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Imagist Poetry: An Anthology (Dover Thrift Editions: Poetry Ser.)
by Bob BlaisdellMany of the 20th century's most important and influential poets rallied under the banner of Imagism, a radical poetic movement that extended the frontiers of English literature. By following a strict set of principles -- including direct treatment of the subject, minimal use of adjectives, precision of language, and the development of an individual rhythmic style -- the Imagists created dazzling works of gemlike appeal. <P><P>This volume contains over 180 well-chosen Imagist masterpieces by Erza Pound, D. H. Lawrence, H. D. (Hilda Doolittle), James Joyce, Wallace Stevens, William Carlos Williams, and other masters. Its roster of lesser-known poets features Richard Aldington, Walter Conrad Arensberg, Skipworth Cannéll, Adelaide Crapsey, John Gould Fletcher, and many others. Several of these poems appeared first in books by the represented poets and in the very first Imagist anthologies; others were published in such journals as Poetry, The Dial, The Trend, and The Egoist. Carefully chosen for their individual poetic strengths as well as their characteristic illustration of Imagism, these verses represent the very best of thousands of "imagistic" verses published from 1913 to 1922.
Imago (Johns Hopkins: Poetry and Fiction)
by Brian SwannAn exuberant collection of poems celebrating art, nature, and humanity.This various and vital poetry collection, in rich language and sharp detail, spans the rural and urban, country and town, and foreign and domestic. Tracing the vagaries of the self, these poems record and transmute biography from an English youth to the trials and challenges of aging in America. Memorable for its exuberant voice and exacting eye, Brian Swann's Imago is awake to the natural world as well as the world within. From the half-page title poem to the multi-section "Elegiac," this volume is striking in its largeness, its tone evolving from self-indicting to ecstatic and self-transcendent. This collection, the author's fourteenth, is moving both as art and as testament.Imago unfolds much like a piece of music. It is a continuum by which Swann sees nature and art interwoven in the ways they emerge and change. In "Grief and Magritte," Swann muses upon "all of us snagged in a net whose skeins tangle in night sky / where one star dreams another." The title poem focuses on an insect "on its way through the changes, the patterns / of what led up to it, the catches and releases . . . saying now, and now" till "splitting down the back" such changes "release what was always there." Brian Swann's poems, moving in their candor, read as though they have always been there, too.
Imaniman: Poets Writing in the Anzaldúan Borderlands
by Juan Felipe Herrera Minal Hajratwala Inés Hernández-Avila Barbara Jane Reyes David Bowles Alexis Pauline Gumbs Abigail Carl-Klassen Adela Najarro Allen Baros Barbara Brinson Curiel Carmen Calatayud Cecca Austin Ochoa Cordelia Barrera César L. De León D. M. Chávez Dan Vera Daniel E. Solís y Martínez David Hatfield Sparks Elsie Rivas Gómez Emmy Pérez Gabriela Ramirez-Chavez Ire'Ne Lara Silva Ire’ne Lara Silva Jennine Doc Wright Jo Reyes-Boitel Joe Jiménez John Fry José Antonio Rodríguez Juan Morales Karla Cordero Kim Shuck Lupe Mendez Marie Varghese Melanie Márquez Adams Michael Wasson Miguel M. Morales Monica Palacios Nadine Saliba Nia Witherspoon Nidia Melissa Bautista Olga García Echeverría Oswaldo Vargas Pablo Miguel Martínez Rachel Mckibbens Rodney Gomez Roy G. Guzmán Sarah A. Chavez Shauna Osborn Suzy de Jesus Huerta T. Sarmina Tara Betts Tomas Moniz Veronica Sandoval Victor Payan Xochitl-Julisa Bermejo Ysabel Y. GonzálezIn homage to Gloria Anzaldúa and her iconic work Borderlands/La Frontera, award-winning poets ire'ne lara silva and Dan Vera have assembled the work of 54 writers who reflect on the complex terrain—the deeply felt psychic, social, and geopolitical borderlands—that Anzaldúa inhabited, theorized, explored, and invented. Named for the Nahuatl word meaning "their soul," Imaniman presents work that is sparked from the soul: the individual soul, the communal soul. These poets interrogate, complicate, and personalize the borderlands in transgressive and transformative ways, opening new paths and revisioning old ones for the next generation of spiritual, political, and cultural border crossers. "Within shifting borders—it is good to enter into these voice worlds—to stand, bow & listen in their presence. Peoples, familias, cities, towns, rancherías and the wilderness of all border-crossers & messengers of border spaces open in these pages."—from the Introduction by Juan Felipe Herrera, US Poet Laureate
Imitation and Praise in the Poems of Ben Jonson
by Richard S. PetersonIn the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
Immagini Scritte
by Antonio Carlos Mongiardim Gomes Saraiva Annalisa Farina"Immagini scritte" raccoglie 100 poesie scelte dall'autore e associa immagini a tema per sottolineare il contenuto e l'espressività dei testi poetici.
