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The Land of Silence: And Other Poems
by May SartonA splendid collection from a true master It is often in solitude that a writer begins to understand herself. This becomes evident in The Land of Silence, May Sarton&’s collection of poems previously published in the New Yorker and Harper&’s Magazine, as Sarton searches for solitude and tries to understand the regrets and ecstasies associated with it. Images from these poems linger in the mind&’s eye: a bird, a dream. Sarton&’s verse feels real, yet it represents something more. Published in 1953, the year after Sarton won the Reynolds Lyric Award of the Poetry Society of America, The Land of Silence presents a poet at peak form.
Land of the Cranes
by Aida SalazarNine-year-old Betita knows she is a crane. Papi has told her the story, even before her family fled to Los Angeles to seek refuge from cartel wars in Mexico. The Aztecs came from a place called Aztlan, what is now the Southwest US, called the land of the cranes. They left Aztlan to establish their great city in the center of the universe-Tenochtitlan, modern-day Mexico City. It was prophesized that their people would one day return to live among the cranes in their promised land. Papi tells Betita that they are cranes that have come home.Then one day, Betita's beloved father is arrested by Immigration Customs Enforcement (ICE) and deported to Mexico. Betita and her pregnant mother are left behind on their own, but soon they too are detained and must learn to survive in a family detention camp outside of Los Angeles. Even in cruel and inhumane conditions, Betita finds heart in her own poetry and in the community she and her mother find in the camp. The voices of her fellow asylum seekers fly above the hatred keeping them caged, but each day threatens to tear them down lower than they ever thought they could be. Will Betita and her family ever be whole again?
Land of the Reed Plains: Ancient Japanese Lyrics from the Manyoshu
by Kenneth Yasuda Sanko InoueThis collection of Japanese poetry and paintings is a wonderful addition to the collection of any enthusiast of Japanese poetry or culture.<P><P>Land of the Reed Plains presents a rare and beautiful combination of Japanese lyric genius and artistic mastery. The poetry comes from the Manyoshu, Japan's earliest and greatest anthology and masterpiece of world literature, ably translated by Kenneth Yasuda. The 100 paintings that accompany the poems, each in full color, are the work of the contemporary Japanese artist Sanko Inoue.Their ability to evoke the beauties of an ancient past in a technique that speaks both of tradition and of today, confirms again the high and versatile place Sanko occupies in Japan's art world.
Land's End: New and Selected Poems (Phoenix Poets)
by Gail MazurWith her latest poetry collection, Gail Mazur once again shows her mastery of the descriptive-meditative narrative, powerfully evoking the past while writing from the firm ground of the present. In Land’s End, we see Mazur writing with the kind of lyric authority, ever-deepening emotional range, and intellectual and social scope that her readers have come to expect in her poetry. Beautifully crafted elegies meet with reflections on her own life, her family, and artists who have come and gone. In the title poem, she leads readers through a garden, where new and old growth twists together in an “almanac of inheritances” that conjures the rich memory of poets who have passed on. In this space of remembrance, Mazur also charges us with the responsibility of nurturing art and artists of the future, especially in the face of the disheartening absurdities of contemporary politics. Contemplating the growth and decay so entwined in life, these poems invite us to consider both inevitable brokenness and necessary hope, writing “My work now: to continue learning to absorb the loss, / and live.” Through tidal creeks and the weightless scenes of ukiyo-e woodcuts, in artists’ studios and along the frozen Charles River, Mazur connects passionately with the world around her. Carrying with her the undeniable presence of loss and of time past, she engages deeply with the present, her historic memory informing a deep concern for contemporary life. Reading Land’s End, we find ourselves with the poet: as if here at land’s end, here on the coast, urgent, together we’d have energies to do battle forever. As if we could rescue the guttering world….
