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Firebreaks: Poems
by John KinsellaA follow-up to the critically acclaimed Jam Tree Gully, Firebreaks records life and ecology in Western Australia. Known for a poetry both experimental, “activist,” and lyrical that reinvents the pastoral, John Kinsella considers his and his family’s life at Jam Tree Gully, in the Western Australian wheatbelt, and his deeply felt ecological concerns in this new cycle of poems about place, landscape, home, and absence. Part One, “Internal Exile,” explores issues of departure and return as well as alienation in Jam Tree Gully. Part Two, “Inside Out,” reevaluates how Kinsella and his family deal with ideas of “space” and proximity while also looking out into the wider world. How do we read an ecology as refuge? What lines of communication with the outside world need to be kept open? As Paul Kane observed in World Literature Today, “In Kinsella’s poetry . . . are lands marked by isolation and mundane violence and by a terrible transcendent beauty.”
The Firefighter (Penguin Core Concepts)
by Jenny GoebelBrr-ring! Up pops a fireman at the sound of the fire station alarm, and he rushes with his crew to put out a house fire in a nearby neighborhood. The family is safe, but one of their Dalmatian puppies is missing! It's up to the brave fireman to rescue the pup from the burning house—and in the process, he finds himself a new firehouse friend.The Firefighter covers the concepts of Community Workers & Helpers and Problem Solving.
The Firefighters' Thanksgiving
by Maribeth BoeltsIt's Thanksgiving Day at Station 1 and Lou has planned a fabulous meal. But each time the alarm sounds, the firefighters run to an emergency, leaving half-peeled potatoes and melting ice cream behind. Then, at the biggest fire of the day, Lou gets hurt. Now Thanksgiving dinner doesn't seem as important. Luckily, these firefighters work in a neighborhood where people know the perfect way to share the spirit of the day.
The Firefly Letters: A Suffragette's Journey to Cuba
by Margarita EngleThe freedom to roam is something that women and girls in Cuba do not have. Yet when Fredrika Bremer visits from Sweden in 1851 to learn about the people of this magical island, she is accompanied by Cecilia, a young slave who longs for her lost home in Africa. Soon Elena, the wealthy daughter of the house, sneaks out to join them. As the three women explore the lush countryside, they form a bond that breaks the barriers of language and culture. In this quietly powerful new book, award-winning poet Margarita Engle paints a portrait of early womenâ s rights pioneer Fredrika Bremer and the journey to Cuba that transformed her life.
Firehouse Rainbow: A Story About Colors and Heroes (Little Golden Book)
by Diana MurrayA rhyming Little Golden Book that teaches colors in an exciting story about firefighters doing their job and having fun!This rhyming Little Golden Book follows a team of diverse firefighters who bravely save the day—and still manage to celebrate their captain's birthday. Young children will love pointing out the colors featured on each page of this fun, fast-paced story: Quickly! Stretch the yellow hose!Start the hydrant. There it goes! Aim the rushing stream of blue. Spray the roof and windows, too.
Fires: Essays, Poems, Stories
by Raymond Carver"Fires," a disparate collection of stories and poems, show the enormous talent of Raymond Carver beginning to take hold as this is his most revealing book.
Fires: Essays, Poems, Stories (Vintage Contemporaries)
by Raymond CarverMore than sixty stories, poems, and essays are included in this wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories—later revised for What We Talk About When We Talk About Love—are particularly notable in that between the first and the final versions, we see clearly the astounding process of Carver&’s literary development.
