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He Spoke of Love: Selected Poems from the Satsai
by BiharilalThe seven hundred poems of the Hindi poet Biharilal’s Satsai weave amorous narratives of the god Krishna and the goddess Radha with archetypal hero and heroine motifs that bridge divine and worldly love. He Spoke of Love brims with romantic rivalries, clandestine trysts, and the bittersweet sorrow of separated lovers. This new translation presents four hundred couplets from the enduring seventeenth-century classic, showcasing the poet’s ingenuity and virtuosity.
Head in the Clouds: An offbeat collection of poems, limericks and rhymes
by John FedorenkoHead in the Clouds is the debut poetry collection by Doncaster-based writer and humorist John Fedorenko. A fun, quirky compendium of thoughts and musings on various topics, ranging from the frustration felt by having a low phone battery to the utter delight of experiencing gut-busting laughter. John shares childhood memories of his bizarrely behaved first pet and of growing up with an ancient TV. He reveals his unlikely idea for a remarkable invention and the real reason vending machines get stuck! Poems on the philosophy of life and the fragility of time are presented alongside those on the importance of tea and how he was once madly jealous of a hamster. There’s even a poem about writing a poem... From the serious to the surreal, from longer pieces to witty single-verse observations and traditionally written limericks, Head in the Clouds offers an entertaining, funny and uplifting insight into the mind of a self-confessed scatterbrain!
Head Off & Split: Poems
by Nikky FinneyWinner, 2011 National Book Award for Poetry<P><P> Winner, 2012 GLCS Award for Poetry<P> Winner, 2012 SIBA Book Award for Poetry<P> Nominee, 2012 NAACP Image Award for Outstanding Literary Work in Poetry<P> The poems in Nikky Finney’s breathtaking new collection Head Off & Split sustain a sensitive and intense dialogue with emblematic figures and events in African American life: from civil rights matriarch Rosa Parks to former secretary of state Condoleezza Rice, from a brazen girl strung out on lightning to a terrified woman abandoned on a rooftop during Hurricane Katrina. Finney’s poetic voice is defined by an intimacy that holds a soft yet exacting eye on the erotic, on uncanny political and family events, like her mother’s wedding waltz with South Carolina senator Strom Thurmond, and then again on the heartbreaking hilarity of an American president’s final State of the Union address.
Headwaters: Poems
by Ellen Bryant Voigt"Luminous. . . . Each reading reveals the tug of opposites, and in this tension the poet shows her brilliance."--Library Journal, starred review Rash yet tender, chastened yet lush, Headwaters is a book of opposites, a book of wild abandon by one of the most formally exacting poets of our time. Animals populate its pages--owl, groundhog, fox, each with its own inimitable survival skills--and the poet who so meticulously observes their behaviors has accumulated a lifetime's worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless--that human beings are at every moment beginners, facing the earth as if for the first time. "Don't you think I'm doing better," asks the first poem. "You got sick you got well you got sick," says the last. Eschewing punctuation, forgoing every symmetry, the poems hurl themselves forward, driven by an urgent need to speak. Headwaters is a book of wisdom that refuses to be wise, a book of fresh beginnings by an American poet writing at the height of her powers.
Healing Earthquakes: Poems
by Jimmy Santiago BacaAn award-winning collection of poems that vividly capture the astonishing emotional range of an entire romance from beginning to end. Jimmy Santiago Baca introduces us to a man and woman before they are acquainted and re-creates their first meeting, falling in love, their decision to make a family, the eventual realization of each other&’s irreconcilable faults, the resulting conflicts, the breakup and hostility, and, finally, their transcendence of the bitterness and resentment. Throughout the relationship we are privy to the couple&’s anguish of loneliness, the heady rush of new love, the irritations and joys of raising children, the difficulties in truly knowing someone, the doldrums of breakup, and so on. It is impossible not to identify with these characters and to recognize the universal drama of human connection. As he weaves this story, Baca explores many of his traditional themes: the beauty and cruelty of the desert lands where he spent much of his life, the grace and wisdom of animals, and the quiet dignity of life on small Chicano farms. An extraordinary work that &“expresses both bliss and heartache with lyric intensity&” from one of America&’s finest poets (Booklist). &“Baca is a force in American poetry . . . His words heal, inspire, and elicit the earthly response of love.&” —Garrett Hongo &“[Baca] writes with unconcealed passion . . . what makes his writing so exciting to me is the way in which it manifests both an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events.&” —Denise Levertov
The Healing Notebooks
by Kenny FriesIn this book of poetry Kenny Fries explores love and its ramifications and shows us a haunting world of risk and loss, tempered by dignity and affirmation.