Landscape and Western Art
by Malcolm AndrewsWhat is landscape? How does it differ from 'land'? Does landscape always imply something to be pictured, a scene? When and why did we begin to cherish images of nature? What is 'nature'? Is it everything that isn't art, or artefact? This book explores many fascinating issues raised by the great range of ideas and images of the natural world in Western art since the Renaissance. Using a thematic structure many issues are examined, for instance: landscape as a cultural construct; the relationship between landscape as accessory or backdrop and landscape as the chief subject; landscape as constituted by various practices of framing; the sublime and ideas of indeterminacy; landscape art as picturesque or as exploration of living processes. These issues are raised and explored in connection with Western cultural movements, and within a full international and historical context. Many forms of landscape art are included: painting, gardening, panorama, poetry, photography, and art. The book is designed to both take stock of recent interdisciplinary debates and act as a stimulus to rethinking our assumptions about landscape.
Landscape at the End of the Century: Poems
by Stephen Dunn"Here is the mature work of a poet who has always managed to delight--but who now demands something more of us. He asks us to enter the twenty-first century with open eyes: attentive to the past, eager for the future, naming what we love."--Judith Kitchen, Georgia Review
Landscape with Chainsaw: Poems
by James Lasdun"Brilliant ....certainly among the most gifted, vivid, and deft poets now writing in English."--Anthony Hecht, author of The Darkness and the Light An exuberant and bold series of poems drawing on the poet's life in the Catskill Mountains. Questions of exile and belonging figure prominently, as does the struggle to find a viable relationship with the natural world. In the chainsaw--the book's central image--all manner of human traits are reflected with an intense, often comical brilliance.
Landscape with Human Figure
by Rafael CampoIn Landscape with Human Figure, his fourth and most compelling collection of poetry, Rafael Campo confirms his status as one of America's most important poets. Like his predecessor William Carlos Williams, who was also a physician, Campo plumbs the depths of our capacity for empathy. Campo writes stunning, candid poems from outside the academy, poems that arise with equal beauty from a bleak Boston tenement or a moonlit Spanish plaza, poems that remain unafraid to explore and to celebrate his identity as a doctor and Cuban American gay man. Yet no matter what their unexpected and inspired sources, Campo's poems insistently remind us of the necessity of poetry itself in our increasingly fractured society; his writing brings us together--just as did the incantations of humankind's earliest healers--into the warm circle of community and connectedness. In this heart-wrenching, haunting, and ultimately humane work, Rafael Campo has painted as if in blood and breath a gorgeously complex world, in which every one of us can be found.
Landscape with Yellow Birds
by Jose Angel Valente Tom ChristensenFor José Ángel Valente, the word was foremost. He was of a generation that came of age under the Franco dictatorship. But unlike many of his contemporaries, he did not often address political or social issues directly in his poems. His influence as a poetic force proved to be much deeper. From the outset Valente's work was bold yet disciplined, immediate yet lyrical, combining poetic precision with a knack for capturing vital moments and a keen ear for musicality. His chief concern was poetry that explored and transcended itself: poetry as knowledge. A poet of unfailing integrity, he never wavered in his pursuit of the truth of the word. Exploring questions of love, loss, and the spirit, he stripped twentieth-century Spanish poetry of its rhetorical excesses, producing contemplative, introspective, and at times mystical verses, rejecting the facile and embracing silence. In his later years, he turned to stirring, highly distilled prose poems in such works as The Singer Does Not Awaken and Landscape with Yellow Birds. Then the clear melody of his early verse gave way to intensely resonant passages that folded in upon each other and opened startling vistas in unexpected directions. This is the first major selection of Valente's work to appear in English.