First
by Arleen ParéGovernor General’s Award–winning poet Arleen Paré combines the story of two first best friends with questions of the mystery of cosmic first cause. The poems in First, Arleen Paré’s seventh collection, search for a long-lost first friend. They conjure the subtle layers of meaning in that early friendship to riff on to a search for how we might possibly understand the primal First: the beginnings of the cosmos that contains our own particular lives, beginnings and longings. This layered evocation of the past—of childhood in 1950s Dorval, “a green mesh of girls friendships and fights”—and the intensity of the desire to know, give First its haunting beauty. “[T]he word though old fashioned,” Paré writes, “is whence . . . unconditioned origins” when “no worthy question is ever answered on the same plane that it was asked; how to frame the question not knowing the plane on which I must ask it.” “Arleen Paré’s First is an intriguing Gertrude Stein as Nancy Drew mystery. Using prose poem narrative and an intense syntactic poetics, Paré discovers the cracks in memory as she documents the search for her first best friend. The cracks in this lyrical puzzle are heightened by a very active and assertive poetic language that compels as it decodes the investigation of childhood memory and desire. The writing in First demonstrates a powerful juxtaposition of the continuous present with the continuous past.” —Fred Wah “This brilliant collection revolves around firsts, especially a first friend, ‘the impress of her never gone.’ So too with these poems—tough, sweet and poignant, so surely rendered and musically rich—the impress of these poems never gone.” —Lorna Crozier
The First Book
by Jesse Zuba"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
First Buddhist Women
by Susan MurcottFirst Buddhist Women is a readable, contemporary translation of and commentary on the enlightenment verses of the first female disciples of the Buddha. Through the study of the Therigatha, the earliest-known collection of women's religious poetry, the book explores Buddhism's 2,600-year-long liberal attitude toward women. Utilizing commentary and storytelling, author Susan Murcott traces the journey of wives, mothers, teachers, courtesans, prostitutes, and wanderers who became leaders in the Buddhist community, acquiring roles that even today are rarely filled by women in other, patriarchal religions.
The First Echo: Poems
by Shane SeelyThe First Echo meditates on the comings and goings of midlife—births and deaths, losses and gains, despairs and hopes. In poems that range from rigorous formalism to breathless free verse, Shane Seely reaches for instruction, understanding, and comfort. He finds solace in works of art—including paintings, literature, and film—as well as in nature, human relationships, and memory. He suggests that, like the bat or the whale, we humans understand ourselves through echo, through the sounds we send out and the sounds that come back. That returning voice, like our own and yet not quite ours, reminds us that to be alone is to be with a self that is at once strange and familiar. Evocative and engaging, The First Echo offers poems on memory, illness, and grief—reflecting on the sadness and knowledge attached to each.
First Fig and Other Poems (Dover Thrift Editions: Poetry)
by Edna St. MillayFrom the bohemian outpost of Greenwich Village during the Jazz Age, Edna St. Vincent Millay (1892–1950) sounded a clarion call for the impassioned youth of her generation. Her rare mixture of clever cynicism and wistful tenderness captivated readers, who reveled in the jubilant defiance of such poems as the title piece of this collection, "First Fig": "My candle burns at both ends;/It will not last the night;/But ah, my foes, and oh, my friends — /it gives a lovely light!"Their brilliance undimmed by the passage of time, these gemlike verses continue to dazzle poetry lovers. This new anthology represents the quintessential Edna St. Vincent Millay, comprising 67 poems from two of her most popular works, A Few Figs from Thistles and Second April. Its contents include such well-known and much-studied poems as "Recuerdo" and "The Philosopher," along with an abundance of sonnets, a genre in which the Pulitzer Prize–winning poet excelled.The perfect introduction for those as yet unacquainted with one of the most distinctive voices of 20th-century poetry, this volume also offers a high-quality, inexpensive treasury of favorite Millay works for devotees of her verse.
The First Five
by Henry RollinsThe first five books by Henry Rollins combined in one volume. Includes High Adventure in the Great Outdoors, Bang!, Art to Choke Hearts, Pissing In The Gene Pool and One From None.
First Four Books Of Poems
by Louise GluckWinner of the Nobel Prize in LiteratureThe First Four Books of Poems collects the early work that established Louise Gluck as one of America's most original and important poets. Honored with the Pulitzer Prize for The Wild Iris, Gluck was celebrated early in her career for her fierce, austerely beautiful voice. In Firstborn, The House on Marshland, Descending Figure, and The Triumph of Achilles, which won the National Book Critics Circle Award for Poetry, we see the conscious progression of a poet who speaks with blade-like accuracy and stirring depth. The voice that has become Gluck's trademark speaks in these poems of a life lived in unflinching awareness. Always she is moving in and around the achingly real, writing poems adamant in their accuracy and depth. Their progression is proof of her commitment to change; with her first four books of poetry collected in a single volume, Louise Gluck shows herself happily "used by time."
The First Four Books of Poems
by W. S. MerwinHalf Roundel I make no prayer For the spoilt season, The weed of Eden. I make no prayer. Save us the green In the weed of time. Now is November; In night uneasy Nothing I say. I make no prayer. Save us from the water That washes us away. What do I ponder? All smiled disguise, Lights in cold places, I make no prayer. Save us from air That wears us loosely. The leaf of summer To cold has come In little time. I make no prayer. From earth deliver And the dark therein. Now is no whisper Through all the living. I speak to nothing. I make no prayer. Save us from fire Consuming up and down. Evening with Lee Shore and Cliffs Sea-shimmer, faint haze, and far out a bird Dipping for flies or fish.