Immanent Distance: Poetry And The Metaphysics Of The Near At Hand
by Bruce BondIn these essays, Bruce Bond interrogates the commonly accepted notion that all poetry since modernism tends toward one of two traditions: that of a more architectural sensibility with its resistance to metaphysics, and that of a latter-day Romantic sensibility, which finds its authority in a metaphysics authenticated by the individual imagination. Poetry, whether self-consciously or not, has always thrived on the paradox of the distant in the immanent and the other in the self; as such, it is driven by both a metaphysical hunger and a resistance to metaphysical certainty. Hidden resources of being animate the language of the near, just as near things beckon from an elusive and inarticulate distance. Bond revalidates the role of poetry and, more broadly, of the poetic imagination as both models for and embodiments of a transfigurative process, an imperfectly mimetic yet ontological engendering of consciousness at the limits of a language that must--if cognizant of its psychological, ethical, and epistemological summons--honor that which lies beyond it.
Immediate Song: Poems
by Don BogenFrom one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called &“the poet of things&” by Richard Howard, Don Bogen understands the ways objects hold history, even if they&’ve grown obsolescent, even when they&’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. &“What did they tell me, all those years?&” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.Praise for Immediate Song &“The poems in Immediate Song are clear, perfect stanzas containing interior music, a man&’s conscience, and his crystal reflections.&” —Washington Independent Review of Books &“From its stunning long poem &“On Hospitals,&” to its unflinching view of life &“in the twilight of empire,&” to its quiet, deft, and subtly lyrical &“song&” poems, Immediate Song is at once an extended elegy, a meditation on time, and a hard-won articulation of the largeness of small moments. Simultaneously ambitious and understated, these poems are unmistakably of today&’s America, even as they mine the timeless concerns of loss and memory. Bogen is a brilliant and singular poet—wise yet unassuming, sharp yet unpretentious—with much to teach us about the complexities of living in the world.&” —Wayne Miller, author of We the Jury
Immigrant Blues
by Goran SimicImmigrant Blues, an extension and deepening of the famous poems of the siege of Sarajevo translated in Simic's Sprinting from the Graveyard (Oxford, 1997), explores the personal and the public devastations of war, especially its effects on the emotions, thoughts and memories of exiled survivors. Simic's genius is to present this disturbing reality in terms so vigorous and humane that pain is mixed with the solace and pleasure of great art.
Immigrants in Our Own Land & Selected Early Poems
by Jimmy Santiago BacaImmigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). Immigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. Immigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. The voice of Immigrants will be familiar to readers of the widely praised Martín & Meditations on the South Valley and Black Mesa Poems (New Directions, 1987 and 1989), but the territory may not be. Most of the poems in this collection were written while the author was in prison, where he taught himself to read and write. All the poems are concerned with the incarcerated or the disenfranchised; they all communicate the sting from the backhand of the American promise. As Denise Levertov has noted, Baca "is far from being a naive realist," but of poverty and prejudice, of material that is truly raw, he "writes in unconcealed passion."
Immortal Sofa
by Maura StantonIn accessible poems full of rich detail and painterly images, Maura Stanton looks under the surface of the ordinary, hoping to find the magic spark below the visible. In poems both humorous and elegaic, she gathers strange facts, odd events, and overlooked stories to construct her own vision of immortality, one made up of fragments of history and geography and the illusions of yearning human beings. From elephants in Ceylon to Nazi prisoners in Ireland, from Beowulf to Jane Austen, from sonnets to prose poems to blank verse, Immortal Sofa conjures our complex existence in all its sorrowful but astonishing variety.