The Landscapes of W. H. Auden’s Interwar Poetry: Roots and Routes (Perspectives on the Non-Human in Literature and Culture)
by Ladislav VítThis is the first book-length study foregrounding Auden’s sense of place as a means for enhancing our grasp of this crucial twentieth-century poet. Proposing that Auden had a remarkable spatial sensibility, this book concentrates on his treatment of his homeland England, as well as the North Pennines and Iceland, both of which served as his ‘good’ places, ‘holy’ grounds and sources of topophilic sentiment. The readings draw on the scholarship of humanistic geography, tracing patterns of mental constructs which emerge from spatial experience. In a scholarly but engaging way, this book argues that focusing on Auden’s poetics of place as it emerged and evolved can be instrumental to our understanding of this influential poet not only in relation to his epoch but also to the Anglophone poetic tradition. Precisely because of his stature, these elaborations on Auden’s preoccupation with places, escapism, borders and local identity promise to enrich our understanding of the cultural and intellectual climate of the interwar period, when established notions of local places and cultures were beginning to be contested by internationalisation. This study will be of interest to both academics and students in the field of Anglophone literary studies while also appealing to those attracted to Auden’s poetry, interwar culture and the literary representation of space.
Landscapes of Writing in Chicano Literature
by Imelda Martín-JunqueraAdding nuance to a global debate, esteemed scholars from Europe and North and Latin America portray the attempts in Chicano literature to provide answers to the environmental crisis. Diverse ecocritical perspectives add new meaning to the novels, short stories, drama, poetry, films, and documentaries analyzed in this timely and engaged collection.
Langston Hughes and the Blues
by Steven C. TracyThe shades and structures of the blues had an immense impact on the poetry of Langston Hughes. Steven C. Tracy provides a cultural context for Hughes’s work while revealing how Hughes mined Black oral and literary traditions to create his poetry. Comparing Hughes’s poems to blues texts, Tracy reveals how Hughes’s experimental forms reflect the poetics, structures, rhythms, and musical techniques of the music. Tracy also offers a discography of recordings by the artists--Bessie Smith, Ma Rainey, Blind Lemon Jefferson, and others--who most influenced the poet.
Language Duel/ Duelo del Lenguaje
by Rosario Ferré"English and Spanish have been at war since Queen Elizabeth sank King Felipe's Spanish Armada in 1588," Rosario Ferré writes in the title poem of Language Duel; "Language carries with it all their fire and power." She explores this tension throughout this explosive collection, which plays with the sensual differences between the languages and lays bare many of the complications facing an increasingly bilingual America. In these poems, Miami is celebrated as a modern Tower of Babel and a place where the layers of history are particularly palpable. Wave after wave of conquerors wash across the Americas. A well-dressed Latino businessman inadvertently reveals his roots at the Ritz when someone steps on his foot, eliciting a profanity--in Spanish. Intimate snapshots capture the nameless heroism of homeless men, the exuberance of a child's affection for her hometown, and memories of lovers. "El español y el inglés han estado en guerra desde que la Reina Isabel hundió la Armada Invencible en el 1588", escribe Rosario Feré en "Duelo del lenguaje", el poema que da el título a esta colección; "los lenguajes llevan con sigo todo su fuego y poderío". Ferré explora las tensiones entre lenguas y culturas a través de esta colección de carácter controversial, que señala muchos de los dilemas a los que se enfrenta hoy una América cada vez más bilingüe. Estos poemas celebran tanto la antiquísima ciudad San Juan como las metrópolis más modernas: Miami, Nueva York, WDC. Pasado y presente, historia y sociedad se mezclan con una inmediatez sorprendente. Ola tras ola de conquistadores estalla sobre Norte América; un hombre de negocios bien vestido inesperadamente revela sus raíces cuando alguien le da un pisotón en el elevador del Ritz y suelta una maldición. Fotos instantáneas de los deambulantes que se desplazan por las calles de la capital, el cariño exuberante que siente un niño por su ciudad natal, los amantes cuya memoria perdura en el recuerdo, el rumor de la lluvia en el patio de atrás, que lava el remordimiento: he aquí algunos de los temas a la vez poéticos y cotidianos que se recogen en este libro.
The Language of Contemporary Poetry: A Framework for Poetic Analysis (Palgrave Studies in Language, Literature and Style)
by Lesley JeffriesThis book introduces a new way of looking at how poems mean, drawing on the framework first developed in the author’s book Critical Stylistics, but applied here to aesthetic more than ideological meaning. The aim is to empower readers of poetry to articulate the features of poetic language that they come across and explain to themselves and others why these features convey the meanings that they do. While this volume focuses on contemporary poets writing in English and mostly based in the UK and Ireland, the framework will work just as well for other eras’ poetry, as well as for other cultures and languages.
