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The Languages of Criticism and the Structure of Poetry
by R. S. CraneTHIS BOOK IS a considerably revised version of the Alexander Lectures for 1951-52 given by R. S. Crane.
The Languages of Criticism and the Structure of Poetry
by Ronald CraneThese vigorous lectures deal with some of the many ways in which the question of structure in poetry (here synonymous with the whole range of artistic creation in words) can be discussed. Criticism has never been, Professor Clare argues, a single discipline, but a collection of more and less distinct conceptual "languages," within any one of which a literary problem takes on a special solution. The Alexander Lectures for 1952.
L'anima germogliata: Poesie del Raccolto d'amore
by Doobie Shemer Federica GalettoPoesie d'amore d'ispirazione mistica per amanti della Poesia Se ami, se hai amato, ordina ora il dono perfetto: una copia di L'anima germogliata:Poesie del Raccolto d'amore L'anima germogliata è una silloge di Poesie del Raccolto d'Amore rivolta a chiunque sia alla ricerca della Pace interiore in tempi di dolore, di un'appagante beatitudine e una fede crescente, di nuove speranze in momenti difficili, di sollievo dell'anima in stagioni di abbattimento, di meglio comprendere l'amore mistico, di risvegliarsi alla propria chiamata.
Lapis (Wesleyan Poetry Series)
by Kerri WebsterIn Lapis, poet Kerri Webster writes into the vast space left by the deaths of three women: her mother, a mentor, and a friend. Using a wide array of lyric forms and meditations, Webster explores matrilineages both familial and poetic, weaving together death, spirituality, women, and a sense of the shifting earth into one "doctrine of Non-linear Revelation." Elegy And I was equal to my longing:the mums blackening; sorrow a carboned figurine; the firmament steaming; your ashesinterred in the boulder;the ugly birds crying dolor dolor dolor;the sky smoke-choked—what, then, would you have had be my register?As the beasts of the field rub their antlers off with ooh-itch pleasure; as the screen says You often open around this time; as the grapesblight: listen: sometimes we're the pilgrim, sometimes we're the site.
LARB Digital Edition: Independence Day
by Los Angeles Review of BooksAs National Poetry Month was just last April, it's only fitting that we celebrate poetry this July. The poets in this collection represent the depth and breadth of contemporary American poetry: its independence, its drive to find new ways of making meaning, and its commitment to innovative ways of interrogating what we might consider foundational texts. In this new poetry ePub, we present two poets writing about Emily Dickinson, Stephen Burt's groundbreaking essay on trans-poetry, Joshua Edwards's elegy to poetically seeing the landscapes around us, and original poetry by Douglas Kearney, Maurice Manning, and Lauren K Alleyne.
Larkin’s Travelling Spirit: The Place, Space and Journeys of Philip Larkin
by Alex HowardThis book examines Larkin’s evocation of place and space, along with the opportunities for self-discovery offered by the act and thought of travel. From his canonical verse to his lesser-known juvenilia and dream diaries, this title unveils a new Larkin; a man whose religious, political and ontological affiliations are often as wide-ranging and experimental as the very form and symbolic licence used to express them. Whether exploring Larkin’s fondness for deictics (‘pointing’ words, like here/there), his fascination with death, or his interest in the sexual opportunities of an itinerant lifestyle, this monograph provides fresh critical approaches bound to appeal to established Larkin scholars and newcomers alike.
L'art d'estimar
by OvidiLa gran obra llatina de la poesia didàctica sobre l'amor, plena de saviesa, on Ovidi ensenya sobre l'amor sense oblidar la ironia, la paròdia i l'humor. Ovidi és el més gran exponent de la poesia didàctica llatina sobre l'amor i L'art d'estimar és la gran obra d'aquest gènere. Dividida en tres grans llibres, Ovidi dedica el primer i el segon als homes. Els explica on trobar dones, com seduir-les i mantenir el seuamor. El llibre tercer va dirigit a les dones, perquè s'enfrontin a la batalla «en igualtat de condicions». Ple de saviesa, Ovidi ensenya sobre l'amor sense oblidar la ironia, la paròdia i l'humor. «Si algú d'aquest poble no coneix l'art d'estimar, que llegeixi aquest poema i, instruït per la seva lectura, que estimi». Són els mots que encapçalen L'art d'estimar. Una lectura sensual i llicenciosa.