Immortality
by Alan Feldman"Drop the personal," Alan Feldman's best friend advises. But what else does he have? Feldman takes his title from Zhivago's interpretations of the afterlife: "Your soul, your immortality, your life in others. " In a collection where the dead do speak, Feldman's poems in his first segment, "Self-Portraits," are more likely to be about others than about himself. The segment "Partners" reflects on marriage and divorce, the latter an "uncontested victor over marriage, / the way the flood is champion over the flood plain. " In the section "Offshore" Feldman writes about travel to Uruguay, his impractical love of sailing, and his wonder at Walter Cronkite's obtuseness about Vietnam. In his final segment, "What Now?," he asks about meaning itself. Babysitting his tiny granddaughter, he thinks of sailing-hours of boredom punctuated by moments of terror-and wonders if even this suggests something world-encompassing he's "still hoping to find a name for. / If it isn't joy. "
Impact
by Billeh NickersonPublished on the one hundredth anniversary of the sinking of the Titanic (which occurred on the night of April 15, 1912), Impact is an intimate and evocative poetry collection that depicts the tragedy in a series of poetic snapshots. Based on historical research the author conducted in Belfast (where the ship was constructed) and his birthplace of Halifax (near where it sank), the poems document not only the history behind the ship's construction, but what life must have been like for those aboard her maiden voyage and in the years following her sinking. While many readers are familiar with the various myths surrounding the ship and its sinking, this book offers a new, startlingly sensitive perspective with poems that take readers inside the hearts and minds of its passengers.Billeh Nickerson is the author of McPoems and the co-editor of Seminal: The Anthology of Canada's Gay Male Poets.
Impenitent Notes
by Baron WormserWormser's poetry is emphatically about people--how they do and do not accommodate themselves to the ever present hand of time. Whether following the life of a rock band through its various incarnations or imagining the meeting of Rilke and Babe Ruth or speaking to a mother who has lost her soldier son in Iraq, Wormser gets inside his characters' hearts and minds.
Imperfect Thirst
by Galway KinnellGalway Kinnell's twelfth book of poems is powerful and thrilling. Imperfect Thirst includes beautiful love poems and approaches elemental subjects with a remarkable balance of good nature and holy dread: recollections of childhood, snapshots of impassive cruelty, reflections on art and nature. This energetic collection will prove once again why Galway Kinnell was one of America's masters of the art.
Imperial Lyric: New Poetry and New Subjects in Early Modern Spain (Penn State Romance Studies #7)
by Leah MiddlebrookPresent scholarly conversations about early European and global modernity have yet to acknowledge fully the significance of Spain and Spanish cultural production. Poetry and ideology in early modern Spain form the backdrop for Imperial Lyric, which seeks to address this shortcoming. Based on readings of representative poems by eight Peninsular writers, Imperial Lyric demonstrates that the lyric was a crucial site for the negotiation of masculine identity as Spain’s noblemen were alternately cajoled and coerced into abandoning their identifications with images of the medieval hero and assuming instead the posture of subjects. The book thus demonstrates the importance of Peninsular letters to our understanding of shifting ideologies of the self, language, and the state that mark watersheds for European and American modernity. At the same time, this book aims to complicate the historicizing turn we have taken in the field of early modern studies by considering a threshold of modernity that was specific to poetry, one that was inscribed in Spanish culture when the genre of lyric poetry attained a certain kind of prestige at the expense of epic. Imperial Lyric breaks striking new ground in the field of early modern studies.
Implications of Literature, Trailblazer Level: An Integrated Literature/Language Arts Program for High School Students (Student Edition)
by TextWord Press StaffThis publication of the Trailblazer Level of the Implications of Literature Anthology Series marks the completion of the TextWord Press four-year literature series for high-school students. This fourth volume in the series surveys approximately 1500 years of English Literature. In this text you will come to understand how the English that we speak so comfortably today developed from Old English--a language that today is incomprehensible to almost everyone but scholars.
Impossible Bottle: Poems (Southern Messenger Poets)
by Claudia EmersonClaudia Emerson published six poetry collections with LSU Press, including Late Wife, Secure the Shadow, and The Opposite House. A professor of English and member of the creative writing faculty at Virginia Commonwealth University in Richmond, Emerson served as the poet laureate of Virginia and won numerous awards for teaching and writing—including the 2006 Pulitzer Prize for Poetry—before her death in 2014.This posthumous volume of poetry from Pulitzer Prize winner Claudia Emerson explores the suspended state of existence that illness imposes upon its sufferers—what she calls the “impossible bottle.” With a strong will and a self-deprecating awareness of the instinct to seek meaning in metaphor, she confronts the indignities, fears, and moments of grace in a struggle with cancer. Her poems forge unlikely connections between the present reality and memories of the past, such as an MRI scan conjuring up images of a June expedition through a tunnel under a Maryland mountain.Rooted equally in the sterility of the hospital and the vitality of the natural world, Impossible Bottle mines the trappings of illness, showing how disease attempts to rob us of our humanity even as it reminds us of our mortality.
Improvisation Without Accompaniment (New Poets of America #44)
by Matt MortonSelected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton’s debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker’s awareness of mortality grows even as he improvises an affirming response to life’s toughest questions. Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life’s joys and griefs.