The First Free Women: Poems of the Early Buddhist nuns
by Matty WeingastA radical and vivid rendering of poetry from the first Buddhist nuns that brings a new immediacy to their voices.The Therigatha ("Verses of the Elder Nuns") is the oldest collection of known writings from Buddhist women and one of the earliest collections of women's literature in India. Composed during the life of the Buddha, the collection contains verses by early Buddhist nuns detailing everything from their disenchantment with their prescribed roles in society to their struggles on the path to enlightenment to their spiritual realizations. Among the nuns, a range of voices are represented, including former wives, women who lost children, women who gave up their wealth, and a former prostitute. In The First Free Women, Matty Weingast revives this ancient collection with a contemporary and radical adaptation. In this poetic re-envisioning that remains true to the original essence of each poem, he infuses each verse with vivid language that is not found in other translations. Simple yet profound, the nuance of language highlights the beauty in each poem and resonates with modern readers exploring the struggles, grief, failures, doubts, and ultimately, moments of profound insight of each woman. Weingast breathes fresh life into this ancient collection of poetry, offering readers a rare glimpse of Buddhism through the spiritual literature and poetry of the first female disciples of the Buddha.
The First Free Women: Original Poems Inspired by the Early Buddhist Nuns
by Matty WeingastAn Ancient Collection ReimaginedComposed around the Buddha&’s lifetime, the original Therigatha (&“Verses of the Elder Nuns&”) contains the poems of the first Buddhist women: princesses and courtesans, tired wives of arranged marriages and the desperately in love, those born into limitless wealth and those born with nothing at all. The authors of the Therigatha were women from every kind of background, but they all shared a deep-seated desire for awakening and liberation. In The First Free Women, Matty Weingast has reimagined this ancient collection and created an original work that takes his experience of the essence of each poem and brings forth in his own words the struggles and doubts, as well as the strength, perseverance, and profound compassion, embodied by these courageous women.
First Friends
by Lenore BlegvadThis rhyming book shows very young children as they begin to make friends. Picture descriptions are included.
First Grade, Here I Come! (Here I Come!)
by D.J. SteinbergThe funny follow-up to Kindergarten, Here I Come!First grade -- it's the big time! After all, it's a real honest to goodness grade. In verses that are both funny and full of heart, D.J. Steinberg celebrates big and small moments, ones that all young "scholars" will relate to -- baby teeth that won't fall out, choosing the perfect library book, celebrating Pajama Day, and wrangling with the mysteries of spelling. From the first day of school to the last, this engaging anthology is essential reading for all soon-to-be first graders.
First Hand
by Linda BierdsMacArthur fellow Linda Bierds probes the borders of science and faith in a volume that takes this prizewinning poet to a new level of achievement. The ghost of the good monk Gregor Mendel haunts these poems as they trundle through the centuries, swaying from wonder to foreboding and resting most often on the fault line of science, where human achievement brings both praise and disquietude. These thirty linked poems display Linda Bierds at her best: strong, visceral, playful, infused with wonder and color, they both amaze and delight. Bierds's imagery has always been powerful, but here, the subtlety of its permutations throughout the volume is nothing short of breathtaking. Her treatment of substance and insubstantiality, of the material world and "the hummocks of naught"-the gaps filled perhaps by faith, perhaps by scientific progress-adds depth of meaning to the text, and her rich language sounds in the mind's ear to startling effect. First Hand proves yet again that Linda Bierds is "a poet of magnitude" (Harold Brodkey). It is a book of wonders, a wondrous book
First Indian on the Moon
by Sherman Alexie"A young writer who is taking the literary world by storm...a superb chronicler of the Native American experience.. an overwhelmingly exciting voice...he is a master of language, writing beautifully, unsparingly and straight to the heart."