Larvae of the Nearest Stars: Poems
by Catherine W. CarterLarvae of the Nearest Stars offers deeply serious verse that packs profound emotional and spiritual power while encouraging readers to laugh out loud. Catherine W. Carter’s quirky, accessible poems bridge and question binaries—human and nonhuman, lyric and narrative, science and magic, river trash and galaxies. The poems’ subjects range from dowsers and liver spots to the mysteries of two-seater outhouses and encounters with sentient milk jugs and “our lady of the bagels.” The collection begins and ends by confronting the necessity—and the promise—to bear witness to the world as it is, addressing how we can manage to love the world in the face of everything that makes doing so a challenge. The poems in this engaging and meditative collection are sometimes dark, often funny, but always surprising.
Las Mocedades De Rodrigo
by Matthew BaileyPerhaps the most famous Castilian in history, Rodrigo Diaz ? also known as ?the Cid? ? lived in the second half of the eleventh century, distinguishing himself during the conquest of the Muslim kingdom of Valencia. The epic poem Las Mocedades de Rodrigo (The Youthful Deeds of Rodrigo), is a fictional account of the young Rodrigo?s passage from impetuous initiate to menacing force of nature, and, finally, to ally and servitor of his king. Written around 1300, the poem garnered a significant reputation in its native Spain and is still widely read today. Despite its popularity, an English translation has never been published.This bilingual edition offers both the Old Spanish version of Las Mocedades as well as the first English translation of the epic poem. In his introduction, Matthew Bailey examines the text as a compilation of oral narratives passed down from speakers to scribes. Situating it fully within the tradition of Spanish epic poetry, Bailey goes on to review the poem?s critical reception, explains the hybrid nature of the narrative, and looks at the origins of the hero himself. The translation includes explanatory notes to help the contemporary English-language reader understand the social and political circumstances surrounding the poem.For those interested in the poetry of medieval Spain, the epic tradition, or for anyone looking for a good adventure story, Las Mocedades de Rodrigo will be essential reading.
The Last Fifth Grade of Emerson Elementary
by Laura ShovanLaura Shovan's engaging, big-hearted debut is a time capsule of one class's poems during a transformative school year. <P><P>Families change and new friendships form as these terrific kids grow up and move on in this whimsical novel-in-verse about finding your voice and making sure others hear it. Eighteen kids,one year of poems,one school set to close. <P><P>Two yellow bulldozers crouched outside,ready to eat the building in one greedy gulp. But look out, bulldozers.Ms. Hill's fifth-grade class has plans for you. <P><P>They're going to speak up and work together to save their school.
The Last Girl: Poems
by Rose SolariA shimmering girl who disappears in daylight. A boy who goes to war and comes back forever broken. New landscapes in which old ghosts appear, telling their bits of stories. Lovers and losses, visions and dreams--such are the people, places, and images who fill Rose Solari's third collection of poetry, The Last Girl. Moving beyond the often-narrative constructions of her previous collection, the poems in this collection tell their truths slant-wise, in spiky, inventive lines that sing their way under the reader's skin. Solari's whole-hearted lyricism of her elegiac moments, linguistic inventiveness, and range of tones sweep the reader from dark to light, from pain to joy, from unbearable loss to giddy delight. The poems in this collection represent a writer working at the peak of her powers, possessed of technical mastery, fierce perception, and a tender but unsentimental heart.