Heard-Hoard
by Atsuro RileyWinner of the Alice Fay di Castagnola Award from the Poetry Society of America, this new collection of verse from Atsuro Riley offers a vivid weavework rendering and remembering an American place and its people. Recognized for his “wildly original” poetry and his “uncanny and unparalleled ability to blend lyric and narrative,” Atsuro Riley deepens here his uncommon mastery and tang. In Heard-Hoard, Riley has “razor-exacted” and “raw-wired” an absorbing new sequence of poems, a vivid weavework rendering an American place and its people. At once an album of tales, a portrait gallery, and a soundscape; an “inscritched” dirt-mural and hymnbook, Heard-Hoard encompasses a chorus of voices shot through with (mostly human) histories and mysteries, their “old appetites as chronic as tides.” From the crackling story-man calling us together in the primal circle to Tammy figuring “time and time that yonder oak,” this collection is a profound evocation of lives and loss and lore.
Heard-Hoard
by Atsuro RileyWinner of the Alice Fay di Castagnola Award from the Poetry Society of America, this new collection of verse from Atsuro Riley offers a vivid weavework rendering and remembering an American place and its people. Recognized for his “wildly original” poetry and his “uncanny and unparalleled ability to blend lyric and narrative,” Atsuro Riley deepens here his uncommon mastery and tang. In Heard-Hoard, Riley has “razor-exacted” and “raw-wired” an absorbing new sequence of poems, a vivid weavework rendering an American place and its people. At once an album of tales, a portrait gallery, and a soundscape; an “inscritched” dirt-mural and hymnbook, Heard-Hoard encompasses a chorus of voices shot through with (mostly human) histories and mysteries, their “old appetites as chronic as tides.” From the crackling story-man calling us together in the primal circle to Tammy figuring “time and time that yonder oak,” this collection is a profound evocation of lives and loss and lore.
Heard it in the Playground
by Allan Ahlberg'The teacher tapped his forehead. At last! the children cried!The answer, Sir's, in your head...What a perfect place to hide'Jump into Allan Ahlberg's playful world of poetry, perfect for primary school children.Shed a tear for The Boy Without A Name, discover the secrets to teachers (they NEVER leave the school!?) and try to solve the riddles of The Answer. Packed with rhythmic poetry and playful songs, this timeless collection has delighted children for generations.'Every desk should hide a copy; every staff room own one' - The ObserverDiscover more school stories from Alan Ahlberg:Starting SchoolPlease Mrs Butler
Hearing Sappho in New Orleans: The Call of Poetry from Congo Square to the Ninth Ward (Southern Literary Studies)
by Ruth SalvaggioWhile sifting through trash in her flooded New Orleans home, Ruth Salvaggio discovered an old volume of Sappho's poetry stained with muck and mold. In her efforts to restore the book, Salvaggio realized that the process reflected how Sappho's own words were unearthed from the refuse of the ancient world. Undertaking such a task in New Orleans, she sets out to recover the city's rich poetic heritage while searching through its flooded debris. Hearing Sappho in New Orleans is at once a meditation on this poetic city, its many languages and cultures, and a history of its forgotten poetry. Using Sappho's fragments as a guide, Salvaggio roams the streets and neighborhoods of the city as she explores the migrations of lyric poetry from ancient Greece through the African slave trade to indigenous America and ultimately to New Orleans.The book also directs us to the lyric call of poetry, the voice always in search of a listener. Writing in a post-Katrina landscape, Salvaggio recovers and ponders the social consequences of the "long song" -- lyric chants, especially the voices of women lost in time -- as it resonates from New Orleans's "poetic sites" like Congo Square, where Africans and Indians gathered in the early eighteenth century, to the modern-day Maple Leaf Bar, where poets still convene on Sunday afternoons. She recovers, for example, an all-but-forgotten young Creole woman named Lélé and leads us all the way up to celebrated contemporary writers such as former Louisiana poet laureate Brenda Marie Osbey, Sybil Kein, Nicole Cooley, and Katherine Soniat.Hearing Sappho in New Orleans is a reminder of poetry's ability to restore and secure fragile and fragmented connections in a vulnerable and imperiled world.
Hearing Things: The Work of Sound in Literature
by Angela LeightonHearing Things is a meditation on sound’s work in literature. Drawing on critical works and the commentaries of many poets and novelists who have paid close attention to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature itself as an exercise in hearing. An established critic and poet, Leighton explains how we listen to the printed word, while showing how writers use the expressivity of sound on the silent page. Although her focus is largely on poets—Alfred Tennyson, W. B. Yeats, Robert Frost, Walter de la Mare, Wallace Stevens, Elizabeth Bishop, Jorie Graham, and Alice Oswald—Leighton’s scope includes novels, letters, and philosophical writings as well. Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. Hearing Things offers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.
Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz (New Hispanisms)
by Sarah FinleyHearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural production in general. As in many areas of her work, Sor Juana’s engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and—in most cases—its relationship with gender in Sor Juana’s work and early modern culture. Sarah Finley explores attitudes toward women’s voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics. Finley demonstrates how Sor Juana’s striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men’s voices. Sound becomes a vehicle for women’s agency and responds to anxiety about the female voice, particularly in early modern convent culture.
Heart Beats: Everyday Life and the Memorized Poem
by Catherine RobsonMany people in Great Britain and the United States can recall elderly relatives who remembered long stretches of verse learned at school decades earlier, yet most of us were never required to recite in class. Heart Beats is the first book to examine how poetry recitation came to assume a central place in past curricular programs, and to investigate when and why the once-mandatory exercise declined. Telling the story of a lost pedagogical practice and its wide-ranging effects on two sides of the Atlantic, Catherine Robson explores how recitation altered the ordinary people who committed poems to heart, and changed the worlds in which they lived. Heart Beats begins by investigating recitation's progress within British and American public educational systems over the course of the nineteenth and twentieth centuries, and weighs the factors that influenced which poems were most frequently assigned. Robson then scrutinizes the recitational fortunes of three short works that were once classroom classics: Felicia Hemans's "Casabianca," Thomas Gray's "Elegy Written in a Country Churchyard," and Charles Wolfe's "Burial of Sir John Moore after Corunna." To conclude, the book considers W. E. Henley's "Invictus" and Rudyard Kipling's "If--," asking why the idea of the memorized poem arouses such different responses in the United States and Great Britain today. Focusing on vital connections between poems, individuals, and their communities, Heart Beats is an important study of the history and power of memorized poetry.
The Heart of American Poetry
by Edward HirschAn acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American traditionWe live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what&’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet&’s &“The Author to Her Book&” and Phillis Wheatley&’s &“To S.M. a Young African Painter, on seeing his Works&” to Garrett Hongo&’s &“Ancestral Graves, Kahuku&” and Joy Harjo&’s &“Rabbit Is Up to Tricks&”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. &“This is a personal book about American poetry,&” writes Hirsch, &“but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me,part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.&”
The Heart of God
by Rabindranath Tagore Herbert F. VetterAwarded the Noble Prize for Literature in 1913, Rabindranath Tagore (1861-- 1941) is considered the most important poet of modern-day India. He was also a distinguished author, educator, social reformer, and philosopher. Today, Tagore along with Mahatma Gandhi are prized as the foremost intellectual and spiritual advocates of India's liberation from imperial rule.This inspiring collection of Tagore's poetry represent his "simple prayers of common life." Each of the seventy-seven prayers is an eloquent affirmation of the divine in the face of both joy and sorrow. Like the Psalms of David, they transcend time and speak directly to the human heart.
The Heart of God
by Herbert F. Vetter Rabindranath TagoreAwarded the Noble Prize for Literature in 1913, Rabindranath Tagore (1861-- 1941) is considered the most important poet of modern-day India. He was also a distinguished author, educator, social reformer, and philosopher. Today, Tagore along with Mahatma Gandhi are prized as the foremost intellectual and spiritual advocates of India's liberation from imperial rule.This inspiring collection of Tagore's poetry represent his "simple prayers of common life." Each of the seventy-seven prayers is an eloquent affirmation of the divine in the face of both joy and sorrow. Like the Psalms of David, they transcend time and speak directly to the human heart.The spirit of this collection may be best symbolized by a single sentence by Sarvepalli Radhakrishnan, the renowned philosopher and statesman who served as president of India: "Rabindranath Tagore was one of the few representatives of the universal person to whom the future of the world belongs."
Heart of the Order: Baseball Poems
by Gabriel FriedNearly 100 poems about that most literary of sports: baseball. An anthology of classic and contemporary poems by some of America's top authors--in a beautifully designed, portable edition that will be treasured by all baseball fans. Here is an impressive roster of poets from the past 75 years, including Hall of Famers like Richard Hugo, Irving Feldman, William Matthews, Marianne Moore, Ogden Nash, and May Swenson, and contemporary All-Stars like B.H. Fairchild, Linda Gregerson, Donald Hall, Denis Johnson, Yusef Komunyakaa, Thomas Lux, Gail Mazur, and others. In all, nearly one hundred poets represent the spectrum of verse writing about the National Pastime: from stickball and sandlot games to the Majors, from spectators to scrubs and superstars. They underscore baseball's particular poetic sensibility, capturing its rhythms, culture, and timelessness. Includes a Foreword by Daniel Okrent, acclaimed author (Nine Innings, Last Call, and others), inaugural Public Editor of the New York Times, and inventor of Rotisserie League Baseball, also known as Fantasy Baseball. A very classy collection, excellent poetry and excellent baseball--a perfect gift.