The Language of Dystopia (Palgrave Studies in Language, Literature and Style)
by Jessica NorledgeThis book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice. Drawing upon stylistic, cognitive-poetic and narratological approaches, the work proposes a stylistic profile of dystopia, arguing for a reader-led discussion of genre that takes into account reader subjectivity and personal conceptualisations of prototypicality. In examining and identifying those aspects of language that characterise dystopian narratives and the experience of reading dystopian fictions, the work discusses in particular the manipulation and construction of dystopian languages, the conceptualisation of dystopian worlds, the reading of dystopian minds, the projection of dystopian ethics, the unreliability of dystopian refraction, and the evolution and hybridity of the dystopian genre.
The Language of Food: "Mouth-watering and sensuous, a real feast for the imagination" BRIDGET COLLINS
by Annabel Abbs'A sensual feast of a novel, written with elegance, beauty, charm and skill in a voice that is both lyrical and unique' Santa Montefiore Eliza Acton, despite having never before boiled an egg, became one of the world&’s most successful cookery writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, uplifting and truly inspiring.Told in alternate voices by the award-winning author of The Joyce Girl, and with recipes that leap to life from the page, The Language of Food by Annabel Abbs is the most thought-provoking and page-turning historical novel you&’ll read this year, exploring the enduring struggle for female freedom, the power of female friendship, the creativity and quiet joy of cooking and the poetry of food, all while bringing Eliza Action out of the archives and back into the public eye. &‘I love Abbs&’s writing and the extraordinary, hidden stories she unearths. Eliza Acton is her best discovery yet&’ Clare Pooley'A literary - and culinary - triumph!' Hazel Gaynor &‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud&’ Bridget Collins 'A sumptuous banquet of a book that nourished me and satisfied me just as Eliza Acton&’s meals would have... I adored it' Polly Crosby &‘Wonderful... Abbs is such a good story teller. She catches period atmosphere and character so well&’ Vanessa Nicolson 'Two of my favourite topics in one elegantly written novel - women&’s lives and food history. I absolutely loved it' Polly Russell 'A story of courage, unlikely friendship and an exceptional character, told in vibrant and immersive prose' Caroline Scott &‘Richly imagined and emotionally tender&’ Pen Vogler 'Characters that leap off the page, a fascinating story and so much atmosphere, you feel you're in the kitchen with Eliza - I loved it.' Frances Quinn 'Clever, unsentimental, beautifully detailed and quietly riveting' Elizabeth Buchan, author of Two Women in Rome
The Language of Inquiry
by Lyn HejinianThe Language of Inquiry is a comprehensive collection of her essays, and its publication promises to be an important event for American literary culture. Here, Hejinian brings together twenty essays written over a span of almost twenty-five years.
The Language of Jane Austen (Palgrave Studies in Language, Literature and Style)
by Joe BrayJoe Bray’s careful analysis of Jane Austen’s stylistic techniques reveals that the genius of her writing is far from effortless; rather he makes the case for her as a meticulous craftswoman and a radical stylistic pioneer. Countering those who have detected in her novels a dominant, authoritative perspective, Bray begins by highlighting the complex, ever-shifting and ambiguous nature of the point of view through which her narratives are presented. This argument is then advanced through an exploration of the subtle representation of speech, thought and writing in Austen’s novels. Subsequent chapters investigate and challenge the common critical associations of Austen’s style with moral prescriptivism, ideas of balance and harmony, and literal as opposed to figurative expression. The book demonstrates that the wit and humour of her fiction is derived instead from a complex and subtle interplay between different styles. This compelling reassessment of Austen’s language will offer a valuable resource for students and scholars of stylistics, English literature and language and linguistics.
The Language of Literature (Grade 8, California Edition)
by Mcdougal LittellLiterature textbook for California 8th graders.