The Last House
by Michael KenyonThis is Michael Kenyon’s third full-length collection of poems. His poetry and fiction have always been alert to the underside, the angularity of the outcast, those forced by temperament or predilection or circumstance to the fringes of middle class life. Here, it is insight itself that pushes the speakers closer to the edge. The world of these poems is dark: Kenyon names and owns our clear cuts, our overpopulation, our fossil-fueled rush to oblivion, the violence embedded in sexuality. This is a book of expanded elegy, clear-eyed, unflinching amid the wreckage of its loves. Fiercely elegiac, jaggedly sexual, The Last House stands on the brink of devastation-personal, ancestral, cultural. There is transcendence here, but no redemption: it is too late. But this is also a book about love-protean, violent, perduring-love as the key to reality, even as it mystifies us or tears us apart. These are poems of deep and disturbing vision, sustained by electrifying honesty.
Last Lake
by Reginald GibbonsFrom Ritual A slow parade of old west enthusiasts, camp song and hymn, came in along the winding way where rural declined to suburban, slow riders and wagoners passing a cow staked to graze, some penned cattle looking vacantly up--not in vacant lots the ancient icons of wealth they had been in odes, prayers and epics, in sacrifices and customs of bride-price or dowry. (It's good people no longer make blood sacrifices, at gas stations and stores, for example, and in the crunching gravel parking lots of small churches--oh but we do.) "The evening forgives the alleyway," Reginald Gibbons writes in his tenth book of poems--but such startling simplicities are overwhelmed in us by the everyday and the epochal. Across the great range of Gibbons's emblematic, vividly presented scenes, his language looks hard at and into experience and feeling. Words themselves have ideas, and have eyes--inwardly looking down through their own meanings, as the poet considers a lake in the Canadian north, a Chicago neighborhood, a horse caravan in Texas, a church choir, a bookshelf, or an archeological dig on the steppes near the Volga River. The last lake is the place of both awe and elegy.
Last Laughs: Prehistoric Epitaphs
by Jane Yolen J. Patrick LewisPoems framed as epitaphs for extinct prehistoric animals hit the proverbial (coffin) nail on the head in this darkly humorous collection from expert poets Jane Yolen and J. Patrick Lewis.Macabre, ironic, and witty epitaphs share how prehistoric creatures like the terror bird, the woolly mammoth, and the T-rex met their demise. The ever-entertaining J. Patrick Lewis and the inimitable Jane Yolen offer a collection organized by era, with posthumous poems paired with short secondary text providing additional, factual information about each creature.
Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (The A. W. Mellon Lectures in the Fine Arts #56)
by Helen VendlerModern American poets writing in the face of deathIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
The Last Love Poem I Will Ever Write: Poems
by Gregory OrrA "master of the lyric poem" (Paris Review) at the top of his form writes indelibly of grief and love. In this moving, playful, and deeply philosophical volume, Gregory Orr seeks innovative ways for the imagination to respond to and create meaning out of painful experiences, while at the same time rejoicing in love and language. A passionate exploration of the forces that shape us, The Last Love Poem I Will Ever Write explores themes of survival and the powerlessness of the self in a chaotic and unfair world, finding hope in the emotions and vitality of poetry. With characteristic meditative lyricism, the poet reflects on grief and the power of language in extended odes (“Ode to Nothing,” “Ode to Words”) and slips effortlessly from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”). The Last Love Poem I Will Ever Write confirms Orr’s place among the preeminent lyric poets of his generation, engaging the deepest existential issues with wisdom and humor and transforming them into celebratory song.
The Last Night of the Earth Poems
by Charles BukowskiPoems deal with writing, death and immortality, literature, city life, illness, war, and the past.
