytale classics, and reworks their old-fashioned tropes into new empowering and inspirational stories. Meet the grief-stricken Ursula, the troubled Wendy Darling, the wolf in the concrete jungle and the courageous Gretel who can bring down monsters on her own.Read by Nikita Gill(p) Orion Publishing Group 2018
A Fierce Green Place: New and Selected Poems
by Pamela MordecaiA fearless collection by a trailblazing writer whose poems “represent the people, culture, and topography of the Caribbean in multidimensional, complex ways” (Tanya Shirley) A Fierce Green Place: New and Selected Poems brings together, across the span of thirty-plus years, the rebellious, innovative work of the Jamaican-born Canadian writer Pamela Mordecai. From her acclaimed first collection Journey Poem published in 1989, to the moving elegy for her murdered brother in the true blue of islands, to the stories of freed slaves told in subversive sonnets, and on to her dazzling reimaginings of biblical stories, A Fierce Green Place highlights the astounding range and depths of a poet who mixes Jamaican Creole with standard English, profanity and reverence with dub and blues, the oral and vernacular with metrical virtuosity. Mordecai’s words, written out of a “womb-space” of sound and power, shine through neo-colonial violence and patriarchy with such lines as: “Women together / in one place will / bleed in solidarity / till every last body / turn super bitch at once."
Fierce Wars And Faithful Loves (The Fairie Queene #1)
by Edmund Spenser Roy MaynardDespite all of his acknowledged greatness, almost no one reads Edmund Spenser (1552-99) anymore. Roy Maynard takes the first book of the 'Faerie Queene, ' exploring the concept of Holiness with the character of the Redcross Knight, and makes Spenser accessible again. <P><P>He does this not by dumbing it down, but by deftly modernizing the spelling, explaining the obscurities in clever asides, and cuing the reader towards the right response. In today's cultural, aesthetic, and educational wars, Spenser is a mighty ally for twenty-first century Christians. Maynard proves himself a worthy mediator between Spenser's time and ours. (Gene Edward Veith)
Fifteen Poems
by Leonard Cohen<P>This selection of poems by Leonard Cohen, one of the most acclaimed singer-songwriters in the world, is accompanied by twenty-four of his striking and provocative drawings. <P>Cohen first made his name as a poet more than half a century ago and since then his achievements in poetry and music have made him an internationally revered figure. These fifteen poems, including "Death of a Lady's Man," "On Hearing a Name Long Unspoken," and "The Embrace," are drawn from across his remarkable career and appear here for the first time with his illustrations. With its lyrical intensity and sensual immediacy, Fifteen Poems offers a potent distillation of the genre-crossing genius of one of the most admired artists of our time.
Fifty Contemporary Writers (Conjunctions #50)
by Bradford MorrowConjunctions’ milestone fiftieth issue gathers together the many voices, forms, and styles that have defined the legendary literary journal since it was launched by Bradford Morrow in 1981. Established masters like William H. Gass, John Ashbery, Richard Powers, Edwidge Danticat, Rae Armantrout, Robert Coover, and Lyn Hejinian join rising stars such as Ben Marcus, Paul La Farge, Edie Meidav, and Peter Orner to create a landmark compendium of stunning new work. This very special anniversary celebration showcases fifty of our foremost fiction writers and poets.
Fifty ... My One Year Journey: True Life Stories, Historical Facts, and Poems
by Eric PirogowiczCome with me on this amazing one-year journey as I enter my first year of being 50. Enjoy unpredictable events as they happened, walk with me on the picket line in Picket Fences and learn about family traditions in Can of Thanks. These true-life stories will hit your funny bone, bring you to tears, and warm your heart. Learn historical facts about the All-American Soap Box Derby, check out the giant Goodyear Air Dock where many blimps were built, or visit Lock 3 and step back in time to the Canal Era. Enjoy this reading experience!
The Figure of a Man Being Swallowed by a Fish
by Joshua WeinerAt the heart of Joshua WeinerOCOs new book is an extended poem with a bold political dimension and great intellectual ambition. It fuses the poetOCOs point of view with Walt WhitmanOCOs to narrate a decentered time-traveling collage about Rock Creek, a tributary of the Potomac that runs through Washington, DC. For Weiner, Rock Creek is the location of myriad kinds of movement, streaming, and joining: personal enterprise and financial capital; national politics, murder, sex, and homelessness; the Civil War and collective history; music, spiritual awakening, personal memory, and pastoral vision. The questions that arise from the opening foundational poem inform the others in the collection, which range widely from the dramatic arrival of an uncanny charismatic totem that titles the volume to intimate reflections on family, illness, and dream visions. The virtues of WeinerOCOs earlier booksOCodiscursive intelligence, formal control, an eccentric and intriguing ear, and a wide-ranging curiosity matched to variety of feelingOCoare all present here. But in "The Figure of a Man Being Swallowed by a Fish," Weiner has discovered a new poetic idiom, one that is stripped down, rhythmically jagged, and comprehensively philosophical about human limits.
Figure Studies: Poems (Southern Messenger Poets)
by Claudia EmersonPoet Claudia Emerson begins Figure Studies with a twenty-five-poem lyric sequence called "All Girls School," offering intricate views of a richly imagined boarding school for girls. Whether focused on a lesson, a teacher, or the girls themselves as they collectively "school" -- or refuse to -- the poems explore ways girls are "trained" in the broadest sense of the word."Gossips," the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In "Early Lessons," the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below,punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained,back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.
Figurehead: Other Poems
by John HollanderIn a major review in The New Republic of John Hollander's two earlier books, Tesserae and Selected Poetry (both 1993), Vernon Shetley said, "John Hollander's poetry has shown a visionary power just often enough to secure him a place as one of the major figures of our moment." Figurehead, a lively, varied, and technically dazzling book, confirms the statement made by Henry Taylor in the Washington Times: "John Hollander revels in technical challenges of unusual severity and complexity, yet most of his poems also have the emotional heft of something worth pausing over and remembering." One of the most gifted of W. H. Auden's choices for the Yale Series of Younger Poets, Hollander has pursued the wide range and metrical brilliance of Auden's own poetry, so that this new book exhibits both a large compass of subject matter (from philosophical matters to personal narrative) and, as usual, some astonishing meditations on paintings--here, by Charles Sheeler, Rene Magritte, and Edward Hopper. By turns witty, touching, profound, mocking, ingenious, and always clever, Hollander's poems are a joy for the reader. He is a modern master.