The First Modern Japanese: The Life of Ishikawa Takuboku (Asia Perspectives: History, Society, and Culture)
by Donald KeeneMany books in Japanese have been devoted to the poet and critic Ishikawa Takuboku (1886–1912). Although he died at the age of twenty-six and wrote many of his best-known poems in the space of a few years, his name is familiar to every literate Japanese. Takuboku's early death added to the sad romance of the unhappy poet, but there has been no satisfactory biography of his life or career, even in Japanese, and only a small part of his writings have been translated. His mature poetry was based on the work of no predecessor, and he left no disciples. Takuboku stands unique.Takuboku's most popular poems, especially those with a humorous overlay, are often read and memorized, but his diaries and letters, though less familiar, contain rich and vivid glimpses of the poet's thoughts and experiences. They reflect the outlook of an unconstrained man who at times behaved in a startling or even shocking manner. Despite his misdemeanors, Takuboku is regarded as a national poet, all but a saint to his admirers, especially in the regions of Japan where he lived. His refusal to conform to the Japan of the time drove him in striking directions and ranked him as the first poet of the new Japan.
First Nights: Poems
by Niall CampbellThe Scottish poet Niall Campbell's first book, Moontide, won the Edwin Morgan Poetry Prize, the largest such prize in the United Kingdom, was named the Saltire Scottish First Book of the Year, and was shortlisted for both the Fenton Aldeburgh and Forward prizes for best first collection. First Nights--which includes all the poems in Moontide and sixteen new ones--marks the North American debut of an exciting new voice in British poetry. First Nights offers vivid descriptions of the natural world, and the joy found in moments of quiet, alongside intimate depictions of new parenthood. Campbell grew up on the remote, sparsely populated islands of South Uist and Eriskay in Scotland's Outer Hebrides, and First Nights is filled with images of the islands' seascapes, myths, wildlife, and long, dark winters. But the poems widen beyond their immediate locations to include thoughts on sculpture and mythology, Zola and Dostoevsky, and life in English cities and French villages. In the poems on early fatherhood, the geography shifts from coastal stretches to bare, dimly lit rooms. Stripped back, honest, and immediate, these poems capture moments of vulnerability, when the only answer is to love.Combining skilled storytelling, precise language, an allegiance to meter and form, and a quiet musicality, these poems resonate with silence and song, mystery and wonder, exploring ideas of companionship and withdrawal, love, and the stillness of solitude. The result is a collection that promises to be a classic.
The First Poems in English
by Michael AlexanderThis selection of the earliest poems in English comprises works from an age in which verse was not written down, but recited aloud and remembered. Heroic poems celebrate courage, loyalty and strength, in excerpts from Beowulf and in The Battle of Brunanburgh, depicting King Athelstan’s defeat of his northern enemies in 937 AD, while The Wanderer and The Seafarer reflect on exile, loss and destiny. The Gnomic Verses are proverbs on the natural order of life, and the Exeter Riddles are witty linguistic puzzles. Love elegies include emotional speeches from an abandoned wife and separated lovers, and devotional poems include a vision of Christ’s cross in The Dream of the Rood, and Caedmon’s Hymn, perhaps the oldest poem in English, speaking in praise of God.
First Thought: Conversations with Allen Ginsberg
by Michael Schumacher“The way to point to the existence of the universe is to see one thing directly and clearly and describe it. . . . If you see something as a symbol of something else, then you don't experience the object itself, but you're always referring it to something else in your mind. It's like making out with one person and thinking about another.” —Ginsberg speaking to his writing class at Naropa Institute, 1985With “Howl” Allen Ginsberg became the voice of the Beat Generation. It was a voice heard in some of the best-known poetry of our time—but also in Ginsberg’s eloquent and extensive commentary on literature, consciousness, and politics, as well as his own work. Much of what he had to say, he said in interviews, and many of the best of these are collected for the first time in this book. Here we encounter Ginsberg elaborating on how speech, as much as writing and reading, and even poetry, is an act of art.Testifying before a Senate subcommittee on LSD in 1966; gently pressing an emotionally broken Ezra Pound in a Venice pensione in 1967; taking questions in a U.C. Davis dormitory lobby after a visit to Vacaville State Prison in 1974; speaking at length on poetics, and in detail about his “Blake Visions,” with his father Louis (also a poet); engaging William Burroughs and Norman Mailer during a writing class: Ginsberg speaks with remarkable candor, insight, and erudition about reading and writing, music and fame, literary friendships and influences, and, of course, the culture (or counterculture) and politics of his generation. Revealing, enlightening, and often just plain entertaining, Allen Ginsberg in conversation is the quintessential twentieth-century American poet as we have never before encountered him: fully present, in pitch-perfect detail.