Imágenes Escritas…
by Antonio Carlos Mongiardim Gomes Saraiva Elisa Aguilera CormenzanaSobre el autor: Portugués, nacido en Lisboa en el año de 1957. Vive en Brasil desde 1995. Profesor y traductor de lengua Francesa. Artista plástico y Escritor. Publicaciones: Entre el cielo y la tierra (Poesías, crónicas y pensamientos) Una dieta cuántica (Ensayo) Site: http://meujardimpoetico.blogspot.com.br/ Contacto: mongiardimsaraiva@gmail.com Logotipo:
In A People House
by Illustrated by Roy McKie Theo LeSiegMr. Mouse invites Mr. Bird to come in and learn what is in a people house, from boxes, and bottles, hammers and chairs, and also people too.
In A Rare Time Of Rain
by Milner PlaceDescribed in the Telegraph as 'Huddersfield's Melville', Milner Place has spent much of his life sailing the seven seas as a skipper of a trading boat, while also writing beautifully crafted poetry. His two pamphlet collections. The CONFUSION OF ANGELS and WHERE SMOKE IS, has sold out and been reprinted, and this (at the age of sixty) is his first full length collection, Simon Armitage's first acquisition for the Chatto Poetry list. Place's poems have an international or universal quality, influenced by Neruda and Rilke rather than Auden: they are lyrical and wise, rather than quotidian and clever. Some of the poems are sea-going yarns, others are set in South America and read like Gabriel Garcia Marquez in verse. There are also a handful of characters portraits, and a wonderful long poem, 'Lum Street', based on a row of terraced houses, its tenants and their relationships to each other. IN A RARE TIME OF RAIN is a powerful and assured first collection, and brings an unusual new voice into British Poetry.
In Accelerated Silence: Poems
by Brooke Matson“Anguished and unblinking . . . Accomplished poetry that will move those who have sorrowed—that is, everyone.” —Library Journal“The thin knife that severed your tumor,” writes Brooke Matson in these poems, “it cleaves me still.” What to do when a world is split—terribly, wholly—by grief? When the loss of the beloved undermines the most stable foundations, the most sacred spaces, of that world? What else but to interrogate the very fundamental principles themselves, all the knowns previously relied on: light, religion, physical matter, time?Often borrowing voices and perspectives from its scientific subjects, In Accelerated Silence investigates the multidimensional nature of grief and its blurring of boundaries—between what is present and what is absent, between what is real and imagined, between the promises of science and the mysteries of human knowing, and between the pain that never ends and the world that refuses to. The grieving and the seeking go on, Matson suggests, but there comes a day when we emerge, “now strong enough / to venture out of doors, thin // and swathed in a robe,” only to find it has continued “full and flourishing and larger than before.”Sensual and devastating, In Accelerated Silence—selected by Mark Doty as winner of the Jake Adam York Prize—creates an unforgettable portrait of loss full of urgency and heartache and philosophical daring.“Blends chemistry, astrophysics, light, and time with grief, mystery, resilience, and love into some truly gorgeous poems that you don’t have to be a scientist (or a poetry nerd) to love.” —Electric Literature
In Beauty Bright: Poems
by Gerald Stern"The work of an American master."--World Literature Today The lyric poems of In Beauty Bright, although marked by the same passion and swiftness as Gerald Stern's previous work, move into an area of knowledge--even wisdom--that reflects a long life of writing, teaching, and activism. They are poems of grief and anger, but the music is delicate and moving. from "In Beauty Bright": In beauty-bright and such it was like Blake's lily and though an angel he looked absurd dragging a lily out of a beauty-bright store wrapped in tissue with a petal drooping, nor was it useless--you who know it know how useful it is--and how he would be dead in a minute if he were to lose it though how do you lose a lily?
In Case of Fire in a Foreign Land: New and Collected Poems from Two Languages
by Ariel DorfmanIn the world of Chilean poet Ariel Dorfman, men and women can be forced to choose between leaving their country or dying for it. The living risk losing everything, but what they hold onto--love, faith, hope, truth--might change the world. It is this subversive possibility that speaks through these poems. A succession of voices--exiles, activists, separated lovers, the families of those victimized by political violence--gives an account of ruptured safety. They bear witness to the resilience of the human spirit in the face of personal and social damage in the aftermath of terror. The first bilingual edition of Dorfman's work, In Case of Fire in a Foreign Land includes ten new poems and a new preface, and brings back into print the classic poems of the celebrated Last Waltz in Santiago. Always an eloquent voice against the ravages of inhumanity, Dorfman's poems, like his acclaimed novels, continue to be a searing testimony of hope in the midst of despair.