The Language of Loss: Poetry and Prose for Grieving and Celebrating the Love of Your Life
by Barbara AbercrombieWhen Barbara Abercrombie&’s husband died, she found the language of condolence irritating, no matter how well intended. &“My husband had not gone to a better place as if he were off on a holiday. He had not passed like clouds overhead, nor was he my late husband as if he&’d missed a train. I had not lost him as if I&’d been careless, and for sure, none of it was for the best.&” She yearned instead for words that acknowledged the reality of death, spoke about the sorrow and loneliness (and perhaps even guilt and anger), and might even point the way toward hope and healing. She found those words in the writings gathered here. The Language of Loss is a book to dip into and read slowly, a collection of poems and prose to lead you through the phases of grief. The selections follow an arc that mirrors the path of many mourners — from abject loss and feeling unmoored, to glimmers of promise and possibility, through to gratitude for the love they knew. These writings, which express what often feels ineffable, will accompany those who grieve, offering understanding and solace.
The Language of Natural Description in Eighteenth-Century Poetry (Routledge Library Editions: 18th Century Literature)
by John ArthosOriginally published in 1949, this title was written in order to help establish a better understanding of the ‘stock diction’ of eighteenth-century English poetry, and, in particular, of the diction commonly used in the description of nature. The language characteristic of so much of the poetry of this period had been severely criticized for a long time. But in the twenty or thirty years prior to publication some effort had been made to review the subject and the problem. However, several questions still remained unanswered, and more exhaustive analysis needed to be undertaken. This volume was an effort to provide answers for some of these questions and to begin the analysis that was required.
The Language of Shakespeare's Plays
by B. I. EvansFirst published in 1952. This volume explores the function of verse in drama and the developing way in which Shakespeare controlled the rhetorical and decorative elements of speech for the dramatic purpose. The Language of Shakespeare's Plays explores the plays chronologically and so covers all the outstanding problems of Shakespearian language in a way that makes reference easy, without any loss of a continuing narrative.
The Language of Siegfried Sassoon (Palgrave Studies in Language, Literature and Style)
by Marcello GiovanelliThis book presents a cognitive stylistic analysis of the writing of Siegfried Sassoon, a First World War poet who has typically been perceived as a poet of protest and irony, but whose work is in fact multi-faceted and complex in theme and shifted in style considerably throughout his lifetime. The author starts from the premise that a more systematic account of Sassoon’s style is possible using the methodology of contemporary stylistics, in particular Cognitive Grammar. Using this as a starting point, he revisits common ideas from Sassoon scholarship and reconfigures them through the lens of cognitive stylistics to provide a fresh perspective on Sassoon's style. This book will be of interest to students and scholars of stylistics, war poetry, twentieth-century literature, and cognitive linguistics.
Languages and Literary Cultures in Hyderabad
by Kousar J. AzamThere is great interest in recent scholarship in the study of metropolitan cultures in India as evident from the number of books that have appeared on cities such as Delhi, Mumbai, Chennai and Kolkata. Though Hyderabad has a rich archive of history scattered in many languages, very few attempts have been made to bring this scholarship together. The papers in this volume bring together this scholarship at one place. They trace the contribution of different languages and literary cultures to the multicultural mosaic that is the city of Hyderabad How it has acquired this uniqueness and how it has been sustained is the subject matter of literary cultures in Hyderabad. This work attempts to trace some aspects of the history of major languages practiced in the city. It also reviews the contribution of the various linguistic groups that have added to the development not just of varied literary cultures, but also to the evolution of an inclusive Hyderabadi culture. The present volume, it is hoped, will enthuse both younger and senior scholars and students to take a fresh look at the study of languages and literary cultures as they have evolved in India's cities and add to the growing scholarship of metropolitan cultures in India.
The Languages of Criticism and the Structure of Poetry
by R. S. CraneTHIS BOOK IS a considerably revised version of the Alexander Lectures for 1951-52 given by R. S. Crane.