Heart Talk: 52 Weeks of Self-Love, Self-Care, and Self-Discovery
by Cleo WadeBased on Cleo Wade&’s bestselling book, Heart Talk, these pages string together gentle prompts, words of encouragement, and inquiries into the body, mind, and soul.Inspired by her conversations with the thousands of fans she has met on her nationwide sold-out tours, Heart Talk: The Journal is a space to share your own truths alongside hers. As Cleo writes, &“The best thing about your life is that it is constantly in a state of design. This means you have, at all times, the power to redesign it. Make moves, allow shifts, smile more, do more, do less, say no, say yes—just remember, when it comes to your life, you are not only the artist but the masterpiece, as well.&” Inside, you will find the opportunity to let go, feel what you need to feel, discover your own poetic wisdom, and become the person you want to be.
Heart Talk: Poetic Wisdom for a Better Life
by Cleo WadeA beautifully illustrated book from Cleo Wade—the artist, poet, and speaker who has been called &“the Millennial Oprah&” by New York Magazine—that offers creative inspiration and life lessons through poetry, mantras, and affirmations, perfect for fans of the bestseller Milk & Honey.True to her hugely popular Instagram account, Cleo Wade brings her moving life lessons to Heart Talk, an inspiring, accessible, and spiritual book of wisdom for the new generation. Featuring over one hundred and twenty of Cleo&’s original poems, mantras, and affirmations, including fan favorites and never before seen ones, this book is a daily pep talk to keep you feeling empowered and motivated. With relatable, practical, and digestible advice, including &“Hearts break. That&’s how the magic gets in,&” and &“Baby, you are the strongest flower that ever grew, remember that when the weather changes,&” this is a portable, replenishing pause for your daily life. Keep Heart Talk by your bedside table or in your bag for an empowering boost of spiritual adrenaline that can help you discover and unlock what is blocking you from thriving emotionally and spiritually.
Heart to Heart New Poems Inspired by Twentieth-Century American Art
by Jan GreenbergWhat do we feel when we look at a great work of art<P><P> What does a poet feel<P> Heart to Heart offers an original way to approach poetry and art—with new works by distinguished American poets, specially commissioned for this book by editor Jan Greenberg. Prompted by paintings, sculpture, prints, and photographs by American artists working in the 20th century, these poems lend a new meaning to “art appreciation” and make each page of Heart to Heart an exciting discovery.<P> Join such poets as Jane Yolen, Nancy Willard, X. J. Kennedy, Naomi Shihab Nye, David Mura, and Angela Johnson as they reveal a personal, heartfelt response to works by Thomas Hart Benton, Romare Bearden, Jacob Lawrence, Grandma Moses, Faith Ringgold, Man Ray, Georgia O’Keeffe, and many others. Whether the poems are playful, challenging, tender, mocking, humorous, sad, or sensual, each work of art, seen through the eyes of a poet, allows readers to look at the world with new insight.
The Heartbreak, It is Mine
by Nathalie Andrews Stanislas Kazal“The Heartbreak” (copyright July 2008) was a clandestinely published book, sold illicitly after performances in Paris and Bordeaux’s underground scene until 2010. At last, here is a final edition of this rare and hard to find book, (a collector’s item), which has been responsible for fomenting division and revolution. In addition, this opus draws on other work published covertly by the author in 2008. I thus want to celebrate the long period of catharsis that inspired me to pull these miscellaneous writings together into this “mashup,” which was never meant to be mass-produced or sold in bookshops. This version is complete, containing the spirit of the original in the writing. One should view “The Heartbreak” as the ‘materia primera’ of an alchemical reaction. It ends differently to the original underground edition, from 2008, by returning to a new point of departure, but remains a poignant testimony to my years of wandering. – Stanislas Kazal (18th May 2014).
Heartsongs
by Mattie StepanekMatthew Joseph Thaddeus Stepanek, known to his friends as "Mattie," began writing poetry and short stories at the age of three. Some of his works explore the uncensored reality of living with a rare form of muscular dystrophy and with the grief associated with the loss of his three siblings to the same Iife-threattning condition. But most of his work proclaims the innocent hope, profound wisdom and delightful humor of childhood Other books by this author are available from Bookshare..
Heartstrings and Happenings: Poems and Poetry of Betty Swensen Dodge
by Betty DodgeElizabeth Holroyd Shipley Swensen Dodge (Betty) was born, ninth of eleven children, in Sutherland, Utah on January 8, 1917. The mother of five children, her life as an active member of the Church of Jesus Christ of Latter-day Saints included a full time mission and nearly two decades as an ordinance worker in the Jordan River Temple. She has been a widow for nearly 50 years. Her poems of insights and compassion reflect the heartstrings and happenings of a mother, widow, friend, and a women committed to the the teachings of Jesus Christ.