Last Pawn Shop in New Jersey: Poems
by James HochWith Last Pawn Shop in New Jersey, James Hoch gives readers a heart-lugged romp and a work of resistance, conversing with the interstices of public and personal histories and identities in the context of ecological deterioration. Drawing on emotional experiences prompted by his brother’s going to war in Afghanistan, the death of his mother from ovarian cancer, and the raising of his sons, Hoch investigates the difficulty of loving and of making beauty in times of crisis when faced with knowledge of its limitations and necessity. Lyrical and meditative, intense and intimate, his poems evoke landscapes with views of the New York water supply system, industrialization along the Hudson River, and the geology of the Palouse in the Pacific Northwest.A bare-knuckled argument for the sublime in the context of war and environmental degradation, Last Pawn Shop in New Jersey asserts the redemptive power of art as survival.
The Last Plantagenet Consorts
by Kavita Mudan FinnAn examination of fifteenth-century British queens through literature and history.
The Last Romantics (Routledge Revivals)
by Graham HoughFirst published in 1947, The Last Romantics elucidates on the major preoccupations of the leaders of thought in late Victorian times such as the arts and their relation to religion and the social order. The aim is to trace their thoughts and feelings and study the relevance of the thoughts to the author's time. This leads author to examine some aesthetic theories of Ruskin, Rosetti, Morris, Pater and finally Yeats, and includes discussions on art and French literature. This book will be of interest to students of Romantic literature.
Last Sext
by Melissa BroderIn her electric fourth collection, Melissa Broder penetrates the itch of existence and explores numberless deaths: the annihilation of self, the bereavement of love, the destruction of fantasy, the transmutation, even, of our ideas of dying. What emerges is an infinite series of false endings--each a trap door containing the possibility for alchemy, rebirth, and renewal. Part elegy, part confessional, part battle cry, Last Sext confronts both eternal longing and the mystery of mortality, with language hot, primal, and dark, as Broder's fans have come to love.
The Last Shift: Poems
by Philip LevineThe final collection of new poems from one of our finest and most beloved poets. The poems in this wonderful collection touch all of the events and places that meant the most to Philip Levine. There are lyrical poems about his family and childhood, the magic of nighttime and the power of dreaming; tough poems about the heavy shift work at Detroit's auto plants, the Nazis, and bosses of all kinds; telling poems about his heroes--jazz players, artists, and working people of every description, even children. Other poems celebrate places and things he loved: the gifts of winter, dawn, a wall in Naples, an English hilltop, Andalusia. And he makes peace with Detroit: "Slow learner that I am, it took me one night/to discover that rain in New York City/is just like rain in Detroit. It gets you wet." It is a peace that comes to full fruition in a moving goodbye to his home town in the final poem in the collection, "The Last Shift."From the Hardcover edition.
The Last Shift: Poems
by Philip LevineThe final collection of new poems from one of our finest and most beloved poets. The poems in this wonderful collection touch all of the events and places that meant the most to Philip Levine. There are lyrical poems about his family and childhood, the magic of nighttime and the power of dreaming; tough poems about the heavy shift work at Detroit's auto plants, the Nazis, and bosses of all kinds; telling poems about his heroes--jazz players, artists, and working people of every description, even children. Other poems celebrate places and things he loved: the gifts of winter, dawn, a wall in Naples, an English hilltop, Andalusia. And he makes peace with Detroit: "Slow learner that I am, it took me one night/to discover that rain in New York City/is just like rain in Detroit. It gets you wet." It is a peace that comes to full fruition in a moving goodbye to his home town in the final poem in the collection, "The Last Shift."From the Hardcover edition.
The Last Skin
by Barbara RasA third collection from a poet whose "beautiful sentences weave the miraculous and mundane into a single, luminous tapestry" (The Atlanta Journal-Constitution) Barbara has won acclaim for fluid and graceful poems that touch on the small occurrences and mysteries of daily life in the hopes of finding the secret meaning beneath them. Both intimate and wide ranging, her work is unafraid of big subjects and big feelings, and sometimes comedic. Her third collection, The Last Skin, extends and develops these qualities, offering landscapes and characters both domestic and exotic, in poignant personal lyrics of precise description that investigate beauty, grief, death, fragility, time, and loss. Here is a poet engaged with the spirit as well as the political, blending the give and take of the world into her own ecstatic rhythms.